{"id":54427,"date":"2015-03-26T06:43:47","date_gmt":"2015-03-26T06:43:47","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=54427"},"modified":"2023-04-14T09:25:35","modified_gmt":"2023-04-14T07:25:35","slug":"como-tizon-quemado-christian-garcia-bello","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/como-tizon-quemado-christian-garcia-bello\/","title":{"rendered":"Como tiz\u00f3n quemado. Christian Garc\u00eda BelloComo tiz\u00f3n queimado. Christian Garc\u00eda BelloAs burnt blight. Christian Garc\u00eda Bello "},"content":{"rendered":"

<\/p>\n

Como tiz\u00f3n quemado<\/em> es una agilizaci\u00f3n del proceso creativo de Christian Garc\u00eda Bello (A Coru\u00f1a, 1986) hacia la rotundidad contenida del gesto, y hacia la severidad a ultranza de un car\u00e1cter en evasi\u00f3n concreta y ciertamente radical. Esta evasi\u00f3n es fidelidad hacia uno mismo, hallazgo de lo temporal que tiende y se estratifica hacia lo superior; y es atributo de la individualidad trascendente que, adem\u00e1s de la integridad que se le exige, es tambi\u00e9n producto de la inflexi\u00f3n de la reflexi\u00f3n y su conversi\u00f3n en objeto: la materialidad tridimensional, no equ\u00edvoca y, menos aun, derivativa y desinencial, en la cual refugiarse, hallarse,\u00a0 y refundarse. La complexi\u00f3n no banal de la instalaci\u00f3n site-specific<\/em> establece una unidad l\u00f3gica con el espacio (vac\u00edo, luz y ciertas perspectivas aparentes) que particulariza el medio envolvente, y lo torsiona en una sucesi\u00f3n de tensiones verticales y horizontales reivindicativas de una geometr\u00eda pura y razonada. Y la utilizaci\u00f3n de la madera, del grafito, de la cuerda, texturiza esa armaz\u00f3n primaria, insistente y focal, afirmaci\u00f3n de lo inviolable del hombre y de su unicidad sustantiva.<\/p>\n

\n

\u00abMi individual Como tiz\u00f3n quemado, comisariada por Alberto Carton, permanecer\u00e1 expuesta en el CGAC hasta el 14 de junio. En ella presento una serie de piezas in\u00e9ditas y espec\u00edficas para el espacio que caminan entre la escultura y la instalaci\u00f3n y que son fruto de un largo trabajo de taller y en paralelo al proyecto Finisterre\/Land’s End becado por el Injuve en su convocatoria de 2013. En ellas contin\u00fao mi exploraci\u00f3n sobre los ejes de mi trabajo: el individuo ante el paisaje y su propia existencia. Para ello me valgo de materiales ya habituales en mi trabajo de los \u00faltimos a\u00f1os como son la madera (tratada con pigmentos minerales como el carb\u00f3n o el grafito), el metal, la cuerda y el sayal de lana.\u00bb<\/em><\/p>\n<\/blockquote>\n

\"\"<\/a>
Vista de la exposici\u00f3n | Fotograf\u00eda:\u00a0Manuel G. Vicente<\/span><\/figcaption><\/figure>\n

En palabras de Alberto Carton:<\/p>\n

\n

\u00abComo tiz\u00f3n quemado es una agilizaci\u00f3n del proceso creativo de Christian Garc\u00eda Bello (A Coru\u00f1a, 1986) hacia la rotundidad contenida del gesto, y hacia la severidad a ultranza de un car\u00e1cter en evasi\u00f3n concreta y ciertamente radical. Esta evasi\u00f3n es fidelidad hacia uno mismo, hallazgo de lo temporal que tiende y se estratifica hacia lo superior; y es atributo de la individualidad trascendente que, adem\u00e1s de la integridad que se le exige, es tambi\u00e9n producto de la inflexi\u00f3n de la reflexi\u00f3n y su conversi\u00f3n en objeto: la materialidad tridimensional, no equ\u00edvoca y, menos aun, derivativa y desinencial, en la cual refugiarse, hallarse,\u00a0 y refundarse. La complexi\u00f3n no banal de la instalaci\u00f3n site-specific establece una unidad l\u00f3gica con el espacio (vac\u00edo, luz y ciertas perspectivas aparentes) que particulariza el medio envolvente, y lo torsiona en una sucesi\u00f3n de tensiones verticales y horizontales reivindicativas de una geometr\u00eda pura y razonada. Y la utilizaci\u00f3n de la madera, del grafito, de la cuerda, texturiza esa armaz\u00f3n primaria, insistente y focal, afirmaci\u00f3n de lo inviolable del hombre y de su unicidad sustantiva.\u00bb<\/em><\/p>\n<\/blockquote>\n

