{"id":48243,"date":"2014-11-21T06:43:50","date_gmt":"2014-11-21T05:43:50","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48243"},"modified":"2023-05-05T18:13:03","modified_gmt":"2023-05-05T16:13:03","slug":"de-dar-forma-desde-el-dolor-y-la-miseria-pedro-hernandez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/de-dar-forma-desde-el-dolor-y-la-miseria-pedro-hernandez\/","title":{"rendered":"[:es]De dar forma desde el dolor y la miseria | Landa Hern\u00e1ndez Mart\u00ednez[:gl]De dar forma dende a dor e a miseria | Pedro Hern\u00e1ndez[:en]From giving form from the pain and the misery | Pedro Hern\u00e1ndez[:]"},"content":{"rendered":"

[:es]

\"De<\/a>
Silla Paimio, de Alvar Aalto<\/span><\/figcaption><\/figure><\/p>\n
\n

\u201cPaimio es un elogio de la civilizaci\u00f3n filtrada por un ideal humanista; pero, pese a esta caracterizaci\u00f3n, no puede ocultar que el destino final de todo este esfuerzo puede reducirse a acoger y tratar de reconfortar una enfermedad. Formulado en otros t\u00e9rminos, es en el mismo descenso desde el ideal te\u00f3rico del primer racionalismo hacia la realidad<\/strong> del sujeto individual en donde se abren las puertas para reconocer la miseria y el dolor como sus \u00fanicos elementos constituyentes\u201d<\/em><\/p>\n<\/blockquote>\n

La anterior cita aparece extra\u00edda (arrancada a la fuerza, si se prefiere) de un texto de Mart\u00ed Per\u00e1n a prop\u00f3sito del proyecto de Dom\u00e8nec \u201924 horas de luz artificial\u2019\u00a0<\/em>realizado en 1998 y en el que se \u2018recrea a escala real una habitaci\u00f3n del hospital Antituberculoso de Paimio en Finlandia\u2019. El texto cuestiona la arquitectura moderna y su excesiva racionalizaci\u00f3n. Esa \u2018m\u00e1quina de habitar\u2019 que fuera cuestionada por el arquitecto finland\u00e9s en la b\u00fasqueda de una arquitectura m\u00e1s humana. Aspecto \u00e9ste que puede apreciarse en citas de Aalto como:<\/p>\n

\n

\u2018No se puede estandarizar<\/em>\u00a0el entorno de forma simplista como un producto mec\u00e1nico\u2019 <\/em><\/p>\n<\/blockquote>\n

o<\/p>\n

\n

\u2018Debemos trabajar buscando cosas simples, \u00fatiles, sin adornos, pero que est\u00e9n org\u00e1nicamente adaptadas al hombre corriente y en armon\u00eda con el ser humano.\u00a0<\/em>Se\u00a0 ha olvidado al hombre y, sin embargo, la verdadera arquitectura solo esta all\u00ed donde el hombre constituye el centro. Tanto su comedia como su tragedia<\/em>\u2019<\/em><\/em><\/p>\n<\/blockquote>\n

y que\u00a0apuntan en esa direcci\u00f3n. Sin embargo la ultima palabra de la segunda cita apunta a un aspecto pocas veces contenido en la arquitectura en su dise\u00f1o: la noci\u00f3n de tragedia que ya hab\u00eda sido atendida por Per\u00e1n en esa la miseria y el dolor \u2018como sus \u00fanicos elementos constituyentes\u2019 en pos de una arquitectura para \u2018tan s\u00f3lo de salvar al<\/em>\u00a0hombre, condenado a vivir en un hormiguero sin sentido\u2019.<\/em><\/p>\n

Aalto y Per\u00e1n atienden a aspectos que van m\u00e1s all\u00e1 del tema del dise\u00f1o para adentrarse en aspectos sombr\u00edos y alternos de la arquitectura (moderna); \u00bfc\u00f3mo manifestar\u00eda el dolor el espacio y la materia arquitect\u00f3nica? o \u00bfc\u00f3mo sanar el dolor o producirlo? Si atendemos a la idea que el dolor es una manifestaci\u00f3n de lo real, de que si nos duele no podemos estar ante un simulacro (\u00a1Ah, cu\u00e1ntas veces hemos o\u00eddo lo de pell\u00edzcame para saber que no estoy so\u00f1ando!)\u2026 \u00bfno ser\u00edan estos espacios constituidos en su misma esencia por \u2018la miseria y el dolor\u2019 los \u00fanicos capaces de dar una confirmaci\u00f3n de la experiencia?<\/p>\n

