{"id":58279,"date":"2015-12-25T06:22:41","date_gmt":"2015-12-25T05:22:41","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=58279"},"modified":"2020-03-13T11:33:53","modified_gmt":"2020-03-13T10:33:53","slug":"planos-y-paralelos-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/planos-y-paralelos-miguel-angel-diaz-camacho\/","title":{"rendered":"Planos y paralelos | Miguel \u00c1ngel D\u00edaz CamachoFlat and parallel | Miguel \u00c1ngel D\u00edaz CamachoPlanos e paralelos | Miguel \u00c1ngel D\u00edaz Camacho"},"content":{"rendered":"

\"Ralph<\/a>
Ralph Erskine, Resolute Bay, Canada 1970-73<\/span><\/figcaption><\/figure><\/p>\n

En ocasiones el hombre habita extra\u00f1os territorios, inh\u00f3spitos como un desierto helado, hostiles como el viento g\u00e9lido de los glaciares. Por alguna extra\u00f1a raz\u00f3n, hemos pertenecido a estos lugares y nos hemos adaptado a su naturaleza desde el abrigo, la cultura o la gesti\u00f3n de los ecosistemas. La arquitectura significa comprender en primera instancia las consecuencias ambientales de uno de los par\u00e1metros m\u00e1s influyentes en la determinaci\u00f3n de los climas fr\u00edos:<\/p>\n

\n

la arquitectura es\u00a0tambi\u00e9n\u00a0una cuesti\u00f3n de Latitud.<\/em><\/p>\n<\/blockquote>\n

En 1970 Ralph Erskine proyecta una ciudad compacta y autosuficiente en la tundra de Resolute Bay, Canad\u00e1. En uno de los dibujos preliminares, Erskine dibuja un extra\u00f1o d\u00eda-noche bajo un sol disminuido, casi extinguido, acostado sobre las enormes masas del hielo \u00c1rtico1<\/sup>. En la esquina inferior izquierda se rotula, como una carta de navegaci\u00f3n que ofreciera voz a aquel paisaje, la vertiginosa latitud de 74\u00baN: el C\u00edrculo Polar \u00c1rtico se sit\u00faa a unos 66\u00baN en zonas a\u00fan m\u00e1s c\u00e1lidas.<\/p>\n

Una serie de edificaciones en altura protegen un espacio intramuros <\/i>en ladera de orientaci\u00f3n Sur2<\/sup>. El colorido asentamiento pretende integrar una comunidad de esquimales con la poblaci\u00f3n de una cercana base a\u00e9rea. Junto a una serie de infraestructuras energ\u00e9ticas, equipamientos y zonas comunes bien protegidas, Erskine proyecta una infraestructura verde, un oasis indoor<\/i>, un paisaje artificial con flores, \u00e1rboles y especies vegetales importadas de otros lugares del mundo.<\/p>\n

Tal vez en la soledad blanca de la tundra exista la necesidad de restablecer una suerte de balance ecol\u00f3gico, superar el v\u00e9rtigo de una climatolog\u00eda inasequible desde unas condiciones m\u00ednimas de naturaleza, recuperar alguna forma de di\u00e1logo con los \u00abplaceres esenciales\u00bb. El hielo habla el lenguaje indescifrable de lo inerte.<\/p>\n

Expresar la latitud en un plano de arquitectura supone una rareza y, sin embargo, pocas variables determinan con tanta firmeza la gen\u00e9tica <\/i>de un territorio3<\/sup>. Expresar la latitud supone reconocer la especificidad de las trayectorias solares en un lugar determinado, incorporar los movimientos de rotaci\u00f3n y traslaci\u00f3n de la arquitectura<\/i>:<\/p>\n

visibilizar los movimientos circulares que nos transportan en este extraordinario\u00a0Spaceship Earth4<\/sup>.<\/em><\/p><\/blockquote>\n

\"Ralph<\/a>
Ralph Erskine – An Ecological Arctic Town, 1958<\/span><\/figcaption><\/figure>\n

