{"id":59589,"date":"2016-03-28T06:31:17","date_gmt":"2016-03-28T04:31:17","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=59589"},"modified":"2020-06-01T09:37:53","modified_gmt":"2020-06-01T07:37:53","slug":"la-conjura-de-los-necios-jorge-rodriguez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-conjura-de-los-necios-jorge-rodriguez\/","title":{"rendered":"[:es]La conjura de los necios | Jorge Rodr\u00edguez[:gl]A conxura dos necios | Jorge Rodr\u00edguez[:en]The conspiracy of the fools | Jorge Rodr\u00edguez[:]"},"content":{"rendered":"

[:es]

\"Abbas<\/a>
Abbas<\/span>
Iranian-French, b. 1944 | Fuente: Magnum Photos<\/span><\/figcaption><\/figure><\/p>\n
\n

\u2018Mi infancia son recuerdos de un patio de Sevilla,<\/em><\/p>\n

y un huerto claro donde madura el limonero.\u2019<\/em><\/p>\n<\/blockquote>\n

Los versos que abren el retrato<\/em><\/a> m\u00e1s certero del mejor de los Machado, son el inicio de una tempestad.<\/p>\n

Arranca con la fuerza de las palabras desnudas, ligeras de equipaje, para llevarnos al sutil mundo de sus dudas, sus pasiones y sus ra\u00edces. Pero ese no es el motivo por el que he elegido los primeros versos de \u2018Retrato\u2019 para arrancar este art\u00edculo. Los he elegido porque Machado era perfectamente consciente mientras los escrib\u00eda, de que escond\u00eda un plan. Cuando Machado<\/a> arranca con estos versos, sabe perfectamente a donde se dirige. El resto, lo que separa este l\u00facido arranque de su objetivo, es un bonito dejarse llevar.<\/p>\n

La ausencia de un objetivo al que dirigirse, de un fin, dificulta el pasear. Sabiendo hacia donde vamos, somos capaces de caminar con mayor libertad, de tomar rutas alternativas, medir las pausas, ajustar el ritmo y dejarnos llevar. Queda a un lado el miedo a perderse, a desviarse del camino en exceso, a interrumpir la marcha. Sabemos que antes o despu\u00e9s, de una forma u otra, acabaremos llegando. La rigidez de los planes y los trazados, desaparece.<\/p>\n

En los bordes de ese camino que vamos eligiendo para dirigirnos al objetivo que nos hemos marcado, encontraremos la mayor riqueza. Quien obra con tibieza, cerca est\u00e1 de caer. En el l\u00edmite que posibilita la existencia de dos mundos, uno a cada lado, ser\u00e1 donde asumamos los riesgos, encontremos las alegr\u00edas, los miedos. Es en ese l\u00edmite donde debemos introducir el pu\u00f1al para conocernos en profundidad, aunque duela.<\/p>\n

Esto solo es posible con un caminar decidido, sin titubeos, propio de qui\u00e9n sabe ad\u00f3nde se dirige.\u00a0 En ocasiones avanzamos demasiado ocupados en evitar los riesgos que se pueden presentar en el camino, las pruebas que se suceden, preocupados por el juicio de unos tribunos de miradas miopes incapaces de ver que las imperfecciones en nuestro caminar, que el asumir el riesgo de mojarnos, que nuestros defectos, son acaso lo m\u00e1s interesante de nuestra personalidad. Unos tribunos que hace tiempo que perdieron la ilusi\u00f3n por ense\u00f1ar y se limitan a cumplir, que nos ven desorientados, dubitativos, como un grupo de necios, y no se dan cuenta de que quienes realmente est\u00e1n perdidos, son ellos.<\/p>\n

Las lecciones ap\u00f3crifas de Machado, camuflado de profesor de \u00e9tica y gimnasia, han de ser el pilar central de la nave que nos conduzca a ese nuevo florecer que so\u00f1aba Giner de los R\u00edos<\/a> en la sierra del Guadarrama. Caminar dej\u00e1ndonos llevar, disfrutando de la ciudad moruna y las luces de la infancia, so\u00f1ando los caminos de la tarde, pero teniendo muy presente que la \u00fanica senda que nos dirige a donde realmente queremos, es aquella que hacemos con el propio caminar.<\/p>\n

