{"id":61856,"date":"2016-09-23T00:34:20","date_gmt":"2016-09-22T22:34:20","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=61856"},"modified":"2023-05-02T09:21:04","modified_gmt":"2023-05-02T07:21:04","slug":"entrevista-isabel-bachs","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/entrevista-isabel-bachs\/","title":{"rendered":"[:es]Entrevista a Isabel Bachs[:gl]Entrevista a Isabel Bachs[:en]Interviews Isabel Bachs[:]"},"content":{"rendered":"

[:es]<\/p>\n

Han pasado 30 a\u00f1os desde que un 2 de junio de 1986 se inaugur\u00f3 la reconstrucci\u00f3n del Pabell\u00f3n Mies van der Rohe, construido para la Exposici\u00f3n Internacional de Barcelona de 1929. Aunque el proceso se inici\u00f3 en 1957 cuando Oriol Bohigas escrib\u00eda a Mies para encargarle, de nuevo, el pabell\u00f3n.<\/p>\n

Este a\u00f1o con motivo de esta efem\u00e9ride, tenemos la oportunidad de poder plantearle a\u00a0Isabel Bachs<\/a> una serie de cuestiones aprop\u00f3sito del 30\u00ba Aniversario de la reconstrucci\u00f3n del Pabell\u00f3n Barcelona<\/a>.<\/p>\n

\"Cristian
Cristian Cirici, Isabel Bachs, Fernando Ramos y Oriol Bohigas | Fotograf\u00eda: Isabel Bachs<\/span><\/figcaption><\/figure>\n

\u00bfPodr\u00eda valorar la importancia de Lilly Reich en la concepci\u00f3n del Pabell\u00f3n?<\/strong><\/p>\n

Puedo hacer suposiciones ya que no se tiene informaci\u00f3n contrastada sobre su intervenci\u00f3n.<\/p>\n

Lo que es indudable es su sensibilidad y val\u00eda y lo dif\u00edcil que resultaba entonces el reconocimiento de los m\u00e9ritos de una mujer en el mundo profesional y muy particularmente en el de la arquitectura, donde las trabas peores las ejercen, aun hoy, gran n\u00famero de arquitectos.<\/p>\n

La reconstrucci\u00f3n del Pabell\u00f3n, no estuvo exenta de pol\u00e9mica<\/a>. Seg\u00fan Josep Mar\u00eda Montaner se podr\u00edan agrupar en tres l\u00edneas, una primera forma por Oriol Bohigas, Emili Donato, Daniel Giralt-Miracle, Joan Bassegoda y de Ignasi de Sol\u00e0-Morales, una segunda Josep Quetglas, Imma Juli\u00e1n, \u00c0ngel Gonz\u00e1lez, Manfredo Tafuri y algunos otros, y una tercera y \u00faltima formada por un peque\u00f1o grupo entre los que destacar\u00edan Alison Smithson y Giovanni Klaus Koenig \u00bfCree que ya se ha superado?<\/strong><\/p>\n

En el \u00e1mbito de la profesi\u00f3n las l\u00edneas cr\u00edticas se mantienen, aunque en estos momentos no creo que nadie plantee el tema del Pabell\u00f3n como una pol\u00e9mica candente y viva.<\/p>\n

\u00bfQu\u00e9 ha aportado la reconstrucci\u00f3n del Pabell\u00f3n a la arquitectura?<\/strong><\/p>\n

La experiencia en directo del espacio construido que ya en si constituye una vivencia no sustituible por ning\u00fan procedimiento de representaci\u00f3n.<\/p>\n

\u00bfY a la ciudad de Barcelona?<\/strong><\/p>\n

Ponerla en el mapa internacional de la arquitectura en los a\u00f1os de la reconstrucci\u00f3n de una forma m\u00e1s culta que la posterior explosi\u00f3n de los JJOO.<\/p>\n