La latitud supone la referencia sexagesimal al Ecuador, as\u00ed como la posici\u00f3n exacta del plano horizontal relaciona la arquitectura con el nivel del Mar, oportunamente identificado por Erskine bajo la\u00a0imponente\u00a0presencia del rompehielos. La arquitectura es\u00a0tambi\u00e9n\u00a0una cuesti\u00f3n de Latitud. Una cuesti\u00f3n de Planos y Paralelos.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. Noviembre 2014.
\nAutor de Parr\u00e1fos de arquitectura<\/em>. #arquiParrafos<\/a><\/span><\/p>\n

Notas:<\/div>\n

1<\/sup> Las condiciones clim\u00e1ticas son extremas: inviernos de hasta -35\u00baC y vientos muy fuertes con tormentas de nieve arreciando en una noche interminable de aproximadamente dos meses y medio; por contra, los veranos suponen el d\u00eda ininterrumpido durante al menos tres meses y medio, con temperaturas que no suelen sobrepasar los +2\u00baC.<\/p>\n

2<\/sup> La propuesta supone la adaptaci\u00f3n del proyecto \u00abAn Ecological Artic Town\u00bb (1958), realizado por Erskine como una investigaci\u00f3n personal y que no responde a ning\u00fan encargo real. Cuestiones como la protecci\u00f3n de los vientos del norte, la orientaci\u00f3n Sur o la disposici\u00f3n en ladera para obtener la m\u00e1xima radiaci\u00f3n solar disponible, forman parte del gran conocimiento de Erskine sobre los aspectos relacionados con el clima y el territorio: form follows climate<\/a><\/i>.<\/p>\n

3<\/sup> Otros aspectos relevantes en la construcci\u00f3n del clima ser\u00edan la altitud, el factor de continentalidad, la orograf\u00eda o la naturaleza de la superficie terrestre.<\/p>\n

4<\/sup> \u00abOperating Manual for Spaceship Earth<\/i><\/a>\u00ab, R. Buckminster Fuller, 1968.<\/p>\n

\"Ralph<\/a>
Ralph Erskine, Resolute Bay, Canada 1970-73<\/span><\/figcaption><\/figure><\/p>\n

In occasions the man lives strange territories, inhospitable as a frozen desert, hostile as the chill wind of the glaciers. For some strange reason, we have belonged to these places and have adapted to his nature from the coat, the culture or the management of the ecosystems. The architecture means to understand in the first instance the environmental consequences of one of the most influential parameters in the determination of the cold climates:<\/p>\n

\n

the architecture is also a question of Latitude.<\/em><\/p>\n<\/blockquote>\n

In 1970 Ralph Erskine projects a compact and self-sufficient city in Resolute Bay’s tundra, Canada. In one of the preliminary drawings, Erskine draws a strange day-night under the diminished Sun almost extinguished, put to bed on the enormous masses of the ice The Arctic1<\/sup>. In the low left corner it is labelled, as a chart that was offering voice to that landscape, the dizzy latitude of 74\u00baN: the Polar Circle The Arctic places to some 66\u00baN in zones furthermore hot.<\/p>\n

A series of buildings in height protect a space within the walls in hillside<\/em> of orientation South2<\/sup>. The colouring accession tries to integrate an Eskimoes’ community with the population of a nearby air base. Close to a series of energetic infrastructures, equipments and common protected well zones, Erskine projects a green infrastructure, an oasis indoor<\/em>, an artificial landscape with flowers, trees and vegetable species imported from other places of the world.<\/p>\n

Maybe in the white loneliness of the tundra there exists the need to restore a luck of ecological balance sheet, to overcome the dizziness of an unattainable climatology from a few minimal conditions of nature, to recover some form of dialog with the \u00abessential pleasures\u00bb. The ice speaks the undecipherable language of the inert thing.<\/p>\n

Expressing the latitude in a plane of architecture supposes a rarety and, nevertheless, few variables determine with so many firmness the genetics<\/em> of a territory3<\/sup>. Expressing the latitude supposes recognizing the specificity of the solar paths in a certain place, incorporating the movements of rotation and adjournment of the architecture<\/em>:<\/p>\n

it\u00b4s visible the circular movements that transport us in extraordinary this one Spaceship Earth4<\/sup>.<\/em><\/p><\/blockquote>\n

\"Ralph<\/a>
Ralph Erskine – An Ecological Arctic Town, 1958<\/span><\/figcaption><\/figure>\n