En una de sus conversaciones con T\u00f3rtolez, su alumno m\u00e1s respond\u00f3n, Mairena nos dej\u00f3 una pista que anticipaba el final del retrato con el que he abierto esta mala juntera de p\u00e1rrafos. Dice as\u00ed.<\/p>\n

\n

\u2018No os extra\u00f1\u00e9is de que un necio se descuerne luchando por una idea\u2019. <\/em><\/p>\n<\/blockquote>\n

Que esos necios no pierdan la ilusi\u00f3n por explorar sus l\u00edmites, por disfrutar de la incertidumbre y el riesgo. Que se descuernen luchando por sus ideas.<\/p>\n

Pero que atiendan al ejemplo de Machado, que no se olviden que para caminar decidido hay que saber a d\u00f3nde ir. Hay que tener un plan. El suyo nos lo revel\u00f3 en los \u00faltimos versos de este retrato. Quer\u00eda que cuando llegase al final del camino le encontrasen ligero de equipaje, casi desnudo, como los hijos de la mar.<\/p>\n

As\u00ed fue, en Coillure<\/a>, con la \u00fanica compa\u00f1\u00eda de un abrigo ra\u00eddo, unas flores amarillas y sus dos \u00faltimos versos.<\/p>\n

\n

\u2018Estos d\u00edas azules y este sol de la infancia.\u2019<\/em><\/p>\n<\/blockquote>\n

Lo ten\u00eda claro desde el principio, el resto, lo que separaba ese l\u00facido arranque de su objetivo, fue un bonito dejarse llevar.<\/p>\n

Jorge Rodriguez Seoane, arquitecto
\nMarzo 2016. Santander<\/p>\n

[:gl]

\"Abbas<\/a>
Abbas<\/span>
Iranian-French, b. 1944 | Fonte: Magnum Photos<\/span><\/figcaption><\/figure><\/p>\n
\n

\u2018A mi\u00f1a infancia son recordos dun patio de Sevilla,<\/em><\/p>\n

e unha horta claro onde madura o limoeiro.\u2019<\/em><\/p>\n<\/blockquote>\n

Os versos que abren o retrato<\/em><\/a> m\u00e1is certeiro do mellor dos Machado, son o inicio dunha tempestade.<\/p>\n

Arrinca coa forza das palabras espidas, lixeiras de equipaxe, para levarnos ao sutil mundo das s\u00faas d\u00fabidas, as s\u00faas paix\u00f3ns e as s\u00faas ra\u00edces. Pero ese non \u00e9 o motivo polo que elix\u00edn os primeiros versos de \u2018Retrato\u2019 para arrincar este artigo. Elixinos porque Machado era perfectamente consciente mentres os escrib\u00eda, de que escond\u00eda un plan. Cando Machado<\/a> arrinca con estes versos, sabe perfectamente onde dir\u00edxese. O resto, o que separa este l\u00facido arranque do seu obxectivo, \u00e9 un bonito deixarse levar.<\/p>\n

A ausencia dun obxectivo ao que dirixirse, dun fin, dificulta o pasear. Sabendo cara a onde imos, somos capaces de cami\u00f1ar con maior liberdade, de tomar rutas alternativas, medir as pausas, axustar o ritmo e deixarnos levar. Queda ao car\u00f3n o medo para perderse, a desviarse do cami\u00f1o en exceso, a interromper a marcha. Sabemos que antes ou despois, dunha forma ou outra, acabaremos chegando. A rixidez dos plans e os trazados, desaparece.<\/p>\n

Nos bordos dese cami\u00f1o que imos elixindo para dirixirnos ao obxectivo que nos marcamos, atoparemos a maior riqueza. Quen obra con morneza, preto est\u00e1 de caer. No l\u00edmite que posibilita a existencia de dous mundos, un a cada lado, ser\u00e1 onde asumamos os riscos, atopemos as alegr\u00edas, os medos. \u00c9 nese l\u00edmite onde debemos introducir o pu\u00f1al para co\u00f1ecernos en profundidade, a\u00ednda que doia.<\/p>\n

Isto s\u00f3 \u00e9 posible cun cami\u00f1ar decidido, sen titubeos, propio de quen sabe onde se dirixe. En ocasi\u00f3ns avanzamos demasiado ocupados en evitar os riscos que se poden presentar no cami\u00f1o, as probas que se suceden, preocupados polo xu\u00edzo duns tribunos de miradas miopes incapaces de ver que as imperfecci\u00f3ns no noso cami\u00f1ar, que o asumir o risco de mollarnos, que os nosos defectos, son seica o m\u00e1is interesante da nosa personalidade. Uns tribunos que hai tempo que perderon a ilusi\u00f3n por ensinar e lim\u00edtanse a cumprir, que nos ven desorientados, dubitativos, como un grupo de necios, e non se dan conta de que quen realmente est\u00e1n perdidos, son eles.<\/p>\n

