{"id":48162,"date":"2014-10-17T06:18:05","date_gmt":"2014-10-17T06:18:05","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=48162"},"modified":"2023-01-20T14:23:21","modified_gmt":"2023-01-20T13:23:21","slug":"arquitectura-en-deconstruccion-alberto-ruiz","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/arquitectura-en-deconstruccion-alberto-ruiz\/","title":{"rendered":"[:es]Arquitectura en deconstrucci\u00f3n | Alberto Ruiz[:gl]Arquitectura en deconstrucci\u00f3n | Alberto Ruiz[:en]Architecture in deconstruction | Alberto Ruiz[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Edificio Narkomfinn en el Novinsky boulevard 25 (korpus B), Mosc\u00fa, Rusia (ex Uni\u00f3n Sovi\u00e9tica)
Fachada delantera 1930<\/span><\/figcaption><\/figure><\/p>\n

Hace a\u00f1os tuve la oportunidad de visitar el recinto de lo que hab\u00eda sido la exposici\u00f3n universal de Sevilla de aquel glorioso 1992 que pareci\u00f3 que iba a poner a Espa\u00f1a en el lugar que se merec\u00eda (quiz\u00e1, visto lo visto, s\u00ed que lo hizo). Aquella visita fue organizada por un profesor de la Escuela de Arquitectura de Madrid, autor de uno de los pabellones. Hab\u00edan pasado unos a\u00f1os desde la clausura de tan magno acontecimiento y el recinto estaba pr\u00e1cticamente abandonado, a excepci\u00f3n de los tres o cuatro pabellones que ya en aquel momento hab\u00edan sido reconvertidos en sedes corporativas y edificios de oficinas.<\/p>\n

Aquel profesor nos llev\u00f3 con aire apesadumbrado a ver su pabell\u00f3n, que nos defini\u00f3 como \u201carquitectura en deconstrucci\u00f3n\u201d. Acostumbrados a estudiar hasta la saciedad (o quiz\u00e1 no tanto) el proceso constructivo de un edificio, y su per\u00edodo de uso, resultaba chocante, y algo desesperanzador, contemplar aquel mont\u00f3n de ladrillos sin ventanas, con el techo medio derrumbado y aspecto de haber sufrido un vendaval. S\u00f3lo hab\u00edan pasado unos a\u00f1os sin uso ni mantenimiento.<\/p>\n

Viene esto a cuenta del estado que presentan algunos de esos edificios emblem\u00e1ticos \u201cde los que salen en los libros\u201d y que terminamos por olvidar, como a abuelitos adorables pero algo pesados y que, un d\u00eda, descubrimos decr\u00e9pitos o directamente fallecidos. Esos abuelitos tuvieron una infancia prometedora, una lozana juventud y, en algunos casos una madurez interesante. Vemos sus fotos en blanco y negro, admiramos su aspecto, pulcro y preciso -\u201cya no se hacen cosas como las de antes\u201d- y a veces, hasta nos sorprendemos de lo modernos que resultaron para su tiempo. Y a alg\u00fan valiente le da por rastrear su historia y su estado actual. Y algunas sorpresas son descorazonadoras. Veamos un ejemplo:<\/p>\n

El edificio Narkomfin<\/strong> fue construido en Mosc\u00fa, entre 1928 y 1932, como prototipo de la nueva vivienda colectivista rusa, por la asociaci\u00f3n de arquitectos contempor\u00e1neos (OSA), dirigidos por Moisei Ginzburg. Este edificio supuso, en su momento, un aut\u00e9ntico laboratorio de soluciones residenciales para el nuevo tipo de colectividad que promov\u00eda el estado sovi\u00e9tico. Muy alejado de la imagen impersonal y deshumanizadora asociada a este tipo de proyectos, en el Narkomfin se desarroll\u00f3 un estudio concienzudo de las tipolog\u00edas de viviendas adaptadas a la composici\u00f3n familiar y de la distribuci\u00f3n de los servicios comunes, a modo de cooperativa social.<\/p>\n

\"\"<\/a>
Edificio Narkomfinn en el Novinsky boulevard 25 (korpus B), Mosc\u00fa, Rusia (ex Uni\u00f3n Sovi\u00e9tica)<\/span>
Fachada posterior 1930<\/span><\/figcaption><\/figure>\n

La distribuci\u00f3n de las viviendas, en secci\u00f3n contrapeada, permit\u00eda optimizar la superficie dedicada al pasillo de circulaci\u00f3n, que solo aparece cada tres niveles, y dotar a todas las viviendas de luz, vistas y ventilaciones.<\/p>\n

\"\"<\/a>
Departamentos Tipo F<\/span>
Departamentos Tipo K<\/span>
Secci\u00f3n plantas<\/span><\/figcaption><\/figure>\n

Las referencias impl\u00edcitas en la unidad de habitaci\u00f3n de marsella, son evidentes. Durante estos a\u00f1os, Le Corbusier pas\u00f3 largas temporadas en la U.R.S.S. trabajando en el encargo del centrosoyuz y el concurso del palacio de los soviets, as\u00ed que no es descabellado imaginar que la influencia mutua entre ambos fue importante. En cualquier caso, esta influencia dej\u00f3 dos piezas de gran valor arquitect\u00f3nico a las que el tiempo ha tratado con desigual fortuna.<\/p>\n

