{"id":48723,"date":"2014-04-05T17:57:13","date_gmt":"2014-04-05T17:57:13","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48723"},"modified":"2020-02-26T16:30:13","modified_gmt":"2020-02-26T15:30:13","slug":"he-gives-shape-to-things-to-come-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/he-gives-shape-to-things-to-come-jorge-gorostiza\/","title":{"rendered":"<!--:es-->He gives shape to things to come | Jorge Gorostiza<!--:--><!--:gl-->He gives shape to things to come | Jorge Gorostiza<!--:--><!--:en-->He gives shape to things to come | Jorge Gorostiza<!--:-->"},"content":{"rendered":"<p><!--:es--><figure id=\"attachment_48726\" aria-describedby=\"caption-attachment-48726\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/International-Projectionist-enero-diciembre-1950-anuncio-da.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-48726\" title=\"International Projectionist enero diciembre 1950, anuncio da\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/International-Projectionist-enero-diciembre-1950-anuncio-da.jpg\" alt=\"\" width=\"620\" height=\"856\" \/><\/a><figcaption id=\"caption-attachment-48726\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Anuncio de International Projectionist, enero-diciembre 1950<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Hace bastantes meses <a href=\"https:\/\/veredes.es\/blog\/arquitecto-de-castillos-jorge-gorostiza\/\" target=\"_blank\" rel=\"noopener noreferrer\">publiqu\u00e9<\/a> en este blog un anuncio de <a href=\"http:\/\/es.wikipedia.org\/wiki\/Kodak\" target=\"_blank\" rel=\"noopener noreferrer\">Kodak<\/a> en el que se hablaba sobre el arquitecto y el cine. Ahora he encontrado otro, esta vez sobre el director art\u00edstico y su trabajo cinematogr\u00e1fico, en un n\u00famero de la revista <em>International Projectionist <\/em>del a\u00f1o 1950. El texto es el siguiente:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00ab\u00c9l da forma a lo que vendr\u00e1&#8230;<\/em><\/p>\n<p style=\"text-align: justify;\"><em>SU habilidad para ver cada gui\u00f3n a trav\u00e9s del ojo de la c\u00e1mara&#8230; para pintar con pincel y l\u00e1piz los reflejos dram\u00e1ticos de la historia&#8230; y, finalmente, transformar bocetos en escenarios de aut\u00e9ntico m\u00e9rito.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00c9l es el director art\u00edstico de la pantalla, a la vez receptivo y responsable. No s\u00f3lo debe ser sensible al ambiente de la historia&#8230; teniendo plenamente en cuenta, adem\u00e1s, la personalidad de la estrella&#8230; pero tambi\u00e9n ha de ser consciente siempre de los aspectos pr\u00e1cticos de la producci\u00f3n cinematogr\u00e1fica, ser capaz de trabajar en estrecha colaboraci\u00f3n con decenas de oficios con y sin el estudio.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Por encima de todo, el director art\u00edstico conoce la importancia de la reproducci\u00f3n fiel de los valores que crea&#8230; una misi\u00f3n que est\u00e1 muy contento de ver competentemente manejada por la famosa familia de pel\u00edculas cinematogr\u00e1ficas Eastman.\u00bb<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">La verdad es que la fotograf\u00eda de lo que parece ser un western con un actor parecido a Eli Wallach, no refleja la complejidad del trabajo que debe afrontar un escen\u00f3grafo cinematogr\u00e1fico; en cuanto al personaje del dibujo inferior, sentado en su tablero de dibujo y con un cigarrillo en la mano izquierda, podr\u00eda ser cualquier dise\u00f1ador o ilustrador, salvo porque est\u00e1 dibujando la escena que est\u00e1 en la fotograf\u00eda, lo que no tiene sentido alguno, ya que deber\u00eda estar ideando y luego representando los decorados que rodean a los personajes y no a \u00e9stos, aunque parece que tiene fijado el gui\u00f3n en el tablero. De todos modos siempre es interesante que se publicasen anuncios como \u00e9ste, que informa y divulga el important\u00edsimo trabajo de los directores art\u00edsticos, dise\u00f1adores de producci\u00f3n o como quieran autodenominarse los escen\u00f3grafos cinematogr\u00e1ficos.