Como tiz\u00f3n quemado
\nArtista: Christian Garc\u00eda Bello
\nComisario\/a: Alberto Carton
\n6 marzo – 14 junio 2015
\nCGAC
\nR\u00faa Valle Incl\u00e1n, 2, 15703 Santiago de Compostela, Espa\u00f1a<\/p>\n

<\/p>\n

Como tiz\u00f3n queimado<\/em> \u00e9 unha axilizaci\u00f3n do proceso creativo de Christian Garc\u00eda Bello (A Coru\u00f1a, 1986) cara \u00e1 rotundidade contida do xesto, e cara \u00e1 severidade con decisi\u00f3n dun car\u00e1cter en evasi\u00f3n concreta e certamente radical. Esta evasi\u00f3n \u00e9 fidelidade cara a un mesmo, achado do temporal que tende e se estratifica cara ao superior; e \u00e9 atributo da individualidade transcendente que, ademais da integridade que se lle esixe, \u00e9 tam\u00e9n produto da inflexi\u00f3n da reflexi\u00f3n e a s\u00faa conversi\u00f3n en obxecto: a materialidade tridimensional, non equ\u00edvoca e, menos a\u00ednda, derivativa e desinencial, na cal refuxiarse, acharse, e refundarse. A complexi\u00f3n non banal da instalaci\u00f3n site-specific establece unha unidade l\u00f3xica co espazo (baleiro, luz e certas perspectivas aparentes) que particulariza o medio envolvente, e o torsiona nunha sucesi\u00f3n de tensi\u00f3ns verticais e horizontais reivindicativas dunha xeometr\u00eda pura e razoada. E a utilizaci\u00f3n da madeira, do grafito, da corda, texturiza esa armaz\u00f3n primaria, insistente e focal, afirmaci\u00f3n do inviolable do home e da s\u00faa unicidade substantiva.<\/p>\n

\n

\u00bb\u00a0meu individual Como tiz\u00f3n queimado, comisariada por Alberto Carton, permanecer\u00e1 exposta no CGAC ata o 14 de xu\u00f1o. Nela presento unha serie de pezas in\u00e9ditas e espec\u00edficas para o espazo que cami\u00f1an entre a escultura e a instalaci\u00f3n e que son froito dun longo traballo de taller e en paralelo ao proxecto Finisterre\/Land’s End subvencionado polo Injuve na s\u00faa convocatoria de 2013. Nelas contin\u00fao a mi\u00f1a exploraci\u00f3n sobre os eixes do meu traballo: o individuo ante a paisaxe e a s\u00faa propia existencia. Para iso v\u00e1llome de materiais xa habituais no meu traballo dos \u00faltimos anos como son a madeira (tratada con pigmentos minerais como o carb\u00f3n ou o grafito), o metal, a corda e o saial de la.\u00bb<\/em><\/p>\n<\/blockquote>\n

\"\"<\/a>
Vista da exposici\u00f3n | Fotograf\u00eda: Manuel G. Vicente<\/span><\/figcaption><\/figure>\n

En verbas de Alberto Carton:<\/p>\n

\n

\u00abComo tiz\u00f3n queimado \u00e9 unha axilizaci\u00f3n do proceso creativo de Christian Garc\u00eda Bello (A Coru\u00f1a, 1986) cara \u00e1 rotundidade contida do xesto, e cara \u00e1 severidade con decisi\u00f3n dun car\u00e1cter en evasi\u00f3n concreta e certamente radical. Esta evasi\u00f3n \u00e9 fidelidade cara a un mesmo, achado do temporal que tende e se estratifica cara ao superior; e \u00e9 atributo da individualidade transcendente que, ademais da integridade que se lle esixe, \u00e9 tam\u00e9n produto da inflexi\u00f3n da reflexi\u00f3n e a s\u00faa conversi\u00f3n en obxecto: a materialidade tridimensional, non equ\u00edvoca e, menos a\u00ednda, derivativa e desinencial, na cal refuxiarse, acharse, e refundarse. A complexi\u00f3n non banal da instalaci\u00f3n site-specific establece unha unidade l\u00f3xica co espazo (baleiro, luz e certas perspectivas aparentes) que particulariza o medio envolvente, e o torsiona nunha sucesi\u00f3n de tensi\u00f3ns verticais e horizontais reivindicativas dunha xeometr\u00eda pura e razoada. E a utilizaci\u00f3n da madeira, do grafito, da corda, texturiza esa armaz\u00f3n primaria, insistente e focal, afirmaci\u00f3n do inviolable do home e da s\u00faa unicidade substantiva.\u00bb<\/em><\/p>\n<\/blockquote>\n