The latitude supposes the reference sexagesimal to the Ecuador, as well as the exact position of the horizontal plane relates the architecture to the level of the Mar, opportunely identified by Erskine under the impressive presence of the icebreaker. The architecture is also a question of Latitude. A question of Planes and Parallel.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. PhD Arquitecto
\nMadrid. November 2014.
\nAuthor of the Parr\u00e1fos de arquitectura<\/em>. #arquiParrafos<\/a><\/span><\/p>\n

Notes:<\/div>\n

1<\/sup> The climatic conditions are extreme: winters of up to-35\u00baC and very strong winds with snowstorms growing worse during an endless night of approximately two months and a half; for against, the summers suppose the uninterrupted day for at least three months and a half, with temperatures that are not in the habit of exceeding them +2\u00baC.<\/p>\n

2<\/sup> The offer supposes the adjustment of the project \u00abAn Ecological Artic Town\u00bb (1958), realized by Erskine as a personal investigation and that does not answer to any royal order. Questions as the protection of the winds of the north, the orientation South or the disposition in hillside to obtain the maximum solar available radiation, form a part of Erskine’s great knowledge on the aspects related to the climate and the territory: form follows climate<\/a><\/i>.<\/p>\n

3<\/sup> Other relevant aspects in the construction of the climate would be the altitude, the factor of continentalidad, the orography or the nature of the terrestrial surface.<\/p>\n

4<\/sup> \u00abOperating Manual for Spaceship Earth<\/i><\/a>\u00ab, R. Buckminster Fuller, 1968.<\/p>\n

\"Ralph<\/a>
Ralph Erskine, Resolute Bay, Canada 1970-73<\/span><\/figcaption><\/figure><\/p>\n

En ocasi\u00f3ns o home habita estra\u00f1os territorios, inh\u00f3spitos como un deserto xeado, host\u00eds como o vento g\u00e9lido dos glaciares. Por algunha estra\u00f1a raz\u00f3n, pertencemos a estes lugares e adapt\u00e1monos \u00e1 s\u00faa natureza desde o abrigo, a cultura ou a xesti\u00f3n dos ecosistemas. A arquitectura significa comprender en primeira instancia as consecuencias ambientais dun dos par\u00e1metros m\u00e1is influyentes na determinaci\u00f3n dos climas fr\u00edos:<\/p>\n

\n

a arquitectura \u00e9 tam\u00e9n unha cuesti\u00f3n de Latitude.<\/em><\/p>\n<\/blockquote>\n

En 1970 Ralph Erskine proxecta unha cidade compacta e autosuficiente na tundra de Resolute Bay, Canad\u00e1. Nun dos debuxos preliminares, Erskine debuxa un estra\u00f1o d\u00eda-noite baixo un sol diminu\u00eddo, case extinguido, deitado sobre as enormes masas do xeo \u00c1rtico1<\/sup>. Na esquina inferior esquerda se rotula, como unha carta de navegaci\u00f3n que ofrecese voz a aquela paisaxe, a vertiginosa latitud de 74\u00baN: o C\u00edrculo Polar \u00c1rtico sit\u00faase a uns 66\u00baN en zonas a\u00ednda m\u00e1is c\u00e1lidas.<\/p>\n

Unha serie de edificaci\u00f3ns en altura protexen un espazo intramuros<\/em> en ladera de orientaci\u00f3n Sur2<\/sup>. O colorido asentamento pretende integrar unha comunidade de esquim\u00e1is coa poboaci\u00f3n dunha pr\u00f3xima base a\u00e9rea. Xunto a unha serie de infraestructuras enerx\u00e9ticas, equipamientos e zonas com\u00fans ben protexidas, Erskine proxecta unha infraestructura verde, un oasis indoor<\/em>, unha paisaxe artificial con flores, \u00e1rbores e especies vexet\u00e1is importadas doutros lugares do mundo.<\/p>\n

Talvez na soidade branca da tundra exista a necesidade de restablecer unha sorte de balance ecol\u00f3xico, superar o v\u00e9rtigo dunha climatolox\u00eda inasequible desde unhas condici\u00f3ns m\u00ednimas de natureza, recuperar algunha forma de di\u00e1logo cos \u00abpraceres esenciais\u00bb. O xeo fala a linguaxe indescifrable do inerte.<\/p>\n