Dejo la cuesti\u00f3n hoy abierta\u2026\u00a0pero me quedo entre una \u00faltima concordancia que me expreso la cita. La silla Paimio del mismo Aalto, cuyo forma responde a la b\u00fasqueda de la forma \u00f3ptima para facilitar la\u00a0respiraci\u00f3n forzando la posici\u00f3n del cuerpo enfermo y la que voy a denominar Silla Guantanamo, usada para obligar a \u201ccomer\u201d a los presos del tristemente famoso centro de detenci\u00f3n.<\/p>\n

Aprovecho y adjunto algunos de las impresiones acontecidas en otro texto que escrib\u00ed para Arquine<\/a>:<\/p>\n

Las teor\u00edas higi\u00e9nicas de la modernidad eran tenidas en cuenta en todos los aspectos del dise\u00f1o. La arquitecta Beatriz Colomina se ha referido ocasionalmente a la relaci\u00f3n entre la salud y la arquitectura apuntando que\u00a0<\/em><\/p>\n

\u201cLa arquitectura moderna era entendida de forma un\u00e1nime como una suerte de equipo m\u00e9dico, un mecanismo para proteger y mejorar el cuerpo\u201d,<\/strong>\u00a0<\/em><\/p>\n

capaz de aliviar los males humanos. (\u2026)\u00a0como ha apuntado Beatriz Colomina la arquitectura, auspiciada en la modernidad, se convertir\u00eda en una herramienta para el alivio tanto f\u00edsico como mental de los cuerpos (\u2026) estamos apuntando a que la arquitectura tiene el poder de modificar a quienes en ella habitan, por lo que no ser\u00eda inadmisible decir que un dise\u00f1o puede repercutir en un sentido opuesto sobre esa misma persona: atacar su \u00e1nimo y desgastarlo.<\/strong>\u00a0Por cruel que pueda parecer podemos poner ejemplos: c\u00e1rceles, espacios de tortura, campos de prisioneros e incluso los mismos hospitales y sanatorios \u2013en sus malas variantes\u2013 han sido alguna vez dise\u00f1ados por alguien \u2013tal vez un arquitecto\u2013 y \u00a0dar\u00edan buena cuenta de\u00a0esas capacidades a la sombra de la arquitectura, donde la miseria y el dolor no sean ya sus \u201c\u00fanicos elementos constituyentes\u201d sino donde estos son sus fines \u00faltimos<\/strong>. (\u2026)\u00a0<\/em><\/p>\n

La arquitectura o el espacio son neutrales en s\u00ed, carecen de \u00e9tica; la arquitectura, abstra\u00edda a su variante mec\u00e1nica, puede ser usada como elemento de cura o arma de represi\u00f3n. En este punto corresponder\u00e1 a los arquitectos qu\u00e9 est\u00e1n dispuestos a hacer, a configurar sus propios l\u00edmites profesionales (incluso \u00e9ticos). M\u00e1s all\u00e1 de la cl\u00e1sica pregunta que todos podemos haber o\u00eddo alguna vez: <\/em><\/p>\n

\u201cT\u00fa como arquitecto, \u00bfdise\u00f1ar\u00edas una c\u00e1rcel?\u201d <\/em><\/p>\n

o similares, el punto est\u00e1 en saber en las posibles implicaciones que un dise\u00f1o pueda tener.<\/em><\/p>\n

Pedro Hern\u00e1ndez \u00b7 arquitecto
\nciudad de m\u00e9xico. febrero 2014<\/p>\n

[:en]

\"\"<\/a>
Silla Paimio Chair, by Alvar Aalto<\/span><\/figcaption><\/figure><\/p>\n
\n

\u201cPaimio is a praise of the civilization filtered through an ideal humanist; but, in spite of this characterization, it cannot conceal that the final destination of all this effort can come down to receiving and trying to encourage a disease. Formulated in other terms, it is in the same decrease from the ideal theoretical one of the first rationalism towards the reality<\/strong> of the individual subject where the doors are opened to recognize the misery and the pain as his only constituent elements\u201d<\/em><\/p>\n<\/blockquote>\n