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. <span style=\"color: #888888;\">Autor del blog <em>Arquitectura+Cine+Ciudad<\/em><\/span><br \/>\nSanta Cruz de Tenerife, abril 2014<\/p>\n<p><!--:--><!--:en--><figure id=\"attachment_48726\" aria-describedby=\"caption-attachment-48726\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/International-Projectionist-enero-diciembre-1950-anuncio-da.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-48726\" title=\"International Projectionist enero diciembre 1950, anuncio da\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/International-Projectionist-enero-diciembre-1950-anuncio-da.jpg\" alt=\"\" width=\"620\" height=\"856\" \/><\/a><figcaption id=\"caption-attachment-48726\" class=\"wp-caption-text\"><span style=\"color: #888888;\">International Projectionist&#8217;s advertisement, January &#8211; December, 1950<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Enough months ago I <a href=\"https:\/\/veredes.es\/blog\/arquitecto-de-castillos-jorge-gorostiza\/\" target=\"_blank\" rel=\"noopener noreferrer\">published<\/a> in this blog an advertisement of <a href=\"http:\/\/es.wikipedia.org\/wiki\/Kodak\" target=\"_blank\" rel=\"noopener noreferrer\">Kodak<\/a> in the one that was speaking himself on the architect and the cinema. Now I have found other one, this time on the art director and his cinematographic work, in a number of the magazine<em> International Projectionist<\/em> of the year 1950. The text is the following one:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abHe gives form to what he will come&#8230;<\/em><\/p>\n<p style=\"text-align: justify;\"><em>HIS skill to see every script across the eye of the chamber &#8230; to paint with paintbrush and pencil the dramatic reflexes of the history &#8230; and, finally, to transform sketches into scenes of authentic merit.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>He is the art director of the screen, simultaneously receptively and responsibly. Not only it must be sensitive to the environment of the history &#8230; bearing the personality of the star in mind fullly, besides&#8230; but also it has to be conscious always of the practical aspects of the cinematographic production, to be capable of being employed at narrow collaboration with dozens of trades with and without the study.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Over everything, the art director knows the importance of the faithful reproduction of the values that it creates &#8230; a mission that is very satisfied to see competentemente handled by the famous family of cinematographic movies Eastman.\u00bb<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">The truth is that the photography of what seems to be a western with an actor similar to Eli Wallach, does not reflect the complexity of the work that a cinematographic set designer must confront; as for the personage of the low drawing, sat in his board of drawing and with a cigarette in the left hand, he might be any designer or illustrator, except because it is drawing the scene that is in the photography, which does not make any sense, since it should be designing and then representing the sets that surround the prominent figures and not to these, though it seems that it has the script fixed in the board. Anyhow always it is interesting that announcements were published as this one, which informs and spreads the most important work of the art directors, designers of production or since the cinematographic set designers want autodenominarse.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, architect. <span style=\"color: #888888;\">Author of the blog <em>Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n<p>Santa Cruz de Tenerife, april 2014<\/p>\n<p><!--:--><!--:gl--><figure id=\"attachment_48726\" aria-describedby=\"caption-attachment-48726\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/International-Projectionist-enero-diciembre-1950-anuncio-da.