As lecci\u00f3ns ap\u00f3crifas de Machado, camuflado de profesor de \u00e9tica e ximnasia, han de ser o alicerce central da nave que nos conduza a ese novo florecer que so\u00f1aba Giner de los R\u00edos<\/a> na serra do Guadarrama. Cami\u00f1ar deix\u00e1ndonos levar, gozando da cidade moruna e as luces da infancia, so\u00f1ando os cami\u00f1os da tarde, pero tendo moi presente que a \u00fanica senda que nos dirixe onde realmente queremos, \u00e9 aquela que facemos co propio cami\u00f1ar.<\/p>\n

Las lecciones ap\u00f3crifas de Machado, camuflado de profesor de \u00e9tica y gimnasia, han de ser el pilar central de la nave que nos conduzca a ese nuevo florecer que so\u00f1aba Giner de los R\u00edos<\/a> en la sierra del Guadarrama. Caminar dej\u00e1ndonos llevar, disfrutando de la ciudad moruna y las luces de la infancia, so\u00f1ando los caminos de la tarde, pero teniendo muy presente que la \u00fanica senda que nos dirige a donde realmente queremos, es aquella que hacemos con el propio caminar.<\/p>\n

Nunha das s\u00faas conversaci\u00f3ns con T\u00f3rtolez, o seu alumno m\u00e1is respond\u00f3n, Mairena deixounos unha pista que anticipaba o final do retrato co que abr\u00edn esta mala juntera de par\u00e1grafos. Di as\u00ed.<\/p>\n

\n

\u2018Non vos estra\u00f1edes de que un necio se descuerne loitando por unha idea\u2019. <\/em><\/p>\n<\/blockquote>\n

Que eses necios non perdan a ilusi\u00f3n por explorar os seus l\u00edmites, por gozar da incerteza e o risco. Que se descuernen loitando polas s\u00faas ideas.<\/p>\n

Pero que atendan ao exemplo de Machado, que non se esquezan que para cami\u00f1ar decidido hai que saber onde ir. Hai que ter un plan. O seu revel\u00f3unolo nos \u00faltimos versos deste retrato. Quer\u00eda que cando chegase ao final do cami\u00f1o atop\u00e1senlle lixeiro de equipaxe, case espido, como os fillos da mar.<\/p>\n

As\u00ed foi, en Coillure<\/a>, coa \u00fanica compa\u00f1\u00eda dun abrigo ra\u00eddo, unhas flores amarelas e as s\u00faas dous \u00faltimos versos.<\/p>\n

\n

\u2018Estes d\u00edas azuis e este sol da infancia.\u2019<\/em><\/p>\n<\/blockquote>\n

T\u00ed\u00f1ao claro desde o principio, o resto, o que separaba ese l\u00facido arranque do seu obxectivo, foi un bonito deixarse levar.<\/p>\n

Jorge Rodriguez Seoane, arquitecto
\nMarzo 2016. Santander<\/p>\n

[:en]

\"Abbas<\/a>
Abbas<\/span>
Iranian-French, b. 1944 | Source: Magnum Photos<\/span><\/figcaption><\/figure><\/p>\n
\n

\u2018My infancy they are recollections of a court of Seville,<\/em><\/p>\n

and a clear garden where it matures the lemon tree.\u2019<\/em><\/p>\n<\/blockquote>\n

The verses that open the portrait<\/em><\/a> more accurately of the best of the Machado, are the beginning of a tempest.<\/p>\n

It starts with the force of the nake, light words of baggage, to remove to the subtle world of his doubts, his passions and his roots. But this it is not the motive for which I have chosen the first verses of \u2018Portrait\u2019 to start this article. I have chosen them because Machado was perfectly conscious while he was writing them, from that he was hiding a plan. When Machado<\/a> starts with these verses, it knows perfectly to where it goes. The rest, which separates this lucid take-off of his aim, is the nice one to be left to go.<\/p>\n

