{"id":48702,"date":"2014-10-03T06:13:16","date_gmt":"2014-10-03T06:13:16","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48702"},"modified":"2021-03-31T09:43:29","modified_gmt":"2021-03-31T07:43:29","slug":"la-cupola-de-antonioni-y-vitti-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-cupola-de-antonioni-y-vitti-jorge-gorostiza\/","title":{"rendered":"[:es]La Cupola de Antonioni y Vitti | Jorge Gorostiza[:gl]La Cupola de Antonioni e Vitti | Jorge Gorostiza[:en]The Antonioni and Vitti\u00b4s Cupola | Jorge Gorostiza[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Estado actual de la casa. Foto: Flickr<\/span><\/figcaption><\/figure><\/p>\n

Jean Michel Frodon<\/a> en su art\u00edculo \u00abVenecia: del cine a la Bienal… de arquitectura\u00bb, publicado en el\u00a0\u00faltimo n\u00famero de Caim\u00e1n Cuadernos de Cine<\/a>, escribe sobre la exposici\u00f3n Monditalia<\/a>, incluida en la Bienal de Arquitectura<\/a> de este a\u00f1o y su asombro ante\u00a0\u00abla revelaci\u00f3n de la Cupola, la extraordinaria villa construida en secreto a mediados de los a\u00f1os sesenta por el arquitecto visionario Dante Bini para Antonioni y Monica Vitti en la Costa Para\u00edso de Cerde\u00f1a\u00bb.<\/p>\n

La verdad es que no conoc\u00eda este edificio, ni sus circunstancias. Bini proyect\u00f3 el edificio, seg\u00fan la Wikipedia<\/a>\u00a0en los a\u00f1os setenta, aunque hay otras fuentes donde lo datan en 1969<\/a>\u00a0y tambi\u00e9n afirman que Bini construy\u00f3 dos casas con forma de c\u00fapula, lo que puede constatarse gracias al Google Maps<\/a>, una m\u00e1s grande para el director y la otra para la actriz, que\u00a0tambi\u00e9n vivieron separados en Roma, en dos pisos comunicados por una escalera que en el momento\u00a0de su separaci\u00f3n fue cerrada y sobre cuya huella\u00a0la siguiente esposa de Antonioni coloc\u00f3 una alfombra que levantaba para ense\u00f1arle a los visitantes los rastros del anterior amor de su marido.<\/p>\n

Volviendo a Cerde\u00f1a, la c\u00fapula se construy\u00f3 con\u00a0hormig\u00f3n armado, usando aire comprimido para levantarla, un sistema constructivo<\/a> inventado por Bini, para hacer lo que denomin\u00f3 Binishells<\/a>,\u00a0y con el que ha hecho otras mil seiscientas de estos objetos\u00a0en veinte pa\u00edses, alguna con un di\u00e1metro de cuarenta metros. Respecto a \u00e9sta,\u00a0seg\u00fan cuenta Bini<\/a>,<\/p>\n

\n

\u00abAntonioni estaba obsesionado con el olor del mar, la materialidad de las rocas y con el aroma de la vegetaci\u00f3n local\u00bb.<\/em><\/p>\n<\/blockquote>\n

En otro lugar<\/a> se ampl\u00edan los recuerdos de Bini, al parecer Antonioni le dijo:<\/p>\n

\n

\u00abNo quiero una casa, sino un espacio tridimensional\u00bb<\/em><\/p>\n<\/blockquote>\n

a\u00f1adiendo<\/p>\n

\n

\u00abodio los apartamentos, quiero vivir en una escultura que est\u00e9 escavada en la roca, que huela a la naturaleza circundante. La arquitectura no es s\u00f3lo sombra y luz, debe ser tambi\u00e9n olor\u00a0\u00bfHas probado a sentir el olor de una piedra?\u00bb<\/em><\/p>\n<\/blockquote>\n

entonces\u00a0tom\u00f3 un trozo de granito rojo y lo acerc\u00f3 a la nariz\u00a0del arquitecto, ya bastante confundido por su pregunta\u00a0.<\/p>\n

