{"id":60647,"date":"2016-07-11T00:30:34","date_gmt":"2016-07-10T22:30:34","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=60647"},"modified":"2019-12-27T16:40:33","modified_gmt":"2019-12-27T15:40:33","slug":"la-batalla-cotidiana-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-batalla-cotidiana-miguel-angel-diaz-camacho\/","title":{"rendered":"La batalla cotidiana | Miguel \u00c1ngel D\u00edaz Camacho"},"content":{"rendered":"<p>[:es]<figure id=\"attachment_60648\" aria-describedby=\"caption-attachment-60648\" style=\"width: 630px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60648\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986..jpg\" alt=\"Foto MADC. Edificio de Juzgados, Zaragoza. Alejandro de la Sota 1986\" width=\"630\" height=\"630\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986..jpg 425w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-120x120.jpg 120w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-150x150.jpg 150w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-60648\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Edificio de Juzgados, Zaragoza. Alejandro de la Sota 1986 | Foto MADC<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">En ocasiones un fragmento esconde las trazas de la totalidad. La vibraci\u00f3n del adoquinado, la diversidad de sus escamas, el brillo de la luz rasante sobre el perfil quebrado de todas y cada una de las piezas, el suelo representa de alguna manera el territorio de toda la ciudad, el suelo como conjunto de pisadas, el pa\u00eds como una amalgama de pies. Sin embargo esta imagen se presenta ante nosotros como una contradicci\u00f3n, pues los adoquines no forman parte de pavimento alguno.<\/p>\n<p style=\"text-align: justify;\">En la imagen el suelo <em>vuelve<\/em><em> <\/em>y se transforma en pared, la calle se convierte entonces en cauce y el lecho de las aceras alcanza la altura adecuada ante nuestra mirada. Sobre la urbanizaci\u00f3n expandida como env\u00e9s de una arquitectura sim\u00e9tricamente desplegada, una envolvente ligera se separa elegantemente mediante una junta de aire, una linea de sombra, un vac\u00edo como elemento de articulaci\u00f3n entre la afanosa solidez del pavimento y la altiva delicadeza de la membrana. Si se observa con detenimiento, el panel superior de chapa muestra una abolladura, una se\u00f1al certera de su fragilidad, un distintivo que recuerda y explica su posici\u00f3n elevada sobre la orilla de la aceras. Sellos de calidad que solo el tiempo puede otorgar.<\/p>\n<p style=\"text-align: justify;\">La arquitectura se presenta cada d\u00eda a la contienda de lo cotidiano; escribiremos su biograf\u00eda desde la fricci\u00f3n permanente con nuestras acciones y maniobras. Un fragmento de la batalla podr\u00eda esconder las trazas de la totalidad. La soledad de la abolladura, su estoicismo, su peque\u00f1a presencia circunstancial nos muestra la energ\u00eda contenida en nuestras calles, las fuerzas detonantes de la metr\u00f3poli, la virulencia de uno solo de sus proyectiles. La presencia protectora de los adoquines justifica la tersura fr\u00eda de la chapa, su arrogancia met\u00e1lica, su certidumbre m\u00e1s all\u00e1 de los impactos de la vida, m\u00e1s all\u00e1 de la batalla cotidiana.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto<br \/>\nMadrid. Enero 2015.<br \/>\n<span style=\"color: #999999;\">Autor de <em>Parr\u00e1fos de arquitectura<\/em>. <a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\">#arquiParrafos<\/a><\/span><\/p>\n<p>[:gl]<figure id=\"attachment_60648\" aria-describedby=\"caption-attachment-60648\" style=\"width: 630px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60648\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986..jpg\" alt=\"Foto MADC. Edificio de Juzgados, Zaragoza. Alejandro de la Sota 1986\" width=\"630\" height=\"630\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986..jpg 425w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-120x120.jpg 120w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-150x150.jpg 150w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-60648\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Edificio dos Xulgados, Zaragoza. Alejandro de la Sota 1986 | Foto MADC<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">En ocasi\u00f3ns un fragmento esconde as trazas da totalidade. A vibraci\u00f3n do empedrado, a diversidade das s\u00faas escamas, o brillo da luz rasante sobre o perfil crebado de todas e cada unha das pezas, o chan representa dalgunha maneira o territorio de toda a cidade, o chan como conxunto de pisadas, o pa\u00eds como unha am\u00e1lgama de p\u00e9s. Con todo esta imaxe pres\u00e9ntase ante n\u00f3s como unha contradici\u00f3n, pois as lastras non forman parte de pavimento alg\u00fan.<\/p>\n<p style=\"text-align: justify;\">Na imaxe o chan<em> volve<\/em> e transf\u00f3rmase en parede, a r\u00faa conv\u00e9rtese ent\u00f3n en canle e o leito das beirarr\u00faas alcanza a altura adecuada ante a nosa mirada. Sobre a urbanizaci\u00f3n expandida como env\u00e9s dunha arquitectura sim\u00e9tricamente despregada, unha envolvente lixeira sep\u00e1rase elegantemente mediante unha xunta de aire, unha linea de sombra, un baleiro como elemento de articulaci\u00f3n entre a afanosa solidez do pavimento e a altiva delicadeza da membrana. Se se observa con detemento, o panel superior de chapa mostra unha abolladura, un sinal certeiro da s\u00faa fraxilidade, un distintivo que lembra e explica a s\u00faa posici\u00f3n elevada sobre a beira da beirarr\u00faas. Selos de calidade que s\u00f3 o tempo pode outorgar.