{"id":57918,"date":"2015-10-22T06:07:07","date_gmt":"2015-10-22T04:07:07","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=57918"},"modified":"2023-08-29T17:07:02","modified_gmt":"2023-08-29T15:07:02","slug":"luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/","title":{"rendered":"[:es]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine[:gl]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine[:en]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publication\/magazine | Bartlebooth Magazine[:]"},"content":{"rendered":"

[:es]<\/p>\n

Despu\u00e9s de unos meses de descanso y de b\u00fasqueda de nuevos proyectos, os presentamos Bartlebooth Magazine<\/a>, un peque\u00f1o proyecto editorial a cargo de cuatro j\u00f3venes arquitectos, Luis Armas<\/strong>, Antonio Gir\u00e1ldez<\/strong>, Bego\u00f1a Hermida<\/strong> y Pablo Ib\u00e1\u00f1ez<\/strong>.<\/p>\n

Bartlebooth no es una publicaci\u00f3n f\u00edsica al uso, es un juego, un puzzle, un proyecto que sale de la suma de diferentes inquietudes personales de estos j\u00f3venes arquitectos y de los diferentes colaboradores.<\/p>\n

\n

\u201cBartlebooth, partiendo de un cero, llegar\u00eda a otro cero, a trav\u00e9s de las transformaciones precisas de unos objetos acabados.\u201d<\/em><\/p>\n<\/blockquote>\n

Cada n\u00famero es \u00fanico ya que parten de un tema transversal y se desarrolla a partir de unas reglas de juego establecidas. Este planteamiento de inicio determina el resultado final de la publicaci\u00f3n.<\/p>\n

\n

\u201cSin embargo, el entendimiento global del n\u00famero s\u00f3lo es posible a trav\u00e9s de las lecturas de los invitados y de las conclusiones que el propio lector saque de ellas, cerrando finalmente el c\u00edrculo de transformaciones precisas del tema o hilo conductor.\u201d<\/em><\/p>\n<\/blockquote>\n

Os dejamos con los autores de esta aventura, y que en esta ocasi\u00f3n se someten a nuestras reglas<\/em> y nos descubren algunos misterios.<\/em><\/p>\n

\"Luis<\/a>
Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez | Bartlebooth Magazine<\/span><\/figcaption><\/figure>\n

\u00bfCu\u00e1l ha sido vuestra formaci\u00f3n y trayectoria profesional previa a \u201cBartlebooth Magazine\u201d? <\/strong><\/p>\n

Profesional ninguna. El \u201cproyecto\u201d (si es que podemos llamarlo as\u00ed) sali\u00f3 de una servilleta en la cafeter\u00eda de la Escuela de Arquitectura y nuestra trayectoria hasta entonces hab\u00eda sido meramente acad\u00e9mica.<\/p>\n

\u00bfQu\u00e9 os llev\u00f3 a abriros camino en el mundo editorial?\u00bfPor qu\u00e9 una revista f\u00edsica en \u201cestos tiempos\u201d?<\/strong><\/p>\n

Por una lado, inquietudes personales y obsesiones compartidas. No sab\u00edamos muy bien qu\u00e9 quer\u00edamos hacer, pero siempre hab\u00edamos tenido ganas de lanzarnos a hacer una publicaci\u00f3n, no necesariamente de arquitectura, o al menos no expl\u00edcitamente. Nos gustaba el car\u00e1cter vol\u00e1til de las ediciones peque\u00f1as, de los experimentos que tienen un inicio y un fin. Por otro, amor por lo t\u00e1ctil, todo aquello que podemos tocar, en un tiempo en el que lo digital se ha impuesto. Y no s\u00f3lo se tratar\u00eda de imprimir un contenido, sino que s\u00f3lo podr\u00eda entenderse desde su fisicalidad. Continente y contenido deb\u00edan ir estrechamente relacionados.<\/p>\n

\u00bfTen\u00edais alguna experiencia previa en el mundo editorial? <\/strong><\/p>\n

Absolutamente ninguna.<\/p>\n

\u00bfOs encontrasteis con muchas dificultades? \u00bfCu\u00e1les fueron las m\u00e1s problem\u00e1ticas?<\/strong><\/p>\n

Un desconocimiento absoluto de todos los aspectos asociados a la puesta en marcha de cualquier proyecto, por peque\u00f1o que fuese. Desde la coordinaci\u00f3n de todo el contenido, que fue creciendo en complejidad con los n\u00fameros, hasta innumerables problemas de gesti\u00f3n con las imprentas.<\/p>\n

\u00bfLa m\u00e1s problem\u00e1tica? No creemos que haya habido ninguna m\u00e1s importante, pero en conjunto todas suman. En el fondo nos dimos cuenta de la gran responsabilidad que hay detr\u00e1s de cada tarea, por min\u00fascula que sea, y del tiempo de aprendizaje que cada una de ellas requiere. Estamos tocando palos, t\u00e9cnicas y tareas que jam\u00e1s hab\u00edamos realizado, y todo eso pasa factura.<\/p>\n

\u00bfEst\u00e1is contentos con los objetivos alcanzados?<\/strong><\/p>\n

S\u00ed. Por nuestra parte contentos porque cada vez son n\u00fameros m\u00e1s ricos, m\u00e1s complejos y vamos aprendiendo en ciertas cosas. Y sobre todo con todos los agentes que participan de \u00e9l (colaboradores y lectores) porque son los que realmente le dan sentido a los experimentos. Solemos decir que el lector es el que \u201ccierra el c\u00edrculo de transformaciones precisas\u201d, y en realidad \u00e9l tendr\u00e1 la \u00faltima palabra sobre sus \u00e9xitos o fracasos.<\/p>\n

\"entrevista_bm_03_losinicios\"<\/a>
Bartlebooth Magazine | Los Inicios<\/span><\/figcaption><\/figure>\n

