{"id":60669,"date":"2016-07-25T00:44:00","date_gmt":"2016-07-24T22:44:00","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=60669"},"modified":"2023-09-12T16:05:58","modified_gmt":"2023-09-12T14:05:58","slug":"jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/","title":{"rendered":"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]"},"content":{"rendered":"

[:es]

\"Perspectiva,
Perspectiva, Arne Jacobsen 1936<\/span><\/figcaption><\/figure><\/p>\n

El preludio de la segunda guerra mundial limit\u00f3 las producciones arquitect\u00f3nicas de los pa\u00edses europeos involucrados en la contienda (fundamentalmente Alemania, Francia e Italia) donde, en raz\u00f3n de estar asentados los m\u00e1s influyentes impulsores de la actividad, se desarrollaba con mayor obstinaci\u00f3n el movimiento moderno.<\/p>\n

De manera concurrente, se hace masiva la difusi\u00f3n de obras construidas al norte de esos pa\u00edses, que propugnaban por una arquitectura conciliadora entre el pensar mecanicista y racional del movimiento moderno y una actualizaci\u00f3n del regionalismo vern\u00e1culo, panorama donde la figura de Alvar Aalto emerge como la m\u00e1s significativa.<\/p>\n

Entre los actores emergentes por estas condiciones sobresale la obra de Arne Jacobsen, quien sent\u00f3 las bases de su arquitectura en la d\u00e9cada del 30, pero alcanz\u00f3 la consideraci\u00f3n internacional en la posguerra. Influenciado en sus primeros a\u00f1os por Le Corbusier y Eric Gunnar Asplund, y en la madurez por Mies Van der Rohe, su obra expresa una f\u00e9rrea voluntad por enfatizar lo trascendente, evitando las formas y complementos excesivos, mediando el empleo de un decidido cuidado por la proporci\u00f3n geom\u00e9trica y el uso casi artesanal de los materiales.<\/p>\n

Jacobsen tambi\u00e9n se desatac\u00f3 por sus dise\u00f1os de muebles y objetos, algunos ic\u00f3nicos como las sillas Ant, Egg y Swan, o los cubiertos que Stanley Kubrick<\/a> hizo famosos en la pel\u00edcula \u201c2001 Odisea del Espacio\u201d, revelando en todos sus trabajos una sutil afinidad por las artes pl\u00e1sticas abstractas.<\/p>\n

\"estaci\u00f3n
Estaci\u00f3n de servicio de Skovshoved, Arne Jacobsen<\/span><\/figcaption><\/figure>\n

Uno de las realizaciones que identifica con mayor \u00e9nfasis la primera etapa de su trabajo fue la gasolinera de Skovshoved, una peque\u00f1a obra que compendia la sobriedad de su idea constructiva, pero que adem\u00e1s manifiesta algunas de las m\u00e1s ordenadas pasiones de la arquitectura moderna sin dejar de invocar un esmerado car\u00e1cter regional.<\/p>\n

Construida en 1936 en una carretera costera al norte de Copenhague, originalmente fue pensada como un prototipo en serie para la empresa petrolera Texaco<\/a>, pero esa idea no prosper\u00f3 y est\u00e1 estaci\u00f3n es la \u00fanica edificada. Su arquitectura se destaca por la elegante naturaleza de su composici\u00f3n, resumida en la uni\u00f3n de un volumen macizo y un plano libre horizontal.<\/p>\n

El cuerpo principal de la estaci\u00f3n se resume a una planta rectangular que contiene las oficinas, el local de ventas y los sanitarios. Sobre el frente, dispone de un \u00fanico vano transparente que coincide con el ancho de la losa superior, con una puerta de acceso al local de atenci\u00f3n y otra que comunica con el sal\u00f3n principal. La carpinter\u00eda se completa con dos pa\u00f1os transparentes que permiten la iluminaci\u00f3n natural de ambos locales. Desde una puerta de menor tama\u00f1o ubicada en la parte lateral se accede al local de servicio.<\/p>\n

