{"id":48877,"date":"2014-11-18T06:45:09","date_gmt":"2014-11-18T06:45:09","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48877"},"modified":"2021-07-05T08:48:23","modified_gmt":"2021-07-05T06:48:23","slug":"architecture-on-the-web-a-critical-approach-to-communication","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/architecture-on-the-web-a-critical-approach-to-communication\/","title":{"rendered":"<!--:es-->Architecture on the web. A Critical Approach to Communication<!--:--><!--:gl-->Architecture on the web. A Critical Approach to Communication<!--:--><!--:en-->Architecture on the web. A Critical Approach to Communication<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-48878\" title=\"01_architecture_on_the_web_popup\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg\" alt=\"\" width=\"620\" height=\"880\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup-211x300.jpg 211w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\u00bfC\u00f3mo ha cambiado la forma de comunicar la arquitectura en la era de internet? \u00bfCu\u00e1l es la diferencia entre la arquitectura y su mito? \u00bfQu\u00e9 ocurre cuando se intenta hacer coincidir la obra arquitect\u00f3nica con su fotograf\u00eda? \u00bfQu\u00e9 caminos toma la obra cuando viaja a trav\u00e9s de su imagen? \u00bfQu\u00e9 tienen que ver Facebook y Twitter con la promoci\u00f3n del proyecto de un edificio? Estas preguntas, de gran actualidad, son el eje del volumen \u201c<strong>Architecture on the web. A Critical Approach to Communication<\/strong>\u201d compilado por Paolo Schianchi.<\/p>\n<p style=\"text-align: justify;\">\u00ab<em>Internet y los medios sociales han cambiado la forma de divulgar la informaci\u00f3n<\/em>\u00bb es una afirmaci\u00f3n que se repite y se aplica tambi\u00e9n a la comunicaci\u00f3n en arquitectura. Actualmente, cuando se pasa del proyecto de una obra arquitect\u00f3nica a su difusi\u00f3n se plantean dilemas inevitables. Por ejemplo, las formas y plazos en que los usuarios consumen esa informaci\u00f3n, o la relaci\u00f3n entre la obra de arquitectura y su interpretaci\u00f3n a trav\u00e9s de los medios.<\/p>\n<p style=\"text-align: justify;\">Gracias a los ensayos elaborados por los cuatro autores hist\u00f3ricos de la redacci\u00f3n de Floornature (Paolo Schianchi, Mara Corradi, Christiane Bu\u0308rklein y Agnese Bifulco) el libro <strong>\u00abArchitecture on the web. A Critical Approach to Communication<\/strong>\u00bb lanza un tema actual en el campo de la arquitectura, dando rienda suelta al debate y estableciendo las bases para una disciplina, \u00abla imagen de la arquitectura en la web\u00bb, que surge y se desarrolla en nuestros d\u00edas.<\/p>\n<p style=\"text-align: justify;\">Completan el volumen una serie de colaboraciones sobre el tema por parte de arquitectos de fama internacional como C.F. M\u00f8ller Architects, Alberto Campo Baeza, Giancarlo Mazzanti, Mauricio Pezo y Sofia von Ellrichshausen, MVRDV, TYIN tegnestue, fot\u00f3grafos como Ken Schluchtmann y Tom Vack, profesores como Angelo Maggi de IUAV de Venecia, Luca Molinari de la Seconda Facolt\u00e0 di Architettura \u201cLuigi Vanvitelli\u201d de N\u00e1poles, Kuba Snopek del Strelka Institute for Architecture, Media and Design de Mosc\u00fa y Alexis Kraft de la Parsons The New School of Design de Nueva York, evidencias directas del inter\u00e9s que levanta una cuesti\u00f3n que llega a influir en la propia forma de hacer arquitectura.