<\/p>\n<p style=\"text-align: justify;\">A arquitectura pres\u00e9ntase cada d\u00eda \u00e1 contenda do coti\u00e1n; escribiremos a s\u00faa biograf\u00eda desde a fricci\u00f3n permanente coas nosas acci\u00f3ns e manobras. Un fragmento da batalla poder\u00eda esconder as trazas da totalidade. A soidade da abolladura, a s\u00faa estoicismo, a s\u00faa pequena presenza circunstancial m\u00f3stranos a enerx\u00eda contida nas nosas r\u00faas, as forzas detonantes da metr\u00f3pole, a virulencia dun s\u00f3 dos seus proxect\u00eds. A presenza protectora das lastras xustifica a tersura fr\u00eda da chapa, a s\u00faa arrogancia met\u00e1lica, a s\u00faa certidumbre m\u00e1is al\u00f3 dos impactos da vida, m\u00e1is al\u00f3 da batalla coti\u00e1.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto<br \/>\nMadrid. Xaneiro 2015.<br \/>\n<span style=\"color: #999999;\">Autor de <em>Parr\u00e1fos de arquitectura<\/em>. <a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\">#arquiParrafos<\/a><\/span><\/p>\n<p>[:en]<figure id=\"attachment_60648\" aria-describedby=\"caption-attachment-60648\" style=\"width: 630px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60648\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986..jpg\" alt=\"Foto MADC. Edificio de Juzgados, Zaragoza. Alejandro de la Sota 1986\" width=\"630\" height=\"630\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986..jpg 425w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-120x120.jpg 120w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/07\/Foto-MADC.-Edificio-de-Juzgados-Zaragoza.-Alejandro-de-la-Sota-1986.-150x150.jpg 150w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-60648\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Courthouse Building , Zaragoza. Alejandro de la Sota 1986 | Photo MADC<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">In occasions a fragment hides the traces of the totality. The vibration of the paved one, the diversity of his scales, the sheen of the low light on the broken profile of each and every of the pieces, the soil represents somehow the territory of the whole city, the soil as set of trodden, the country as an amalgam of feet. Nevertheless this image appears before us as a contradiction, since the cobbles do not form a part of any pavement.<\/p>\n<p style=\"text-align: justify;\">In the image the soil <em>returns<\/em> and transforms in wall, the street turns then into riverbed and the bed of the sidewalks reaches the height adapted before our look. On the urbanization expanded as back of a symmetrically unfolded architecture, the surrounding light one separates elegantly by means of an air meeting, a line of shade, an emptiness as element of joint between the eager solidity of the pavement and the haughty sensitivity of the membrane. If it is observed thoroughly, the top panel of sheet shows a dent, an accurate sign of his fragility, a badge that remembers and explains his position raised on the shore of you her steel. Qualit stamps that alone the time can grant.<\/p>\n<p style=\"text-align: justify;\">The architecture appears every day to the contest of the daily thing; we will write his biography from the permanent friction with our actions and maneuvers. A fragment of the battle might hide the traces of the totality. The loneliness of the dent, his stoicism, his small circumstantial presence shows us the energy contained in our streets, the explosive forces of the metropolis, the virulence of the alone one of his missiles. The protective presence of the cobbles justifies the cold smoothness of the sheet, his metallic arrogance, his certainty beyond the impacts of the life, beyond the daily battle.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. PhD Architect<br \/>\nMadrid. January 2015.<br \/>\n<span style=\"color: #999999;\">Author of <em>Parr\u00e1fos de arquitectura<\/em>. <a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\">#arquiParrafos<\/a><\/span><\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] En ocasiones un fragmento esconde las trazas de la totalidad. La vibraci\u00f3n del adoquinado, la diversidad de sus escamas, el brillo de la luz rasante sobre el perfil quebrado de todas y cada una de las piezas, el suelo representa de alguna manera el territorio de toda la ciudad, el suelo como conjunto de [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":60648,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[93,2631,318,319,8309,708,815,6465,898,1241],"class_list":["post-60647","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-espanola","tag-ciudad","tag-ciudad-contemporanea","tag-fundacion-alejandro-de-la-sota","tag-industrializacion","tag-maestro","tag-miguel-angel-diaz-camacho","tag-movimiento-moderno","tag-sociedad"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La batalla cotidiana | Miguel \u00c1ngel D\u00edaz Camacho - 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