{"id":60176,"date":"2016-06-03T06:32:57","date_gmt":"2016-06-03T04:32:57","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=60176"},"modified":"2020-05-27T21:08:17","modified_gmt":"2020-05-27T19:08:17","slug":"seguinte-mais-grande-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/seguinte-mais-grande-miguel-angel-diaz-camacho\/","title":{"rendered":"[:es]Lo siguiente m\u00e1s grande | Miguel \u00c1ngel D\u00edaz Camacho[:gl]O seguinte m\u00e1is grande | Miguel \u00c1ngel D\u00edaz Camacho[:en]The biggest following thing | Miguel \u00c1ngel D\u00edaz Camacho[:]"},"content":{"rendered":"<p>[:es]<figure id=\"attachment_60177\" aria-describedby=\"caption-attachment-60177\" style=\"width: 630px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60177\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951.jpg\" alt=\"Mario de Biasi, Milano, Piazza Duomo, 1951\" width=\"630\" height=\"473\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951.jpg 800w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951-300x225.jpg 300w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-60177\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Mario de Biasi, Milano, Piazza Duomo, 1951<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Conviene mantener los o\u00eddos bien abiertos. Algo as\u00ed debi\u00f3 pensar C\u00e9sar Pelli durante su estancia en el estudio de Eero Saarinen a las afueras de Detroit, uno de los despachos de arquitectura m\u00e1s f\u00e9rtiles en el entrenamiento de arquitectos y por el que pasaron figuras tan notables como Robert Venturi o Kevin Roche. Cuenta Pelli que el propio Eliel Saarinen pasaba de vez en cuando por all\u00ed para visitar a Eero, y aunque de las conversaciones entre ambos arquitectos poco se conoce, C\u00e9sar recuerda un consejo que Eliel repet\u00eda con frecuencia, una advertencia velada que parec\u00eda reverberar desde un principio del tiempo y el espacio:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00ab<em>Piensa siempre en lo siguiente m\u00e1s grande<\/em>\u00ab<sup>1<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Hace tiempo que observamos la necesidad de trascender la escala de la arquitectura y pensar <em>m\u00e1s all\u00e1 <\/em>de nuestro propio contexto. Quiz\u00e1 siempre haya sido as\u00ed, quiz\u00e1 en el pasado la necesidad de defensa o recursos b\u00e1sicos requer\u00edan de la inter-conexi\u00f3n entre la arquitectura y un territorio m\u00e1s amplio, entendido en t\u00e9rminos geogr\u00e1ficos, clim\u00e1ticos o ecosist\u00e9micos. En este sentido, interesar\u00edan las arquitecturas que mejoran el espacio p\u00fablico de la ciudad, conectan las infraestructuras existentes o aprovechan lo abundante y conveniente para el medio natural y humano en que se encuentran.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00ab<em>Piensa siempre lo siguiente m\u00e1s grande<\/em>\u00ab.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Pero para un arquitecto, lo siguiente m\u00e1s grande puede ser un \u00e1rbol, una plaza, una ciudad, un paisaje o una pen\u00ednsula. Lo siguiente m\u00e1s grande puede ser el silencio, el subsuelo o el horizonte. Siempre habr\u00e1 algo m\u00e1s grande detr\u00e1s de la \u00faltima frontera.<\/p>\n<p style=\"text-align: justify;\">Conviene aqu\u00ed retomar la pregunta que Le Corbusier se hiciera a s\u00ed mismo casi como una renovaci\u00f3n de sus votos:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00ab\u00bfPara qui\u00e9n hay que construir? Para el <em>hombre<\/em>, no cabe la menor duda\u00bb <sup>2<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Pero el hombre <em>en cursiva<\/em> de Le Corbusier representa una figura universal, la suma de todos los hombres: la Humanidad. Desde esta perspectiva, <em>lo siguiente m\u00e1s grande<\/em> bien podr\u00eda representar no un lugar f\u00edsico cada vez de mayor extensi\u00f3n, no una reivindicaci\u00f3n de soluciones locales o regionales m\u00e1s o menos relacionadas con el actual y limitado concepto de lo sostenible. En palabras de Antonio Miranda:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abLa arquitectura genuina atiende m\u00e1s a la \u00fanica y cierta Civilizaci\u00f3n internacional y menos a las innumerables y autoritarias mitolog\u00edas culturales\u00bb <sup>3<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Como si un enorme y \u00fanico <em>extranjero <\/em>fuera el destino com\u00fan de todos los hombres; una biosfera fraternal y civilizadora; un \u00faltimo estadio panhumano. Lo siguiente m\u00e1s grande.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto<br \/>\nMadrid. Enero 2015.