{"id":48725,"date":"2013-08-05T06:01:59","date_gmt":"2013-08-05T06:01:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48725"},"modified":"2018-04-24T09:09:07","modified_gmt":"2018-04-24T07:09:07","slug":"arquitecto-de-castillos-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/arquitecto-de-castillos-jorge-gorostiza\/","title":{"rendered":"Arquitecto de castillos | Jorge GorostizaArquitecto de castelos | Jorge GorostizaArchitect of castles | Jorge Gorostiza"},"content":{"rendered":"

\"\"<\/a>
Anuncio Kodak<\/span><\/figcaption><\/figure><\/p>\n

En un ejemplar de 1949 de la revista Journal of the British Kinematograph Society<\/em> he encontrado el anuncio de Kodak que adjunto aqu\u00ed al lado. Su texto es curioso y dice lo siguiente:<\/p>\n

\n

\u00abDel plano a la maqueta, de la maqueta a la estructura a tama\u00f1o real, as\u00ed crece este \u00abcastillo de ensue\u00f1o\u00bb, producto de la habilidad del ambientador.<\/em><\/p>\n

Como arquitecto de castillos y casas de campo para la industria cinematogr\u00e1fica, \u00e9l aumenta el efecto dram\u00e1tico con su trabajo creativo con materiales y texturas. Sus decorados ayudan a establecer y mantener\u00a0el tono de la historia… dando a\u00a0c\u00e1mara y actores la libertad necesaria para hacer completa\u00a0justicia a la escena.<\/em><\/p>\n

Para ello debe ser m\u00e1s que maestro arquitecto, debe tener conocimiento real del elemento fotogr\u00e1fico en el que sus decorados \u00abvivir\u00e1n\u00bb.<\/em><\/p>\n

Y desde su estrecha asociaci\u00f3n con el arte de la c\u00e1mara, conoce cuanta libertad creativa depende de las propias pel\u00edculas. Pel\u00edculas con la versatilidad por la que la familia del cine de \u00abKodak\u00bb ha sido famosa durante mucho tiempo<\/em>.\u00bb<\/p>\n<\/blockquote>\n

Lo primero que resulta curioso es que se refiera al profesional que en Espa\u00f1a se ha denominado ambientador (set designer) en vez de al director art\u00edstico o al dise\u00f1ador de producci\u00f3n, pero\u00a0viendo c\u00f3mo est\u00e1\u00a0escrito el texto publicitario, es de\u00a0suponer que\u00a0el autor era director art\u00edstico o ten\u00eda conocimientos de escenograf\u00eda cinematogr\u00e1fica, sobre todo, por la apreciaci\u00f3n del trabajo de estos profesionales y la importante aportaci\u00f3n que hacen al resultado final de las pel\u00edculas, sin olvidar el conocimiento que han de tener de la fotograf\u00eda, una diferencia importante con respecto\u00a0a los arquitectos.<\/p>\n

Jorge Gorostiza, arquitecto. Autor del blog Arquitectura+Cine+Ciudad<\/em><\/span>
\nSanta Cruz de Tenerife, agosto 2013<\/p>\n

\"\"<\/a>
Kodak announce
<\/span><\/figcaption><\/figure><\/p>\n

In a copy of 1949 of the Journal of the British Kinematograph Society<\/em> magazine I have found the advertisement of Kodak that I attach here to the side. His text is curious and says the following thing:<\/p>\n

\n

\u00abFrom the plane to the model, from the model to the structure to royal, like that size there grows this \u00abcastle of dream\u00bb, product of the skill of the air-freshener.<\/em><\/p>\n

As architect of castles and country houses for the cinematographic industry, he increases the dramatic effect with his creative work with materials and textures. His sets help to establish and support the tone of the history … giving the necessary freedom to chamber and actors to do complete justice to the scene.<\/em><\/p>\n

For it it must be more than main architect, must have royal knowledge of the photographic element in which his sets \u00abwill live\u00bb.<\/em><\/p>\n

