{"id":49015,"date":"2014-12-22T06:14:59","date_gmt":"2014-12-22T06:14:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=49015"},"modified":"2024-03-19T13:27:32","modified_gmt":"2024-03-19T12:27:32","slug":"mareira-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/mareira-antonio-s-rio-vazquez\/","title":{"rendered":"Mareira | Antonio S. R\u00edo V\u00e1zquez"},"content":{"rendered":"

[:es]

\"Mareira<\/a>
Imagen: Jes\u00fas Gallo, interior de la casa en La Roiba<\/em><\/span><\/figcaption><\/figure><\/p>\n
\n

\u00abNo deja de ser un hecho significativo que, en la historia de la arquitectura y la ingenier\u00eda, las construcciones levantadas a la orilla del mar se hayan destacado en notables ocasiones por su masa y por su expresiva elocuencia. [\u2026] Quiere decir, a mi entender, que la l\u00ednea costera es una zona de m\u00e1xima tensi\u00f3n simb\u00f3lica: el mar frente a la tierra; lo llano y lo h\u00famedo, frente a lo quebrado y lo seco; lo blando frente a lo duro; lo arraigado frente a lo desarraigado; el ancla frente al velamen\u00bb.<\/em><\/p>\n

Ignacio G\u00f3mez de Lia\u00f1o<\/a>: Paisajes del placer y de la culpa<\/em><\/p>\n<\/blockquote>\n

Desde la antig\u00fcedad, la conquista de la frontera con el mar se ha convertido en una empresa apasionante. Las casas en la costa siempre han tenido una connotaci\u00f3n m\u00edtica de avanzadilla y baluarte, hecha manifiesto por los arquitectos de la modernidad, demostrando el poder del hombre frente a la tempestad, tomando y, al mismo tiempo, enmarcando el lejano horizonte, que pasa a formar parte de la vivienda.<\/p>\n

Esa conquista del l\u00edmite por parte de la arquitectura se aproxima a lo descrito por Heidegger<\/a> en 1954:<\/p>\n

\n

\u00abLa frontera no es aquello en lo que termina algo, sino, como sab\u00edan los griegos, aquello a partir de donde algo comienza a ser lo que es (comienza su esencia). Para esto est\u00e1 el concepto horismos, es decir, frontera\u00bb.<\/em><\/p>\n<\/blockquote>\n

Es en el l\u00edmite construido d\u00f3nde la dualidad del paisaje marino se hace lugar y hogar.<\/p>\n

All\u00ed, las viviendas, presentadas incluso como paradigmas del pensamiento de sus autores \u2014recordemos el Cabanon<\/a> de Le Corbusier<\/a>, el refugio de Aalto<\/a> en Muuratsalo<\/a>, las sucesivas moradas<\/a> de Utzon<\/a> en Mallorca o el escudo al viento<\/em><\/a> de Neutra<\/a>, entre otras notables casas sobre el mar\u2014, comparten la idea de ser h\u00e1bitats temporales y sue\u00f1os de habitar al mismo tiempo.<\/p>\n

Frente al Mediterr\u00e1neo que dio origen y conect\u00f3 a Europa, el mar gallego representa el Finisterrae<\/em><\/a>, d\u00f3nde los peregrinos contin\u00faan su viaje para llegar hasta la \u00faltima marca fronteriza. \u00ab\u00bfAcaso se trataba de reconocer all\u00ed, ante el oc\u00e9ano infinito y amenazador que exist\u00edan unas fronteras impuestas al \u00edmpetu conquistador del hombre?\u00bb, escribi\u00f3 Dieter Richter<\/a> recordando ese l\u00edmite real y mitol\u00f3gico. Cuando el hombre se enfrenta y convive con ese fin del mundo hasta hacerlo parte de su paisaje cotidiano, lo transforma y, en la medida de lo posible, se lo apropia y lo domestica a trav\u00e9s de la arquitectura.<\/p>\n

