{"id":58624,"date":"2016-04-01T06:26:15","date_gmt":"2016-04-01T04:26:15","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=58624"},"modified":"2020-03-03T09:58:15","modified_gmt":"2020-03-03T08:58:15","slug":"john-sayles-arquitectos-y-cineastas-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/john-sayles-arquitectos-y-cineastas-jorge-gorostiza\/","title":{"rendered":"John Sayles. Arquitectos y cineastas | Jorge GorostizaJohn Sayles. Architects and filmmakers | Jorge GorostizaJohn Sayles. Arquitectos e cineastas | Jorge Gorostiza"},"content":{"rendered":"

\"Guadalajara,<\/a>
Guadalajara, Jalisco, 10 de marzo de 2008. John Sayles en la rueda de prensa de la pel\u00edcula Honeydripper | Autor: Festival Internacional de Cine en Guadalajara<\/a><\/span><\/figcaption><\/figure><\/p>\n

En un serie de entradas que he denominado Arquitectos y Cineastas<\/em><\/a>, que comenc\u00e9 en 2011, he ido recogiendo opiniones sobre arquitectura de diversos directores como Woody Allen, Ingmar Bergman, Valerian Borowczyk,\u00a0Ren\u00e9 Clair, Luigi Comencini, Dziga Vertov, Jos\u00e9 Luis Garc\u00eda S\u00e1nchez, John Ford, Amos Gitai, Peter Greenaway, Abbas Kiarostami y Ra\u00fal Ruiz; la actriz Viola Dana; as\u00ed como el ensayista Sigfried Giedion.<\/p>\n

Ahora he encontrado una entrevista con John Sayles<\/a> hecha en el American Film Institute<\/a>, en la que habla sobre los arquitectos, pero relacionados con la escritura del gui\u00f3n, es curioso que en el \u00faltimo post que he publicado en esta misma serie, el dedicado a Garc\u00eda S\u00e1nchez<\/a>, \u00e9ste habla de la relaci\u00f3n entre el genial Rafael Azcona<\/a>, sus guiones y la arquitectura.<\/p>\n

Sayles declaraba:<\/p>\n

\n

\u00abCuando est\u00e1s escribiendo para otras personas eres b\u00e1sicamente el carpintero. No eres el arquitecto. Ellos te cuentan la casa que quieren y t\u00fa dices: \u00abEst\u00e1 bien, pero si se\u00f1ala en esa direcci\u00f3n no van a tener iluminaci\u00f3n natural hasta despu\u00e9s de las dos\u00bb, y dicen: \u00abEso est\u00e1 bien\u00bb. Eso es lo que haces por ellos. No puedo conseguir involucrarme emocionalmente cuando estoy escribiendo para otras personas. Estoy ayudando a conseguir su \u201cluz verde\u201d y a contar su historia. Pero est\u00e1s utilizando los mismos m\u00fasculos que usas cuando escribes tu propio material\u00bb.<\/em><\/p>\n<\/blockquote>\n

Parece como si Sayles considerara al carpintero menos importante que al arquitecto y por tanto, al guionista en las mismas condiciones respecto al director, pero la verdad es que evidentemente hay carpinteros magn\u00edficos y arquitectos p\u00e9simos, lo mismo que sucede con los guionistas y los directores cinematogr\u00e1ficos.<\/p>\n

Jorge Gorostiza, arquitecto.
\nAutor del blog Arquitectura+Cine+Ciudad<\/em><\/span>
\nSanta Cruz de Tenerife, diciembre 2015

\"Guadalajara,<\/a>
Guadalajara, Straw hat, on March 10, 2008. John Sayles in the press conference of the movie Honeydripper | Author: Festival Internacional de Cine en Guadalajara<\/a><\/span><\/figcaption><\/figure><\/p>\n

In a serie of income that I have named Architects and Filmmakers<\/em><\/a>, that I began in 2011, I have been gathering opinions about architecture of the diverse directors like Woody Allen, Ingmar Bergman, Valerian Borowczyk, Ren\u00e9 Clair, Luigi Comencini, Dziga Vertov, Jose Luis Garc\u00eda Sanchez, John Ford, Amos Gitai, Peter Greenaway, Abbas Kiarostami and Ra\u00fal Ruiz; the actress Viola Dana; as well as the essayist Sigfried Giedion.<\/p>\n

Now I have found an interview with John Sayles<\/a> done in the American Film Institute<\/a>, in which he speaks on the architects, but related to the writing of the script, it is curious that in the last post that I have published in the same series, the dedicated one to Garc\u00eda S\u00e1nchez<\/a>, this one speaks about the relation between the brilliant Rafael Azcona<\/a>, his scripts and the architecture.<\/p>\n

Sayles was declaring:<\/p>\n

\n

\u00abWhen you are writing for other persons you are basically the carpenter. You are not the architect. They tell you the house that they want and you say: \u00abIt Is nice, but if it indicates in this direction they are not going to have natural lighting up to after two o’clock\u00bb, and they say: \u00abit are It nice\u00bb. It is what you do for them. I cannot manage to interfere emotionally when I am writing for other persons. I am helping to obtain his \u00abgreen light\u00bb and to count his history. But you are using the same muscles that you use when you write your own material\u00bb.<\/em><\/p>\n<\/blockquote>\n

It seems as if Sayles was considering the carpenter less important that to the architect and therefore, the scriptwriter in the same conditions with regard to the director, but the truth is that evidently there are magnificent carpenters and terrible architects the same as happens with the scriptwriters and the cinematographic directors.<\/p>\n

Jorge Gorostiza, architect.
\nAuthor of the blog Arquitectura+Cine+Ciudad<\/em><\/span>
\nSanta Cruz de Tenerife, december 2015