\u00bfQu\u00e9 expectativas y proyectos de futuro ten\u00e9is para \u201cBartlebooth Magazine\u201d?<\/strong><\/p>\n

M\u00e1s que expectativas, deberes, ir creciendo en rigor y seriedad, por nuestra parte, de forma paralela al crecimiento de los n\u00fameros y de sus contenidos. Hasta ahora los proyectos hab\u00edan surgido de forma algo espont\u00e1nea uno tras otro, quiz\u00e1s el proyecto futuro deber\u00eda ser tener un proyecto verdadero, m\u00e1s a medio o largo plazo.<\/p>\n

\u00bfSon rentables este tipo de iniciativas? \u00bfOs sent\u00eds bien remunerados por la labor que realiz\u00e1is?<\/strong><\/p>\n

En absoluto. Nunca hemos buscado la rentabilidad econ\u00f3mica, sino b\u00e1sicamente hacer accesible un contenido que a nosotros nos interesaba, a gente como nosotros. Si probablemente analiz\u00e1semos Bartlebooth desde un punto de vista econ\u00f3mico ser\u00eda algo absolutamente desastroso. De hecho, para poder llevar a cabo el \u00faltimo n\u00famero tuvimos que poner en marcha una campa\u00f1a de micromecenazgo para poder materializar un n\u00famero mucho m\u00e1s ambicioso que, desde nuestra precariedad absoluta, ser\u00eda impensable.<\/p>\n

Cuando empezamos no ten\u00edamos en mente ninguna remuneraci\u00f3n econ\u00f3mica, sino obtener a cambio otra serie de recompensas, de satisfacciones personales que Bartlebooth nos ha dado a lo largo de estos dos a\u00f1os. As\u00ed que, desde ese punto de vista, nos sentimos m\u00e1s que realizados. Nos damos con un canto en los dientes.<\/p>\n

\u00bfCompagin\u00e1is o complement\u00e1is esta actividad con otras labores o en otros campos? <\/strong><\/p>\n

Cada uno con sus estudios.<\/p>\n

\u00bfC\u00f3mo veis el futuro del mundo editorial?<\/strong><\/p>\n

Interesante, muy interesante. No s\u00f3lo porque la irrupci\u00f3n de nuevas tecnolog\u00edas haya democratizado, de una manera u otra, los medios editoriales arquitect\u00f3nicos sino porque adem\u00e1s permite poner en contacto y establecer nodos de comunicaci\u00f3n entre diferentes agentes que, de otra forma, ser\u00edan absolutamente desconocidos. Frente a modelos que desde nuestro punto de vista se han quedado obsoletos y carentes de inter\u00e9s, aparecen nuevas herramientas, como Tumblr, que permiten sacar a la luz a absolutos desconocidos que, sin ninguna infraestructura empresarial que los publicite o sostenga, est\u00e1n llevando a cabos proyectos muy interesantes y enriquecedores. Y esta misma situaci\u00f3n la podemos aplicar al mundo editorial.<\/p>\n

Tal vez los proyectos m\u00e1s interesantes con los que hemos entrado en contacto a lo largo de este tiempo se nutran de esta misma periferia o nazcan precisamente en ella. Creemos que est\u00e1n form\u00e1ndose multitud de proyectos editoriales alejados de la \u201crevista pornogr\u00e1fica\u201d de arquitectura, pero tambi\u00e9n de la \u201crevista indexada\u201d de textos acad\u00e9micos. Frente a dos modelos que s\u00f3lo sirven para sostenerse a s\u00ed mismos, aparecen situaciones h\u00edbridas o exteriores a ambas que recuperan la esencia, peso e importancia de las publicaciones hist\u00f3ricas de arquitectura.<\/p>\n

Con lo cual vemos el futuro duro, muy duro, pero a la vez emocionante.<\/p>\n

\"Bartlebooth<\/a>
Bartlebooth Magazine | La fiesta<\/span><\/figcaption><\/figure>\n

\u00bfConsider\u00e1is que estudiar Arquitectura ha sido un pasaporte fundamental para haber llegado a vuestro trabajo actual?<\/strong><\/p>\n

S\u00ed. Al fin y al cabo no podr\u00edamos desligar esta labor \u201ceditorial\u201d de nuestra pr\u00e1ctica, intereses o formaci\u00f3n arquitect\u00f3nica.<\/p>\n

\u00bfAnimar\u00edais a otros arquitectos a seguir vuestros pasos? \u00bfQu\u00e9 pasos consider\u00e1is que deber\u00edan dar? \u00bfC\u00f3mo completar sus estudios? \u00bfQu\u00e9 otros consejos les dar\u00edas?<\/strong><\/p>\n

Claro. \u00bfPor qu\u00e9 no? Si alguien tiene algo que decir y ganas de decirlo, que lo haga. Que no tenga miedo a saltar al vac\u00edo pues siempre habr\u00e1 alguien a quien le interese lo que tenga que decir. Respecto a los pasos, que se lo tomen como una carrera de fondo, sin prisas pero sin pausa; con unas metas m\u00e1s o menos definidas para no ir a salto de mata y entendiendo que todo peque\u00f1o detalle o tarea puede ser decisiva.<\/p>\n

\u00bfCre\u00e9is que los arquitectos en Espa\u00f1a deber\u00edamos seguir abriendo nuevas v\u00edas de trabajo para salir de la casilla m\u00e1s \u00abtradicional\u00bb de proyectar dada la actual situaci\u00f3n de la construcci\u00f3n en nuestro pa\u00eds?<\/strong><\/p>\n