\"Jordi
Jordi Marqu\u00e8s, Fernando Ramos, Isabel Bachs, Cristian Cirici, Oriol Bohigas<\/span><\/figcaption><\/figure>\n

\u00bfC\u00f3mo ve la situaci\u00f3n actual de la arquitectura espa\u00f1ola?<\/strong><\/p>\n

Complicada: por la crisis del sector y por la falta de peso espec\u00edfico de equipos con el prestigio de los que empiezan a retirarse de la primera l\u00ednea de la escena profesional.<\/p>\n

\u00bfQu\u00e9 opina de la situaci\u00f3n laboral de los profesionales de la arquitectura?<\/strong><\/p>\n

Que el arquitecto joven debe reinventar una profesi\u00f3n m\u00e1s abierta y colaboradora con los sectores sociales y profesionales del pa\u00eds. La formaci\u00f3n del arquitecto deber\u00eda incidir, que no lo hace, en su preparaci\u00f3n para un ejercicio profesional con un fuerte car\u00e1cter sociopol\u00edtico.<\/p>\n

\u00bfQu\u00e9 recomendaciones le dar\u00eda a los futuros profesionales de la arquitectura?<\/strong><\/p>\n

Que se acerquen al aprendizaje de la profesi\u00f3n con toda la pasi\u00f3n que tengan y que est\u00e9n dispuestos a so\u00f1ar que ejerci\u00e9ndola el mundo puede mejorar.<\/p>\n

Por \u00faltimo agradecer a Isabel Bachs su tiempo y predisposici\u00f3n con este espacio. No dejen de visitar el programa de programa de eventos de la fundaci\u00f3n Mies van der Rohe<\/a>.<\/p>\n

[:gl]<\/p>\n

Pasaron 30 anos desde que un 2 de xu\u00f1o de 1986 inaugurouse a reconstruci\u00f3n do Pavill\u00f3n Mies van der Rohe, constru\u00eddo para a Exposici\u00f3n Internacional de Barcelona de 1929. A\u00ednda que o proceso iniciouse en 1957 cando Oriol Bohigas escrib\u00eda a Mies para encargarlle, de novo, o pavill\u00f3n.<\/p>\n

Este ano con motivo desta efem\u00e9ride, temos a oportunidade de poder exporlle a Isabel Bachs<\/a> unha serie de cuesti\u00f3ns aprop\u00f3sito do 30\u00ba Aniversario da reconstrucci\u00f3n d Pavill\u00f3n Barcelona<\/a>.<\/p>\n

\"Cristian
Cristian Cirici, Isabel Bachs, Fernando Ramos e Oriol Bohigas | Fotograf\u00eda: Isabel Bachs<\/span><\/figcaption><\/figure>\n

Poder\u00eda valorar a importancia de Lilly Reich na concepci\u00f3n do Pavill\u00f3n?<\/strong><\/p>\n

Podo facer suposici\u00f3ns xa que non se ten informaci\u00f3n contrastada sobre a s\u00faa intervenci\u00f3n.<\/p>\n

O que \u00e9 indubidable \u00e9 a s\u00faa sensibilidade e val\u00eda e o dif\u00edcil que resultaba ent\u00f3n o reco\u00f1ecemento dos m\u00e9ritos dunha muller no mundo profesional e moi particularmente no da arquitectura, onde as trabas peores ex\u00e9rcenas, a\u00ednda hoxe, gran n\u00famero de arquitectos.<\/p>\n

A reconstruci\u00f3n do Pavill\u00f3n, non estivo exenta de pol\u00e9mica<\/a>.<\/strong> Segundo Josep Mar\u00eda Montaner poder\u00edanse agrupar en tres li\u00f1as, unha primeira forma por Oriol Bohigas, Emili Donato, Daniel Giralt-Miracle, Joan Bassegoda e de Ignasi de Sol\u00e0-Morais, unha segunda Josep Quetglas, Imma Juli\u00e1n, \u00c0ngel Gonz\u00e1lez, Manfredo Tafuri e alg\u00fans outros, e unha terceira e \u00faltima formada por un pequeno grupo entre os que destacar\u00edan Alison Smithson e Giovanni Klaus Koenig Cre que xa se superou?<\/strong><\/p>\n

