{"id":55825,"date":"2015-08-14T07:10:42","date_gmt":"2015-08-14T05:10:42","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=55825"},"modified":"2019-04-22T11:11:03","modified_gmt":"2019-04-22T09:11:03","slug":"arthur-max-y-la-arquitectura-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/arthur-max-y-la-arquitectura-jorge-gorostiza\/","title":{"rendered":"Arthur Max y la arquitectura | Jorge GorostizaArthur Max and the architecture | Jorge GorostizaArthur Max e a arquitectura | Jorge Gorostiza"},"content":{"rendered":"

\"Arthur<\/a>
Arthur Max<\/span><\/figcaption><\/figure><\/p>\n

Estoy escribiendo un art\u00edculo sobre la ciudad en Se7en<\/a><\/em> y buscando informaci\u00f3n sobre su dise\u00f1ador de producci\u00f3n, el gran Arthur Max<\/a>, he encontrado una entrevista que le hizo Matt Kamen<\/a> en WIRED.CO.UK<\/a> el 18 de diciembre del a\u00f1o pasado a ra\u00edz de su trabajo en Exodus; Dioses y reyes<\/em>.<\/p>\n

Max que comenz\u00f3 a trabajar como dise\u00f1ador de iluminaci\u00f3n en el legendario festival de Woodstock y despu\u00e9s\u00a0varios a\u00f1os con Pink Floyd, comenta en la entrevista:<\/p>\n

\n

\u00abdespu\u00e9s de eso me di cuenta que ten\u00eda que ir a la escuela de arquitectura, pero me hab\u00eda distra\u00eddo con toda aquella diversi\u00f3n. As\u00ed que volv\u00ed e hice mis estudios de arquitectura en el Reino Unido, pero lo encontr\u00e9 muy aburrido, demasiadas licencias de construcci\u00f3n, demasiados permisos, demasiadas demoras. Yo ten\u00eda un mont\u00f3n de amigos que estaban en el cine, vi lo que estaban haciendo y pens\u00e9 que era interesante. Comenc\u00e9 a ver lo que era la direcci\u00f3n art\u00edstica y que pod\u00eda hacerlo, que era como la arquitectura y el dise\u00f1o teatral\u00bb.<\/em><\/p>\n<\/blockquote>\n

La realidad de la arquitectura y su trabajo burocr\u00e1tico le aburr\u00edan, como a muchos arquitectos, mientras que le atra\u00eda el aspecto creativo del cine.<\/p>\n

Max contin\u00faa:<\/p>\n

\n

\u00abTuve suerte de conseguir un trabajo como asistente. Ten\u00eda tres t\u00edtulos universitarios y seis a\u00f1os de experiencia, pero estaba haciendo t\u00e9 y dibujando planos para Stuart Craig<\/a>, que har\u00eda el dise\u00f1o de producci\u00f3n para las pel\u00edculas de Harry Potter. Trabaj\u00e9 para \u00e9l cuatro a\u00f1os. \u00a1Era b\u00e1sicamente un joven muy maduro! Pero vali\u00f3 la pena, porque era como una escuela de posgrado para el dise\u00f1o de pel\u00edculas\u00bb,<\/em><\/p>\n<\/blockquote>\n

ya en aquellos tiempos los t\u00edtulos acad\u00e9micos\u00a0val\u00edan poco para trabajar. En la entrevista sigue contando que\u00a0trabaj\u00f3 en Gran Breta\u00f1a, pero<\/p>\n

\n

\u00abentonces lleg\u00f3 Maggie Tatcher y cerr\u00f3 la industria por completo. No hab\u00eda nada que hacer, excepto anuncios o emigrar\u00bb,<\/em><\/p>\n<\/blockquote>\n

parece que aquella \u00abgenio\u00bb de la pol\u00edtica, tambi\u00e9n hundi\u00f3 la industria cinematogr\u00e1fica por lo que Max se tuvo que ir\u00a0a Estados Unidos, donde desarroll\u00f3 su larga carrera.<\/p>\n

Casi al finalizar la entrevista le preguntan si tiene deseos de dirigir una pel\u00edcula y responde:<\/p>\n

\n

\u00abNo. \u00a1No! Estoy m\u00e1s interesado en el oficio, el trabajo artesanal y la gente que trabaja en materiales en 3D; pintores y escultores. Me gusta construir cosas. No tengo la paciencia que tiene Ridley [Scott] con los actores. Estoy m\u00e1s interesado en cosas que puedes controlar o arreglar cuando se rompen. Cuando un actor se descarrila o hace una mala interpretaci\u00f3n, no hay mucho que puedas hacer\u00bb,<\/em><\/p>\n<\/blockquote>\n

su respuesta vuelve a ir en contra de aquellos que consideran al director como el trabajo m\u00e1s importante y casi el \u00fanico de los medios audiovisuales, un t\u00f3pico que siguen repitiendo los que no conocen este fascinante mundo.<\/p>\n