Tal vez el problema sea que, durante un breve lapso de tiempo, se ha asociado indisolublemente la construcci\u00f3n de objetos arquitect\u00f3nicos a la \u00fanica salida de la disciplina. Sin embargo la disciplina arquitect\u00f3nica es mucho m\u00e1s amplia y, lo que es m\u00e1s importante, est\u00e1 en constante reconfiguraci\u00f3n. S\u00f3lo es necesario echar la vista atr\u00e1s o revisar los textos te\u00f3ricos para entender el amplio abanico de posibilidades que puede englobar la pr\u00e1ctica arquitect\u00f3nica. Obviamente sin caer en los discursos triunfalistas del arquitecto omnipotente que todo lo puede, pues es un aut\u00e9ntico enga\u00f1o que quien mucho abarca, poco aprieta.<\/p>\n

\"Bartlebooth<\/a>
Bartlebooth Magazine | Los opuestos<\/span><\/figcaption><\/figure>\n

\u00bfQu\u00e9 opin\u00e1is de los que se han ido a trabajar al extranjero?<\/strong><\/p>\n

Es un tema complicado. Por un lado, es indudable que un arquitecto reci\u00e9n titulado en Espa\u00f1a (con todo lo que ello le ha supuesto) debe buscar ambientes que permitan desarrollar profesionalmente sus capacidades, adem\u00e1s de ir ofreci\u00e9ndole cierta estabilidad econ\u00f3mica, lejos de lo precario. Por otro, emigrar por sistema es peligroso, si buscamos solo construir, desde el inmovilismo, si nos olvidamos de preguntarnos el por qu\u00e9 de esta situaci\u00f3n y de pensar en caminos para seguir aportando a nuestros territorios como colectivo. Es importante tambi\u00e9n poner en valor el trabajo de arquitectos, que a pesar de lo inestable de quedarse, han conseguido encontrar o crear aqu\u00ed oportunidades sin escapar del oficio, a trav\u00e9s de otros procesos, campos, y con dignidad.<\/p>\n

La arquitectura, tiene abiertos muchos frentes de batalla (LSP, Bolonia, paro, precariedad laboral, COAs, ETSAs, emigraci\u00f3n, comunicaci\u00f3n, etc), \u00bfno ser\u00e1n demasiados para la polarizaci\u00f3n existente dentro de la misma? <\/strong><\/p>\n

Tal vez la incertidumbre o la crisis constante sea algo que debamos asumir como una condici\u00f3n de partida o inherente a la pr\u00e1ctica profesional y no como algo excepcional. Probablemente existan m\u00faltiples campos de batalla, y sigan surgiendo m\u00e1s y m\u00e1s, sin embargo cada uno es libre de escoger aquellas que librar. No vemos posible intentar buscar posiciones unitarias o discursos \u00fanicos a d\u00eda de hoy sin caer en la banalizaci\u00f3n o panfletizaci\u00f3n de cualquier tipo de discurso. El posicionamiento es inherente a cada individuo, y todo el mundo ha de tener claras sus ideas sobre cada uno de los temas mencionados en la pregunta; no obstante, pretender una opini\u00f3n central o unitaria respecto a los mismos creemos que es un error.<\/p>\n

\u00bfC\u00f3mo veis el futuro de la profesi\u00f3n?<\/strong><\/p>\n

Incierto.<\/p>\n

\"<\/a>
Bartlebooth Magazine | Las virtudes<\/span><\/figcaption><\/figure>\n

Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez\u00a0 \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine<\/a><\/strong>
\nOctubre 2015<\/p>\n

Entrevista realizada por Ana Barreiro Blanco y Alberto Alonso Oro<\/em><\/em>.<\/em><\/em><\/em> Agradecer a la Bego\u00f1a, Luis, Pablo y Antonio su tiempo y predisposici\u00f3n con este espacio.<\/em><\/p>\n

[:gl]<\/p>\n

Logo duns meses de descanso e de procura de novos proxectos, present\u00e1mosvos Bartlebooth Magazine<\/a>, un pequeno proxecto editorial a cargo de catro novos arquitectos, Luis Armas<\/strong>, Antonio Gir\u00e1ldez<\/strong>, Bego\u00f1a Hermida<\/strong> e Pablo Ib\u00e1\u00f1ez<\/strong>.<\/p>\n

Bartlebooth non \u00e9 unha publicaci\u00f3n f\u00edsica ao uso, \u00e9 un xogo, un puzzle, un proxecto que sae da suma de diferentes inquietudes persoais destes novos arquitectos e dos diferentes colaboradores.<\/p>\n

\n

\u201cBartlebooth, partindo dun cero, chegar\u00eda a outro cero, a trav\u00e9s das transformaci\u00f3ns precisas duns obxectos acabados.\u201d<\/em><\/p>\n<\/blockquote>\n

Cada n\u00famero \u00e9 \u00fanico xa que parten dun tema transversal e desenv\u00f3lvese a partir dunhas regras de xogo establecidas. Esta formulaci\u00f3n de inicio determina o resultado final da publicaci\u00f3n.<\/p>\n

\n

\u201cCon todo, o entendemento global do n\u00famero s\u00f3 \u00e9 posible a trav\u00e9s das lecturas dos invitados e das conclusi\u00f3ns que o propio lector saque delas, pechando finalmente o c\u00edrculo de transformaci\u00f3ns precisas do tema ou f\u00edo condutor.\u201d<\/em><\/p>\n<\/blockquote>\n

Deix\u00e1mosvos cos autores desta aventura, e que nesta ocasi\u00f3n som\u00e9tense \u00e1s nosas regras<\/em> e desc\u00f3brennos alg\u00fans misterios<\/em>.<\/p>\n

\"Luis<\/a>
Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez | Bartlebooth Magazine<\/span><\/figcaption><\/figure>\n

Cal foi vosa formaci\u00f3n e traxectoria profesional previa a\u201cBartlebooth Magazine\u201d? <\/strong><\/p>\n

Profesional ningunha. O \u201cproxecto\u201d (si \u00e9 que podemos chamalo as\u00ed) sa\u00edu dunha servilleta na cafeter\u00eda da Escola de Arquitectura e a nosa traxectoria ata ent\u00f3n fora meramente acad\u00e9mica.<\/p>\n