\n

\u00abQuiero una casa con olor a piedra. Con una cama que huela a enebro y quiero que haya un sonido\u00bb\u00a0\u00ab\u00bfUn sonido?\u00bb<\/em><\/p>\n<\/blockquote>\n

pregunt\u00f3 Bini.<\/p>\n

\n

\u00abNunca hab\u00eda o\u00eddo nada igual\u00bb.<\/em><\/p>\n<\/blockquote>\n

Antonionii le dijo entonces:<\/p>\n

\n

\u00abVenga, escuche el sonido de las olas marinas. Mi casa debe tener dentro ese sonido. Quiero escuchar el viento que viene del mar\u00bb.<\/em><\/p>\n<\/blockquote>\n

Ser\u00eda interesante saber si adem\u00e1s de estas indicaciones \u00absensoriales\u00bb. Antonioni influy\u00f3 en algo m\u00e1s en el dise\u00f1o del edificio y si estas influencias tuvieron alguna relaci\u00f3n con sus pel\u00edculas\u00a0y con su extraordinaria capacidad e inventiva para mostrar los espacios arquitect\u00f3nicos y urbanos.<\/p>\n

En la Cupola m\u00e1s grande se celebraron bastantes fiestas memorables, y es una l\u00e1stima no haber podido asistir a alguna de ellas con un verm\u00fa seco en la mano y rodeado de gente interesante, pero cuando el director y la actriz se separaron fue abandonada, ahora est\u00e1 casi en ruinas<\/a> y seguramente desaparecer\u00e1.\u00a0Los edificios, aunque\u00a0inanimados tambi\u00e9n tienen alma y han de sufrir los embates y\u00a0desamores de sus animados propietarios.<\/p>\n

Jorge Gorostiza, arquitecto. Autor del blog Arquitectura+Cine+Ciudad<\/span>
\nSanta Cruz de Tenerife, octubre 2014<\/p>\n

[:gl]

\"\"<\/a>
Estado actual de la casa. Foto: Flickr<\/span><\/figcaption><\/figure><\/p>\n

Jean Michel Frodon<\/a> en su art\u00edculo \u00abVenecia: del cine a la Bienal… de arquitectura\u00bb, publicado en el \u00faltimo n\u00famero de Caim\u00e1n Cuadernos de Cine<\/a>, escribe sobre la exposici\u00f3n Monditalia<\/a>, incluida en la Bienal de Arquitectura<\/a> de este a\u00f1o y su asombro ante \u00abla revelaci\u00f3n de la Cupola, la extraordinaria villa construida en secreto a mediados de los a\u00f1os sesenta por el arquitecto visionario Dante Bini para Antonioni y Monica Vitti en la Costa Para\u00edso de Cerde\u00f1a\u00bb.<\/p>\n

A verdade \u00e9 que non co\u00f1ec\u00eda este edificio, nin as s\u00faas circunstancias. Bini proxectou o edificio, segundo a\u00a0Wikipedia<\/a> nos anos setenta, a\u00ednda que hai outras fontes onde o datan en\u00a01969<\/a> e tam\u00e9n afirman que Bini constru\u00edu d\u00faas casas con forma de c\u00fapula, o que pode constatarse grazas ao\u00a0Google Maps<\/a>, unha m\u00e1is grande para o director e a outra para a actriz, que tam\u00e9n viviron separados en Roma, en dous pisos comunicados por unha escaleira que no momento da s\u00faa separaci\u00f3n foi pechada e sobre cuxa pegada a seguinte esposa de Antonioni colocou unha alfombra que levantaba para ensinalo aos visitantes os rastros do anterior amor do seu marido.<\/p>\n

Volvendo a Cerarde\u00f1a, a c\u00fapula constru\u00eduse con formig\u00f3n armado, usando aire comprimido para levantala, un\u00a0sistema constructivo<\/a> inventado por\u00a0Bini, para facer o que denominou Binishells<\/a>, e co que fixo outras mil seiscentas destes obxectos en vinte pa\u00edses, algunha cun di\u00e1metro de corenta metros. Respecto a esta, segundo conta Bini<\/a>,<\/p>\n