<br \/>\n<span style=\"color: #999999;\">Autor de <em>Parr\u00e1fos de arquitectura<\/em>. <a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\" rel=\"noopener noreferrer\">#arquiParrafos<\/a><\/span><\/p>\n<p style=\"text-align: justify;\">Notas<\/p>\n<p style=\"text-align: justify;\"><sup>1<\/sup>. C\u00e9sar Pelli, <a href=\"https:\/\/www.amazon.es\/Observaciones-Sobre-Arquitectura-Observations-Architecture\/dp\/9879393058?ie=UTF8&amp;camp=3626&amp;creativeASIN=9879393058&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Observaciones sobre la Arquitectura<\/em><\/a>, Buenos Aires, Infinito, 2009, p\u00e1g. 97.<\/p>\n<p style=\"text-align: justify;\"><sup>2<\/sup>. Le Corbusier, <em>La Maison des hommes<\/em>, avec <a href=\"https:\/\/www.amazon.es\/VIVIENDA-HOMBRE-Fran%C3%A7ois-CORBUSIER-PIERREFEU\/dp\/B00CVY4EUA?ie=UTF8&amp;camp=3626&amp;creativeASIN=B00CVY4EUA&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\">Fran\u00e7ois de Pierrefeu<\/a>, Plon, Paris, 1942. Edici\u00f3n consultada: La Casa del Hombre, Barcelona, Ap\u00f3strofe, 1999, p\u00e1g. 24.<\/p>\n<p style=\"text-align: justify;\"><sup>3<\/sup>. Antonio Miranda, <a href=\"https:\/\/www.amazon.es\/Arquitectura-Verdad-Curso-Cr%C3%ADtica-Grandes\/dp\/8437631467?ie=UTF8&amp;camp=3626&amp;creativeASIN=8437631467&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Arquitectura y Verdad. Un curso de cr\u00edtica<\/em><\/a>, Madrid, C\u00e1tedra, 2013, p\u00e1g. 12.<\/p>\n<p>[:gl]<figure id=\"attachment_60177\" aria-describedby=\"caption-attachment-60177\" style=\"width: 630px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60177\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951.jpg\" alt=\"Mario de Biasi, Milano, Piazza Duomo, 1951\" width=\"630\" height=\"473\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951.jpg 800w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951-300x225.jpg 300w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-60177\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Mario de Biasi, Milano, Piazza Duomo, 1951<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Conv\u00e9n manter os o\u00eddos ben abertos. Algo as\u00ed debeu pensar C\u00e9sar Pelli durante a s\u00faa estancia no estudo de Eero Saarinen nos arredores de Detroit, un dos despachos de arquitectura m\u00e1is f\u00e9rtiles no adestramento de arquitectos e polo que pasaron figuras tan notables como Robert Venturi ou Kevin Roche. Conta Pelli que o propio Eliel Saarinen pasaba de cando en vez por al\u00ed para visitar a Eero, e a\u00ednda que das conversaci\u00f3ns entre ambos os arquitectos pouco co\u00f1\u00e9cese, C\u00e9sar lembra un consello que Eliel repet\u00eda con frecuencia, unha advertencia velada que parec\u00eda reverberar desde un principio do tempo e o espazo:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abPensa sempre no seguinte m\u00e1is grande\u00bb<sup>1<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Hai tempo que observamos a necesidade de transcender a escala da arquitectura e pensar <em>m\u00e1is al\u00f3<\/em> do noso propio contexto. Quiz\u00e1 sempre fose as\u00ed, quiz\u00e1 no pasado a necesidade de defensa ou recursos b\u00e1sicos requir\u00edan da inter-conexi\u00f3n entre a arquitectura e un territorio m\u00e1is amplo, entendido en termos xeogr\u00e1ficos, clim\u00e1ticos ou ecosist\u00e9micos. Neste sentido, interesar\u00edan as arquitecturas que melloran o espazo p\u00fablico da cidade, conectan as infraestruturas existentes ou aproveitan o abundante e conveniente para o medio natural e humano en que se atopan.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00ab<em>Pensa sempre no seguinte m\u00e1is grande<\/em>\u00ab.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Pero para un arquitecto, o seguinte m\u00e1is grande pode ser unha \u00e1rbore, unha praza, unha cidade, unha paisaxe ou unha pen\u00ednsula. O seguinte m\u00e1is grande pode ser o silencio, o subsolo ou o horizonte. Sempre haber\u00e1 algo m\u00e1is grande detr\u00e1s da \u00faltima fronteira.<\/p>\n<p style=\"text-align: justify;\">Conv\u00e9n aqu\u00ed retomar a pregunta que Le Corbusier fix\u00e9sese a si mesmo case como unha renovaci\u00f3n dos seus votos:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abPara quen hai que constru\u00edr? Para o<em> home<\/em>, non cabe a menor dubida\u00bb <sup>2<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Pero o home en <em>cursiva<\/em> de Le Corbusier representa unha figura universal, a suma de todos os homes: a Humanidade. Desde esta perspectiva, <em>o seguinte m\u00e1is grande<\/em> ben poder\u00eda representar non un lugar f\u00edsico cada vez de maior extensi\u00f3n, non unha reivindicaci\u00f3n de soluci\u00f3ns locais ou rexionais m\u00e1is ou menos relacionadas co actual e limitado concepto do sustentable. En palabras de Antonio Miranda:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abA arquitectura xenu\u00edna atende m\u00e1is \u00e1 \u00fanica e certa Civilizaci\u00f3n internacional e menos \u00e1s innumerables e autoritarias mitolox\u00edas culturais\u00bb <sup>3<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Coma se un enorme e \u00fanico <em>estranxeiro<\/em> fose o destino com\u00fan de todos os homes; unha biosfera fraternal e civilizadora; un \u00faltimo estadio panhumano. O seguinte m\u00e1is grande.