Que vos levou a abrirvos cami\u00f1o no mundo editorial? Por que unha revista f\u00edsica \u201cnestes tempos\u201d?<\/strong><\/p>\n

Por unha lado, inquietudes persoais e obsesi\u00f3ns compartidas. Non sabiamos moi ben que queriamos facer, pero sempre habiamos ter ganas de lanzarnos a facer unha publicaci\u00f3n, non necesariamente de arquitectura, ou polo menos non expl\u00edcitamente. Gust\u00e1banos o car\u00e1cter vol\u00e1til das edici\u00f3ns pequenas, dos experimentos que te\u00f1en un inicio e un fin. Por outro, amor polo t\u00e1ctil, todo aquilo que podemos tocar, nun tempo no que o digital imp\u00faxose. E non s\u00f3 se tratar\u00eda de imprimir un contido, sen\u00f3n que s\u00f3 poder\u00eda entenderse desde o seu fisicalidad. Continente e contido deb\u00edan ir estrechamente relacionados.<\/p>\n

Ti\u00f1ades algunha experiencia previa no mundo editorial?<\/strong><\/p>\n

Absolutamente ningunha.<\/p>\n

Atop\u00e1stesvos con moitas dificultades? Cales foron as m\u00e1is problem\u00e1ticas?<\/strong><\/p>\n

Un desco\u00f1ecemento absoluto de todos os aspectos asociados \u00e1 posta en marcha de calquera proxecto, por pequeno que fose. Desde a coordinaci\u00f3n de todo o contido, que foi crecendo en complejidad cos n\u00fameros, ata innumerables problemas de xesti\u00f3n coas imprentas.<\/p>\n

A m\u00e1is problem\u00e1tica? Non creemos que haxa ningunha m\u00e1is importante, pero en conxunto todas suman. No fondo d\u00e9monos conta da gran responsabilidade que hai detr\u00e1s de cada tarefa, por min\u00fascula que sexa, e do tempo de aprendizaxe que cada unha delas require. Estamos tocando paus, t\u00e9cnicas e tarefas que xamais realizaramos, e todo iso pasa factura.<\/p>\n

Estades contentos cos obxectivos alcanzados?<\/strong><\/p>\n

Si. Pola nosa banda contentos porque cada vez son n\u00fameros m\u00e1is ricos, m\u00e1is complexos e imos aprendendo en certas cousas. E sobre todo con todos os axentes que participan del (colaboradores e lectores) porque son os que realmente danlle sentido aos experimentos. Adoitamos dicir que o lector \u00e9 o que \u201cpecha o c\u00edrculo de transformaci\u00f3ns precisas\u201d, e en realidade el ter\u00e1 a \u00faltima palabra sobre os seus \u00e9xitos ou fracasos.<\/p>\n

\"entrevista_bm_03_losinicios\"<\/a>
Bartlebooth Magazine | Os comezos<\/span><\/figcaption><\/figure>\n

Que expectativas e proxectos de futuro tendes para \u201cBartlebooth Magazine\u201d?<\/strong><\/p>\n

M\u00e1is que expectativas, deberes, ir crecendo en rigor e seriedade, pola nosa banda, de forma paralela ao crecemento dos n\u00fameros e dos seus contidos. Ata agora os proxectos xurdiran de forma algo espont\u00e1nea un tras outro, quizais o proxecto futuro deber\u00eda ser ter un proxecto verdadeiro, m\u00e1is a medio ou longo prazo.<\/p>\n

Son rendibles este tipo de iniciativas? Sent\u00eddesvos ben remunerados polo labor que realizades?<\/strong><\/p>\n

En absoluto. Nunca buscamos a rentabilidad econ\u00f3mica, sen\u00f3n basicamente facer accesible un contido que a n\u00f3s nos interesaba, a xente como n\u00f3s. Si probablemente analiz\u00e1semos Bartlebooth desde un punto de vista econ\u00f3mico ser\u00eda algo absolutamente desastroso. De feito, para poder levar a cabo o \u00faltimo n\u00famero tivemos que po\u00f1er en marcha unha campa\u00f1a de micromecenazgo para poder materializar un n\u00famero moito m\u00e1is ambicioso que, desde a nosa precariedad absoluta, ser\u00eda impensable.<\/p>\n

Cando empezamos non ti\u00f1amos en mente ningunha remuneraci\u00f3n econ\u00f3mica, sen\u00f3n obter a cambio outra serie de recompensas, de satisfacci\u00f3ns persoais que Bartlebooth deunos ao longo destes dous anos. As\u00ed que, desde ese punto de vista, sent\u00edmonos m\u00e1is que realizados. D\u00e1monos cun canto nos dentes.<\/p>\n

Compaxinades ou complement\u00e1is esta actividade con outros labores ou noutros campos?<\/strong><\/p>\n

Cada un cos seus estudos.<\/p>\n

Como vedes o futuro do mundo editorial?<\/strong><\/p>\n

Interesante, moi interesante. Non s\u00f3 porque a irrupci\u00f3n de novas tecnolox\u00edas democratice, dun xeito ou outra, os medios editoriais arquitect\u00f3nicos sen\u00f3n porque ademais permite po\u00f1er en contacto e establecer nodos de comunicaci\u00f3n entre diferentes axentes que, doutra forma, ser\u00edan absolutamente desco\u00f1ecidos. Fronte a modelos que desde o noso punto de vista qued\u00e1ronse obsoletos e carentes de interese, aparecen novas ferramentas, como Tumblr, que permiten sacar \u00e1 luz a absolutos desco\u00f1ecidos que, sen ningunha infraestructura empresarial que os publicite ou soste\u00f1a, est\u00e1n levando a cabos proxectos moi interesantes e enriquecedores. E esta mesma situaci\u00f3n pod\u00e9mola aplicar ao mundo editorial.<\/p>\n