\n

\u00abAntonioni estaba obsesionado co olor do mar, a materialidade das rochas e co aroma da vexetaci\u00f3n local\u00bb.<\/em><\/p>\n<\/blockquote>\n

Noutro\u00a0lugar<\/a> ampl\u00edanse os recordos de Bini, ao parecer Antonioni d\u00edxolle:mpl\u00edan los recuerdos de Bini, al parecer Antonioni le dijo:<\/p>\n

\n

\u00ab\u00bbNon quero unha casa, sen\u00f3n un espazo tridimensional\u00bb\u00bb<\/em><\/p>\n<\/blockquote>\n

engadindo<\/p>\n

\n

\u00abodio os apartamentos, quero vivir nunha escultura que estea escavada na rocha, que cheire \u00e1 natureza circundante. A arquitectura non \u00e9 s\u00f3 sombra e luz, debe ser tam\u00e9n olor \u00bfProbaches a sentir ou ulir dunha pedra?\u00bb<\/em><\/p>\n<\/blockquote>\n

ent\u00f3n tomou un anaco de granito vermello e achegouno ao nariz do arquitecto, xa bastante confundido pola s\u00faa pregunta.<\/p>\n

\n

\u00abQuero unha casa con olor a pedra. Cunha cama que ula a xenebreiro e quero que haxa un son\u00bb\u00bb \u00bfUn son?\u00bb<\/em><\/p>\n<\/blockquote>\n

preguntou Bini.<\/p>\n

\n

\u00abNunca o\u00edra nada igual\u00bb.<\/em><\/p>\n<\/blockquote>\n

Antonionii d\u00edxolle ent\u00f3n:<\/p>\n

\n

\u00abVenga, escoite o son das ondas mari\u00f1as. A mi\u00f1a casa debe ter dentro ese son. Quero escoitar o vento que v\u00e9n do mar\u00bb.<\/em><\/p>\n<\/blockquote>\n

Ser\u00eda interesante saber se ademais destas indicaci\u00f3ns \u00absensoriais\u00bb. Antonioni influ\u00edu en algo m\u00e1is no dese\u00f1o do edificio e se estas influencias tiveron algunha relaci\u00f3n coas s\u00faas pel\u00edculas e coa s\u00faa extraordinaria capacidade e inventiva para mostrar os espazos arquitect\u00f3nicos e urbanos.<\/p>\n

Na Cupola m\u00e1is grande celebr\u00e1ronse bastantes festas memorables, e \u00e9 unha pena non ter podido asistir a algunha delas cun verm\u00fa seco na man e rodeado de xente interesante, pero cando o director e a actriz se separaron foi abandonada, agora est\u00e1 case en\u00a0ru\u00ednas<\/a> e seguramente desaparecer\u00e1. Os edificios, a\u00ednda que inanimados tam\u00e9n te\u00f1en alma e han de sufrir os embates e desamores dos seus animados propietarios.<\/p>\n

Jorge Gorostiza, arquitecto. Autor do blogue Arquitectura+Cine+Ciudad<\/span>
\nSanta Cruz de Tenerife, outobro 2014<\/p>\n

[:en]

\"\"<\/a>
Estado actual de la casa. Foto: Flickr<\/span><\/figcaption><\/figure><\/p>\n

Jean Michel Frodon<\/a>\u00a0in his article \u00bb Venice: of the cinema to the Biennial one … of architecture \u00ab, published in the last number of\u00a0Caim\u00e1n Cuadernos de Cine<\/a>, he writes on the exhibition\u00a0Monditalia<\/a>, included in the\u00a0Biennial of Architecture<\/a> of this year and his amazement before \u00abthe revelation of the Cupola, the extraordinary villa constructed privately in the middle of the sixties by the visionary architect Dante Bini for Antonioni and Monica Vitti on the Coast Paradise of Sardinia\u00bb.<\/p>\n

The truth is that it did not know this building, not his circumstances. Bini projected the building, according to the\u00a0Wikipedia<\/a> in the seventies, though there are other sources where they date it in\u00a01969<\/a> and also they affirm that Bini constructed two houses with form of dome, which can be stated thanks to the Google Maps<\/a>, bigger for the director and other one for the actress, that also they lived separated in Rome, in two floors communicated by a stairs that in the moment of his separation was closed and on whose fingerprint the following wife of Antonioni placed a carpet that it was raising he to be taught to the visitors by the tracks of the previous love of his husband.<\/p>\n