No \u00e1mbito da profesi\u00f3n as li\u00f1as cr\u00edticas mant\u00e9\u00f1ense, a\u00ednda que nestes momentos non creo que ningu\u00e9n expo\u00f1a o tema do Pavill\u00f3n como unha pol\u00e9mica candente e viva.<\/p>\n

Que achegou a reconstruci\u00f3n do Pavill\u00f3n \u00e1 arquitectura?<\/strong><\/p>\n

A experiencia en directo do espazo constru\u00eddo que xa en se constit\u00fae unha vivencia non sustituible por ning\u00fan procedemento de representaci\u00f3n.<\/p>\n

E \u00e1 cidade de Barcelona?<\/strong><\/p>\n

Po\u00f1ela no mapa internacional da arquitectura nos anos da reconstruci\u00f3n dunha forma m\u00e1is culta que a posterior explosi\u00f3n dos Xogos Ol\u00edmpicos.<\/p>\n

\"Jordi
Jordi Marqu\u00e8s, Fernando Ramos, Isabel Bachs, Cristian Cirici, Oriol Bohigas<\/span><\/figcaption><\/figure>\n

Como ve a situaci\u00f3n actual da arquitectura espa\u00f1ola?<\/strong><\/p>\n

Complicada: pola crise do sector e pola falta de peso espec\u00edfico de equipos co prestixio dos que empezan a retirarse da primeira li\u00f1a da escena profesional.<\/p>\n

Que opina da situaci\u00f3n laboral dos profesionais da arquitectura?<\/strong><\/p>\n

Que o arquitecto novo debe reinventar unha profesi\u00f3n m\u00e1is aberta e colaboradora cos sectores sociais e profesionais do pa\u00eds. A formaci\u00f3n do arquitecto deber\u00eda incidir, que non o fai, na s\u00faa preparaci\u00f3n para un exercicio profesional cun forte car\u00e1cter sociopol\u00edtico.<\/p>\n

Que recomendaci\u00f3ns dar\u00edalle aos futuros profesionais da arquitectura?<\/strong><\/p>\n

Que se acheguen \u00e1 aprendizaxe da profesi\u00f3n con toda a paix\u00f3n que te\u00f1an e que estean dispostos a so\u00f1ar que exerc\u00e9ndoa o mundo pode mellorar.<\/p>\n

Por \u00faltimo agradecer a Isabel Bachs o seu tempo e predisposici\u00f3n con este espazo. Non deixen de visitar o programa de programa de eventos da fundaci\u00f3n Mies van der Rohe<\/a>.<\/p>\n

[:en]<\/p>\n

30 years have happened since on June 2, 1986 the reconstruction of the Pavilion inaugurated Mies van der Rohe, constructed for the International Exhibition of Barcelona of 1929. Though the process began in 1957 when Oriol Bohigas was writing to Mies to entrust him, again, the pavilion.<\/p>\n

This year on the occasion of this efem\u00e9ride, we have the opportunity to be able to raise to Isabel Bachs<\/a> a series of questions aprop\u00f3sito of 30 \u00ba Anniversary of the reconstruction of the Pavilion Barcelona<\/a>.<\/p>\n

\"Cristian
Cristian Cirici, Isabel Bachs, Fernando Ramos and Oriol Bohigas | Photography: Isabel Bachs<\/span><\/figcaption><\/figure>\n

Might it value the importance of Lilly Reich for the conception of the Pavilion?<\/strong><\/p>\n

I can do suppositions since there is not had information confirmed about his intervention.<\/p>\n

What is undoubted is his sensibility and value and the difficult thing that was turning out to be at the time the recognition of the merits of a woman in the professional world and very particularly in that of the architecture, where great number of architects exercise the worst hobbles, even today.<\/p>\n