Talvez os proxectos m\u00e1is interesantes cos que entramos en contacto ao longo deste tempo n\u00fatranse desta mesma periferia ou nazan precisamente nela. Creemos que est\u00e1n form\u00e1ndose multitude de proxectos editoriais afastados da \u201crevista pornogr\u00e1fica\u201d de arquitectura, pero tam\u00e9n da \u201crevista indexada\u201d de textos acad\u00e9micos. Fronte a dous modelos que s\u00f3 serven para sosterse a si mesmos, aparecen situaci\u00f3ns h\u00edbridas ou exteriores a ambas que recuperan a esencia, peso e importancia das publicaci\u00f3ns hist\u00f3ricas de arquitectura.<\/p>\n

Co cal vemos o futuro duro, moi duro, pero \u00e1 vez emocionante.<\/p>\n

\"Bartlebooth<\/a>
Bartlebooth Magazine | A festa<\/span><\/figcaption><\/figure>\n

Considerades que estudar Arquitectura foi un pasaporte fundamental para chegar ao voso traballo actual?<\/strong><\/p>\n

Si. \u00c1 fin e ao cabo non poderiamos desligar este labor \u201ceditorial\u201d da nosa pr\u00e1ctica, intereses ou formaci\u00f3n arquitect\u00f3nica.<\/p>\n

Animar\u00edades a outros arquitectos a seguir os vosos pasos? Que pasos considerades que deber\u00edan dar? Como completar os seus estudos? Que outros consellos lles dar\u00edalles?<\/strong><\/p>\n

Claro. Por que non? Se algu\u00e9n ten algo que dicir e ganas de dicilo, que o faga. Que non te\u00f1a medo a saltar ao baleiro pois sempre haber\u00e1 algu\u00e9n a quen lle interese o que te\u00f1a que dicir. Respecto dos pasos, que os tomen como unha carreira de fondo, sen pr\u00e9sas pero sen pausa; cunhas metas m\u00e1is ou menos definidas para non ir \u00e1 esculca do gran de millo e entendendo que todo pequeno detalle ou tarefa pode ser decisiva.<\/p>\n

Creedes que os arquitectos en Espa\u00f1a deberiamos seguir abrindo novas v\u00edas de traballo para sa\u00edr da casilla m\u00e1is \u00abtradicional\u00bb de proxectar dada a actual situaci\u00f3n da construci\u00f3n no noso pa\u00eds?<\/strong><\/p>\n

Talvez o problema sexa que, durante un breve lapso de tempo, asociouse indisolublemente a construci\u00f3n de obxectos arquitect\u00f3nicos \u00e1 \u00fanica sa\u00edda da disciplina. Con todo a disciplina arquitect\u00f3nica \u00e9 moito m\u00e1is ampla e, o que \u00e9 m\u00e1is importante, est\u00e1 en constante reconfiguraci\u00f3n. S\u00f3 \u00e9 necesario botar a vista atr\u00e1s ou revisar os textos te\u00f3ricos para entender o amplo abanico de posibilidades que pode englobar a pr\u00e1ctica arquitect\u00f3nica. Obviamente sen caer nos discursos triunfalistas do arquitecto omnipotente que todo o pode, pois \u00e9 un aut\u00e9ntico engano que quen moito abarca, pouco aperta.<\/p>\n

\"Bartlebooth<\/a>
Bartlebooth Magazine | Os opostos<\/span><\/figcaption><\/figure>\n

Que opinades dos que se foron a traballar ao estranxeiro?<\/strong><\/p>\n

\u00c9 un tema complicado. Por unha banda, \u00e9 indubidable que un arquitecto recentemente titulado en Espa\u00f1a (con todo o que iso lle supuxo) debe buscar ambientes que permitan desenvolver profesionalmente as s\u00faas capacidades, ademais de ir ofrec\u00e9ndolle certa estabilidade econ\u00f3mica, lonxe do precario. Por outro, emigrar a diario \u00e9 perigoso, si buscamos s\u00f3 constru\u00edr, desde o inmovilismo, se nos esquec\u00e9mos de preguntarnos o por que desta situaci\u00f3n e de pensar en cami\u00f1os para seguir aportando aos nosos territorios como colectivo. \u00c9 importante tam\u00e9n po\u00f1er en valor o traballo de arquitectos, que malia o inestable de quedarse, conseguiron atopar ou crear aqu\u00ed oportunidades sen escapar do oficio, a trav\u00e9s doutros procesos, campos, e con dignidade.<\/p>\n

A arquitectura, ten abertos moitas frontes de batalla (LSP, Bolonia, paro, precariedad laboral, COAs, ETSAs, emigraci\u00f3n, comunicaci\u00f3n, etc), non ser\u00e1n demasiados para a polarizaci\u00f3n existente dentro da mesma?<\/strong><\/p>\n

Talvez a incerteza ou a crise constante sexa algo que debamos asumir como unha condici\u00f3n de partida ou inherente \u00e1 pr\u00e1ctica profesional e non como algo excepcional. Probablemente existan m\u00faltiples campos de batalla, e sigan xurdindo m\u00e1is e m\u00e1is, con todo cada un \u00e9 libre de escoller aquelas que librar. Non vemos posible intentar buscar posici\u00f3ns unitarias ou discursos \u00fanicos a d\u00eda de hoxe sen caer na banalizaci\u00f3n ou panfletizaci\u00f3n de calquera tipo de discurso. O posicionamiento \u00e9 inherente a cada individuo, e todo o mundo ha de ter claras as s\u00faas ideas sobre cada un dos temas mencionados na pregunta; no entanto, pretender unha opini\u00f3n central ou unitaria respecto de os mesmos creemos que \u00e9 un erro.<\/p>\n