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto<br \/>\nMadrid. Xaneiro 2015.<br \/>\n<span style=\"color: #999999;\">Autor de <em>Parr\u00e1fos de arquitectura<\/em>. <a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\" rel=\"noopener noreferrer\">#arquiParrafos<\/a><\/span><\/p>\n<p style=\"text-align: justify;\">Notas<\/p>\n<p style=\"text-align: justify;\"><sup>1<\/sup>. C\u00e9sar Pelli, <a href=\"https:\/\/www.amazon.es\/Observaciones-Sobre-Arquitectura-Observations-Architecture\/dp\/9879393058?ie=UTF8&amp;camp=3626&amp;creativeASIN=9879393058&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Observaciones sobre la Arquitectura<\/em><\/a>, Buenos Aires, Infinito, 2009, p\u00e1x. 97.<\/p>\n<p style=\"text-align: justify;\"><sup>2<\/sup>. Le Corbusier,\u00a0<em>La Maison des hommes<\/em>, avec <a href=\"https:\/\/www.amazon.es\/VIVIENDA-HOMBRE-Fran%C3%A7ois-CORBUSIER-PIERREFEU\/dp\/B00CVY4EUA?ie=UTF8&amp;camp=3626&amp;creativeASIN=B00CVY4EUA&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\">Fran\u00e7ois de Pierrefeu<\/a>, Plon, Paris, 1942. Edici\u00f3n consultada: La Casa del Hombre, Barcelona, Ap\u00f3strofe, 1999, p\u00e1x. 24.<\/p>\n<p style=\"text-align: justify;\"><sup>3<\/sup>. Antonio Miranda, <a href=\"https:\/\/www.amazon.es\/Arquitectura-Verdad-Curso-Cr%C3%ADtica-Grandes\/dp\/8437631467?ie=UTF8&amp;camp=3626&amp;creativeASIN=8437631467&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Arquitectura e Verdade. Un curso de cr\u00edtica<\/em><\/a>, Madrid, C\u00e1tedra, 2013, p\u00e1x. 12.<\/p>\n<p>[:en]<figure id=\"attachment_60177\" aria-describedby=\"caption-attachment-60177\" style=\"width: 630px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60177\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951.jpg\" alt=\"Mario de Biasi, Milano, Piazza Duomo, 1951\" width=\"630\" height=\"473\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951.jpg 800w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/05\/Mario-de-Biasi-Milano-Piazza-Duomo-1951-300x225.jpg 300w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption id=\"caption-attachment-60177\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Mario de Biasi, Milano, Piazza Duomo, 1951<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">It suits to support the opened well ears. C\u00e9sar Pelli should have thought something like that during his stay about Eero Saarinen&#8217;s study to the suburbs of Detroit, one of the more fertile offices of architecture about the architects&#8217; training and for that there happened figures as notable as Robert Venturi or Kevin Roche. Counts Pelli that the own Eliel Saarinen was spending occasionally there to visit Eero, and though of the conversations between both architects little it is known, Caesar remembers an advice that Eliel was repeating often, a watched warning that seemed to be reflected from a beginning of the time and the space:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00ab<em>He thinks always about the biggest following thing<\/em>\u00ab<sup>1<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Some time ago that we observe the need to come out the scale of the architecture and to <em>think beyond<\/em> our own context. Probably always it has been like that, probably in the past the need of defense or basic resources they were needing of the interconnection between the architecture and the most wide territory understood with geographical, climatic terms or ecosist\u00e9micos. In this respect, they would interest the architectures that improve the public space of the city, they connect the existing infrastructures or take advantage of the abundant and suitable thing for the natural and human way in which they are.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00ab<em>He thinks always about the biggest following thing<\/em>\u00ab.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">But for an architect, the biggest following thing can be a tree, a square, a city, a landscape or a peninsula. The biggest following thing can be the silence, the subsoil or the horizon. Always there will be something bigger behind the last border.