{"id":54958,"date":"2015-05-08T06:10:41","date_gmt":"2015-05-08T06:10:41","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=54958"},"modified":"2021-07-12T11:36:29","modified_gmt":"2021-07-12T09:36:29","slug":"invisible-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/invisible-antonio-s-rio-vazquez\/","title":{"rendered":"Invisible | Antonio S. R\u00edo V\u00e1zquezInvisible | Antonio S. R\u00edo V\u00e1zquezInvisible | Antonio S. R\u00edo V\u00e1zquez"},"content":{"rendered":"

\"\"<\/a>
Alfred Seiland<\/span><\/a>, En el Canopo de la Villa Adriana<\/em>, Tivoli (2009)<\/span><\/figcaption><\/figure><\/p>\n
\n

\u00abEn tres tiempos se divide la vida: en presente, pasado y futuro. De \u00e9stos, el presente es brev\u00edsimo, el futuro dudoso, el pasado cierto; pero \u00e9ste, que ning\u00fan imperio puede volver atr\u00e1s y en el que perdi\u00f3 ya su derecho la fortuna, es el que no gozan los ocupados, por faltarles tiempo para poner los ojos en lo pasado\u00bb.<\/em><\/p>\n

S\u00e9neca: De la brevedad de la vida<\/em><\/a><\/p>\n<\/blockquote>\n

As\u00ed como el fil\u00f3sofo<\/a> divide a la vida en tres grandes momentos, si consideramos al patrimonio como algo vivo, podemos aplicarle esa triple definici\u00f3n, ampliando y enriqueciendo un concepto ya complejo desde su origen.<\/p>\n

Inicialmente vinculado a la herencia recibida, patri-monium<\/em><\/a> \u2014literalmente de nuestros padres<\/em>\u2014, enseguida adquiere su condici\u00f3n vital al transformarse en bienes que se deben administrar desde el presente para garantizar su pervivencia. Si, adem\u00e1s, se trata de bienes colectivos, su gesti\u00f3n y preservaci\u00f3n se vuelve m\u00e1s dif\u00edcil, desencadenando nuevos retos y problemas y entremezcl\u00e1ndose los derechos y los deberes compartidos.<\/p>\n

Ese patrimonio com\u00fan posee, en cada uno de los tres momentos indicados por S\u00e9neca, una problem\u00e1tica diferenciada y complementaria: El pasado supone el problema de la conservaci\u00f3n, de saber recibir y valorar adecuadamente aquello que nos han legado las generaciones precedentes, seleccion\u00e1ndolo y estudi\u00e1ndolo en detalle. El presente implica el problema del mantenimiento, del uso y disfrute, de la acci\u00f3n inmediata y tambi\u00e9n de la inanici\u00f3n. El futuro trae consigo el problema de decidir nuestro propio legado y, en el patrimonio construido, tambi\u00e9n aquello que, como arquitectos, nos toca m\u00e1s pr\u00f3ximo: el problema del proyecto<\/em>, de prefigurar en lo posible su existencia venidera. En su Alegor\u00eda del Patrimonio<\/em><\/a>, Fran\u00e7oise Choay<\/a> advert\u00eda que este concepto no se deber\u00eda entender como una riqueza f\u00f3sil, si no como una herencia activa frente a la mercantilizaci\u00f3n y a la \u00abmuseificaci\u00f3n\u00bb<\/a> \u2014al anclaje en el pasado\u2014, tan extendidas en nuestro entorno.<\/p>\n

Marco Polo<\/a>, en su recorrido por Las<\/em> Ciudades Invisibles<\/em><\/a> sabiamente imaginado por Calvino<\/a> en el libro hom\u00f3nimo<\/a>, hace un alto en Maurilia, a la que recuerda de la siguiente manera:<\/p>\n