Como vedes o futuro da profesi\u00f3n?<\/strong><\/p>\n

Incerto.<\/p>\n

\"<\/a>
Bartlebooth Magazine | As virtudes<\/span><\/figcaption><\/figure>\n

Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine<\/a><\/strong>
\nOutubro 2015<\/p>\n

Entrevista realizada por Ana Barreiro Branco e Alberto Alonso Ouro. Agradecer \u00e1 Bego\u00f1a, Lu\u00eds, Pablo e Antonio o seu tempo e predisposici\u00f3n con este espazo.
\n<\/em><\/p>\n

[:en]<\/p>\n

After a few months of rest and of search of new projects, let’s sense beforehand Bartlebooth Magazine<\/a>, a small publishing project at the expense of four young architects, Luis Armas, Antonio Gir\u00e1ldez, Bego\u00f1a Hermida <\/strong>and Paul Ib\u00e1\u00f1ez<\/strong>.<\/p>\n

Bartlebooth is not a physical publication to the use, is a game, a puzzle, a project that goes out of the sum of different personal worries of these young architects and of the different collaborators.<\/p>\n

\n

\u201cBartlebooth, departing from a zero, it would come to another zero, across the precise transformations of a few finished objects.\u201d<\/em><\/p>\n<\/blockquote>\n

Every number is only since they depart from a transverse topic and develops from a few rules of game established. This exposition of beginning determines the final result of the publication.<\/p>\n

\n

\u201cNevertheless, the global understanding of the number only is possible across the readings of the guests and of the conclusions that the own reader extracts of them, closing finally the circle of precise transformations of the topic or conductive thread.\u201d<\/em><\/p>\n<\/blockquote>\n

We leave you with the authors of this adventure, and that in this occasion surrender to our rules<\/em> and discover some mysteries<\/em>.<\/p>\n

\"Luis<\/a>
Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez | Bartlebooth Magazine<\/span><\/figcaption><\/figure>\n

Which has been your formation and professional path before \u201cBartlebooth Magazine\u201d? <\/strong><\/p>\n

Professional none. The \u201cproject\u201d (if it is that we can call it this way) went out of a napkin in the cafeteria of the School of Architecture and our path till then had been merely academic.<\/p>\n

What did lead you to opening way you in the publishing world? For what physical magazine in \u201cthese times\u201d?<\/strong><\/p>\n

For one side, personal worries and shared obsessions. We did not know very well what we wanted to do, but always we had had desire of throwing to do a publication to us, not necessarily of architecture, or at least not explicitly. We liked the volatile character of the small editions, of the experiments that have a beginning and an end. For other one, love for the tactile thing, all that that we can touch, in a time in which the digital thing has been imposed. And not only it would be a question of stamping a content, but only it might be understood from his fisicalidad. Continent and content had to go narrowly related.<\/p>\n

Had you some previous experience in the publishing world? <\/strong><\/p>\n

Absolutely none.<\/p>\n

Did you meet many difficulties? Which were the most problematic?<\/strong><\/p>\n

An absolute ignorance of all the aspects associated with the putting in march of any project, for small that was. From the coordination of the whole content, which was growing in complexity with the numbers, up to innumerable problems of management with the presses.<\/p>\n

The most problematic? We do not believe that there has been more important none, but as a whole they all add up. In the bottom we realized the great responsibility that exists behind every task, for small letter that is, and of the time of learning that each of them needs. We are touching sticks, technologies and tasks that we had never realized, and all that spends invoice.<\/p>\n

Are you satisfied with the reached aims?<\/strong><\/p>\n

Yes. For our part contentments because every time they are richer numbers, more complexes and we are learning in certain things. And especially with all the agents who take part of him (collaborators and readers) because they are those who really give him sense to the experiments. We are in the habit of saying that the reader is the fact that \u201cit closes the circle of precise transformations\u201d, and actually he will have the last word on his successes or failures.<\/p>\n

\"entrevista_bm_03_losinicios\"<\/a>
Bartlebooth Magazine | The Beginnings<\/span><\/figcaption><\/figure>\n

What expectations and projects of future have you for \u201cBartlebooth Magazine\u201d?<\/strong><\/p>\n

More than expectations, duties, to be growing in rigor and seriousness, for our part, of form parallel to the growth of the numbers and of his contents. Till now the projects had arisen from slightly spontaneous form one after other one, probably the future project should be have a real project, more to average or long term.<\/p>\n

Are this type of initiatives profitable? Do you feel good remunerated by the labor that you realize?<\/strong><\/p>\n

By no means. We have never sought for the economic profitability, but basically to make accessible a content that we were interested us, to people as us. If probably we were analyzing Bartlebooth from an economic point of view it would be something absolutely disastrous. In fact, to be able to carry out the last number we had to start a campaign of micropatronage to be able to materialize a number much more ambitious that, from our absolute precariousness, it would be unthinkable.<\/p>\n

When we begin we did not have in mind any economic remuneration, but obtain in exchange another series of rewards, of personal satisfactions that Bartlebooth has given us throughout these two years. So, from this point of view, we feel more than realized. We give each other with a singing in the teeth.<\/p>\n

Do you arrange or complement this activity with other labors or in other fields?<\/strong><\/p>\n

Each one with his studies.<\/p>\n

How do you see the future of the publishing world?<\/strong><\/p>\n

Interesting, very interesting. Not only because the irruption of new technologies has democratized, by some means or another, the publishing architectural means but because in addition it allows to contact and to establish nodes of communication between different agents who, of another form, would be absolutely unknown. Opposite to models who from our point of view have remained obsolete and lacking in interest, new tools appear, as Tumblr, which allow to extract to the light absolute strangers who, without any managerial infrastructure that publicizes or supports them, are taking to ends very interesting and wealth-producing projects. And the same situation we can apply to the publishing world.<\/p>\n