The previous appointment turns out to be extracted (started by force, if it is preferred) of Mart\u00ed Per\u00e1n’s text about Dom\u00e8nec’s project \u201824 horas de luz artificial\u2019<\/em>‘ realized in 1998 and in the one that \u2018recreates to royal scale a room of Paimio’s Anti-tuberculosis hospital in Finland\u2019. The text questions the modern architecture and his excessive rationalization. This \u2018machine of living\u2019 that was questioned by the Finnish architect in the most human search of an architecture. Aspect this one that it can appreciate in Aalto’s appointments as:<\/p>\n

\n

\u2018It is not possible to standardize the environment of simplistic form as a mechanical product\u2019 <\/em><\/p>\n<\/blockquote>\n

or <\/em><\/p>\n

\n

\u2018<\/em>We must work looking for simple, useful things, without adornments, but that are organically adapted to the current man and in harmony with the human being. One has forgotten the man and, nevertheless, the real architecture only this there where the man constitutes the center. Both his comedy and his tragedy<\/em>\u2019<\/em><\/em><\/p>\n<\/blockquote>\n

and that appear in this direction. Nevertheless the last word of the second appointment points at an aspect rarely contained in the architecture in his design: the notion of tragedy that already had been attended by Per\u00e1n in this misery and the pain \u2018<\/em>as his only constituent elements\u2019<\/em> in pursuit of an architecture for \u2018<\/em>just of saving the man, condemned to live in a senseless anthill\u2019<\/em>.<\/p>\n

Aalto and Per\u00e1n attend to aspects that go beyond the topic of the design to enter shaded and alternate aspects of the (modern) architecture; how would pain demonstrate the space and the architectural matter? Or how to cure the pain or to produce it? If we attend to the idea that the pain is a manifestation of the royal thing, of which if it hurts us we cannot be before a sham (Ah, what a lot of times we have heard it of pinch me to know that I am not dreaming!) \u2026 would not they be these spaces constituted in the same essence by \u2018the misery and the pain\u2019 the only ones capable of giving a confirmation of the experience?<\/p>\n

I make the question today opened \u2026 but I remain between a last conformity that I express the appointment to myself. The chair Paimio of the same Aalto, which form answers to the search of the ideal form to facilitate the breathing forcing the position of the sick body and that I am going to name Guantanamo Chair, used to force \u201cto eat\u201d the prisoners of the sadly famous center of detention.<\/p>\n

\"\"<\/a>
Guantanamo Chair | <\/span>freedom.press<\/a><\/figcaption><\/figure>\n

I take advantage and attach some of the impressions happened in another text that I wrote for Arquine<\/a>:<\/p>\n

The hygienic theories of the modernity were had in account in all the aspects of the design. The arquitecta Beatriz Colomina has referred occasionally to the relation between the health and the architecture aiming that \u201cThe modern architecture was understood of unanimous form as a luck of medical equipment, a mechanism to protect and to improve the body<\/strong>\u201d<\/strong>, capablly of relieving the human males. (\u2026) since Beatriz Colomina has aimed at the architecture supported in the modernity, it would turn into a tool for the relief so much physically as mental of the bodies (\u2026)<\/strong> we are pointing that the architecture has the power to modify whom in her they live, for what it would not be inadmissible to say that a design can reverberate in a sense objected on the same person: to attack his spirit and to spoil it. For cruel that could seem we can put examples: jails, spaces of torture, prisoners’ fields and even the same hospitals and sanatoria – in his bad variants – have been designed at some time by someone – maybe time an architect – and they would give good account of these capacities in the shade of the architecture, where the misery and the pain are not already his \u201conly constituent elements\u201d but where these are his last ends.<\/strong> (\u2026) The architecture or the space are neutral in yes, lack ethics; the architecture abstracted to his mechanical variant, can be used as priest’s element or weapon of repression. In this point there will correspond to the architects what they are arranged to doing, to forming his own professional limits (even ethical). Beyond the classic question that we we all can have heard at some time: \u201cYou as architect, would you design a jail?\u201d Or similar, the point is in knowing in the possible implications that a design could have.<\/p>\n