<\/p>\n<p style=\"text-align: justify;\">It suits to take again here the question that Corbusier was doing to himself to yes same almost as a renovation of his votes:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abFor whom is it necessary to construct? For the <em>man,<\/em> it does not fit the minor doubt\u00bb <sup>2<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">But the man <em>in cursive<\/em> by Le Corbusier represents a universal figure, the sum of all the men: the Humanity. From this perspective, <em>following more big good<\/em> might represent not a physical place every time of major extension, not a recovery of local or regional solutions more or less related to the current and limited concept of the sustainable thing. In Antonio Miranda&#8217;s words:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abThe genuine architecture attends more to the only and certain international Civilization and less to the innumerable and authoritarian cultural mythologies\u00bb <sup>3<\/sup>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">As if the enormous and only<em> foreigner<\/em> was the common destination of all the men; a brotherly biosphere and civilizadora; a last stadium panhumano. The biggest following thing.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. PhD Architect<br \/>\nMadrid. January 2015.<br \/>\n<span style=\"color: #999999;\">Author of the <em>Parr\u00e1fos de arquitectura<\/em>. <a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\" rel=\"noopener noreferrer\">#arquiParrafos<\/a><\/span><\/p>\n<p style=\"text-align: justify;\">Notes<\/p>\n<p style=\"text-align: justify;\"><sup>1<\/sup>. C\u00e9sar Pelli, <a href=\"https:\/\/www.amazon.es\/Observaciones-Sobre-Arquitectura-Observations-Architecture\/dp\/9879393058?ie=UTF8&amp;camp=3626&amp;creativeASIN=9879393058&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Observaciones sobre la Arquitectura<\/em><\/a>, Buenos Aires, Infinito, 2009, page 97.<\/p>\n<p style=\"text-align: justify;\"><sup>2<\/sup>. Le Corbusier, <em>La Maison des hommes<\/em>, avec <a href=\"https:\/\/www.amazon.es\/VIVIENDA-HOMBRE-Fran%C3%A7ois-CORBUSIER-PIERREFEU\/dp\/B00CVY4EUA?ie=UTF8&amp;camp=3626&amp;creativeASIN=B00CVY4EUA&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\">Fran\u00e7ois de Pierrefeu<\/a>, Plon, Paris, 1942. Consulted edition: La Casa del Hombre, Barcelona, Ap\u00f3strofe, 1999, page. 24.<\/p>\n<p style=\"text-align: justify;\"><sup>3<\/sup>. Antonio Miranda, <a href=\"https:\/\/www.amazon.es\/Arquitectura-Verdad-Curso-Cr%C3%ADtica-Grandes\/dp\/8437631467?ie=UTF8&amp;camp=3626&amp;creativeASIN=8437631467&amp;linkCode=xm2&amp;redirect=true&amp;tag=wwwveredeses-21\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Arquitectura y Verdad. Un curso de cr\u00edtica<\/em><\/a>, Madrid, C\u00e1tedra, 2013, page 12.<\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] Conviene mantener los o\u00eddos bien abiertos. Algo as\u00ed debi\u00f3 pensar C\u00e9sar Pelli durante su estancia en el estudio de Eero Saarinen a las afueras de Detroit, uno de los despachos de arquitectura m\u00e1s f\u00e9rtiles en el entrenamiento de arquitectos y por el que pasaron figuras tan notables como Robert Venturi o Kevin Roche. Cuenta [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":60177,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[11298,12515,393,3512,9714,659,668,785,6465,1021,4346,1278,2048],"class_list":["post-60176","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-antonio-miranda-regojo","tag-cesar-pelli","tag-critica","tag-eero-saarinen","tag-eliel-saarinen","tag-habitar","tag-historia","tag-le-corbusier","tag-miguel-angel-diaz-camacho","tag-pensamiento","tag-robert-venturi","tag-teoria","tag-teoria-e-historia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[:es]Lo siguiente m\u00e1s grande | Miguel \u00c1ngel D\u00edaz Camacho[:gl]O seguinte m\u00e1is grande | Miguel \u00c1ngel D\u00edaz Camacho[:en]The biggest 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En la actualidad desarrolla proyectos de arquitectura y urbanismo en Espa\u00f1a y Noruega.","sameAs":["https:\/\/madc.xyz\/","https:\/\/www.facebook.com\/diazcamacho","https:\/\/www.instagram.com\/madc_architecture\/","https:\/\/www.linkedin.com\/in\/madcarquitectos\/","https:\/\/x.com\/https:\/\/twitter.com\/MADCARQUITECTOS"],"url":"https:\/\/veredes.es\/blog\/author\/miguel-angel-diaz-camacho\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/60176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=60176"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/60176\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/60177"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=60176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=60176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=60176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}