<\/p>\n<p style=\"text-align: justify;\">\u201c<strong>Architecture on the web. A Critical Approach to Communication<\/strong>\u201d<br \/>\nIdiomas: ingl\u00e9s e italiano<br \/>\nEditado por Libreriauniversitaria.it, colecci\u00f3n Nuovi Pensieri<br \/>\nTraducci\u00f3n al ingl\u00e9s: Nina Taranto<br \/>\nIlustraciones e imagen de portada: Francesco Cibati<br \/>\nHan colaborado: Ricardo Devesa, Jordi Guerrero, Shirish Beri, blauraum architekten, Esteban Su\u00e1rez, Louise Cole, Alberto Campo Baeza, Julian Weyer, Cintya Concari, Benjamin Denef, Carlos Medell\u00edn, Giancarlo Mazzanti, Leonardo G. Militello, Hans Ibelings, Boris Ignatov, Angelo Maggi, Federica Minozzi, Luca Molinari, Jan Knikker, David Driscoll, Alexis Kraft, Mauricio Pezo, Sofia von Ellrichshausen, Ester Pirotta, Tom Vack, Marco Privato, Ken Schluchtmann, Space Intelligence Unit, Kuba Snopek, Margaux de Noiron y Yashar Hanstad.<\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=8862925441&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=8862924135&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=886292528X&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=8862920024&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=886292027X&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-48878\" title=\"01_architecture_on_the_web_popup\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg\" alt=\"\" width=\"620\" height=\"880\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup-211x300.jpg 211w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\u00bfComo cambiou a forma de comunicar a arquitectura na era de internet? \u00bfCal \u00e9 a diferenza entre a arquitectura e o seu mito? \u00bfQue acontece cando se intenta facer coincidir a obra arquitect\u00f3nica coa s\u00faa fotograf\u00eda? \u00bfQue cami\u00f1os toma a obra cando viaxa a trav\u00e9s da s\u00faa imaxe? \u00bfQue te\u00f1en que ver Facebook e Twitter coa promoci\u00f3n do proxecto dun edificio? Estas preguntas, de grande actualidade, son o eixe do volume \u201c<strong>Architecture on the web. A Critical Approach to Communication<\/strong>\u201d compilado por Paolo Schianchi.<\/p>\n<p style=\"text-align: justify;\"><em>\u00abInternet e os medios sociais cambiaron a forma de divulgar a informaci\u00f3n\u00bb<\/em> \u00e9 unha afirmaci\u00f3n que se repite e se aplica tam\u00e9n \u00e1 comunicaci\u00f3n en arquitectura. Actualmente, cando se pasa do proxecto dunha obra arquitect\u00f3nica \u00e1 s\u00faa difusi\u00f3n form\u00falanse dilemas inevitables. Por exemplo, as formas e prazos en que os usuarios consumen esa informaci\u00f3n, ou a relaci\u00f3n entre a obra de arquitectura e a s\u00faa interpretaci\u00f3n a trav\u00e9s dos medios.<\/p>\n<p style=\"text-align: justify;\">Grazas aos ensaios elaborados polos catro autores hist\u00f3ricos da redacci\u00f3n de Floornature (Paolo Schianchi, Mara Corradi, Christiane Burklein e Agnese Bifulco) o libro <strong>\u00abArchitecture on the web. A Critical Approach to Communication<\/strong>\u00bb lanza un tema actual no campo da arquitectura, dando renda solta ao debate e establecendo as bases para unha disciplina, \u00aba imaxe da arquitectura na web\u00bb, que xorde e se desenvolve nos nosos d\u00edas.<\/p>\n<p style=\"text-align: justify;\">Completan o volume unha serie de colaboraci\u00f3ns sobre o tema por parte de arquitectos de fama internacional como C.F. M\u00f8ller Architects, Alberto Campo Baeza, Giancarlo Mazzanti, Mauricio Pezo e Sofia von Ellrichshausen, MVRDV, TYIN tegnestue, fot\u00f3grafos como Ken Schluchtmann e Tom Vack, profesores como Angelo Maggi de IUAV de Venecia, Luca Molinari de la Seconda Facolt\u00e0 dei Architettura \u00abLuigi Vanvitelli\u00bb de N\u00e1poles, Kuba Snopek del Strelka Institute for Architecture, Media and Design de Mosc\u00fa e Alexis Kraft de la Parsons The New School of Design de Nova York, evidencias directas do interese que levanta unha cuesti\u00f3n que chega a influ\u00edr na propia forma de facer arquitectura.