Pedro Hern\u00e1ndez \u00b7 architect<\/p>\n

ciudad de m\u00e9xico. february 2014<\/p>\n

[:gl]

\"\"<\/a>
Cadeira Paimio, de Alvar Aalto<\/span><\/figcaption><\/figure><\/p>\n
\n

\u201cPaimio \u00e9 un eloxio da civilizaci\u00f3n filtrada por un ideal humanista; pero, malia esta caracterizaci\u00f3n, non pode ocultar que o destino final de todo este esforzo pode reducirse a acoller e tratar de reconfortar unha enfermidade. Formulado noutros termos, \u00e9 no mesmo descenso dende o ideal te\u00f3rico do primeiro racionalismo cara \u00e1 realidade<\/strong> do suxeito individual onde se abren as portas para reco\u00f1ecer a miseria e a dor como os seus \u00fanicos elementos constitu\u00edntes\u201d<\/em><\/p>\n<\/blockquote>\n

A anterior cita aparece extraida (arrancada \u00e1 forza, se se prefire) dun texto de Mart\u00ed Per\u00e1n a prop\u00f3sito do proxecto de Dom\u00e8nec\u00a0\u201924 horas de luz artificial\u2019\u00a0<\/em>realizado en 1998 e no que se \u2018recrea a escala real un cuarto do hospital Antituberculoso de Paimio en Finlandia\u2019<\/em>. O texto cuestiona a arquitectura moderna e a s\u00faa excesiva racionalizaci\u00f3n. Esa ‘m\u00e1quina de habitar’ que fose cuestionada polo arquitecto finland\u00e9s na busca dunha arquitectura m\u00e1is humana. Aspecto este que pode apreciarse en citas de Aalto como:<\/p>\n

\n

\u2018Non se pode estandarizar o \u00e1mbito de forma simplista como un produto mec\u00e1nico\u2019 <\/em><\/p>\n<\/blockquote>\n

o <\/em><\/p>\n

\n

\u2018<\/em>Debemos traballar buscando cousas simples, \u00fatiles, sen adornos, pero que estean organicamente adaptadas ao home corrente e en harmon\u00eda co ser humano. Esqueceuse ao home e, non obstante, a verdadeira arquitectura s\u00f3 esta al\u00ed onde o home constit\u00fae o centro. Tanto a s\u00faa comedia coma a s\u00faa traxedia<\/em>\u2019<\/em><\/em><\/p>\n<\/blockquote>\n

e que apuntan nesa direcci\u00f3n. Non obstante ult\u00edmaa palabra da segunda cita apunta a un aspecto poucas veces contido na arquitectura no seu dese\u00f1o: a noci\u00f3n de traxedia que xa fora atendida por Per\u00e1n nesa a miseria e a dor \u2018<\/em>como os seus \u00fanicos elementos constitu\u00edntes\u2019<\/em> detr\u00e1s dunha arquitectura para \u2018<\/em>tan s\u00f3 de salvar o home, condenado a vivir nun formigueiro sen sentido\u2019<\/em>.<\/p>\n

Aalto e Per\u00e1n atenden a aspectos que van m\u00e1is al\u00e1 do tema do dese\u00f1o para internarse en aspectos sombr\u00edos e alternos da arquitectura (moderna); \u00bfcomo manifestar\u00eda a dor o espazo e a materia arquitect\u00f3nica? ou \u00bfcomo sandar a dor ou producilo? Se atendemos \u00e1 idea que a dor \u00e9 unha manifestaci\u00f3n do real, de que se nos doe non podemos estar ante un simulacro (\u00a1Ah, cantas veces o\u00edmos o de bel\u00edscame para saber que non estou a so\u00f1ar!)… \u00bfnon ser\u00edan estes espazos constitu\u00eddos na s\u00faa mesma esencia por \u2018a miseria e a dor\u2019 os \u00fanicos capaces de dar unha confirmaci\u00f3n da experiencia?<\/p>\n

Deixo a cuesti\u00f3n hoxe aberta… pero qu\u00e9dome entre unha \u00faltima concordancia que me expreso a cita. A cadeira Paimio do mesmo Aalto, cuxo forma responde \u00e1 busca da forma \u00f3ptima para facilitar a respiraci\u00f3n forzando a posici\u00f3n do corpo enfermo e a que vou denominar Silla Guantanamo, usada para obrigar a\u00a0\u201ccomer\u201d os presos do tristemente famoso centro de detenci\u00f3n.<\/p>\n