Returning to Sardinia, the dome was constructed by armed concrete, using air compressed to raise it, a constructive system<\/a> invented by Bini, to do what\u00a0Binishells<\/a> named, and with the one that has made other thousand six hundred of these objects in twenty countries, someone with a diameter of forty meters. With regard to this one, according to account Bini<\/a>,<\/p>\n

\n

\u00abAntonioni was obsessed by the smell of the sea, the materiality of the rocks and by the aroma of the local vegetation\u00bb.<\/em><\/p>\n<\/blockquote>\n

In another place<\/a> Bini’s recollections are extended, apparently Antonioni said to him:<\/p>\n

\n

\u00abI do not want a house, but a three-dimensional space\u00bb<\/em><\/p>\n<\/blockquote>\n

adding<\/p>\n

\n

\u00abI hate the apartments, want to live in a sculpture that is escavada in the rock, that huela to the surrounding nature. The architecture is not only shade and light, must be also a smell have you tried to feel the smell of a stone?\u00bb<\/em><\/p>\n<\/blockquote>\n

then it took a chunk of red granite and brought it over to the nose of the architect, already enough confused by his question.<\/p>\n

\n

\u00abI want a house with smell of stone. With a bed that huela to juniper and I want that there is a sound\u00bb \u00aba sound?\u00bb<\/em><\/p>\n<\/blockquote>\n

he asked Bini.<\/p>\n

\n

\u00abIt had never heard not equally at all\u00bb.<\/em><\/p>\n<\/blockquote>\n

Antonionii said to him then:<\/p>\n

\n

\u00abCome, listen to the sound of the marine waves. My house must have inside this sound. I want to listen to the wind that comes from the sea\u00bb.<\/em><\/p>\n<\/blockquote>\n

It would be interesting to know if besides these \u00absensory\u00bb indications. Antonioni influenced something more the design of the building and if these influences had some relation with his movies and with his extraordinary capacity and inventiveness to show the architectural and urban spaces.<\/p>\n

In the biggest Cupola enough memorable holidays were celebrated, and it is a shame not be able to have attended anyone of them with a dry verm\u00fa in the hand and surrounded with interesting people, but when the director and the actress separated it was left, now it is almost in ruins<\/a> and surely it will disappear. The buildings, though inanimate also they have soul and have to suffer the embates and dislikes of his animated owners.<\/p>\n

Jorge Gorostiza, architect. Author of the blog Arquitectura+Cine+Ciudad<\/span><\/p>\n

Santa Cruz de Tenerife, october 2014<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Jean Michel Frodon en su art\u00edculo \u00abVenecia: del cine a la Bienal… de arquitectura\u00bb, publicado en el\u00a0\u00faltimo n\u00famero de Caim\u00e1n Cuadernos de Cine, escribe sobre la exposici\u00f3n Monditalia, incluida en la Bienal de Arquitectura de este a\u00f1o y su asombro ante\u00a0\u00abla revelaci\u00f3n de la Cupola, la extraordinaria villa construida en secreto a mediados de […]<\/p>\n","protected":false},"author":34,"featured_media":48707,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[11191,6657,211,12471,11189,668,11188,1593,8963,11190,12465,1357,1359],"class_list":["post-48702","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-antonioni-vitti","tag-arquitectura-italiana","tag-bienal-de-venecia","tag-cine","tag-dante-bini","tag-historia","tag-jean-michel-frodon","tag-jorge-gorostiza","tag-michelangelo-antonioni","tag-monica-vitti","tag-vivienda","tag-vivienda-bajo-coste","tag-vivienda-modular"],"yoast_head":"\nLa Cupola de Antonioni y Vitti | Jorge Gorostiza<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]La Cupola de Antonioni y Vitti | Jorge Gorostiza[:gl]La Cupola de Antonioni e Vitti | Jorge Gorostiza[:en]The 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