Un revestimiento de cer\u00e1micas de Meisnner<\/a> cubre la estructura otorgando a los paramentos verticales una textura modulada y neutra. Cuatro ladrillos de vidrio distribuidos sim\u00e9tricamente sobre el frente acent\u00faan el peso visual de la edificaci\u00f3n. El reloj ubicado en el extremo superior izquierdo se coloc\u00f3 en reemplazo de la palabra \u201ctexaco\u201d existente en su origen.<\/p>\n

\"Arne
Arne Jacobsen. Estaci\u00f3n de servicio Texaco. Skovshoved 1936 | Fotograf\u00eda: Lotte Gr\u00f8nkj\u00e6r<\/span><\/figcaption><\/figure>\n

La cubierta plana que sobresale del volumen define el lugar de expendio de combustible. Pensada como elemento independiente, en realidad es una prolongaci\u00f3n de la cubierta del edificio de oficinas. Est\u00e1 conformada por la intersecci\u00f3n de un plano rectangular adosado al volumen con una elipse que se apoya en una \u00fanica columna ubicada en el centro de su figura.<\/p>\n

La totalidad del edificio est\u00e1 modelado en hormig\u00f3n armado dominado por el tono blanco, elecci\u00f3n crom\u00e1tica que afirma la est\u00e9tica modernista y exalta su perfil en la d\u00e9bil luz solar del paisaje Dinamarqu\u00e9s. Una serie de reflectores fueron ubicados en el muro de fachada debajo de la elipse, para resaltar el plano por la noche, estableciendo un emblema nocturno sobre la ruta.<\/p>\n

El edificio fue declarado patrimonio nacional, restaurado en 2003 por petici\u00f3n del ayuntamiento de Gentofte. En la actualidad se mantiene el servicio de expendio de combustible debajo de la losa saliente, pero el cuerpo principal del edificio ya no pertenece a la estaci\u00f3n y es utilizado como caf\u00e9.<\/p>\n

\"Oil
Estaci\u00f3n de servicio | Fotograf\u00eda: Maarten Helle<\/span><\/figcaption><\/figure>\n

Consecuente con su carrera posterior, la principal aportaci\u00f3n de esta obra de Jacobsen reside en la audaz contracci\u00f3n de la arquitectura a la sobriedad de los elementos esenciales, el empleo de colores lisos y la estricta modulaci\u00f3n geom\u00e9trica. El refinamiento est\u00e9tico y la elegancia en los detalles constructivos dogmatizan la arquitectura de la estaci\u00f3n como un mecanismo de abstracci\u00f3n donde la compacidad y la levedad se enlazan en delicado equilibrio.<\/p>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Junio 2016<\/p>\n

[:gl]

\"Perspectiva,
Perspectiva, Arne Jacobsen 1936<\/span><\/figcaption><\/figure><\/p>\n

O preludio da segunda guerra mundial limitou as produci\u00f3ns arquitect\u00f3nicas dos pa\u00edses europeos involucrados na contenda (fundamentalmente Alema\u00f1a, Francia e Italia) onde, en raz\u00f3n de estar asentados os m\u00e1is influentes impulsores da actividade, desenvolv\u00edase con maior obstinaci\u00f3n o movemento moderno.<\/p>\n

De maneira concorrente, faise masiva a difusi\u00f3n de obras constru\u00eddas ao norte deses pa\u00edses, que propugnaban por unha arquitectura conciliadora entre o pensar mecanicista e racional do movemento moderno e unha actualizaci\u00f3n do regionalismo vern\u00e1culo, panorama onde a figura de Alvar Aalto emerxe como a m\u00e1is significativa.<\/p>\n

Entre os actores emerxentes por estas condici\u00f3ns sobresae a obra de Arne Jacobsen, quen sentou as bases da s\u00faa arquitectura na d\u00e9cada do 30, pero alcanzou a consideraci\u00f3n internacional na posguerra. Influenciado nos seus primeiros anos por Le Corbusier e Eric Gunnar Asplund, e na madurez por Mies van der Rohe, a s\u00faa obra expresa unha f\u00e9rrea vontade por salientar o transcendente, evitando as formas e complementos excesivos, mediando o emprego dun decidido coidado pola proporci\u00f3n xeom\u00e9trica e o uso case artesanal dos materiais.<\/p>\n

