{"id":47507,"date":"2014-08-06T06:00:21","date_gmt":"2014-08-06T06:00:21","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=47507"},"modified":"2024-03-19T13:34:33","modified_gmt":"2024-03-19T12:34:33","slug":"manos-a-la-roiba-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/manos-a-la-roiba-miguel-angel-diaz-camacho\/","title":{"rendered":"[:es]Manos a la Roiba | Miguel \u00c1ngel D\u00edaz Camacho[:gl]Mans a Roiba | Miguel \u00c1ngel D\u00edaz Camacho[:en]Hands to the Roiba | Michael \u00c1ngel D\u00edaz Camacho[:]"},"content":{"rendered":"

[:es]

\"Manos<\/a>
Alzado de La Roiba, Ram\u00f3n V\u00e1zquez Molez\u00fan<\/span><\/figcaption><\/figure><\/p>\n

Hace algunos a\u00f1os visit\u00e1bamos Bueu para la toma de datos en la realizaci\u00f3n de un concurso de ideas1<\/sup>. Antes de colonizar<\/em> el emplazamiento, antes de cualquier labor, nos acercamos a La Roiba. Quiz\u00e1 este fuera nuestro mayor acierto. El concurso planteaba la construcci\u00f3n de un peque\u00f1o club n\u00e1utico entre las playas de Petis y Pescadoira, en el entorno de una antigua cet\u00e1rea. Nuestra propuesta propon\u00eda respetar la estructura original de la cet\u00e1rea y acondicionar su espacio interior como almac\u00e9n de traineras, al tiempo que la cubierta se transformaba en terraza privilegiada sobre la ensenada de Bueu. Casi todo lo aprendimos antes en La Roiba.<\/p>\n

Ram\u00f3n V\u00e1zquez Molez\u00fan<\/a> (re)construye una antigua f\u00e1brica de salazones y la acondiciona para su nuevo uso residencial2<\/sup>. Sobre el espacio inferior alojado entre los muros de piedra existentes, inundable durante las mareas vivas y habilitado como almac\u00e9n de embarcaciones, se establece un plano horizontal de hormig\u00f3n, una bandeja rehundida respecto al camino posterior de acceso que vuela a\u00e9rea sobre los muros de piedra existentes: una plataforma entre la tierra y el mar. Sobre este mecanismo esencial y primero, se proyecta otro plano superior de cubierta, resultando la ventana horizontal sobre la ensenada, la grieta contenida entre estos dos planos, el mecanismo principal de construcci\u00f3n del afuera. La sombra horizontal bajo la plataforma y el primoroso hueco – fen\u00eatre en longueur<\/em> – bajo la cubierta (sin apoyos aparentes), aportan una ilusi\u00f3n de ingravidez que contrasta con la p\u00e9trea verticalidad de los rotundos murallones.<\/p>\n

Precisamente esta delicada intervenci\u00f3n se encuentra ahora en un profundo estado de deterioro:<\/p>\n

\n

\u201cen los \u00faltimos cinco a\u00f1os la Roiba ha sufrido importantes desperfectos que atentan contra su integridad\u201d<\/em> 3<\/sup>.<\/p>\n<\/blockquote>\n

Mucho nos tememos que en la batalla contra el mar todo est\u00e1 perdido de antemano: el propio Chillida proyectaba el desplome del Peine del Viento como una parte natural e inevitable de su existencia. Y sin embargo, como arquitecto, no encuentro una mejor manera de expresar nuestra confraternidad: cuidar la arquitectura de manera colectiva, sin m\u00e1s intermediarios que nuestra propia capacidad de asociaci\u00f3n4<\/sup>.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. julio 2014<\/p>\n

Notas:<\/p>\n

1<\/sup>\u00a0Concurso para la realizaci\u00f3n de Club N\u00e1utico en Bueu, enero 2001, Primer premio (en colaboraci\u00f3n con Jorge Valseca). El pantal\u00e1n que exig\u00edan las bases se propone flotante para evitar precisamente lo que ha ocurrido con el espig\u00f3n construido en la playa de Beluso. Esta propuesta, 13 a\u00f1os despu\u00e9s, a\u00fan se encuentra a la espera de que el Ayuntamiento de Bueu gestione la titularidad de la cet\u00e1rea sobre la que convoc\u00f3 el concurso.<\/p>\n