The absence of an aim to which to go, of an end, it impedes to walk. Knowing where we go, we are capable of walking with major freedom, of taking alternative routes, of measuring the pauses, of fitting the pace and to leave ourselves to go. The fear of getting lost stays aside, to turning aside of the way in excess, to interrupting the march. We know that before or later, of a form or other one, we will end up by coming. The inflexibility of the plans and the tracings, it disappears.<\/p>\n

In the edges of this way that we are choosing to go to the aim that we us have marked, we will find the major wealth. The one who acts with lukewarmness, fence is of falling down. In the limit that makes possible the existence of two worlds, one to every side, it will be where we assume the risks, let’s find the happy moments, the fears. It is in this limit where we must introduce the dagger to know ourselves in depth, though it hurts.<\/p>\n

Alone this is possible with one to walk decided, without hesitations, own of whom it knows ad\u00f3nde goes. In occasions we advance too much occupied in avoiding the risks that they can present in the way, the tests that happen, worried by the judgment of a few tribunes of myopic looks unable to see that the blemishes in ours to walk, that the risk of getting wet to assume, that our faults, they are perhaps the most interesting of our personality. A few tribunes that some time ago that lost the illusion for teaching and they limit themselves to fulfilling, that see us disoriented, doubtful, as a group of fools, and do not realize that those who really are lost, are they.<\/p>\n

Machado’s apocryphal lessons, camouflaged of teacher of ethics and gymnastics, have to be the central prop of the ship that us leads this new one to bloom that it was dreaming Giner de los R\u00edos<\/a> in the saw of the Guadarrama. To walk leaving us to go, enjoying the Moorish city and the lights of the infancy, dreaming the ways of the evening, but bearing in mind that the only path that directs us where really we want, is that one that we make with the own one travel.<\/p>\n

In one of his conversations with T\u00f3rtolez, his pupil more respond\u00f3n, Mairena left us a track that was anticipating the end of the portrait with which I have opened this bad juntera of paragraphs. He says this way.<\/p>\n

\n

\u2018Don\u00b4t be surprised that a fool is dehorned fighting for an idea\u2019. <\/em><\/p>\n<\/blockquote>\n

That these fools do not lose the illusion for exploring his limits, for enjoying the uncertainty and the risk. That are dehorned fighting for his ideas.<\/p>\n

But that attend to Machado’s example, which there do not forget that to walk determined it is necessary to know to where going. It is necessary to have a plan. His us revealed it in the last verses of this portrait. It wanted that when it was coming at the end of the way they were finding him light of baggage, almost nake, as the children of the sea.<\/p>\n

This way it was, in Coillure<\/a>, with the only company of a shabby coat, a few yellow flowers and his last two verses.<\/p>\n

\n

\u2018These blue days and this Sun of the infancy.\u2019<\/em><\/p>\n<\/blockquote>\n

It had clear from the beginning, the rest, which was separating this lucid take-off of his aim, it was the nice one to be left to go.<\/p>\n

Jorge Rodriguez Seoane, architect
\nMarch 2016. Santander<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u2018Mi infancia son recuerdos de un patio de Sevilla, y un huerto claro donde madura el limonero.\u2019 Los versos que abren el retrato m\u00e1s certero del mejor de los Machado, son el inicio de una tempestad. Arranca con la fuerza de las palabras desnudas, ligeras de equipaje, para llevarnos al sutil mundo de sus […]<\/p>\n","protected":false},"author":50,"featured_media":59591,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[12411,458,9505,5846,1021,1074,1865,1241,1289],"class_list":["post-59589","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-antonio-machado-ruiz","tag-educacion","tag-francisco-giner-de-los-rios","tag-jorge-rodriguez-seoane","tag-pensamiento","tag-poesia","tag-reflexion","tag-sociedad","tag-tiempo"],"yoast_head":"\n[:es]La conjura de los necios | Jorge Rodr\u00edguez[:gl]A conxura dos necios | Jorge Rodr\u00edguez[:en]The conspiracy of the fools | Jorge Rodr\u00edguez[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]La conjura de los necios | Jorge Rodr\u00edguez[:gl]A conxura dos necios | Jorge Rodr\u00edguez[:en]The conspiracy of the fools | Jorge Rodr\u00edguez[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/la-conjura-de-los-necios-jorge-rodriguez\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]La conjura de los necios | Jorge Rodr\u00edguez[:gl]A conxura dos necios | Jorge Rodr\u00edguez[:en]The conspiracy of the fools | Jorge Rodr\u00edguez[:] - 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