{"id":47625,"date":"2014-08-19T06:20:26","date_gmt":"2014-08-19T06:20:26","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=47625"},"modified":"2021-08-03T19:22:06","modified_gmt":"2021-08-03T17:22:06","slug":"el-tiempo-y-las-cosas-la-casa-estudio-de-hanne-darboven","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-tiempo-y-las-cosas-la-casa-estudio-de-hanne-darboven\/","title":{"rendered":"El tiempo y las cosas. La casa-estudio de Hanne Darboven O tempo e as cousas. A casa-estudo de Hanne DarbovenThe order of time and things. The home studio of Hanne Darboven"},"content":{"rendered":"

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Vista de sala de la exposici\u00f3n El tiempo y las cosas. La casa-estudio de Hanne Darboven, 2014<\/span><\/figcaption><\/figure><\/p>\n

Conocida por sus obras de gran escala en las que combina el dibujo geom\u00e9trico, las series num\u00e9ricas, la imagen y la escritura, suele asociarse a Hanne Darboven (M\u00fanich, 1941 – Hamburgo, 2009) con el arte conceptual, una vinculaci\u00f3n que habr\u00eda que matizar dado el car\u00e1cter inequ\u00edvocamente subjetivo del proceso de ejecuci\u00f3n y materializaci\u00f3n de sus trabajos, a menudo salpicados de referencias autobiogr\u00e1ficas y menciones al lugar de producci\u00f3n.<\/p>\n

Esta exposici\u00f3n re\u00fane una amplia selecci\u00f3n de objetos de muy diversa \u00edndole (juguetes, maniqu\u00edes, instrumentos musicales, art\u00edculos promocionales, souvenirs<\/em> procedentes de distintos rincones del mundo…), as\u00ed como obras propias, que Darboven fue acumulando en su casa familiar de Am Burgberg, el lugar en el que vivi\u00f3 y trabaj\u00f3 durante toda su vida (salvo una breve estancia de dos a\u00f1os en Nueva York a mediados de los a\u00f1os 60) y que m\u00e1s que un estudio al uso parece un Gabinete de Curiosidades como los que proliferaron en los siglos XVI y XVII.<\/p>\n

La muestra, que no se ha concebido como un retrospectiva ni como una exposici\u00f3n antol\u00f3gica, propone un itinerario que recrea el complejo y fascinante universo de la casa-estudio de Darboven, permiti\u00e9ndonos no s\u00f3lo adentrarnos en este lugar y en cada uno de sus tiempos acumulados, sino tambi\u00e9n repensar los trabajos de escritura num\u00e9rica y serial que esta artista realiz\u00f3 a lo largo de su carrera y en los que lo temporal, en su despliegue, llegaba a adquirir una consistencia volum\u00e9trica. Todo ello desde la premisa de que, aunque aparentemente, el desbordante discurso que proyecta su estudio parece contradecir la sobriedad cartesiana de su propuesta pl\u00e1stica, en el fondo ambas l\u00f3gicas estaban estrechamente vinculadas, pues part\u00edan de la misma pulsi\u00f3n: el desesperado intento de reducir la complejidad del mundo a diagramas, estructuras reticulares y dispositivos narrativos o escenogr\u00e1ficos que hagan aprehensible a la mirada aquello que la desborda.<\/p>\n

La casa-estudio de Darboven constituye, por tanto, el punto de partida y de llegada de su obra, tanto material como conceptualmente. Es parte fundamental de su legado y un aspecto esencial de su trabajo. Un legado y un trabajo que, al igual que el de otros artistas que en las \u00faltimas d\u00e9cadas del siglo XX se han enfrentado cr\u00edticamente a la herencia invisible de la modernidad (cuya materializaci\u00f3n gr\u00e1fica m\u00e1s palmaria fue la cuadr\u00edcula clasificatoria que, no lo olvidemos, juega un papel clave en la obra de Darboven), est\u00e1n atravesados por una latente e inquietante ambig\u00fcedad, la que vincula civilizaci\u00f3n y barbarie, sistematizaci\u00f3n racional e impulso instintivo. Y es justo en esa indeterminaci\u00f3n en la que esta artista parece querer buscar su lugar en el mundo.<\/p>\n

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Vista de sala da exposici\u00f3n El tempo e as cousas. A casa-estudo de Hanne Darboven, 2014<\/span><\/figcaption><\/figure><\/p>\n

Co\u00f1ecida polas s\u00faas obras de grande escala nas que combina o debuxo xeom\u00e9trico, as series num\u00e9ricas, a imaxe e a escritura, adoita asociarse a Hanne Darboven (M\u00fanic, 1941 – Hamburgo, 2009) coa arte conceptual, unha vinculaci\u00f3n que haber\u00eda que matizar dado o car\u00e1cter inequivocamente subxectivo do proceso de execuci\u00f3n e materializaci\u00f3n dos seus traballos, a mi\u00fado salpicados de referencias autobiogr\u00e1ficas e menci\u00f3ns ao lugar de produci\u00f3n.<\/p>\n

Esta exposici\u00f3n re\u00fane unha ampla selecci\u00f3n de obxectos de moi diversa \u00edndole (xoguetes, manequ\u00edns, instrumentos musicais, artigos promocionais, recordos procedentes de distintos cantos do mundo…), as\u00ed como obras propias, que Darboven foi acumulando na s\u00faa casa familiar de Am Burgberg, o lugar no que viviu e traballou durante toda a s\u00faa vida (salvo unha breve estanza de dous anos en Nova York a mediados dos anos 60) e que m\u00e1is que un estudo ao uso parece un Gabinete de Curiosidades como os que proliferaron nos s\u00e9culos XVI e XVII.<\/p>\n