En la casa sobre el mar que Ram\u00f3n V\u00e1zquez Molez\u00fan<\/a> proyect\u00f3 para su familia en las proximidades de Bueu, la construcci\u00f3n se hizo con los caminos y muros existentes, con la luz y los vientos, con la r\u00eda siempre presente. La modernidad como m\u00ednima intervenci\u00f3n, como el uso pr\u00e1ctico y preciso de los materiales. Luis Miquel<\/a> lo expres\u00f3 de un modo muy acertado:<\/p>\n

\n

\u00abesta casa no tiene ninguna gana de salir en las revistas sino m\u00e1s bien de salir al mar\u00bb.<\/em><\/p>\n<\/blockquote>\n

As\u00ed, la arquitectura se hizo inseparable del borde marino.<\/p>\n

El singular refugio de Molez\u00fan se fue adaptando a los cambios, al paso de los tiempos y de las mareas, de las generaciones. El arquitecto traslad\u00f3 all\u00ed sus conocimientos sobre la arquitectura naval y sus invenciones personales. En su casa sobre el mar, pintaba, sal\u00eda a navegar y continuaba, a\u00f1o a a\u00f1o, perfeccionando su construcci\u00f3n como si fuera un barco. Hoy, esa casa anclada al final de la playa seguir\u00e1 navegando, ahora con ayuda de todos<\/a>.<\/p>\n

Antonio S. R\u00edo V\u00e1zquez\u00a0. Doctor arquitecto
\nA Coru\u00f1a.diciembre 2014<\/p>\n

[:en]

\"\"<\/a>
Image: Jesus Gallo, interior of the house in The La Roiba<\/em><\/span><\/figcaption><\/figure><\/p>\n
\n

\u00abIt does not stop being a significant fact that, in the history of the architecture and the engineering, the constructions raised to the shore of the sea have been outlined in notable occasions for his mass and for his expressive eloquence. [\u2026] it Wants to say, to my to understand, that the coastal line is a zone of maximum symbolic tension: the sea opposite to the land; the flat thing and the humid thing, opposite to the broken thing and the dry thing; the soft thing opposite to the hard thing; established opposite to the rooted out; the anchor opposite to the canvas\u00bb.<\/em><\/p>\n

Ignacio G\u00f3mez de Lia\u00f1o<\/a>: Landscapes of the pleasure and of the fault<\/em><\/p>\n<\/blockquote>\n

From the antiquity, the conquest of the border with the sea has turned into an exciting company. The houses on the coast always have had a mythical connotation of avanzadilla and bastion, done manifestly for the architects of the modernity, demonstrating the power of the man opposite to the tempest, taking and, at the same time, framing the distant horizon, which happens to form a part of the housing.<\/p>\n

This conquest of the limit on the part of the architecture comes closer to described by\u00a0Heidegger<\/a> in 1954:<\/p>\n

\n

\u00abThe border is not that one in what finishes anything, but, since there knew the Greeks, that one from where something begins to be what is (it begins his essence). For this the concept is horismos, that is to say, border\u00bb.<\/em><\/p>\n<\/blockquote>\n

It is in the constructed limit where the duality of the marine landscape does place and home to itself.<\/p>\n

There, the housings, presented even as paradigms of the thought of his authors – let’s remember the Cabanon<\/a> of\u00a0Le Corbusier<\/a>, Aalto<\/a>‘s refuge in\u00a0Muuratsalo<\/a>, Utzon<\/a>‘s successive mansions<\/a> in Majorca or the shield to the wind<\/a> of\u00a0Neutra<\/a>, between other notable houses on the sea-, they share the idea of being temporary habitats and dreams of living at the same time.<\/p>\n

Opposite to the Mediterranean that gave origin and connected to Europe, the Galician sea represents the\u00a0Finisterrae<\/em><\/a>, where the pilgrims continue his trip to come up to the last frontier brand.\u00abPerhaps was it a question of admitting there, before the infinite and menacing ocean that there existed a few borders imposed on the conquering impetus of the man?\u00bb, he wrote Dieter Richter<\/a> remembering this royal and mythological limit. When the man faces and coexists with this end of the world up to it be doing by part of his daily landscape, it transforms it and, as far as possible, one adapts it and domesticates it across the architecture.<\/p>\n