\n

\u00abPara no decepcionar a los habitantes hace falta que el viajero elogie la ciudad de las postales y la prefiera a la presente, aunque cuid\u00e1ndose de contener dentro de l\u00edmites precisos su pesadumbre ante los cambios: reconociendo que la magnificencia y prosperidad de Maurilia convertida en metr\u00f3poli, comparada con la vieja Maurilia provinciana, no compensan cierta gracia perdida, que sin embargo se puede disfrutar ahora s\u00f3lo en las viejas postales, mientras que antes, con la Maurilia provinciana delante de los ojos, de gracioso no se ve\u00eda realmente nada, y mucho menos se ver\u00eda hoy si Maurilia hubiese permanecido igual, y que de todos modos la metr\u00f3poli tiene este atractivo m\u00e1s: que a trav\u00e9s de lo que ha llegado a ser se puede evocar con nostalgia lo que fue\u00bb.<\/em><\/p>\n<\/blockquote>\n

Lo que fue<\/em>. El patrimonio ha servido para construir la historia, para construir el pasado. En la actualidad, como afirma Horacio Capel<\/a>,<\/p>\n

\n

\u00abadem\u00e1s de esa funci\u00f3n de construir una visi\u00f3n del pasado, el patrimonio sirve tambi\u00e9n para construir el futuro\u00bb.<\/em><\/p>\n<\/blockquote>\n

La enorme extensi\u00f3n que alcanza hoy esta herencia, con un legado ubicuo y polis\u00e9mico, d\u00f3nde est\u00e1n presentes la cultura material pero tambi\u00e9n la inmaterial \u2014saberes, tradiciones, celebraciones….\u2014, pone de manifiesto las dificultades de la tarea colectiva a la que nos enfrentamos. Como en el relato de Calvino, \u00abciudades diferentes se suceden sobre el mismo suelo y bajo el mismo nombre, que nacen y mueren sin haberse conocido, incomunicables entre s\u00ed\u00bb, y nuestro patrimonio es algo cada vez m\u00e1s vivo, poli\u00e9drico e invisible.<\/p>\n

Antonio S. R\u00edo V\u00e1zquez\u00a0. Doctor arquitecto
\nA Coru\u00f1a. mayo 2015<\/p>\n

\"\"<\/a>
Alfred Seiland<\/span><\/a>, In the Canopo of the Villa Adriana<\/em>, Tivoli (2009)<\/span><\/figcaption><\/figure><\/p>\n
\n

\u00abIn three times the life is divided: in present, past and future. Of these, the present is brev\u00edsimo, the doubtful future, the certain past; but this one, that no empire can go back and in that his right lost already the fortune, is the one that the busy ones do not enjoy, for them time is absent to put the eyes in the past thing\u00bb.<\/em><\/p>\n

S\u00e9neca: Of the briefness of the life<\/em><\/a><\/p>\n<\/blockquote>\n

As well as the\u00a0philosopher<\/a> divides to the life in three big moments, if we consider to the heritage as something I live, we can apply this triple definition to him, extending and enriching an already complex concept from his origin.<\/p>\n

Initially linked to the received inheritance,\u00a0patri-monium<\/em><\/a> \u2014literally of <\/em>our parents\u2014, immediately he acquires his vital condition on having transformed in goods that they must administer from the present to guarantee his survival. If, in addition, it is a question of collective goods, his management and preservation becomes more difficult, unleashing new challenges and problems and intermingling the rights and the shared dutie<\/p>\n

This common heritage possesses, in each of three moments indicated by Seneca, a differentiated and complementary problematics: The past supposes the problem of the conservation, of being able to receive and value adequately that one that us the previous generations have bequeathed, selecting it and studying it in detail. The present implies the problem of the maintenance, of the use and enjoyment, of the immediate action and also of the starvation. The future brings with it the problem of deciding our own legacy and, in the constructed heritage, also that one that, as architects, we touch more next: the problem of the project, of prefiguring in possible his future existence.\u00a0In his Allegory of the Heritage<\/em><\/a>, Fran\u00e7oise Choay<\/a> was warning that this concept should not be understood as a fossil wealth, if not as an active inheritance opposite to the mercantilizaci\u00f3n and the \u00abmuseumfication\u00bb<\/a> – to the anchorage in the past-, so extended in our environment.<\/p>\n

Marco Polo<\/a>,\u00a0 in his tour for\u00a0<\/em>The Invisible Cities<\/em><\/a>\u00a0wisely imagined by Calvino<\/a> in the homonymous book<\/a>, does a high place in Maurilia, which he resembles of the following way:<\/p>\n