A mostra, que non se concibiu como un retrospectiva nin como unha exposici\u00f3n antol\u00f3xica, prop\u00f3n un itinerario que recrea o complexo e fascinante universo da casa-estudo de Darboven, permit\u00edndonos non s\u00f3 nos internar neste lugar e en cada un dos seus tempos acumulados, sen\u00f3n tam\u00e9n repensar os traballos de escritura num\u00e9rica e serial que esta artista realizou ao longo da s\u00faa carreira e nos que o temporal, no seu despregamento, chegaba a adquirir unha consistencia volum\u00e9trica. Todo iso dende a premisa de que, a\u00ednda que aparentemente, o desbordante discurso que proxecta o seu estudo parece contradicir a sobriedade cartesiana da s\u00faa proposta pl\u00e1stica, no fondo ambas as d\u00faas l\u00f3xicas estaban estreitamente vinculadas, pois part\u00edan da mesma pulsi\u00f3n: o desesperado intento de reducir a complexidade do mundo a diagramas, estruturas reticulares e dispositivos narrativos ou escenogr\u00e1ficos que fagan aprehensible \u00e1 mirada aquilo que a desborda.<\/p>\n

A casa-estudo de Darboven constit\u00fae, polo tanto, o punto de partida e de chegada da s\u00faa obra, tanto material coma conceptualmente. \u00c9 parte fundamental do seu legado e un aspecto esencial do seu traballo. Un legado e un traballo que, ao igual que o doutros artistas que nas \u00faltimas d\u00e9cadas do s\u00e9culo XX se enfrontaron criticamente \u00e1 herdanza invisible da modernidade (cuxa materializaci\u00f3n gr\u00e1fica m\u00e1is palmaria foi a cuadr\u00edcula clasificatoria que, non o esquezamos, xoga un papel clave na obra de Darboven), est\u00e1n atravesados por unha latente e inquietante ambig\u00fcidade, a que vincula civilizaci\u00f3n e barbarie, sistematizaci\u00f3n racional e impulso instintivo. E \u00e9 xusto nesa indeterminaci\u00f3n na que esta artista parece querer buscar o seu lugar no mundo.<\/p>\n

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Exhibition view. Time and Things. The Home Studio of Hanne Darboven<\/em>, 2014<\/span><\/figcaption><\/figure><\/p>\n

Known for her large-scale works that combine geometric drawings, numerical series, images and writings, Hanne Darboven (Munich, 1941 – Hamburg, 2009) is often associated with conceptual art, a correlation that should be nuanced further given the unmistakeably subjective nature of the process of realisation and expression of her works, which are often peppered with autobiographical references and mentions of the site of production.<\/p>\n

This exhibition assembles a broad range of her artworks and a highly diverse m\u00e9lange of objects (toys, mannequins, musical instruments, promotional items, souvenirs from different corners of the earth\u2026) that Darboven amassed in her family home in Am Burgberg, where she lived and worked her whole life (apart from a brief two-year stint in New York in the mid sixties). More than a studio in use, it is akin to the Cabinets of Curiosities or Wonder Rooms that proliferated in the 16th and 17th centuries.<\/p>\n

The exhibit \u2013 not conceived as a retrospective exhibition or anthology \u2013 presents a journey that recreates the complex and fascinating world of Darboven\u2019s home studio, enabling not only a closer look inside this place and in each of time periods amassed, but also a reconsideration of the numerical writing and serial pieces the artist produced throughout her career, where the temporary, in its deployment, gained volumetric consistency. All of this from the premise that the brimming discourse her studio conveys would seem to contradict the Cartesian sobriety of her plastic expression, yet deep down both logics were closely linked, driven by the same urge \u2013 the desperate attempt to reduce the complexity of the world to diagrams, grid structures and narrative devices, or elements of scenography that to the eye make sense of what overwhelms it.<\/p>\n

Therefore, Darboven\u2019s home studio forms the starting and arrival point of her work, both materially and conceptually; a key part of her legacy and essential to her oeuvre. A legacy and work that, similar to other artists that at the end of the 20th century critically addressed the invisible inheritance of modernity (whose most patent graphic expression was a classifying grid that, it must be remembered, played a key role in Darboven\u2019s work), are imbued with a latent and unsettling ambiguity, linking civilisation and brutality, rational systemisation and instinctive impulse. For it is exactly in this indeterminacy that the artist appears to search for her place in the world.<\/p>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Conocida por sus obras de gran escala en las que combina el dibujo geom\u00e9trico, las series num\u00e9ricas, la imagen y la escritura, suele asociarse a Hanne Darboven (M\u00fanich, 1941 – Hamburgo, 2009) con el arte conceptual, una vinculaci\u00f3n que habr\u00eda que matizar dado el car\u00e1cter inequ\u00edvocamente subjetivo del proceso de ejecuci\u00f3n y materializaci\u00f3n de sus […]<\/p>\n","protected":false},"author":2,"featured_media":47626,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[12449,2083,556,631,10866,10865,1873,6794,4297],"class_list":["post-47625","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-arte","tag-escribir","tag-exposicion","tag-geometria","tag-goethe-institut","tag-hanne-darboven","tag-imagen","tag-museo-reina-sofia","tag-serie"],"yoast_head":"\nEl tiempo y las cosas. 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