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-48726\" title=\"International Projectionist enero diciembre 1950, anuncio da\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/International-Projectionist-enero-diciembre-1950-anuncio-da.jpg\" alt=\"\" width=\"620\" height=\"856\" \/><\/a><figcaption id=\"caption-attachment-48726\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Anuncio de International Projectionist, xaneiro-decembro 1950<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Hai bastantes meses\u00a0<a href=\"https:\/\/veredes.es\/blog\/arquitecto-de-castillos-jorge-gorostiza\/\" target=\"_blank\" rel=\"noopener noreferrer\">publiquei<\/a> neste blogue un anuncio de\u00a0<a href=\"http:\/\/es.wikipedia.org\/wiki\/Kodak\" target=\"_blank\" rel=\"noopener noreferrer\">Kodak<\/a> no que se falaba sobre o arquitecto e o cine. Agora encontrei outro, esta vez sobre o director art\u00edstico e o seu traballo cinematogr\u00e1fico, nun n\u00famero da revista <em>International Projectionist<\/em> do ano 1950. O texto \u00e9 o seguinte:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abEl d\u00e1 forma ao que vir\u00e1&#8230;<\/em><\/p>\n<p style=\"text-align: justify;\"><em>A S\u00daA habilidade para ver cada gui\u00f3n a trav\u00e9s do ollo da c\u00e1mara&#8230; para pintar con pincel e lapis os reflexos dram\u00e1ticos da historia&#8230; e, finalmente, transformar bosquexos en escenarios de aut\u00e9ntico m\u00e9rito.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>El \u00e9 o director art\u00edstico da pantalla, \u00e1 vez receptivo e responsable. Non s\u00f3 debe ser sensible ao ambiente da historia&#8230; tendo plenamente en conta, ademais, a personalidade da estrela&#8230; pero tam\u00e9n ha de ser consciente sempre dos aspectos pr\u00e1cticos da produci\u00f3n cinematogr\u00e1fica, ser capaz de traballar en estreita colaboraci\u00f3n con decenas de oficios con e sen o estudo.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Por riba de todo, o director art\u00edstico co\u00f1ece a importancia da reproduci\u00f3n fiel dos valores que crea&#8230; unha misi\u00f3n que est\u00e1 moi contenta de ver competentemente manexada pola famosa familia de pel\u00edculas cinematogr\u00e1ficas Eastman.\u00bb<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">A verdade \u00e9 que a fotograf\u00eda do que parece ser un western cun actor parecido a Eli Wallach, non reflicte a complexidade do traballo que debe afrontar un escen\u00f3grafo cinematogr\u00e1fico; en canto ao personaxe do debuxo inferior, sentado no seu taboleiro de debuxo e cun cigarro na man esquerda, poder\u00eda ser calquera dese\u00f1ador ou ilustrador, salvo porque est\u00e1 a debuxar a escena que est\u00e1 na fotograf\u00eda, o que non ten sentido alg\u00fan, xa que deber\u00eda estar a idear e logo representar os decorados que rodean os personaxes e non estes, a\u00ednda que parece que ten fixado o gui\u00f3n no taboleiro. De todos os xeitos sempre \u00e9 interesante que se publicaran anuncios como este, que informa e divulga o importante traballo dos directores art\u00edsticos, dese\u00f1adores de produci\u00f3n ou como queiran autodenominarse os escen\u00f3grafos cinematogr\u00e1ficos.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. <span style=\"color: #888888;\">Autor do blogue <em>Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n<p>Santa Cruz de Tenerife, abril 2014<\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hace bastantes meses publiqu\u00e9 en este blog un anuncio de Kodak en el que se hablaba sobre el arquitecto y el cine. Ahora he encontrado otro, esta vez sobre el director art\u00edstico y su trabajo cinematogr\u00e1fico, en un n\u00famero de la revista International Projectionist del a\u00f1o 1950. El texto es el siguiente: \u00ab\u00c9l da forma [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":48726,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[12448,12471,318,424,428,11195,1565,2427,502,12460,11196,698,1593],"class_list":["post-48723","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-arquitectura","tag-cine","tag-ciudad","tag-dibujo","tag-disenador-grafico","tag-eli-wallach","tag-escenario","tag-escenario-artistico","tag-escenografo","tag-fotografia","tag-george-eastman","tag-ilustracion","tag-jorge-gorostiza"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>He gives shape to things to come | Jorge Gorostiza<\/title>\n<meta name=\"description\" content=\"Kodak\" 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