{"id":56165,"date":"2015-10-12T07:39:31","date_gmt":"2015-10-12T05:39:31","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=56165"},"modified":"2020-03-03T10:15:06","modified_gmt":"2020-03-03T09:15:06","slug":"repulsion-belica-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/repulsion-belica-marcelo-gardinetti\/","title":{"rendered":"Repulsi\u00f3n b\u00e9lica | Marcelo GardinettiWarlike repulsion | Marcelo GardinettiRepulsi\u00f3n b\u00e9lica | Marcelo Gardinetti"},"content":{"rendered":"

\"1.<\/a>
Guernica | Fuente: picasso.org<\/span><\/figcaption><\/figure><\/p>\n

El Guernica de Picasso<\/a> representa un acontecimiento hist\u00f3rico que expresa la concluyente manifestaci\u00f3n del arte contra la violencia representada por el devastador bombardeo de la fuerza a\u00e9rea alemana sobre territorio vasco durante la guerra civil espa\u00f1ola. La obra hace expl\u00edcita la desdicha de la guerra y el sufrimiento de los habitantes civiles de la ciudad de Guernika, v\u00edctimas inocentes de la agresi\u00f3n.<\/p>\n

En abril de 1937, Picasso se encontraba trabajando en una obra mural, atendiendo un encargo del gobierno republicano<\/a> espa\u00f1ol para exhibir en la Exposici\u00f3n de Par\u00eds<\/a> a celebrarse a mediados de ese a\u00f1o. El d\u00eda 26 de ese mes, aviones de guerra alemanes que prestaban apoyo material a las tropas nacionalistas, bombardearon durante dos horas la ciudad de Guernika. El hecho trasciende en Par\u00eds a trav\u00e9s de los medios de prensa y las manifestaciones de repudio de los espa\u00f1oles residentes.<\/p>\n

\"Guernica<\/a>
Guernica despu\u00e9s del bombardeo, 1937<\/span><\/figcaption><\/figure>\n

Conmovido por las im\u00e1genes de la destrucci\u00f3n, Picasso decide abandonar la idea original y el 1 de mayo inicia el Guernica. La obra pintada al \u00f3leo sobre un lienzo de 7,81 metros de ancho por 3,50 metros de alto, combina tonos de azul, blanco y negro. La escasez de colores hace m\u00e1s intenso el relato y lo asemeja a un drama fotogr\u00e1fico.<\/p>\n

Las figuras dominantes en la obra simbolizan hechos antag\u00f3nicos. El toro significa la brutalidad de las dictaduras vigentes, el caballo representa al pueblo de Guernika y la luz a la verdad. La obra se expuso en Par\u00eds y posteriormente viaj\u00f3 por varios pa\u00edses, cumpliendo el deseo de Picasso: que la obra no llegara a Espa\u00f1a hasta tanto no estuviera restablecida la democracia. En 1981 el Guernica lleg\u00f3 a Espa\u00f1a para alojarse definitivamente en el Museo Reina Sof\u00eda de Madrid<\/a>.<\/p>\n

\"Guernica.<\/a>
Guernica. Dora Maar<\/span><\/figcaption><\/figure>\n

Guernica es un manifiesto contra la irracionalidad y la violencia. Como declar\u00f3 Picasso en 1937:<\/p>\n

\n

\u201cEn la pintura mural en la que estoy trabajando, y que titular\u00e9 Guernica, y en todas mis \u00faltimas obras expreso claramente mi repulsi\u00f3n hacia la casta militar que ha sumido a Espa\u00f1a en un oc\u00e9ano de dolor y muerte.\u201d<\/em><\/p>\n<\/blockquote>\n

\"Guernica.<\/a>
Guernica. Museo Reina Sof\u00eda, Madrid<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Octubre 2015

\"1.<\/a>
Guernica | Source: picasso.org<\/span><\/figcaption><\/figure><\/p>\n

Picasso’s Guernica<\/a> represents a historical event that expresses the conclusive manifestation of the art against the violence represented by the devastating bombardment of the air German force on Basque territory during the Spanish civil war. The work makes explicit the misery of the war and the suffering of the civil inhabitants of the city of Guernika, innocent victims of the aggression.<\/p>\n

In April, 1937, Picasso was employed at a wall work, attending to an order of the republican Spanish government<\/a> to exhibit in the Exhibition of Paris<\/a> to be celebrating in the middle of this year. On the 26th of this month, German planes of war that were giving material support to the nationalistic troops, bombarded for two hours Guernika’s city. The fact comes out in Paris across the means of press and the manifestations of repudiation of the resident Spanish.<\/p>\n

\"Guernica<\/a>
Guernica after the bombardment, 1937.<\/span><\/figcaption><\/figure>\n

Affected by the images of the destruction, Picasso decides to leave the original idea and on May 1 initiates the Guernica. The work painted to the oil on a linen of 7,81 meters of width per 3,50 meters of high place, combines tones of blue, white and black. The shortage of colors makes the statement more intense and makes alike it to a photographic drama.<\/p>\n

The dominant figures in the work symbolize antagonistic facts. The bull means the brutality of the in force dictatorships, the horse represents the people of Guernika and the light to the truth. The work was exposed in Paris and later it traveled for several countries, fulfilling Picasso’s desire: that the work was not coming to Spain up to so much the democracy was not restored. In 1981 the Guernica it came to Spain to lodge definitively at the Reina Sof\u00eda Museum in Madrid<\/a>.<\/p>\n