In the house on the sea that\u00a0Ram\u00f3n V\u00e1zquez Molez\u00fan<\/a> projected for his family in Bueu’s proximities, the construction was done by the ways and existing walls, by the light and the winds, with her present laughs always. The modernity like minimal intervention, as the practical and precise use of the materials.\u00a0Luis Miquel<\/a> expressed it in a very guessed right way:<\/p>\n

\n

\u00abthis house does not have any desire of going out in the magazines but rather of going out to the sea\u00bb.<\/em><\/p>\n<\/blockquote>\n

This way, the architecture became inseparable of the marine edge.<\/p>\n

Molez\u00fan’s singular refuge was adapting to the changes, to the step of the times and of the tides, of the generations. The architect moved there his knowledge on the naval architecture and his personal inventions. In his house on the sea, it was doing, was going out to sail and was continuing, year a year, perfecting his construction as if it was a ship. Today, this house anchored at the end of the beach will continue sailing, now with help of all<\/a>.<\/p>\n

Antonio S. R\u00edo V\u00e1zquez . Doctor architect<\/p>\n

A Coru\u00f1a. dicember 2014<\/p>\n

[:gl]

\"\"<\/a>
Imaxe: Jes\u00fas Gallo, interior da casa en La Roiba<\/em><\/span><\/figcaption><\/figure><\/p>\n
\n

\u00abNon deixa de ser un feito significativo que, na historia da arquitectura e a enxe\u00f1ar\u00eda, as construci\u00f3ns levantadas \u00e1 beira do mar se destacasen en notables ocasi\u00f3ns pola s\u00faa masa e pola s\u00faa expresiva elocuencia. […] Quiere dicir, o meu entender, que a li\u00f1a costeira \u00e9 unha zona de m\u00e1xima tensi\u00f3n simb\u00f3lica: o mar fronte \u00e1 terra; o chairo e o h\u00famido, fronte ao quebrado e o seco; br\u00e1ndoo fronte ao duro; o arraigado fronte ao desarraigado; a \u00e1ncora fronte ao velame\u00bb.<\/em><\/p>\n

Ignacio G\u00f3mez de Lia\u00f1o<\/a>:\u00a0Paisaxes do pracer e da culpa<\/em><\/p>\n<\/blockquote>\n

Dende a antig\u00fcidade, a conquista da fronteira co mar converteuse nunha empresa apaixonante. As casas na costa sempre tiveron unha connotaci\u00f3n m\u00edtica de avanzada e baluarte, feita manifesto polos arquitectos da modernidade, demostrando o poder do home fronte \u00e1 tempestade, tomando e, ao mesmo tempo, enmarcando o afastado horizonte, que pasa a formar parte da vivenda.<\/p>\n

Esa conquista do l\u00edmite por parte da arquitectura aprox\u00edmase ao descrito por\u00a0Heidegger<\/a> en 1954:<\/p>\n

\n

\u00abA fronteira non \u00e9 aquilo no que remata algo, sen\u00f3n, como sab\u00edan os gregos, aquilo a partir de onde algo comeza a ser o que \u00e9 (comeza a s\u00faa esencia). Para isto est\u00e1 o concepto horismos, \u00e9 dicir, fronteira\u00bb.<\/em><\/p>\n<\/blockquote>\n

\u00c9 no l\u00edmite constru\u00eddo onde a dualidade da paisaxe mari\u00f1a se fai lugar e fogar.<\/p>\n

Al\u00ed, as vivendas, presentadas mesmo como paradigmas do pensamento dos seus autores -recordemos o\u00a0Cabanon<\/a> de Le Corbusier<\/a>, o refuxio de\u00a0Aalto<\/a> en Muuratsalo<\/a>, as\u00a0sucesivas moradas<\/a> de\u00a0Utzon<\/a> en Mallorca ou o\u00a0escudo o vento<\/em><\/a> de Neutra<\/a>, entre outras notables casas sobre o mar-, comparten a idea de ser h\u00e1bitats temporais e sonos de habitar ao mesmo tempo.<\/p>\n