Expresar a latitud nun plano de arquitectura sup\u00f3n unha rareza e, con todo, poucas variables determinan con tanta firmeza a xen\u00e9tica<\/em> dun territorio3<\/sup>. Expresar a latitude sup\u00f3n reco\u00f1ecer a especificidade das traxectorias solares nun lugar determinado, incorporar os movementos de rotaci\u00f3n e traslaci\u00f3n da arquitectura<\/em>:<\/p>\n

visibilizar os movementos circulares que nos transportan neste extraordinario Spaceship Earth4<\/sup>.<\/em><\/p><\/blockquote>\n

\"Ralph<\/a>
Ralph Erskine – An Ecological Arctic Town, 1958<\/span><\/figcaption><\/figure>\n

A latitude sup\u00f3n a referencia sexagesimal ao Ecuador, as\u00ed como a posici\u00f3n exacta do plano horizontal relaciona a arquitectura co nivel do Mar, oportunamente identificado por Erskine baixo a imponente presenza do rompehielos. A arquitectura \u00e9 tam\u00e9n unha cuesti\u00f3n de Latitude. Unha cuesti\u00f3n de Planos e Paralelos.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto
\nMadrid. Novembro 2014.
\nAutor de Parr\u00e1fos de arquitectura<\/em>. #arquiParrafos<\/a><\/span><\/p>\n

Notas:<\/div>\n

1<\/sup> As condici\u00f3ns clim\u00e1ticas son extremas: invernos de ata -35\u00baC e ventos moi fortes con tormentas de neve arreciando nunha noite interminable de aproximadamente dous meses e medio; por contra, os ver\u00e1ns supo\u00f1en o d\u00eda ininterrumpido durante polo menos tres meses e medio, con temperaturas que non adoitan exceder os +2\u00baC.<\/p>\n

2<\/sup> A proposta sup\u00f3n a adaptaci\u00f3n do proxecto \u00abAn Ecological Artic Town\u00bb (1958), realizado por Erskine como unha investigaci\u00f3n persoal e que non responde a ning\u00fan encargo real. Cuesti\u00f3ns como a protecci\u00f3n dos ventos do norte, a orientaci\u00f3n Sur ou a disposici\u00f3n en ladera para obter a m\u00e1xima radiaci\u00f3n solar dispo\u00f1ible, forman parte do gran co\u00f1ecemento de Erskine sobre os aspectos relacionados co clima e o territorio: form follows climate<\/a><\/i>.<\/p>\n

3<\/sup> Outros aspectos relevantes na construci\u00f3n do clima ser\u00edan a altitude, o factor de continentalidade, a orograf\u00eda ou a natureza da superficie terrestre.<\/p>\n

4<\/sup> \u00abOperating Manual for Spaceship Earth<\/i><\/a>\u00ab, R. Buckminster Fuller, 1968.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

En ocasiones el hombre habita extra\u00f1os territorios, inh\u00f3spitos como un desierto helado, hostiles como el viento g\u00e9lido de los glaciares. Por alguna extra\u00f1a raz\u00f3n, hemos pertenecido a estos lugares y nos hemos adaptado a su naturaleza desde el abrigo, la cultura o la gesti\u00f3n de los ecosistemas. La arquitectura significa comprender en primera instancia las […]<\/p>\n","protected":false},"author":5,"featured_media":58280,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[318,3344,2298,424,737,789,6465,920,977,1513,7295,6809,1286],"class_list":["post-58279","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-ciudad","tag-ciudad-ideal","tag-dibujar","tag-dibujo","tag-investigacion","tag-lenguaje","tag-miguel-angel-diaz-camacho","tag-naturaleza","tag-paisaje","tag-ralph-erskine","tag-richard-buckminster-fuller","tag-ruth-erskine","tag-territorio"],"yoast_head":"\nPlanos y paralelos | Miguel \u00c1ngel D\u00edaz Camacho<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Planos y paralelos | Miguel \u00c1ngel D\u00edaz CamachoFlat and parallel | Miguel \u00c1ngel D\u00edaz 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