\n

\u00abNot to disappoint the inhabitants it is necessary that the traveler praises the city of the postcards and he her prefers to the present one, though being careful itself to contain inside precise limits his sorrow before the changes: recognizing that the magnificence and Maurilia’s prosperity turned into metropolis, compared with the old woman Maurilia provincial, do not compensate certain lost grace, which nevertheless can be enjoyed now only in the postal old women, whereas before, with the provincial Maurilia in front of the eyes, of funny man one did not see really anything, and much less would see today if Maurilia had remained equal, and that anyhow the metropolis has this attraction more: that across what has managed to be can evoke with nostalgia what was\u00bb.<\/em><\/p>\n<\/blockquote>\n

What it was<\/em>.\u00a0The heritage has served to construct the history, to construct the past. At present, as Horacio Capel<\/a>,<\/p>\n

\n

\u00abbesides this function to construct a vision of the past, the heritage serves also to construct the future\u00bb.<\/em><\/p>\n<\/blockquote>\n

The enormous extension that reaches today this inheritance, with an ubiquitous and polysemic legacy, where they are present the material culture but also the immaterial-saberes, traditions, celebrations ….-, it reveals the difficulties of the collective task which we face. Since in Calvino’s statement,\u00a0\u00abdifferent cities happen on the same soil and under the same name, which they are born and die without having been known, incommunicable between yes\u00bb, and our heritage is something increasingly alive, polyhedric and invisibly.<\/p>\n

Antonio S. R\u00edo V\u00e1zquez . Doctor architect
\nA Coru\u00f1a. may 2015<\/p>\n

\"\"<\/a>
Alfred Seiland<\/span><\/a>, No Canopo da Villa Adriana<\/em>, Tivoli (2009)<\/span><\/figcaption><\/figure><\/p>\n
\n

\u00abEn tres tempos div\u00eddese a vida: en presente, pasado e futuro. Destes, o presente \u00e9 breve, o futuro dubidoso, o pasado certo; pero este, que ning\u00fan imperio pode volver atr\u00e1s e no que perdeu xa o seu dereito a fortuna, \u00e9 o que non gozan os ocupados, por faltarlles tempo para po\u00f1er os ollos no pasado\u00bb.<\/em><\/p>\n

S\u00e9neca: Da brevidade da vida<\/em><\/a><\/p>\n<\/blockquote>\n

As\u00ed como o\u00a0fil\u00f3sofo<\/a> divide \u00e1 vida en tres grandes momentos, se consideramos ao patrimonio como algo vivo, podemos aplicarlle esa tripla definici\u00f3n, ampliando e enriquecendo un concepto xa complexo dende a s\u00faa orixe.<\/p>\n

Inicialmente vinculado \u00e1 herdanza recibida,\u00a0patri-monium<\/em><\/a> -literalmente dos nosos pais<\/em>-, deseguida adquire a s\u00faa condici\u00f3n vital ao transformarse en bens que se deben administrar dende o presente para garantir a s\u00faa pervivencia. Se, ademais, se trata de bens colectivos, a s\u00faa xesti\u00f3n e preservaci\u00f3n v\u00f3lvese m\u00e1is dif\u00edcil, desencadeando novos retos e problemas e mestur\u00e1ndose os dereitos e os deberes compartidos.<\/p>\n

Ese patrimonio com\u00fan pos\u00fae, en cada un dos tres momentos indicados por S\u00e9neca, unha problem\u00e1tica diferenciada e complementaria: O pasado sup\u00f3n o problema da conservaci\u00f3n, de saber recibir e valorar axeitadamente aquilo que nos legaron as xeraci\u00f3ns precedentes, seleccion\u00e1ndoo e estud\u00e1ndoo en detalle. O presente implica o problema do mantemento, do uso e desfrute, da acci\u00f3n inmediata e tam\u00e9n da inanici\u00f3n. O futuro trae consigo o problema de decidir o noso propio legado e, no patrimonio constru\u00eddo, tam\u00e9n aquilo que, como arquitectos, nos toca m\u00e1is pr\u00f3ximo: o problema do proxecto<\/em>, de prefigurar no posible a s\u00faa existencia vindeira. Na s\u00faa\u00a0Alegor\u00eda do Patrimonio<\/em><\/a>, Fran\u00e7oise Choay<\/a> advert\u00eda que este concepto non se deber\u00eda entender como unha riqueza f\u00f3sil, se non como unha herdanza activa fronte \u00e1 mercantilizaci\u00f3n e \u00e1\u00a0\u00abmuseificaci\u00f3n\u00bb<\/a> -\u00e1 ancoraxe no pasado-, tan estendidas no noso \u00e1mbito.<\/p>\n