<\/p>\n<p style=\"text-align: justify;\">\u201c<strong>Architecture on the web. A Critical Approach to Communication<\/strong>\u201d<\/p>\n<p>Idiomas: ingl\u00e9s e italiano<\/p>\n<p>Editado por Libreriauniversitaria.it, colecci\u00f3n Nuovi Pensieri<\/p>\n<p>Traducci\u00f3n o ingl\u00e9s: Nina Taranto<\/p>\n<p>Ilustraci\u00f3ns e imaxe de portada: Francesco Cibati<\/p>\n<p>Colaboran: Ricardo Devesa, Jordi Guerrero, Shirish Beri, blauraum architekten, Esteban Su\u00e1rez, Louise Cole, Alberto Campo Baeza, Julian Weyer, Cintya Concari, Benjamin Denef, Carlos Medell\u00edn, Giancarlo Mazzanti, Leonardo G. Militello, Hans Ibelings, Boris Ignatov, Angelo Maggi, Federica Minozzi, Luca Molinari, Jan Knikker, David Driscoll, Alexis Kraft, Mauricio Pezo, Sofia von Ellrichshausen, Ester Pirotta, Tom Vack, Marco Privato, Ken Schluchtmann, Space Intelligence Unit, Kuba Snopek, Margaux de Noiron e Yashar Hanstad.<\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8862925441&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8862924135&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=886292528X&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8862920024&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=886292027X&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-48878\" title=\"01_architecture_on_the_web_popup\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg\" alt=\"\" width=\"620\" height=\"880\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/01_architecture_on_the_web_popup-211x300.jpg 211w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">How has it changed the way of communicating the architecture in the Internet age? Which is the difference between the architecture and his myth? What does happen when one tries to make coincide the architectural work with his photography? What ways does it take the work when he travels across his image? What have they to see Facebook and Twitter with the promotion of the project of a building? These questions, of great current importance, are the axis of the volume\u00a0\u201c<strong>Architecture on the web. A Critical Approach to Communication<\/strong>\u201d compiled by Paolo Schianchi.<\/p>\n<p style=\"text-align: justify;\"><em>\u00abInternet and the social means have changed the way of spreading the information\u00bb<\/em> it is an affirmation that repeats itself and is applied also to the communication in architecture. Nowadays, when it passes from the project of an architectural work to his diffusion inevitable dilemmas appear. For example, the forms and period in which the users consume this information, or the relation between the work of architecture and his interpretation across the means.<\/p>\n<p style=\"text-align: justify;\">Thanks to the tests elaborated by four historical authors of Floornature&#8217;s draft (Paolo Schianchi, Mara Corradi,\u00a0Christiane Bu\u0308rklein and Agnese Bifulco) the book\u00a0<strong>\u00abArchitecture on the web. A Critical Approach to Communication<\/strong>\u00bb throws a current topic in the field of the architecture, giving free rein to the debate and establishing the bases for a discipline, \u00bb the image of the architecture in the web \u00ab, that arises and develops in our days.<\/p>\n<p style=\"text-align: justify;\">They complete the volume a series of collaborations on the topic on the part of architects of international reputation as\u00a0C.F. M\u00f8ller Architects, Alberto Campo Baeza, Giancarlo Mazzanti, Mauricio Pezo and Sofia von Ellrichshausen, MVRDV, TYIN tegnestue, photographers like Ken Schluchtmann and Tom Vack, teachers as Angelo Maggi of IUAV of Venice, Luca Molinari de la Seconda Facolt\u00e0 I gave Architettura \u00abLuigi Vanvitelli\u00bb of Naples, Kuba Snopek of the Strelka Institute for Architecture, Average and Design of Moscow and Alexis Kraft de la Parsons The New School of Design of New York, direct evidences of the interest that raises a question that manages to influence the own way of doing architecture.