Jacobsen tam\u00e9n se desatac\u00f3 polos seus dese\u00f1os de mobles e obxectos, alg\u00fans ic\u00f3nicos como as cadeiras Ant, Egg e Swan, ou os cubertos que Stanley Kubrick<\/a> fixo famosos na pel\u00edcula \u201c2001 Odisea do Espazo\u201d, revelando en todos os seus traballos unha sutil afinidade polas artes pl\u00e1sticas abstractas.<\/p>\n

\"estaci\u00f3n
Estaci\u00f3n de servizo de Skovshoved, Arne Jacobsen<\/span><\/figcaption><\/figure>\n

Un das realizaci\u00f3ns que identifica con maior \u00e9nfase a primeira etapa do seu traballo foi a gasolineira de Skovshoved, unha pequena obra que compendia a sobriedade da s\u00faa idea construtiva, pero que ademais manifesta algunhas das m\u00e1is ordenadas paix\u00f3ns da arquitectura moderna sen deixar de invocar un esmerado car\u00e1cter rexional.<\/p>\n

Constru\u00edda en 1936 nunha estrada costeira ao norte de Copenhague, orixinalmente foi pensada como un prototipo en serie para a empresa petroleira Texaco<\/a>, pero esa idea non prosperou e est\u00e1 estaci\u00f3n \u00e9 a \u00fanica edificada. A s\u00faa arquitectura dest\u00e1case pola elegante natureza da s\u00faa composici\u00f3n, resumida na uni\u00f3n dun volume macizo e un plano libre horizontal.<\/p>\n

O corpo principal da estaci\u00f3n res\u00famese a unha planta rectangular que cont\u00e9n as oficinas, o local de vendas e os sanitarios. Sobre a fronte, disp\u00f3n dun \u00fanico van transparente que coincide co ancho da laxa superior, cunha porta de acceso ao local de atenci\u00f3n e outra que comunica co sal\u00f3n principal. A carpinter\u00eda compl\u00e9tase con dous panos transparentes que permiten a iluminaci\u00f3n natural de ambos os locais. Desde unha porta de menor tama\u00f1o situada na parte lateral acc\u00e9dese ao local de servizo.<\/p>\n

Un revestimento de cer\u00e1micas de Meisnner<\/a> Meisnner cobre a estrutura outorgando aos paramentos verticais unha textura modulada e neutra. Catro ladrillos de vidro distribu\u00eddos sim\u00e9tricamente sobre a fronte acent\u00faan o peso visual da edificaci\u00f3n. O reloxo situado no extremo superior esquerdo colocouse en substituci\u00f3n da palabra \u00abtexaco\u00bb existente na s\u00faa orixe.<\/p>\n

\"Arne
Arne Jacobsen. Estaci\u00f3n de servizo Texaco. Skovshoved 1936 | Fotograf\u00eda: Lotte Gr\u00f8nkj\u00e6r<\/span><\/figcaption><\/figure>\n

A cuberta plana que sobresae do volume define o lugar de expendio de combustible. Pensada como elemento independente, en realidade \u00e9 unha prolongaci\u00f3n da cuberta do edificio de oficinas. Est\u00e1 conformada pola intersecci\u00f3n dun plano rectangular encostado ao volume cunha elipse que se apoia nunha \u00fanica columna situada no centro da s\u00faa figura.<\/p>\n

A totalidade do edificio est\u00e1 modelado en formig\u00f3n armado dominado polo ton branco, elecci\u00f3n crom\u00e1tica que afirma a est\u00e9tica modernista e exalta o seu perfil na d\u00e9bil luz solar da paisaxe Dinamarqu\u00e9s. Unha serie de reflectores foron situados no muro de fachada debaixo da elipse, para resaltar o plano pola noite, establecendo un emblema nocturno sobre a ruta.<\/p>\n

