{"id":59349,"date":"2016-03-31T06:39:29","date_gmt":"2016-03-31T04:39:29","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=59349"},"modified":"2023-06-16T18:41:36","modified_gmt":"2023-06-16T16:41:36","slug":"la-arquitectura-moderna-en-latinoamerica","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-arquitectura-moderna-en-latinoamerica\/","title":{"rendered":"[:es]La arquitectura moderna en Latinoam\u00e9rica[:en]The modern architecture in Latin America[:gl]A arquitectura moderna en Latinoam\u00e9rica[:]"},"content":{"rendered":"

[:es]

\"La<\/a>
La arquitectura moderna en Latinoam\u00e9rica. Antolog\u00eda de autores, obras y textos<\/span><\/figcaption><\/figure><\/p>\n

Este libro<\/a> versa sobre la arquitectura moderna que se construy\u00f3 en Latinoam\u00e9rica entre las d\u00e9cadas de 1930 y 1970, y sobre el pensamiento que la sustent\u00f3. Para ello se ofrece un recorrido por 18 figuras indiscutibles del panorama arquitect\u00f3nico latinoamericano, que adem\u00e1s comparten la estrecha relaci\u00f3n que establecieron entre su obra y su ideario.<\/p>\n

Se trata, pues, de una ‘antolog\u00eda de autores’. Del mexicano Juan O’Gorman<\/a> al chileno Alberto Cruz<\/a>, la selecci\u00f3n abarca a los ya ‘cl\u00e1sicos modernos’: L\u00facio Costa<\/a>, Oscar Niemeyer<\/a>, Carlos Ra\u00fal Villanueva<\/a> y Luis Barrag\u00e1n.<\/a> Pero \u00e9stos despuntaron en un panorama mucho m\u00e1s extenso, en el que figuras como Antonio Bonet<\/a>, Emilio Duhart<\/a>, Eladio Dieste<\/a>, Mario Roberto \u00c1lvarez<\/a>, F\u00e9lix Candela<\/a>, H\u00e9ctor Velarde<\/a>, Pedro Ram\u00edrez V\u00e1zquez, Lina Bo Bardi<\/a> o Clorindo Testa<\/a> abonaron el campo a las \u00faltimas generaciones. Y \u00e9stas desarrollar\u00edan su obra sobre bases modernas, aunque ya en una clave mucho m\u00e1s personal, con personajes como Ricardo Porro<\/a>, Claudio Caveri<\/a> y Rogelio Salmona<\/a>.<\/p>\n

Se trata, adem\u00e1s, de una ‘antolog\u00eda de obras’. De cada arquitecto se ha escogido un edificio que sirve de l\u00ednea argumental para exponer las intenciones y los pensamientos de su autor.<\/p>\n

Y se trata, por \u00faltimo, de una ‘antolog\u00eda de textos’. De los arquitectos se incluyen fragmentos fundamentales, art\u00edculos o cap\u00edtulos de los libros -algunos incluso in\u00e9ditos-, o transcripciones de entrevistas y conferencias. Y adem\u00e1s, cada texto original va precedido de un comentario elaborado por un cr\u00edtico experto en el panorama latinoamericano, que ayudar\u00e1 al lector a sumergirse en el pensamiento de cada arquitecto.<\/p>\n

Prologado por Ram\u00f3n Guti\u00e9rrez, el libro ofrece una visi\u00f3n coral de las vicisitudes y los intereses que impulsaron a este conjunto de arquitectos, un tanto dispares y lejanos f\u00edsica e intelectualmente, a buscar una arquitectura propia y adecuada a su tiempo.<\/p>\n

[:en]

\"La<\/a>
The modern architecture in Latin America. Authors’ anthology, works and texts<\/span><\/figcaption><\/figure><\/p>\n

This book turns on the modern architecture that was constructed in Latin America between the decades of 1930 and 1970, and on the thought that sustained her. For it a tour offers for 18 indisputable figures of the architectural Latin-American panorama, which in addition share the narrow relation that they established between his work and his ideology.<\/p>\n

It is a question, so, of a ‘ authors’ anthology ‘. From the Mexican Juan O’Gorman<\/a> to the Chilean Alberto Cruz<\/a>, the selection includes to already ‘ classic modern ‘: L\u00facio Costa<\/a>, Oscar Niemeyer<\/a>, Carlos Ra\u00fal Villanueva<\/a> and Luis Barrag\u00e1n.<\/a> But these appeared in a much more extensive panorama, in which you appear as Antonio Bonet<\/a>, Emilio Duhart<\/a>, Eladio Dieste<\/a>, Mario Roberto \u00c1lvarez<\/a>, F\u00e9lix Candela<\/a>, H\u00e9ctor Velarde<\/a>, Pedro Ram\u00edrez V\u00e1zquez, Lina Bo Bardi<\/a> or Clorindo Testa<\/a> paid the field to the last generations. And these would develop his work on modern bases, though already in a much more personal key, with prominent figures like Ricardo Porro<\/a>, Claudio Caveri<\/a> and Rogelio Salmona<\/a>.<\/p>\n

It is a question, in addition, of a ‘anthology of works’. Between every architect there has been chosen a building that uses as plot line to expose the intentions and the thoughts of his author.<\/p>\n

And it is a question, finally, of a ‘anthology of texts’. Of the architects there are included fundamental fragments, articles or chapters of the books – even unpublished some-, or transcriptions of interviews and conferences. And in addition, every original text is preceded of a comment elaborated by a critic expert in the Latin-American panorama, who will help itself the reader to submerge in the thought of every architect.<\/p>\n

Prefaced by Ramon Guti\u00e9rrez, the book offers a vision coral of the vicissitudes and the interests that stimulated to this set of architects, rather unlike and distant physics and intellectually, to looking for an architecture own and adapted to his time.<\/p>\n