{"id":48699,"date":"2014-09-01T06:07:38","date_gmt":"2014-09-01T06:07:38","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48699"},"modified":"2023-05-18T07:57:38","modified_gmt":"2023-05-18T05:57:38","slug":"luigi-comencini-arquitectos-y-cineastas-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/luigi-comencini-arquitectos-y-cineastas-jorge-gorostiza\/","title":{"rendered":"<!--:es-->Luigi Comencini. Arquitectos y cineastas | Jorge Gorostiza <!--:--><!--:gl-->Luigi Comencini. Arquitectos e cineastas | Jorge Gorostiza <!--:--><!--:en-->Luigi Comencini. Architects and Filmmakers | Jorge Gorostiza <!--:-->"},"content":{"rendered":"<p><!--:es--><figure id=\"attachment_48700\" aria-describedby=\"caption-attachment-48700\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-48700\" title=\"luigi_comencini_230\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230.jpg 230w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230-150x150.jpg 150w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230-120x120.jpg 120w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-48700\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Luigi Comencini<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">En entradas anteriores he ido recogiendo opiniones sobre arquitectura de diversos directores como Woody Allen, John Ford, Ingmar Bergman, Valerian Borowczyk, Ren\u00e9 Clair, Dziga Vertov, Peter Greenaway, Abbas Kiarostami,\u00a0Ra\u00fal Ruiz, la actriz Viola Dana, el ensayista Sigfried Giedion. En el caso del director Amos Gitai, coincid\u00eda su profesi\u00f3n f\u00edlmica con la de arquitecto, lo mismo sucede\u00a0con <a href=\"http:\/\/en.wikipedia.org\/wiki\/Luigi_Comencini\" target=\"_blank\" rel=\"noopener\">Luigi Comencini<\/a>, que estudi\u00f3 arquitectura\u00a0en Mil\u00e1n entre 1934 y 1939.<\/p>\n<p style=\"text-align: justify;\">En 1974 la revista francesa <em><a href=\"https:\/\/www.revue-positif.net\/\" target=\"_blank\" rel=\"noopener\">Positif<\/a><\/em> public\u00f3 un art\u00edculo en el que se contaba como Comencini, hablando con sus antiguos compa\u00f1eros de la Escuela de Arquitectura de Mil\u00e1n, afirmaba:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>Una casa es ante todo un objeto para vivir, hecha a medida del hombre; una pel\u00edcula es ante todo un espect\u00e1culo dirigido a un p\u00fablico popular. La complacencia est\u00e9tica como fin en s\u00ed misma es la degeneraci\u00f3n de la arquitectura, y sucede lo mismo con el cine. No tener en cuenta las razones por las que se hace una pel\u00edcula, significa traicionarla<\/em>\u201d.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">El \u00ab<em>objeto para vivir<\/em>\u00bb recuerda al repetido y c\u00e9lebre lema\u00a0de Le Corbusier: la\u00a0m\u00e1quina de habitar, respecto a que la pel\u00edcula sea \u00ab<em>ante todo un espect\u00e1culo dirigido a un p\u00fablico popular<\/em>\u00ab, afortunada y evidentemente no es cierto, en cuanto a la \u00ab<em>complacencia est\u00e9tica<\/em>\u00ab, est\u00e1 claro que no tiene sentido por s\u00ed misma, a pesar que a muchos arquitectos actuales les parezca suficiente, y si una edificaci\u00f3n no cumple con su funci\u00f3n, no tiene sentido construirla.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. <span style=\"color: #888888;\">Autor del blog <em>Arquitectura+Cine+Ciudad<\/em><\/span><br \/>\nSanta Cruz de Tenerife, septiembre 2014<\/p>\n<p><!--:--><!--:en--><figure id=\"attachment_48700\" aria-describedby=\"caption-attachment-48700\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-48700\" title=\"luigi_comencini_230\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230.jpg 230w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230-150x150.jpg 150w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/11\/luigi_comencini_230-120x120.jpg 120w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-48700\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Luigi Comencini<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">In previous income I have been gathering opinions about architecture of the diverse directors like Woody Allen, John Ford, Ingmar Bergman, Valerian Borowczyk, Ren\u00e9 Clair, Dziga Vertov, Peter Greenaway, Abbas Kiarostami, Ra\u00fal Ruiz, the actress Viola Dana, the essayist Sigfried Giedion. In case of the director Amos Gitai, his movie profession was coinciding with that of architect, the same thing happens with\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Luigi_Comencini\" target=\"_blank\" rel=\"noopener\">Luigi Comencini<\/a>, that he studied architecture in Milan between 1934 and 1939.<\/p>\n<p style=\"text-align: justify;\">In 1974 the French magazine\u00a0<em><a href=\"https:\/\/www.revue-positif.net\/\" target=\"_blank\" rel=\"noopener\">Positif<\/a><\/em> published an article in the one that was counting himself as Comencini, speaking with his former companions of the School of Architecture of Milan, it was affirming:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cA house is first of all an object to live, done in proportion to the man; a movie is first of all a spectacle directed a popular public. The aesthetic complacency like end in yes same is the degeneracy of the architecture, and the same thing happens with the cinema. Not bear in mind the reasons by which a movie is done, it means to betray her\u201d.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">The <em>\u00abobject to live\u00bb<\/em> Le Corbusier resembles the repeated and famous motto: the machine of living, with regard to that the movie is <em>\u00abfirst of all a spectacle directed a popular public\u00bb<\/em>, lucky and evidently it is not true, as for the <em>\u00abaesthetic complacency\u00bb<\/em>, it is clear that it does not have felt for yes same, to sorrow that it seems to many current architects to be sufficient, and if a building does not expire with his function, sense does not make construct it.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, architect. <span style=\"color: #888888;\">Author of the blog <em>Arquitectura+Cine+Ciudad<\/em><\/span><br \/>\nSanta Cruz de Tenerife, september 2014<\/p>\n<p><!--:--><!--:gl--><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En entradas anteriores he ido recogiendo opiniones sobre arquitectura de diversos directores como Woody Allen, John Ford, Ingmar Bergman, Valerian Borowczyk, Ren\u00e9 Clair, Dziga Vertov, Peter Greenaway, Abbas Kiarostami,\u00a0Ra\u00fal Ruiz, la actriz Viola Dana, el ensayista Sigfried Giedion. En el caso del director Amos Gitai, coincid\u00eda su profesi\u00f3n f\u00edlmica con la de arquitecto, lo mismo [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":48700,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[5154,4930,4400,11184,12471,4396,318,3283,10246,4245,1787,2069,10253,668,4397,9265,3637,1593,11185,785,11187,3452,4395,11186,5155,3664,4399,3929,10254,4398],"class_list":["post-48699","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-adrian-martin","tag-albert-speer","tag-amos-gitai","tag-arquitectos-y-cineastas","tag-cine","tag-cineastas","tag-ciudad","tag-dziga-vertov","tag-espacio-cinematografico","tag-boulle","tag-europa","tag-gales","tag-girish-shambu","tag-historia","tag-ingmar-bergman","tag-isaac-newton","tag-john-ford","tag-jorge-gorostiza","tag-jose-luis-garcia-sanchez","tag-le-corbusier","tag-luigi-comencini","tag-personaje","tag-peter-greenaway","tag-rafael-azcona","tag-raul-ruiz","tag-reino-unido","tag-rene-clair","tag-sigfried-giedion","tag-walerian-borowcyk"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Luigi Comencini. 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