Jorge Gorostiza, arquitecto.
\nAutor del blog Arquitectura+Cine+Ciudad<\/span><\/em>
\nSanta Cruz de Tenerife, junio 2015

\"Arthur<\/a>
Arthur Max<\/span><\/figcaption><\/figure><\/p>\n

I am writing an article about the city in Se7en<\/a><\/em> and looking for information about his designer of production, the great Arthur Max<\/a>, I have found an interview entrerview that Matt Kamen<\/a> did to him in WIRED.CO.UK<\/a> on December 18 of last year immediately after his work in Exodus; Gods and kings<\/em>.<\/p>\n

Max who began to be employed as designer of lighting at Woodstock’s legendary festival and later several years with Pink Floyd, comments in the interview:<\/p>\n

\n

\u00abafter it I realized that it had to go to the school of architecture, but I had relaxed with all that amusement. So I turned and did my studies of architecture in the United Kingdom, but I found it very boring, too many licenses of construction, too many permissions, too many delays. I had a friends’ heap that they were in the cinema, I saw what they were doing and thought that it was interesting. I began to see what was the artistic direction and that could do it, that was like the architecture and the theatrical design\u00bb.<\/em><\/p>\n<\/blockquote>\n

The reality of the architecture and his bureaucratic work was bored by them, since to many architects, whereas it was attracting the creative aspect of the cinema.<\/p>\n

Max continues:<\/p>\n

\n

\u00abI was lucky to obtain a work as assistant. It had three university degrees and six years of experience, but it was doing tea and drawing planes for Stuart Craig<\/a>, who would do the design of production for Harry Potter’s movies. I worked for him four years. He was basically a very mature young person! But it cost a sorrow, because it was like a school of posgrado for the design of movies\u00bb,<\/em><\/p>\n<\/blockquote>\n

already in those times the academic titles were costing little to work. In the interview it continues telling that it was employed at Great Britain, but<\/p>\n

\n

\u00abthen Maggie Tatcher came and closed the industry completely. There was nothing that to do, except announcements or to emigrate\u00bb,<\/em><\/p>\n<\/blockquote>\n

it seems that that one \u00abgenius\u00bb of the politics, also sank the cinematographic industry for what Max had to go away to The United States, where it developed his long career.<\/p>\n

Almost on having finished the interview they ask him if it has desires to direct a movie and answers:<\/p>\n

\n

\u00abNot. Not! I am more interested in the trade, the handcrafted work and the people who is employed at materials in 3D; painters and sculptors. I like to construct things. I do not have the patience that has Ridley [Scott] with the actors. I am more interested in things that you can control or arrange when they break. When an actor is derailed or does a bad interpretation, there is no much that you could do\u00bb,<\/em><\/p>\n<\/blockquote>\n

his response returns to go in opposition to those who consider the director to be the work more important and almost the only one of the audio-visual means, a topic that there continue repeating those who do not know this fascinating world.<\/p>\n

Jorge Gorostiza, architect.
\nAuthor of the blog Arquitectura+Cine+Ciudad<\/span><\/em>
\nSanta Cruz de Tenerife, juny 2015

\"Arthur<\/a>
Arthur Max<\/span><\/figcaption><\/figure><\/p>\n

Estoy escribiendo un art\u00edculo sobre la ciudad en Se7en<\/a><\/em> y buscando informaci\u00f3n sobre su dise\u00f1ador de producci\u00f3n, el gran Arthur Max<\/a>, he encontrado una entrevista que le hizo Matt Kamen<\/a> en WIRED.CO.UK<\/a> el 18 de diciembre del a\u00f1o pasado a ra\u00edz de su trabajo en Exodus; Dioses e reis<\/em>.<\/p>\n

Max que comenz\u00f3 a trabajar como dise\u00f1ador de iluminaci\u00f3n en el legendario festival de Woodstock y despu\u00e9s varios a\u00f1os con Pink Floyd, comenta en la entrevista:<\/p>\n