O edificio foi declarado patrimonio nacional, restaurado en 2003 por petici\u00f3n do concello de Gentofte. Na actualidade mantense o servizo de expendio de combustible debaixo da laxa sa\u00ednte, pero o corpo principal do edificio xa non pertence \u00e1 estaci\u00f3n e \u00e9 utilizado como caf\u00e9.<\/p>\n

\"Oil
Estaci\u00f3n de servicio | Fotograf\u00eda: Maarten Helle<\/span><\/figcaption><\/figure>\n

Consecuente coa s\u00faa carreira posterior, a principal achega desta obra de Jacobsen reside na audaz contracci\u00f3n da arquitectura \u00e1 sobriedade dos elementos esenciais, o emprego de cores lisas e a estrita modulaci\u00f3n xeom\u00e9trica. O refinamiento est\u00e9tico e a elegancia nos detalles construtivos dogmatizan a arquitectura da estaci\u00f3n como un mecanismo de abstracci\u00f3n onde a compacidad e a levedad enl\u00e1zanse en delicado equilibrio.<\/p>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Xu\u00f1o 2016<\/p>\n

[:en]

\"Perspectiva,
Perspective, Arne Jacobsen 1936<\/span><\/figcaption><\/figure><\/p>\n

The prelude of the second world war limited the architectural productions of the European countries involved in the contest (fundamentally Germany, France and Italy) where, in reason of the most influential impellers of the activity being seated, the modern movement was developing with major obstinacy.<\/p>\n

In a competing way, there becomes massive the diffusion of works constructed to the north of these countries, which they were supporting for an architecture conciliadora between to think mecanicista and rationally of the modern movement and an update of the vernacular regionalism, panorama where Alvar Aalto’s figure emerges like the most significant.<\/p>\n

Between the emergent actors for these conditions there stands out Arne Jacobsen’s work, who laid the foundations of his architecture in the decade of 30, but it reached the international consideration in the postwar period. Influenced in his first years by Corbusier and Eric Gunnar Asplund, and in the maturity for Mies Van der Rohe, his work expresses a ferreous will for emphasizing the transcendent thing, avoiding the forms and excessive complements, happening the employment of a determined care for the geometric proportion and the almost handcrafted use of the materials.<\/p>\n

Jacobsen also was unclasped by his designs of furniture and objects, some ic\u00f3nicos like the chairs Ant, Egg and Swan, or the cutlery that Stanley Kubrick<\/a> made famous in the movie \u201c2001 Odyssey of the Space\u201d, revealing in all his works a subtle affinity for the plastic abstract arts.<\/p>\n

\"estaci\u00f3n
Gas station in Skovshoved, Arne Jacobsen<\/span><\/figcaption><\/figure>\n

One of the accomplishments who identifies with major emphasis the first stage of his work was Skovshoved’s gas station, a small work that summarizes the sobriety of his constructive idea, but that in addition demonstrates some of the most tidy passions of the modern architecture without stopping invoking a careful regional character.<\/p>\n

Constructed in 1936 in a coastal road to the north of Copenhagen, originally it was thought as a prototype about series for the petroleum company Texaco<\/a>, but this idea did not prosper and it is station is only built. His architecture is outlined for the elegant nature of his composition, summarized in the union of a massive volume and a free horizontal plane.<\/p>\n

The principal body of the station is summarized to a rectangular plant that contains the offices, the place of sales and the sanitary ones. On the front, he has a vain transparent only one that coincides with the width of the top slab, with a door of access to the place of attention and other one that he reports with the principal lounge. The carpentry is completed by two transparent cloths that allow the natural lighting of both places. From a door of minor size located in the lateral part one accedes to the place of service.<\/p>\n

Meisnner<\/a>‘s coating ceramics covers the structure granting to the vertical paraments a modulated and neutral texture. Four glass bricks distributed symmetrically on the front accentuate the visual weight of the building. The clock located in the top left end was placed in replacement of the word\u00a0\u201ctexaco\u201d existing in his origin.<\/p>\n