Maybe the most interesting projects with which we have entered contact throughout this time are nourished of the same periphery or be born precisely in her. We think that there is formed multitude of publishing projects removed from the \u201cpornographic magazine\u201d of architecture, but also of the \u201cmagazine indexed\u201d of academic texts. Opposite to two models who only serve to be supported to yes same, there appear hybrid or exterior situations to both that recover the essence, weight and importance of the historical publications of architecture.<\/p>\n

With which we see the hard, very hard future, but simultaneously exciting.<\/p>\n

\"Bartlebooth<\/a>
Bartlebooth Magazine | The party
<\/span><\/figcaption><\/figure>\n

Do you think that to study Architecture has been a fundamental passport to have come to your current work?<\/strong><\/p>\n

Yes. In the end we might not untie this \u201cpublishing\u201d labor of our practice, interests or architectural formation.<\/p>\n

Would you encourage other architects to follow your steps? What steps do you consider that they should give? How to complete his studies? What other advices would you give them?<\/strong><\/p>\n

Clear. Why not? If someone has something that to say and you gain of saying it, that should do it. That is not afraid to jumping to the emptiness since always there will be someone to whom he is interested what it has to say. With regard to the steps, which take it as a long-distance race, without hurries but without pause; with a few goals more or less defined not to go to jump of bush and understanding that any small detail or task can be decisive.<\/p>\n

Do you think that the architects in Spain we should continue opening new routes of work to go out of the most \u00abtraditional\u00bb cabin of projecting given the current situation of the construction in our country?<\/strong><\/p>\n

Maybe the problem is that, during a brief space of time, there has been associated indissolubly the construction of architectural objects with the only exit of the discipline. Nevertheless the architectural discipline is much more wide and, which is more important, is in constant reconfiguration. Only it is necessary to throw the sight behind or to check the theoretical texts to understand the wide range of possibilities that can include the architectural practice. Obviously without falling in the euphoric speeches of the omnipotent architect that everything it can, since it is an authentic deception that the one who much includes, little presses.<\/p>\n

\"Bartlebooth<\/a>
Bartlebooth Magazine | The opposites
<\/span><\/figcaption><\/figure>\n

What do you think of those that they have been going to work abroad?
\n<\/strong><\/p>\n

It is a complicated topic. On the one hand, it is undoubted that an architect newly titled in Spain (with everything what it has supposed him) must look for environments that allow to develop professionally his capacities, beside going offering him certain economic stability, far from the precarious thing. For other one, to emigrate for system is dangerous, if we seek to construct only, from the immobility, if we forget to ask ourselves why of this situation and of thinking about ways to continue reaching to our territories as group. It is important also to put in value the architects’ work, which in spite of the unstable thing of remaining, opportunities have managed to find or to create here without fields escape of the trade, across other processes, and with dignity.<\/p>\n

The architecture, it has opened many fronts of battle (LSP, Bologna, unemployment, labor precariousness, Spades, ETSAs, emigration, communication, etc), will not they be too much for the existing polarization inside the same one? <\/strong><\/p>\n

Maybe the uncertainty or the constant crisis is something that we should assume as a condition of item or inherently in the professional practice and not as something exceptional. Probably multiple battlefields exist, and continue arising more and more, nevertheless each one is free to choose those that to free. We do not see possibly to try to look for unitary positions or the only speeches a today without falling down in the banalizaci\u00f3n or panfletizaci\u00f3n of any type of speech. The positioning belongs inherent in every individual, and the whole world has to have his ideas clear on each of the topics mentioned in the question; nevertheless, to claim a central or unitary opinion with regard to the same ones we think that it is a mistake.<\/p>\n

How do you see the future of the profession?<\/strong><\/p>\n

Uncertain.<\/p>\n

\"<\/a>
Bartlebooth Magazine | The virtues<\/span><\/figcaption><\/figure>\n

Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publication\/magazine | Bartlebooth Magazine<\/a><\/strong>
\nOctober 2015<\/p>\n