\"\"<\/a>
Cadeira Guantanamo | <\/span>freedom.press<\/a><\/figcaption><\/figure>\n

Aproveito e adxunto alg\u00fans das impresi\u00f3ns acontecidas noutro texto que escrib\u00edn\u00a0para Arquine<\/a>:<\/p>\n

As teor\u00edas hixi\u00e9nicas da modernidade eran tidas en conta en todos os aspectos do dese\u00f1o. A arquitecta Beatriz Colomina referiuse ocasionalmente \u00e1 relaci\u00f3n entre a sa\u00fade e a arquitectura apuntando que \u00ab\u201c<\/strong>A arquitectura moderna era entendida de forma un\u00e1nime como unha sorte de equipo m\u00e9dico, un mecanismo para protexer e mellorar o corpo\u201d<\/strong>, <\/strong>capaz de aliviar os males humanos. (…) como apuntou Beatriz Colomina a arquitectura, auspiciada na modernidade, converter\u00edase nunha ferramenta para o alivio tanto f\u00edsico coma mental dos corpos (…) estamos apuntando a que a arquitectura ten o poder de modificar os que nela habitan, polo que non ser\u00eda inadmisible dicir que un dese\u00f1o pode repercutir nun sentido oposto sobre esa mesma persoa: atacar o seu \u00e1nimo e desgastalo.<\/strong> Por cruel que poida parecer podemos po\u00f1er exemplos: c\u00e1rceres, espazos de tortura, campos de prisioneiros e mesmo os mesmos hospitais e sanatorios -nas s\u00faas malas variantes- foron algunha vez dese\u00f1ados por algu\u00e9n -talvez un arquitecto- e dar\u00edan boa conta desas capacidades \u00e1 sombra da arquitectura, onde a miseria e a dor non sexan xa os seus \u201c\u00fanicos elementos constitu\u00edntes\u201d sen\u00f3n onde estes son os seus fins \u00faltimos<\/strong>. (…) La arquitectura ou o espazo son neutrais en si, carecen de \u00e9tica; a arquitectura, abstra\u00edda \u00e1 s\u00faa variante mec\u00e1nica, pode ser usada como elemento de cura ou arma de represi\u00f3n. Neste punto corresponder\u00e1 aos arquitectos que est\u00e1n dispostos a facer, a configurar os seus propios l\u00edmites profesionais (mesmo \u00e9ticos). M\u00e1is al\u00e1 da cl\u00e1sica pregunta que todos puidemos o\u00edr algunha vez: \u201cTi como arquitecto, dese\u00f1ar\u00edas un c\u00e1rcere?\u201d ou similares, o punto est\u00e1 en saber nas posibles implicaci\u00f3ns que un dese\u00f1o poida ter.<\/p>\n

Pedro Hern\u00e1ndez \u00b7 arquitecto<\/p>\n

ciudad de m\u00e9xico. febreiro 2014<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u201cPaimio es un elogio de la civilizaci\u00f3n filtrada por un ideal humanista; pero, pese a esta caracterizaci\u00f3n, no puede ocultar que el destino final de todo este esfuerzo puede reducirse a acoger y tratar de reconfortar una enfermedad. Formulado en otros t\u00e9rminos, es en el mismo descenso desde el ideal te\u00f3rico del primer racionalismo […]<\/p>\n","protected":false},"author":36,"featured_media":48245,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[102,6893,147,5096,12470,4503,659,4505,1833,11086,3228],"class_list":["post-48243","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-alvar-aalto","tag-arquitectura-finlandesa","tag-arquitectura-moderna","tag-beatriz-colomina","tag-diseno","tag-diseno-de-mobiliario","tag-habitar","tag-landa-hernandez","tag-maquina","tag-marti-peran","tag-vivir"],"yoast_head":"\nDe dar forma desde el dolor y la miseria | Pedro Hern\u00e1ndez<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]De dar forma desde el dolor y la miseria | Landa Hern\u00e1ndez Mart\u00ednez[:gl]De dar 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