\"Arne
Arne Jacobsen. Texaco Gas Station. Skovshoved 1936 | Photographer Lotte Gr\u00f8nkj\u00e6r<\/span><\/figcaption><\/figure>\n

The flat cover that stands out of the volume defines the place of expenditure of fuel. Thought as independent element, actually it is a prolongation of the cover of the office block. It is shaped by the intersection of a rectangular plane attached to the volume by an ellipse that rests on the only column located in the center of his figure.<\/p>\n

The totality of the building is shaped in reinforced concrete dominated by the white tone, chromatic choice that affirms the modernist aesthetics and exalts his profile in the weak solar light of the Danish landscape. A series of reflectors were located in the wall of front under the ellipse, to highlight the plane in the night, establishing a night emblem on the route.<\/p>\n

The building was declared national wealth, restored in 2003 by request of Gentofte’s town hall. At present there is kept the service of expenditure of fuel under the salient slab, but the principal body of the building already does not belong to the station and is used as coffee.<\/p>\n

\"Oil
Gas station | Photography: Maarten Helle<\/span><\/figcaption><\/figure>\n

Consistent with his later career, the principal contribution of this Jacobsen’s work resides in the bold contraction of the architecture to the sobriety of the essential elements, the employment of smooth colors and the strict geometric modulation. The aesthetic refinement and the elegance in the constructive details dogmatize the architecture of the station as a mechanism of abstraction where the compactness and the levity are connected in delicate balance.<\/p>\n