Interview realized by Ana Barreiro Blanco and Alberto Alonso Oro. To be grateful for the Bego\u00f1a, Luis, Paul and Antonio his time and predisposition with this space.
\n<\/em><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Despu\u00e9s de unos meses de descanso y de b\u00fasqueda de nuevos proyectos, os presentamos Bartlebooth Magazine, un peque\u00f1o proyecto editorial a cargo de cuatro j\u00f3venes arquitectos, Luis Armas, Antonio Gir\u00e1ldez, Bego\u00f1a Hermida y Pablo Ib\u00e1\u00f1ez. Bartlebooth no es una publicaci\u00f3n f\u00edsica al uso, es un juego, un puzzle, un proyecto que sale de la […]<\/p>\n","protected":false},"author":85,"featured_media":57920,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9430,5951],"tags":[12273,12275,12278,2631,5865,12449,12477,9643,9651,9439,484,535,758,9653,9556,9654,1120,1151,1173],"class_list":["post-57918","post","type-post","status-publish","format-standard","has-post-thumbnail","category-baliza","category-slider-principal","tag-alberto-alonso-oro","tag-ana-barreiro-blanco","tag-arquitectura-espanola","tag-arquitectura-gallega","tag-arte","tag-baliza","tag-bartlebooth-mag","tag-begona-hermida","tag-en-transito","tag-entrevista","tag-estudiante","tag-joven-arquitecto","tag-luis-armas","tag-magazine","tag-pablo-ibanez-ferrera","tag-publicacion","tag-red","tag-revista"],"yoast_head":"\nLuis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine<\/title>\n<meta name=\"description\" content=\"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-\u00b7-publicacionrevista-bartlebooth-magazine\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine\" \/>\n<meta property=\"og:description\" content=\"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-\u00b7-publicacionrevista-bartlebooth-magazine\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/anabarreiroblanco\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-22T04:07:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-29T15:07:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/10\/entrevista_bm_01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"625\" \/>\n\t<meta property=\"og:image:height\" content=\"455\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ana Barreiro Blanco\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@veredes\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ana Barreiro Blanco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/\"},\"author\":{\"name\":\"Ana Barreiro Blanco\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/d75d9abfee4af7f452f32c140a5aa176\"},\"headline\":\"[:es]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\\\/revista | Bartlebooth Magazine[:gl]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\\\/revista | Bartlebooth Magazine[:en]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publication\\\/magazine | Bartlebooth Magazine[:]\",\"datePublished\":\"2015-10-22T04:07:07+00:00\",\"dateModified\":\"2023-08-29T15:07:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/\"},\"wordCount\":5348,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/entrevista_bm_01.jpg\",\"keywords\":[\"Alberto Alonso Oro\",\"Ana Barreiro Blanco\",\"Antonio Gir\u00e1ldez L\u00f3pez\",\"arquitectura espa\u00f1ola\",\"arquitectura gallega\",\"arte\",\"baliza\",\"bartlebooth mag\",\"Bego\u00f1a Hermida\",\"en tr\u00e1nsito\",\"entrevista\",\"estudiante\",\"joven arquitecto\",\"luis armas\",\"magazine\",\"Pablo Ib\u00e1\u00f1ez Ferrera\",\"publicaci\u00f3n\",\"red\",\"revista\"],\"articleSection\":[\"baliza\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/\",\"name\":\"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\\\/revista | Bartlebooth Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/entrevista_bm_01.jpg\",\"datePublished\":\"2015-10-22T04:07:07+00:00\",\"dateModified\":\"2023-08-29T15:07:02+00:00\",\"description\":\"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\\\/revista | Bartlebooth Magazine\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/entrevista_bm_01.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/entrevista_bm_01.jpg\",\"width\":625,\"height\":455,\"caption\":\"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez | Bartlebooth Magazine\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\\\/revista | Bartlebooth Magazine\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/d75d9abfee4af7f452f32c140a5aa176\",\"name\":\"Ana Barreiro Blanco\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/cropped-ana-barreiro-blanco-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/cropped-ana-barreiro-blanco-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/cropped-ana-barreiro-blanco-96x96.jpg\",\"caption\":\"Ana Barreiro Blanco\"},\"description\":\"Arquitecta y socia fundadora de gesti\u00f3n cultural taller abierto\",\"sameAs\":[\"https:\\\/\\\/tallerabierto.gal\\\/gl\\\/\",\"https:\\\/\\\/www.facebook.com\\\/anabarreiroblanco\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/anabarreiroblanco\\\/\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/ana-barreiro-blanco\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine","description":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-\u00b7-publicacionrevista-bartlebooth-magazine\/","og_locale":"es_ES","og_type":"article","og_title":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine","og_description":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine","og_url":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-\u00b7-publicacionrevista-bartlebooth-magazine\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/anabarreiroblanco\/","article_published_time":"2015-10-22T04:07:07+00:00","article_modified_time":"2023-08-29T15:07:02+00:00","og_image":[{"width":625,"height":455,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/10\/entrevista_bm_01.jpg","type":"image\/jpeg"}],"author":"Ana Barreiro Blanco","twitter_card":"summary_large_image","twitter_creator":"@veredes","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Ana Barreiro Blanco","Tiempo de lectura":"9 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/"},"author":{"name":"Ana Barreiro Blanco","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/d75d9abfee4af7f452f32c140a5aa176"},"headline":"[:es]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine[:gl]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine[:en]Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publication\/magazine | Bartlebooth Magazine[:]","datePublished":"2015-10-22T04:07:07+00:00","dateModified":"2023-08-29T15:07:02+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/"},"wordCount":5348,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/10\/entrevista_bm_01.jpg","keywords":["Alberto Alonso Oro","Ana Barreiro Blanco","Antonio Gir\u00e1ldez L\u00f3pez","arquitectura espa\u00f1ola","arquitectura gallega","arte","baliza","bartlebooth mag","Bego\u00f1a Hermida","en tr\u00e1nsito","entrevista","estudiante","joven arquitecto","luis armas","magazine","Pablo Ib\u00e1\u00f1ez Ferrera","publicaci\u00f3n","red","revista"],"articleSection":["baliza","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/","url":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/","name":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/10\/entrevista_bm_01.jpg","datePublished":"2015-10-22T04:07:07+00:00","dateModified":"2023-08-29T15:07:02+00:00","description":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/10\/entrevista_bm_01.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/10\/entrevista_bm_01.jpg","width":625,"height":455,"caption":"Luis Armas - Antonio Gir\u00e1ldez - Bego\u00f1a Hermida - Pablo Ib\u00e1\u00f1ez | Bartlebooth Magazine"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/luis-armas-antonio-giraldez-begona-hermida-pablo-ibanez-%c2%b7-publicacionrevista-bartlebooth-magazine\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Luis Armas – Antonio Gir\u00e1ldez – Bego\u00f1a Hermida – Pablo Ib\u00e1\u00f1ez \u00b7 publicaci\u00f3n\/revista | Bartlebooth Magazine"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/d75d9abfee4af7f452f32c140a5aa176","name":"Ana Barreiro Blanco","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2023\/07\/cropped-ana-barreiro-blanco-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2023\/07\/cropped-ana-barreiro-blanco-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2023\/07\/cropped-ana-barreiro-blanco-96x96.jpg","caption":"Ana Barreiro Blanco"},"description":"Arquitecta y socia fundadora de gesti\u00f3n cultural taller abierto","sameAs":["https:\/\/tallerabierto.gal\/gl\/","https:\/\/www.facebook.com\/anabarreiroblanco\/","https:\/\/www.linkedin.com\/in\/anabarreiroblanco\/"],"url":"https:\/\/veredes.es\/blog\/author\/ana-barreiro-blanco\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/57918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/85"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=57918"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/57918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/57920"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=57918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=57918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=57918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}