\"\"<\/a>
Estado actual del edificio Narkomfin\u00a0| <\/span>Fuente: wikiarquitectura.com<\/a><\/figcaption><\/figure>\n

Respecto al estado actual de conservaci\u00f3n del edificio, es interesante este documental de la BBC<\/a>.<\/p>\n

Alberto Ruiz. Arquitecto, docente e investigador
\nMadrid. Octubre 2012[:gl]

\"\"<\/a>
Edificio Narkomfinn no Novinsky boulevard 25 (korpus B), Mosc\u00fa, Rusia (ex Uni\u00f3n Sovi\u00e9tica)
Fachada dianteira 1930<\/span><\/figcaption><\/figure><\/p>\n

Hai anos tiven a oportunidade de visitar o recinto do que fora a exposici\u00f3n universal de Sevilla daquel glorioso 1992 que pareceu que \u00eda po\u00f1er a Espa\u00f1a no lugar que se merec\u00eda (quizais, visto o visto, si que o fixo). Aquela visita foi organizada por un profesor da Escola de Arquitectura de Madrid, autor dun dos pavill\u00f3ns. Pasaran uns anos dende a clausura de tan magno acontecemento e o recinto estaba practicamente abandonado, a excepci\u00f3n dos tres ou catro pavill\u00f3ns que xa naquel momento foran reconvertidos en sedes corporativas e edificios de oficinas.<\/p>\n

Aquel profesor levounos con aire apesadumbrado a ver o seu pavill\u00f3n, que nos definiu como \u201carquitectura en deconstrucci\u00f3n\u201d. Afeitos a estudar ata a saciedade (ou quizais non tanto) o proceso construtivo dun edificio, e o seu per\u00edodo de uso, resultaba chocante, e algo desesperanzador, contemplar aquel mont\u00f3n de ladrillos sen vent\u00e1s, co teito medio derrubado e aspecto de ter sufrido un vendaval. S\u00f3 pasaran uns anos sen uso nin mantemento.<\/p>\n

V\u00e9n isto a conta do estado que presentan alg\u00fans deses edificios emblem\u00e1ticos \u201cdos que saen nos libros\u201d e que rematamos por esquecer, como a abuelitos adorables pero algo pesados e que, un d\u00eda, descubrimos decr\u00e9pitos ou directamente falecidos. Eses abuelitos tiveron unha infancia prometedora, unha louz\u00e1 xuventude e, nalg\u00fans casos unha madureza interesante. vemos as s\u00faas fotos en branco e negro, admiramos o seu aspecto, pulcro e preciso – \u201cxa non se fan cousas como as de antes\u201d – e \u00e1s veces, ata nos sorprendemos do modernos que resultaron para o seu tempo. e a alg\u00fan valente d\u00e1lle por rastrexar a s\u00faa historia e o seu estado actual. e algunhas sorpresas son desalentadoras. Vexamos un exemplo:<\/p>\n

El edificio Narkomfin<\/strong> fue construido en Mosc\u00fa, entre 1928 y 1932, como prototipo de la nueva vivienda colectivista rusa, por la asociaci\u00f3n de arquitectos contempor\u00e1neos (OSA), dirigidos por Moisei Ginzburg. Este edificio supuso, en su momento, un aut\u00e9ntico laboratorio de soluciones residenciales para el nuevo tipo de colectividad que promov\u00eda el estado sovi\u00e9tico. Muy alejado de la imagen impersonal y deshumanizadora asociada a este tipo de proyectos, en el Narkomfin se desarroll\u00f3 un estudio concienzudo de las tipolog\u00edas de viviendas adaptadas a la composici\u00f3n familiar y de la distribuci\u00f3n de los servicios comunes, a modo de cooperativa social.<\/p>\n

\"\"<\/a>
Edificio Narkomfinn no Novinsky boulevard 25 (korpus B), Mosc\u00fa, Rusia (ex Uni\u00f3n Sovi\u00e9tica)<\/span>
Fachada posterior 1930<\/span><\/figcaption><\/figure>\n

A distribuci\u00f3n das vivendas, en secci\u00f3n contraapeada, permit\u00eda optimizar a superficie dedicada ao corredor de circulaci\u00f3n, que s\u00f3 aparece cada tres niveis, e dotar a todas as vivendas de luz, vistas e ventilaci\u00f3ns.<\/p>\n

\"\"<\/a>
Departamentos Tipo F<\/span>
Departamentos Tipo K<\/span>
Secci\u00f3n plantas<\/span><\/figcaption><\/figure>\n

As referencias impl\u00edcitas na unidade de cuarto de marsella, son evidentes. Durante estes anos, Le Corbusier pasou longas tempadas na U.R.S.S. traballando no encargo do centrosoyuz e o concurso do pazo dos soviets, as\u00ed que non \u00e9 desatinado imaxinar que a influencia mutua entre ambos os dous foi importante. En calquera caso, esta influencia deixou d\u00faas pezas de gran valor arquitect\u00f3nico \u00e1s que o tempo tratou con desigual fortuna.<\/p>\n