Marcelo Gardinetti. Architect
\nLa Plata, Argentina. Juny 2016<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El preludio de la segunda guerra mundial limit\u00f3 las producciones arquitect\u00f3nicas de los pa\u00edses europeos involucrados en la contienda (fundamentalmente Alemania, Francia e Italia) donde, en raz\u00f3n de estar asentados los m\u00e1s influyentes impulsores de la actividad, se desarrollaba con mayor obstinaci\u00f3n el movimiento moderno. De manera concurrente, se hace masiva la difusi\u00f3n de […]<\/p>\n","protected":false},"author":4,"featured_media":60671,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[102,2450,7203,147,150,6757,12457,6821,668,785,4985,865],"class_list":["post-60669","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-alvar-aalto","tag-arne-jacobsen","tag-arquitectura-danesa","tag-arquitectura-moderna","tag-arquitectura-tradicional","tag-arquitectura-vernacula","tag-equipamiento-dotacional","tag-erik-gunnar-asplund","tag-historia","tag-le-corbusier","tag-marcelo-gardinetti","tag-mies-van-der-rohe"],"yoast_head":"\n[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/marcegardinetti\" \/>\n<meta property=\"article:published_time\" content=\"2016-07-24T22:44:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-12T14:05:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"429\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marcelo Gardinetti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/marcegardinetti\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marcelo Gardinetti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/\"},\"author\":{\"name\":\"Marcelo Gardinetti\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\"},\"headline\":\"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]\",\"datePublished\":\"2016-07-24T22:44:00+00:00\",\"dateModified\":\"2023-09-12T14:05:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/\"},\"wordCount\":2500,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/07\\\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg\",\"keywords\":[\"Alvar Aalto\",\"Arne Jacobsen\",\"arquitectura danesa\",\"arquitectura moderna\",\"arquitectura tradicional\",\"arquitectura vern\u00e1cula\",\"equipamiento dotacional\",\"Erik Gunnar Asplund\",\"historia\",\"Le Corbusier\",\"Marcelo Gardinetti\",\"Mies van der Rohe\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/\",\"name\":\"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/07\\\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg\",\"datePublished\":\"2016-07-24T22:44:00+00:00\",\"dateModified\":\"2023-09-12T14:05:58+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/07\\\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/07\\\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg\",\"width\":640,\"height\":429},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\",\"name\":\"Marcelo Gardinetti\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"caption\":\"Marcelo Gardinetti\"},\"description\":\"No voy a hablar de la penumbra, mejor voy a ver si puedo despertar. Arquitecto, - Universidad Nacional de La Plata, La Plata, 1985 - Editor responsable en Tecnne 2012 a la fecha. - Columnista de arquitectura en revistas y sitios web. 2012 a la fecha - Director en estudio de arquitectura, 1985 a la fecha. - Consultor Senior en Proyectos institucionales. 1995 a la fecha - Docente, Universidad Nacional de La Plata, 1985-1990 y 2011-2014 - Coordinador T\u00e9cnico en Universidad Nacional de Tres de Febrero, 2014 - 2019 - Director en Arquitectura Escolar, Provincia de Buenos Aires, 1991-1996 y 2001-2010 - Representante T\u00e9cnico, convenio UBA - FETINGRA, a\u00f1os 2020 a la fecha\",\"sameAs\":[\"https:\\\/\\\/marcelogardinetti.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/marcegardinetti\",\"https:\\\/\\\/www.instagram.com\\\/marcelogardinetti\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/marcelogardinetti\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/marcegardinetti\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/marcelo-gardinetti\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]","og_url":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/marcegardinetti","article_published_time":"2016-07-24T22:44:00+00:00","article_modified_time":"2023-09-12T14:05:58+00:00","og_image":[{"width":640,"height":429,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg","type":"image\/jpeg"}],"author":"Marcelo Gardinetti","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/marcegardinetti","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Marcelo Gardinetti","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/"},"author":{"name":"Marcelo Gardinetti","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e03af9138634cd6876b9935dc1536c82"},"headline":"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]","datePublished":"2016-07-24T22:44:00+00:00","dateModified":"2023-09-12T14:05:58+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/"},"wordCount":2500,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg","keywords":["Alvar Aalto","Arne Jacobsen","arquitectura danesa","arquitectura moderna","arquitectura tradicional","arquitectura vern\u00e1cula","equipamiento dotacional","Erik Gunnar Asplund","historia","Le Corbusier","Marcelo Gardinetti","Mies van der Rohe"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/","url":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/","name":"[:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg","datePublished":"2016-07-24T22:44:00+00:00","dateModified":"2023-09-12T14:05:58+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti[:gl]Jacobsen, a ponderaci\u00f3n do esencial | Marcelo Gardinetti[:en]Jacobsen, the weighting of the essential thing | Marcelo Gardinetti[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/estaci\u00f3n-de-servicio-de-Skovshoved-Arne-Jacobsen.jpg","width":640,"height":429},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/jacobsen-la-ponderacion-lo-esencial-marcelo-gardinetti\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Jacobsen, la ponderaci\u00f3n de lo esencial | Marcelo Gardinetti"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e03af9138634cd6876b9935dc1536c82","name":"Marcelo Gardinetti","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","caption":"Marcelo Gardinetti"},"description":"No voy a hablar de la penumbra, mejor voy a ver si puedo despertar. Arquitecto, - Universidad Nacional de La Plata, La Plata, 1985 - Editor responsable en Tecnne 2012 a la fecha. - Columnista de arquitectura en revistas y sitios web. 2012 a la fecha - Director en estudio de arquitectura, 1985 a la fecha. - Consultor Senior en Proyectos institucionales. 1995 a la fecha - Docente, Universidad Nacional de La Plata, 1985-1990 y 2011-2014 - Coordinador T\u00e9cnico en Universidad Nacional de Tres de Febrero, 2014 - 2019 - Director en Arquitectura Escolar, Provincia de Buenos Aires, 1991-1996 y 2001-2010 - Representante T\u00e9cnico, convenio UBA - FETINGRA, a\u00f1os 2020 a la fecha","sameAs":["https:\/\/marcelogardinetti.com\/","https:\/\/www.facebook.com\/marcegardinetti","https:\/\/www.instagram.com\/marcelogardinetti\/","https:\/\/www.linkedin.com\/in\/marcelogardinetti\/","https:\/\/x.com\/https:\/\/twitter.com\/marcegardinetti"],"url":"https:\/\/veredes.es\/blog\/author\/marcelo-gardinetti\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/60669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=60669"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/60669\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/60671"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=60669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=60669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=60669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}