Marco Polo<\/a>,\u00a0no seu percorrido por As<\/em> Cidades Invisibles<\/em><\/a> sabiamente\u00a0imaxinado por Calvino<\/a> no libro hom\u00f3nimo<\/a>, fai un alto en Maurilia, \u00e1 que recorda do seguinte xeito:<\/p>\n

\n

\u00abPara non decepcionar os habitantes fai falta que o viaxeiro eloxie a cidade das postais e a prefira \u00e1 presente, a\u00ednda que coid\u00e1ndose de conter dentro de l\u00edmites precisos o seu pesadume ante os cambios: reco\u00f1ecendo que a magnificencia e prosperidade de Maurilia convertida en metr\u00f3pole, comparada coa vella Maurilia provinciana, non compensan certa graza perdida, que non obstante se pode gozar agora s\u00f3 nas vellas postais, mentres que antes, coa Maurilia provinciana diante dos ollos, de gracioso non se v\u00eda realmente nada, e moito menos ver\u00edase hoxe se Maurilia tivese permanecido igual, e que de todos os xeitos a metr\u00f3pole ten este atractivo m\u00e1is: que a trav\u00e9s do que chegou a ser p\u00f3dese evocar con nostalxia o que foi\u00bb.<\/em><\/p>\n<\/blockquote>\n

O que foi.<\/em> O patrimonio serviu para constru\u00edr a historia, para constru\u00edr o pasado. Na actualidade, como afirma\u00a0Horacio Capel<\/a>,<\/p>\n

\n

\u00abademais desa funci\u00f3n de constru\u00edr unha visi\u00f3n do pasado, o patrimonio serve tam\u00e9n para constru\u00edr o futuro\u00bb.<\/em><\/p>\n<\/blockquote>\n

A enorme extensi\u00f3n que alcanza hoxe esta herdanza, cun legado ubicuo e polis\u00e9mico, onde est\u00e1n presentes a cultura material pero tam\u00e9n a inmaterial -saberes, tradici\u00f3ns, celebraciones….-, pon de manifesto as dificultades da tarefa colectiva \u00e1 que nos enfrontamos. Como no relato de Calvino, \u00abccidades diferentes suc\u00e9dense sobre o mesmo chan e baixo o mesmo nome, que nacen e morren sen co\u00f1ecerse, incomunicables entre si\u00bb, e o noso patrimonio \u00e9 algo cada vez m\u00e1is vivo, poli\u00e9drico e invisible.<\/p>\n

Antonio S. R\u00edo V\u00e1zquez . Doutor arquitecto
\nA Coru\u00f1a. maio 2015<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abEn tres tiempos se divide la vida: en presente, pasado y futuro. De \u00e9stos, el presente es brev\u00edsimo, el futuro dudoso, el pasado cierto; pero \u00e9ste, que ning\u00fan imperio puede volver atr\u00e1s y en el que perdi\u00f3 ya su derecho la fortuna, es el que no gozan los ocupados, por faltarles tiempo para poner los […]<\/p>\n","protected":false},"author":12,"featured_media":54959,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[11867,4024,10472,11866,2162,11865,10383,12463,2787,4551,1004],"class_list":["post-54958","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-alfred-seiland","tag-antonio-s-rio-vazquez","tag-francoise-choay","tag-horacio-capel","tag-italo-calvino","tag-lucio-anneo-seneca","tag-marco-polo","tag-patrimonio","tag-patrimonio-cultural","tag-patrimonio-de-la-humanidad","tag-patrimonio-historico"],"yoast_head":"\nInvisible | Antonio S. 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