Fronte ao Mediterr\u00e1neo que deu orixe e conectou a Europa, o mar galego representa o\u00a0Finisterrae<\/em><\/a>, onde os peregrinos contin\u00faan a s\u00faa viaxe para chegar ata a \u00faltima marca fronteiriza. \u00ab\u00bfAcaso se trataba de reco\u00f1ecer al\u00ed, ante o oc\u00e9ano infinito e ameazador que exist\u00edan unhas fronteiras impostas ao \u00edmpeto conquistador do home?\u00bb, escribiu\u00a0Dieter Richter<\/a> recordando ese l\u00edmite real e mitol\u00f3xico. Cando o home se enfronta e convive con ese fin do mundo ata facelo parte da s\u00faa paisaxe coti\u00e1, transf\u00f3rmao e, na medida do posible, apr\u00f3piallo e domest\u00edcao a trav\u00e9s da arquitectura.<\/p>\n

Na casa sobre o mar que\u00a0Ram\u00f3n V\u00e1zquez Molez\u00fan<\/a> proxectou para a s\u00faa familia nas proximidades de Bueu, a construci\u00f3n f\u00edxose cos cami\u00f1os e muros existentes, coa luz e os ventos, coa r\u00eda sempre presente. A modernidade como m\u00ednima intervenci\u00f3n, como o uso pr\u00e1ctico e preciso dos materiais.\u00a0Luis Miquel<\/a> expresouno dun modo moi acertado:<\/p>\n

\n

\u00abesta casa non ten ningunha gana de sa\u00edr nas revistas sen\u00f3n m\u00e1is ben de sa\u00edr ao mar\u00bb.<\/em><\/p>\n<\/blockquote>\n

As\u00ed, a arquitectura f\u00edxose inseparable do bordo mari\u00f1o.<\/p>\n

O singular refuxio de Molez\u00fan foise adaptando aos cambios, ao paso dos tempos e das mareas, das xeraci\u00f3ns. O arquitecto trasladou al\u00ed os seus co\u00f1ecementos sobre a arquitectura naval e as s\u00faas invenci\u00f3ns persoais. Na s\u00faa casa sobre o mar, pintaba, sa\u00eda a navegar e continuaba, ano a ano, perfeccionando a s\u00faa construci\u00f3n coma se fose un barco. Hoxe, esa casa ancorada ao final da praia seguir\u00e1 navegando, agora con axuda de todos<\/a>.<\/p>\n

Antonio S. R\u00edo V\u00e1zquez . Doutor arquitecto<\/p>\n

A Coru\u00f1a. decembro 2014<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u00abNo deja de ser un hecho significativo que, en la historia de la arquitectura y la ingenier\u00eda, las construcciones levantadas a la orilla del mar se hayan destacado en notables ocasiones por su masa y por su expresiva elocuencia. [\u2026] Quiere decir, a mi entender, que la l\u00ednea costera es una zona de m\u00e1xima […]<\/p>\n","protected":false},"author":12,"featured_media":49016,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[4024,5865,11308,10672,1973,10667,11307,659,11306,7942,10766,6964,977,9160,1136,12464,3686,1286,12455],"class_list":["post-49015","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-antonio-s-rio-vazquez","tag-arquitectura-gallega","tag-arquitectura-naval","tag-bueu","tag-crowdfunding","tag-dieter-richter","tag-habitar","tag-ignacio-gomez-de-liano","tag-jesus-gallo","tag-luis-miquel","tag-martin-heidegger","tag-paisaje","tag-paisaje-cultural","tag-ramon-vazquez-molezun","tag-rehabilitacion","tag-rehabilitar","tag-territorio","tag-vivienda-unifamiliar"],"yoast_head":"\nMareira | Antonio S. R\u00edo V\u00e1zquez<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Mareira | Antonio S. R\u00edo V\u00e1zquez\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/mareira-antonio-s-rio-vazquez\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mareira | Antonio S. R\u00edo V\u00e1zquez\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: Mareira | Antonio S. 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