\"Guadalajara,<\/a>
Guadalaxara, Jalisco, 10 de marzo de 2008. John Sayles na rolda de prensa da pel\u00edcula Honeydripper | Autor: Festival Internacional de Cine en Guadalajara<\/a><\/span><\/figcaption><\/figure><\/p>\n

Nun serie de entradas que denominei Arquitectos y Cineastas<\/em><\/a>, que comecei en 2011, fun recollendo opini\u00f3ns sobre arquitectura de diversos directores como Woody Allen, Ingmar Bergman, Valerian Borowczyk, Ren\u00e9 Clair, Luigi Comencini, Dziga Vertov, Jos\u00e9 Luis Garc\u00eda S\u00e1nchez, John Ford, Amos Gitai, Peter Greenaway, Abbas Kiarostami e Ra\u00fal Ruiz; a actriz Viola Dana; as\u00ed como o ensa\u00edsta Sigfried Giedion.<\/p>\n

Agora atopei unha entrevista con John Sayles<\/a> feita no American Film Institute<\/a>, na que fala sobre os arquitectos, pero relacionados coa escritura do gui\u00f3n, \u00e9 curioso que no \u00faltimo post que publiquei nesta mesma serie, o dedicado a Garc\u00eda S\u00e1nchez<\/a>, este fala da relaci\u00f3n entre o xenial Rafael Azcona<\/a>, os seus gui\u00f3ns e a arquitectura.<\/p>\n

Sayles declaraba:<\/p>\n

\n

\u00abCando est\u00e1s a escribir para outras persoas es basicamente o carpinteiro. Non es o arquitecto. Eles c\u00f3ntanche a casa que queren e ti dis: \u00abEst\u00e1 ben, pero se sinala nesa direcci\u00f3n non van ter iluminaci\u00f3n natural ata despois das d\u00faas\u00bb, e din: \u00abIso est\u00e1 ben\u00bb. Iso \u00e9 o que fas por eles. Non podo conseguir involucrarme emocionalmente cando estou a escribir para outras persoas. Estou a axudar a conseguir o seu \u201cluz verde\u201d<\/em> e a contar a s\u00faa historia. Pero est\u00e1s a utilizar os mesmos m\u00fasculos que usas cando escribes o teu propio material\u00bb.<\/em><\/p>\n<\/blockquote>\n

Parece coma se Sayles considerase ao carpinteiro menos importante que ao arquitecto e por tanto, ao guionista nas mesmas condici\u00f3ns respecto ao director, pero a verdade \u00e9 que evidentemente hai carpinteiros magn\u00edficos e arquitectos p\u00e9simos, o mesmo que sucede cos guionistas e os directores cinematogr\u00e1ficos.<\/p>\n

Jorge Gorostiza, arquitecto.
\nAutor do blogue Arquitectura+Cine+Ciudad<\/em><\/span>
\nSanta Cruz de Tenerife, decembro 2015<\/p>\n","protected":false},"excerpt":{"rendered":"

En un serie de entradas que he denominado Arquitectos y Cineastas, que comenc\u00e9 en 2011, he ido recogiendo opiniones sobre arquitectura de diversos directores como Woody Allen, Ingmar Bergman, Valerian Borowczyk,\u00a0Ren\u00e9 Clair, Luigi Comencini, Dziga Vertov, Jos\u00e9 Luis Garc\u00eda S\u00e1nchez, John Ford, Amos Gitai, Peter Greenaway, Abbas Kiarostami y Ra\u00fal Ruiz; la actriz Viola Dana; […]<\/p>\n","protected":false},"author":34,"featured_media":58627,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,36,3,1460,5951],"tags":[5154,4930,4400,11184,12471,4396,318,3283,10246,4245,1787,2069,10253,668,4397,9265,3637,12246,1593,11185,785,11187,3452,4395,11186,5155,3664,4399,3929,10254,4398],"class_list":["post-58624","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arquitectos","category-arte-blog","category-capturas","category-cine","category-slider-principal","tag-adrian-martin","tag-albert-speer","tag-amos-gitai","tag-arquitectos-y-cineastas","tag-cine","tag-cineastas","tag-ciudad","tag-dziga-vertov","tag-espacio-cinematografico","tag-boulle","tag-europa","tag-gales","tag-girish-shambu","tag-historia","tag-ingmar-bergman","tag-isaac-newton","tag-john-ford","tag-john-sayles","tag-jorge-gorostiza","tag-jose-luis-garcia-sanchez","tag-le-corbusier","tag-luigi-comencini","tag-personaje","tag-peter-greenaway","tag-rafael-azcona","tag-raul-ruiz","tag-reino-unido","tag-rene-clair","tag-sigfried-giedion","tag-walerian-borowcyk"],"yoast_head":"\nJohn Sayles. 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He publicado bastantes libros y muchos art\u00edculos, he impartido conferencias, he sido comisario de exposiciones y jurado en much\u00edsmos festivales. Si quieren saber m\u00e1s no duden en consultar mi blog ARQUITECTURA + CINE + CIUDAD. En este blog se ir\u00e1n recogiendo art\u00edculos y textos dispersos por la Web, as\u00ed como otros publicados y libres de derechos, que traten sobre Cine, Arquitectura y Ciudad. As\u00ed quienes est\u00e9n interesados por las relaciones entre la ficci\u00f3n y la realidad, podr\u00e1n tener m\u00e1s argumentos para profundizar en esas relaciones. No es un blog en el que se vayan a hacer comentarios sobre las vivencias personales de su responsable, que adem\u00e1s a nadie interesan. 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