Como tiz\u00f3n queimado
\nArtista: Christian Garc\u00eda Bello
\nComisario\/a: Alberto Carton
\n6 marzo – 14 xu\u00f1o 2015
\nCGAC
\nR\u00faa Valle Incl\u00e1n, 2, 15703 Santiago de Compostela, Espa\u00f1a<\/p>\n

<\/p>\n

As burnt blight<\/em> is an agilizaci\u00f3n of the creative process by Christian Garc\u00eda Bello (A Coru\u00f1a, 1986)\u00a0towards the rotundity contained of the gesture, and towards the severity extreme of a character in concrete and certainly radical evasion.\u00a0This evasion is a loyalty towards one itself, finding of the temporary thing that tends and stratifies towards the top thing; and it is an attribute of the transcendent individuality that, besides the integrity that demands him, is also a product of the inflexion of the reflection and his conversion in object: the three-dimensional, not equivocal materiality and, less even, derivative and desinencial, in which to shelter, to be situated, and refundarse. The not banal complexion of the installation site-specific establishes a logical unit with the space (emptiness, light and certain apparent perspectives) that distinguishes the surrounding way, and torsiona in a succession of vertical and horizontal protest tensions of a pure and reasoned geometry. And the utilization of the wood, of the graphite, of the rope, it texturizes this framework primary, insistent and focal, affirmation of the inviolable of the man and of his substantive uniqueness.<\/p>\n

\n

\u00abMy individual Como burnt blight, comisariada for Alberto Carton, will remain exposed in the CGAC until June 14. In her I present a series of unpublished and specific pieces for the space that they travel between the sculpture and the installation and that they are a fruit of a long work of workshop and in parallel to the project Finisterre\/Land’s End scholarship holder for the Injuve in his summons of 2013. In them I continue my exploration on the axes of my work: the individual before the landscape and his own existence. For it I use of already habitual materials in my work of last years since they are the wood (treated with mineral pigments like the coal or the graphite), the metal, the rope and the sayal of wool.\u00bb<\/em><\/p>\n<\/blockquote>\n

\"\"<\/a>
Sight of the exhibition | Photography: Manuel G. Vicente<\/span><\/figcaption><\/figure>\n

In Alberto Carton’s words:<\/p>\n

\n

\u00abSince burnt blight is an agilizaci\u00f3n of the creative process of Beautiful Christian Garc\u00eda (To Corunna, 1986) towards the rotundity contained of the gesture, and towards the severity extreme of a character in concrete and certainly radical evasion. This evasion is a loyalty towards one itself, finding of the temporary thing that tends and stratifies towards the top thing; and it is an attribute of the transcendent individuality that, besides the integrity that demands him, is also a product of the inflexion of the reflection and his conversion in object: the three-dimensional, not equivocal materiality and, less even, derivative and desinencial, in which to shelter, to be situated, and refundarse. The not banal complexion of the installation site-specific establishes a logical unit with the space (emptiness, light and certain apparent perspectives) that distinguishes the surrounding way, and torsiona in a succession of vertical and horizontal protest tensions of a pure and reasoned geometry. And the utilization of the wood, of the graphite, of the rope, it texturizes this framework primary, insistent and focal, affirmation of the inviolable of the man and of his substantive uniqueness.\u00bb<\/em><\/p>\n<\/blockquote>\n

As burnt blight
\nArtist: Christian Garc\u00eda Bello
\nCurator: Alberto Carton
\n6 march – 14 juny 2015
\nCGAC
\nR\u00faa Valle Incl\u00e1n, 2, 15703 Santiago de Compostela, Spain<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Como tiz\u00f3n quemado es una agilizaci\u00f3n del proceso creativo de Christian Garc\u00eda Bello (A Coru\u00f1a, 1986) hacia la rotundidad contenida del gesto, y hacia la severidad a ultranza de un car\u00e1cter en evasi\u00f3n concreta y ciertamente radical. Esta evasi\u00f3n es fidelidad hacia uno mismo, hallazgo de lo temporal que tiende y se estratifica hacia lo […]<\/p>\n","protected":false},"author":2,"featured_media":54428,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[1967,8169,508,556,619,716,7058,1564,977,1865],"class_list":["post-54427","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-cgai","tag-christian-garcia-bello","tag-escultura","tag-exposicion","tag-galicia","tag-instalacion","tag-materialidad","tag-objeto","tag-paisaje","tag-reflexion"],"yoast_head":"\nComo tiz\u00f3n quemado. 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