And from his narrow association with the art of the chamber, it knows all the creative freedom depends on the own movies. Movies with the versatility for which the family of the cinema of \u00abKodak\u00bb has been famous for a long time.<\/em>\u00ab<\/p>\n<\/blockquote>\n

The first thing that turns out to be curious is that it refers to the professional who in Spain has named an air-freshener (set designer) instead of the art director or the designer of production, but seeing how the advertising text is written, it is of supposing that the author was an art director or took knowledge of cinematographic scenery, especially, as the appraisal of the work of these professionals and the important contribution that they do to the final result of the movies, without forgetting the knowledge that they have to have of the photography, an important difference with regard to the architects.<\/p>\n

Jorge Gorostiza, architect. Author of the blog Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n

Santa Cruz de Tenerife, august 2013<\/p>\n

\"\"<\/a>
Anuncio Kodak<\/span><\/figcaption><\/figure><\/p>\n

Nun exemplar de 1949 da revista Journal of the British Kinematograph Society<\/em> encontrei o anuncio de Kodak que achego aqu\u00ed ao lado. O seu texto \u00e9 curioso e di o seguinte:<\/p>\n

\n

\u00abDo plano \u00e1 maqueta, da maqueta \u00e1 estrutura a tama\u00f1o real, as\u00ed crece este \u00abcastelo marabilloso\u00bb, produto da habilidade do ambientador.<\/em><\/p>\n

Como arquitecto de castelos e casas de campo para a industria cinematogr\u00e1fica, el aumenta o efecto dram\u00e1tico co seu traballo creativo con materiais e texturas. Os seus decorados axudan a establecer e manter o ton da historia… dando a c\u00e1mara e actores a liberdade necesaria para facer completa xustiza \u00e1 escena.<\/em><\/p>\n

Para iso debe ser m\u00e1is que mestre arquitecto, debe ter co\u00f1ecemento real do elemento fotogr\u00e1fico no que os seus decorados \u00abvivir\u00e1n\u00bb.<\/em><\/p>\n

E dende a s\u00faa estreita asociaci\u00f3n coa arte da c\u00e1mara, co\u00f1ece canta liberdade creativa depende das propias pel\u00edculas. Pel\u00edculas coa versatilidade pola que a familia do cine de \u00abKodak\u00bb foi famosa durante moito tempo<\/em>.\u00bb<\/p>\n<\/blockquote>\n

O primeiro que resulta curioso \u00e9 que se refira ao profesional que en Espa\u00f1a se denominou ambientador (set designer) en vez de ao director art\u00edstico ou ao dese\u00f1ador de produci\u00f3n, pero vendo como est\u00e1 escrito o texto publicitario, \u00e9 de supo\u00f1er que o autor era director art\u00edstico ou ti\u00f1a co\u00f1ecementos de escenograf\u00eda cinematogr\u00e1fica, sobre todo, pola apreciaci\u00f3n do traballo destes profesionais e a importante achega que fan ao resultado final das pel\u00edculas, sen esquecer o co\u00f1ecemento que han de ter da fotograf\u00eda, unha diferenza importante con respecto aos arquitectos.<\/p>\n

Jorge Gorostiza, arquitecto. Autor do blogue Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n

Santa Cruz de Tenerife, agosto 2013<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

En un ejemplar de 1949 de la revista Journal of the British Kinematograph Society he encontrado el anuncio de Kodak que adjunto aqu\u00ed al lado. Su texto es curioso y dice lo siguiente: \u00abDel plano a la maqueta, de la maqueta a la estructura a tama\u00f1o real, as\u00ed crece este \u00abcastillo de ensue\u00f1o\u00bb, producto de […]<\/p>\n","protected":false},"author":34,"featured_media":48729,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[12471,424,428,11195,1565,2427,502,12460,11196,698,1593],"class_list":["post-48725","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-cine","tag-dibujo","tag-disenador-grafico","tag-eli-wallach","tag-escenario","tag-escenario-artistico","tag-escenografo","tag-fotografia","tag-george-eastman","tag-ilustracion","tag-jorge-gorostiza"],"yoast_head":"\nArquitecto de castillos | Jorge Gorostiza<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Arquitecto de castillos 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