\n

\u00abdespu\u00e9s de eso me di cuenta que ten\u00eda que ir a la escuela de arquitectura, pero me hab\u00eda distra\u00eddo con toda aquella diversi\u00f3n. As\u00ed que volv\u00ed e hice mis estudios de arquitectura en el Reino Unido, pero lo encontr\u00e9 muy aburrido, demasiadas licencias de construcci\u00f3n, demasiados permisos, demasiadas demoras. Yo ten\u00eda un mont\u00f3n de amigos que estaban en el cine, vi lo que estaban haciendo y pens\u00e9 que era interesante. Comenc\u00e9 a ver lo que era la direcci\u00f3n art\u00edstica y que pod\u00eda hacerlo, que era como la arquitectura y el dise\u00f1o teatral\u00bb.<\/em><\/p>\n<\/blockquote>\n

A realidade da arquitectura e o seu traballo burocr\u00e1tico aburr\u00edanlle, como a moitos arquitectos, mentres que o atra\u00eda o aspecto creativo do cine.<\/p>\n

Max contin\u00faa:<\/p>\n

\n

\u00abTiven sorte de conseguir un traballo como asistente. Ti\u00f1a tres t\u00edtulos universitarios e seis anos de experiencia, pero estaba facendo t\u00e9 e debuxando planos para Stuart Craig<\/a>,<\/em> que far\u00eda o dese\u00f1o de produci\u00f3n para as pel\u00edculas de Harry Potter. Traballei para el catro anos. Era basicamente un mozo moi maduro! Pero pagou a pena, porque era como unha escola de posgrao para o dese\u00f1o de pel\u00edculas\u00bb,<\/em><\/p>\n<\/blockquote>\n

xa naqueles tempos os t\u00edtulos acad\u00e9micos val\u00edan pouco para traballar. Na entrevista segue contando que traballou en Gran Breta\u00f1a, pero<\/p>\n

\n

\u00abent\u00f3n chegou Maggie Tatcher e pechou a industria por completo. Non hab\u00eda nada que facer, ag\u00e1s anuncios ou emigrar\u00bb,<\/em><\/p>\n<\/blockquote>\n

parece que aquela \u00abxenio\u00bb da pol\u00edtica, tam\u00e9n afundiu a industria cinematogr\u00e1fica polo que Max se tivo que ir a Estados Unidos, onde desenvolveu a s\u00faa longa carreira.<\/p>\n

Case ao finalizar a entrevista preg\u00fantanlle se ten desexos de dirixir unha pel\u00edcula e responde:<\/p>\n

\n

\u00abNon. Non! Estou m\u00e1is interesado no oficio, o traballo artesanal e a xente que traballa en materiais en 3D; pintores e escultores. G\u00fastame constru\u00edr cousas. Non te\u00f1o a paciencia que ten Ridley [Scott] cos actores. Estou m\u00e1is interesado en cousas que podes controlar ou arranxar cando rompen. Cando un actor se descarrila ou fai unha mala interpretaci\u00f3n, non hai moito que poidas facer\u00bb,<\/em><\/p>\n<\/blockquote>\n

a s\u00faa resposta volve ir en contra daqueles que consideran o director como o traballo m\u00e1is importante e case o \u00fanico dos medios audiovisuais, un t\u00f3pico que seguen repetindo os que non co\u00f1ecen este fascinante mundo.<\/p>\n

Jorge Gorostiza, arquitecto.
\nAutor do blogue Arquitectura+Cine+Ciudad<\/span><\/em>
\nSanta Cruz de Tenerife, xu\u00f1o 2015<\/p>\n","protected":false},"excerpt":{"rendered":"

Estoy escribiendo un art\u00edculo sobre la ciudad en Se7en y buscando informaci\u00f3n sobre su dise\u00f1ador de producci\u00f3n, el gran Arthur Max, he encontrado una entrevista que le hizo Matt Kamen en WIRED.CO.UK el 18 de diciembre del a\u00f1o pasado a ra\u00edz de su trabajo en Exodus; Dioses y reyes. Max que comenz\u00f3 a trabajar como […]<\/p>\n","protected":false},"author":34,"featured_media":55826,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,3,1460,5951],"tags":[11184,12448,9132,12449,12015,12471,2154,502,1593,918,12016],"class_list":["post-55825","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte-blog","category-capturas","category-cine","category-slider-principal","tag-arquitectos-y-cineastas","tag-arquitectura","tag-arquitectura-norteamericana","tag-arte","tag-arthur-max","tag-cine","tag-escenografia","tag-escenografo","tag-jorge-gorostiza","tag-musica","tag-stuart-craig"],"yoast_head":"\nArthur Max y la arquitectura | Jorge Gorostiza<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Arthur Max y la arquitectura | Jorge GorostizaArthur Max and the architecture | Jorge GorostizaArthur Max e a arquitectura | Jorge 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