\"Guernica.<\/a>
Guernica. Dora Maar<\/span><\/figcaption><\/figure>\n

Guernica is a manifest against the irrationality and the violence. Since Picasso declared in 1937:<\/p>\n

\n

\u201cIn the wall painting at which I am employed, and that I will title Guernica, and in all my last works I express clearly my repulsion towards the military caste that has plunged Spain in an ocean of pain and death. .\u201d<\/em><\/p>\n<\/blockquote>\n

\"Guernica.<\/a>
Guernica. Museo Reina Sof\u00eda, Madrid<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Architect
\nLa Plata, Argentina. October 2015

\"1.<\/a>
Guernica | Fonte: picasso.org<\/span><\/figcaption><\/figure><\/p>\n

O Guernica de Picasso<\/a> representa un acontecemento hist\u00f3rico que expresa a conclu\u00ednte manifestaci\u00f3n da arte contra a violencia representada polo desvastador bombardeo da forza a\u00e9rea alem\u00e1 sobre territorio vasco durante a guerra civil espa\u00f1ola. A obra fai expl\u00edcita a desdita da guerra e o sufrimento dos habitantes civ\u00eds da cidade de Guernika, v\u00edtimas inocentes da agresi\u00f3n.<\/p>\n

En abril de 1937, Picasso encontr\u00e1base traballando nunha obra mural, atendendo un encargo do goberno republicano<\/a> espa\u00f1ol para exhibir na Exposici\u00f3n de Par\u00eds<\/a> a celebrarse a mediados dese ano. O d\u00eda 26 dese mes, avi\u00f3ns de guerra alem\u00e1ns, que prestaban apoio material \u00e1s tropas nacionalistas bombardearon durante d\u00faas horas a cidade de Guernika. O feito transcende en Par\u00eds a trav\u00e9s dos medios de prensa e as manifestaci\u00f3ns de repudio dos espa\u00f1ois residentes.<\/p>\n

\"Guernica<\/a>
Guernica despois do bombardeo, 1937<\/span><\/figcaption><\/figure>\n

Conmovido polas imaxes da destruci\u00f3n, Picasso decide abandonar a idea orixinal e o 1 de maio inicia o Guernica. A obra pintada ao \u00f3leo sobre un lenzo de 7,81 metros de ancho por 3,50 metros de alto, combina tons de azul, branco e negro. A escaseza de cores fai m\u00e1is intenso o relato e asem\u00e9llao a un drama fotogr\u00e1fico.<\/p>\n

As figuras dominantes na obra simbolizan feitos antag\u00f3nicos. O touro significa a brutalidade das ditaduras vixentes, o cabalo representa o pobo de Guernika e a luz \u00e1 verdade. A obra exp\u00faxose en Par\u00eds e posteriormente viaxou por varios pa\u00edses, cumprindo o desexo de Picasso: que a obra non chegase a Espa\u00f1a ata tanto non estivese restablecida a democracia. En 1981 o Guernica chegou a Espa\u00f1a para aloxarse definitivamente no Museo Rai\u00f1a Sof\u00eda de Madrid<\/a>.<\/p>\n

\"Guernica.<\/a>
Guernica. Dora Maar<\/span><\/figcaption><\/figure>\n

Guernica \u00e9 un manifesto contra a irracionalidade e a violencia. Como declarou Picasso en 1937:<\/p>\n

\n

\u201cNa pintura mural na que estou a traballar, e que titularei Guernica, e en todas as mi\u00f1as \u00faltimas obras expreso claramente a mi\u00f1a repulsi\u00f3n cara \u00e1 casta militar que sumiu a Espa\u00f1a nun oc\u00e9ano de dor e morte.\u201d<\/em><\/p>\n<\/blockquote>\n

\"Guernica.<\/a>
Guernica. Museo Reina Sof\u00eda, Madrid<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Octubre 2015<\/p>\n","protected":false},"excerpt":{"rendered":"

El Guernica de Picasso representa un acontecimiento hist\u00f3rico que expresa la concluyente manifestaci\u00f3n del arte contra la violencia representada por el devastador bombardeo de la fuerza a\u00e9rea alemana sobre territorio vasco durante la guerra civil espa\u00f1ola. La obra hace expl\u00edcita la desdicha de la guerra y el sufrimiento de los habitantes civiles de la ciudad […]<\/p>\n","protected":false},"author":4,"featured_media":56166,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,3,1384,5951],"tags":[318,7214,521,3861,556,557,12460,668,6794,8181,976,989,1021,12466,6194,1865,1241],"class_list":["post-56165","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte-blog","category-capturas","category-pintura","category-slider-principal","tag-ciudad","tag-espana","tag-estilo","tag-exposicion","tag-exposicion-universal","tag-fotografia","tag-historia","tag-museo-reina-sofia","tag-pablo-picasso","tag-pais-vasco","tag-paris","tag-pensamiento","tag-pintura","tag-purismo","tag-reflexion","tag-sociedad"],"yoast_head":"\nRepulsi\u00f3n b\u00e9lica | Marcelo Gardinetti<\/title>\n<meta name=\"description\" content=\"b\u00e9lica\" 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