<\/p>\n<p style=\"text-align: justify;\">\u201c<strong>Architecture on the web. A Critical Approach to Communication<\/strong>\u201d<\/p>\n<p>Languages: Englishman and Italian<\/p>\n<p>Published by Libreriauniversitaria.it, colecci\u00f3n Nuovi Pensieri<\/p>\n<p>Translation to the Englishman: Nina Taranto.<\/p>\n<p>Illustrations and image of front page: Francesco Cibati.<\/p>\n<p>They have collaborated: Ricardo Devesa, Jordi Guerrero, Shirish Beri, blauraum architekten, Esteban Su\u00e1rez, Louise Cole, Alberto Campo Baeza, Julian Weyer, Cintya Concari, Benjamin Denef, Carlos Medell\u00edn, Giancarlo Mazzanti, Leonardo G. Militello, Hans Ibelings, Boris Ignatov, Angelo Maggi, Federica Minozzi, Luca Molinari, Jan Knikker, David Driscoll, Alexis Kraft, Mauricio Pezo, Sofia von Ellrichshausen, Ester Pirotta, Tom Vack, Marco Privato, Ken Schluchtmann, Space Intelligence Unit, Kuba Snopek, Margaux de Noiron and Yashar Hanstad.<\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8862925441&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8862924135&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=886292528X&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8862920024&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=886292027X&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfC\u00f3mo ha cambiado la forma de comunicar la arquitectura en la era de internet? \u00bfCu\u00e1l es la diferencia entre la arquitectura y su mito? \u00bfQu\u00e9 ocurre cuando se intenta hacer coincidir la obra arquitect\u00f3nica con su fotograf\u00eda? \u00bfQu\u00e9 caminos toma la obra cuando viaja a trav\u00e9s de su imagen? \u00bfQu\u00e9 tienen que ver Facebook y [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":48878,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[11249,3428,11251,11255,12448,11268,11263,11272,11250,11269,11248,11267,11258,350,7166,393,11275,6714,11264,11276,11273,11260,11252,11271,730,11274,11261,11266,11253,11257,11270,11281,11265,11256,11247,11277,11279,4265,2740,11259,11246,1120,1152,6036,11262,4266,11278,11254,10568,11280],"class_list":["post-48877","post","type-post","status-publish","format-standard","has-post-thumbnail","category-libros","category-publicaciones","tag-agnese-bifulco","tag-alberto-campo-baeza","tag-alexis-kraft","tag-angelo-maggi","tag-arquitectura","tag-benjamin-denef","tag-blauraum-architekten","tag-boris-ignatov","tag-c-f-moller-architects","tag-carlos-medellin","tag-christiane-burklein","tag-cintya-concari","tag-coleccion-nuovi-pensieri","tag-comunicacion","tag-comunicar","tag-critica","tag-david-driscoll","tag-divulgacion","tag-esteban-suarez","tag-ester-pirotta","tag-federica-minozzi","tag-francesco-cibati","tag-giancarlo-mazzanti","tag-hans-ibelings","tag-internet","tag-jan-knikker","tag-jordi-guerrero","tag-julian-weyer","tag-ken-schluchtmann","tag-kuba-snopek","tag-leonardo-g-militello","tag-libreriauniversitaria-it-edizioni","tag-louise-cole","tag-luca-molinari","tag-mara-corradi","tag-marco-privato","tag-margaux-de-noiron","tag-mauricio-pezo","tag-mvrdv","tag-nina-taranto","tag-paolo-schianchi","tag-publicacion","tag-red-social","tag-ricardo-devesa","tag-shirish-beri","tag-sofia-von-ellrichshausen","tag-space-intelligence-unit","tag-tom-vack","tag-tyin-tegnestue-architects","tag-yashar-hanstad"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Architecture on the web. 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