The reconstruction of the Pavilion, it was not exempt from polemic<\/a>. According to Josep Maria Montaner Daniel Giralt-Miracle, Joan Bassegoda might gather in crowds in three lines, the first form for Oriole Bohigas, Emili Donato, and of Ignasi of Sol\u00e0-mulberry trees, the second Josep Quetglas, Imma Juli\u00e1n, \u00c0ngel Gonzalez, Manfredo Tafuri and different some, and the third and last one formed by a small group between those that Alison Smithson and Giovanni Klaus Koenig would emphasize does he think that already it has excelled itself?<\/strong><\/p>\n

In the area of the profession the critical lines are kept, though in these moments I do not believe that anybody raises the topic of the Pavilion as a white hot and alive polemic.<\/p>\n

What has contributed the reconstruction of the Pavilion to the architecture?<\/strong><\/p>\n

The live experience of the constructed space that already in if it constitutes an experience not sustituible for no procedure of representation.<\/p>\n

And to the city of Barcelona?<\/strong><\/p>\n

To put it in the international map of the architecture in the years of the reconstruction of a form more educated than the later explosion of the JJOO.<\/p>\n

\"Jordi
Jordi Marqu\u00e8s, Fernando Ramos, Isabel Bachs, Cristian Cirici, Oriol Bohigas<\/span><\/figcaption><\/figure>\n

How does it see the current situation of the Spanish architecture?<\/strong><\/p>\n

Complicated: for the crisis of the sector and for the lack of specific weight of equipments with the prestige of which they start moving back from the first line of the professional scene.<\/p>\n

What does think of the labor situation of the professionals of the architecture?<\/strong><\/p>\n

That the young architect must reinvent a more opened profession and collaborator with the social and professional sectors of the country. The formation of the architect should affect, that does not do it, in his preparation for a professional exercise with a strong social political character.<\/p>\n

What recommendations would it give him to the professional futures of the architecture?<\/strong><\/p>\n

That approach the learning of the profession with the whole passion that they have and that they are ready to dream that her exercising the world it can improve.<\/p>\n

Finally to be grateful for Isabel Bachs his time and predisposition with this space. Do not stop visiting the program of program of events of the Mies van der Rohe Foundation<\/a>.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Han pasado 30 a\u00f1os desde que un 2 de junio de 1986 se inaugur\u00f3 la reconstrucci\u00f3n del Pabell\u00f3n Mies van der Rohe, construido para la Exposici\u00f3n Internacional de Barcelona de 1929. Aunque el proceso se inici\u00f3 en 1957 cuando Oriol Bohigas escrib\u00eda a Mies para encargarle, de nuevo, el pabell\u00f3n. Este a\u00f1o con motivo […]<\/p>\n","protected":false},"author":15,"featured_media":61858,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[6743,6267,147,191,12649,12558,12647,484,9038,9930,12652,3875,12650,12653,12648,4559,3952,3732,6094,865,2049,4414,2173],"class_list":["post-61856","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-alison-smithson","tag-arquitectura-catalana","tag-arquitectura-moderna","tag-barcelona","tag-cristian-cirici","tag-daniel-giralt-miracle","tag-emili-donato","tag-entrevista","tag-fernando-ramos-galino","tag-fundacion-mies-van-der-rohe","tag-giovanni-klaus-koenig","tag-ignasi-de-sola-morales","tag-imma-julian","tag-isabel-bachs","tag-joan-bassegoda","tag-josep-maria-montaner","tag-josep-quetglas","tag-lilly-reich","tag-manfredo-tafuri","tag-mies-van-der-rohe","tag-oma","tag-oriol-bohigas","tag-rem-koolhaas"],"yoast_head":"\n[:es]Entrevista a Isabel Bachs[:gl]Entrevista a Isabel Bachs[:en]Interviews Isabel Bachs[:] - 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