\"\"<\/a>
Estado actual do edificio Narkomfin | <\/span>Fonte: wikiarquitectura.com<\/span><\/a><\/span><\/figcaption><\/figure>\n

Respecto ao estado actual de conservaci\u00f3n do edificio, \u00e9 interesante este\u00a0documental da BBC<\/a>.<\/p>\n

Alberto Ruiz. Arquitecto, docente e investigador
\nMadrid. Outubro 2012[:en]

\"\"<\/a>
Building Narkomfinn in the Novinsky boulevard 25 (korpus B), Moscow, Russia (Ex-Soviet Union)
Font front 1930<\/span><\/figcaption><\/figure><\/p>\n

Years ago I had the opportunity to visit the enclosure of what had been the universal exhibition of Seville of that glorious 1992 that seemed that it was going to put Spain in the place that was deserved (probably, I dress the seen, yes that did it). That visit was organized by a teacher of the School of Architecture of Madrid, author of one of the pavilions. A few years had happened from the closing of so great event and the enclosure it was practically left, with the exception of three or four pavilions that already in that moment had been re-turned into corporate headquarters and office blocks.<\/p>\n

That teacher took us with air grieved to seeing his pavilion, which defined us as \u201carchitecture in deconstruction\u201d. Accustomed to studying up to the satiety (or probably not so much) the constructive process of a building, and his period of use, was turning out to be shoking, and some kind of desesperanzador, to contemplate that heap of bricks without windows, with the average demolished ceiling and aspect of having suffered a gale. Only a few years had happened without use or maintenance.<\/p>\n

This comes to account of the condition that there present some of these emblematic buildings \u201cof those who go out in the books\u201d and that we finish for forgetting, since to adorable but slightly heavy granddads and that, one day, we discover decrepit or directly deceased. We see his photos in black and white, admire his aspect, neat and precise – \u201calready things are not done as them of before\u201d – and sometimes, even we are surprised of it modern that they proved for his time. And it gives some brave one to for tracing his history and his current condition. And some surprises are disheartening. Let’s see an example:<\/p>\n

The Narkomfin building<\/strong> was constructed in Moscow, between 1928 and 1932, as prototype of the new collectivist Russian housing, for the association of contemporary architects (OSA Group), directed by Moisei Ginzburg this building supposed, in his moment, an authentic laboratory of residential solutions for the new type of collectivity that was promoting the Soviet condition. Very removed from the impersonal and dehumanizing image associated with this type of projects, in the Narkomfin there developed a conscientious study of the typologys of housings adapted to the familiar composition and of the distribution of the common services, like social cooperative.<\/p>\n

\"\"<\/a>
Building Narkomfinn in the Novinsky boulevard 25 (korpus B), Moscow, Russia (Ex-Soviet Union)
Later front 1930<\/span><\/figcaption><\/figure>\n

The distribution of the housings, in section contrapeada, was allowing to optimize the surface dedicated to the corridor of traffic, which alone appears every three levels, and to provide to all the housings of light, conference and ventilations.<\/p>\n

\"\"<\/a>
Departments Type F
Departments Type K
Section floors<\/figcaption><\/figure>\n

The implicit references in the unit of room of marsella, are evident. During these years, Le Corbusier spent long seasons in the U.R.S.S. being employed at the order of the centrosoyuz and the contest of the palace of the soviets, so it is not disheveled to imagine that the mutual influence between both was important. In any case, this influence left two pieces of great architectural value to which the time has treated with unequal fortune.<\/p>\n

\"\"<\/a>
Current State of the building Narkomfin\u00a0| <\/span>Source: wikiarquitectura.com<\/span><\/a><\/span><\/figcaption><\/figure>\n

With regard to the current condition of conservation of the building, this documentary of the BBC<\/a> is interesting.<\/p>\n

Alberto Ruiz. Architect, teacher and investigator
\nMadrid. Octobere 2012[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hace a\u00f1os tuve la oportunidad de visitar el recinto de lo que hab\u00eda sido la exposici\u00f3n universal de Sevilla de aquel glorioso 1992 que pareci\u00f3 que iba a poner a Espa\u00f1a en el lugar que se merec\u00eda (quiz\u00e1, visto lo visto, s\u00ed que lo hizo). Aquella visita fue organizada por un profesor de la […]<\/p>\n","protected":false},"author":37,"featured_media":48163,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[9992,7401,9901,3657,6145,7934,668,11073,785,8177,1190,2608,12465,12454],"class_list":["post-48162","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-alberto-ruiz-colmenar","tag-arquitectura-andaluza","tag-arquitectura-constructivista","tag-arquitectura-japonesa","tag-arquitectura-rusa","tag-arquitectura-sovietica","tag-historia","tag-ignaty-milinis","tag-le-corbusier","tag-moisei-yakovlevich-ginzburg","tag-ruina","tag-tipologia","tag-vivienda","tag-vivienda-colectiva"],"yoast_head":"\nArquitectura en deconstrucci\u00f3n | Alberto Ruiz<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Arquitectura en 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