2<\/sup> Refugio de verano en Bueu, Pontevedra, 1969.<\/p>\n

3<\/sup> Cita extra\u00edda de la campa\u00f1a iniciada en Kuabol por los arquitectos Mar\u00eda V\u00e1zquez Molez\u00fan, Jes\u00fas Gallo y Pablo Olalquiaga. Colaboran en el equipo\u00a0los arquitectos Nuria Prieto, \u00c1lvaro Mallo, Borja L\u00f3pez Cotelo, Mar\u00eda Olmo B\u00e9jar, Alberto Alonso Oro y Ana Espinosa. Enlace para colaborar aqu\u00ed. Facebook<\/a>. Twitter<\/a>.<\/p>\n

4 <\/sup>Cuidar: del lat\u00edn cogit\u0101re<\/em> (pensar). El verbo cogit\u0101re <\/em>se compone de co-<\/em> (acci\u00f3n conjunta o global) y agitare <\/em>(poner en movimiento, agitar), un frecuentativo de agere <\/em>(llevar adelante, hacer avanzar, mover, tratar, actuar).<\/p>\n

Desde P\u00e1rrafos de Arquitectura<\/a> apoyamos la campa\u00f1a de crowdfunding iniciada en la plataforma Kuabol por varios compa\u00f1eros y amigos para la restauraci\u00f3n de la Roiba en dos fases. Cuidar es avanzar. Cuidar es agitar una bandera sostenida por muchas manos. Cuidar es poner las manos a la obra. Manos a la Roiba.<\/em><\/span><\/p>\n

[:en]

\"\"<\/a>
Gathering of The Roiba, Ramon V\u00e1zquez Molez\u00fan<\/span><\/figcaption><\/figure><\/p>\n

Some years ago we were visiting Bueu for the capture of information in the accomplishment of a contest of ideas1<\/sup>. Before colonizing<\/em> the emplacement, before any labor, we approach The Roiba. Probably this one was our major success. The contest was raising the construction of a small nautical club between the beaches of Petis and Pescadoira, in the environment of a former cet\u00e1rea. Our offer was proposing to respect the original structure of the cet\u00e1rea and to condition his interior space as store of fishing boats, at the time that the cover was transforming in terrace favoured on Bueu’s inlet. Almost quite we learned it before in The Roiba.<\/p>\n

Ramon V\u00e1zquez Molez\u00fan (re) constructs a former factory of saltings and conditions it for his new residencial2<\/sup> use.\u00a0On the low space lodged between the existing walls of stone, inundable during the alive tides and paymaster as store of crafts, there is established a horizontal plane of concrete, a tray re-sunk with regard to the later way of access that flies air on the existing walls of stone: a platform between the land and the sea. On this essential and first mechanism, another top plane of cover is projected, turning out to be the horizontal window on the inlet, the crack contained between these two planes, the principal mechanism of construction of out. The horizontal shade under the platform and the exquisite hollow – fen\u00eatre en longueur<\/em> – under the cover (without apparent supports), they contribute an illusion of weightlessness that contrasts with the stony uprightness of the round big walls.<\/p>\n

Precisely this delicate intervention is now in a deep condition of deterioration: \u201cin the last five years the Roiba it has suffered important damages that commit an outrage against his integrity\u201d 3<\/sup>. MMuch we are afraid that in the battle against the sea everything is lost in advance: the own Chillida was projecting the collapse of the Comb of the Wind as a natural and inevitable part of his existence. And nevertheless, like architect, I do not find a better way of expressing our confraternity: to take care of the architecture of a collective way, ado intermediaries that our own capacity of association4<\/sup>.\u00a0From P\u00e1rrafos de Arquitectura<\/a>\u00a0we support the campaign of crowdfunding<\/em> initiated in the platform Kuabol for several companions and friends for the restoration of the Roiba in two phases. Taking care is to advance. Taking care is to wave a flag supported by many hands. Taking care is to put the hands to the work. Hands to the Roiba.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Architect<\/p>\n

Madrid. july 2014<\/p>\n

Notes:<\/p>\n

1<\/sup> Competition for the accomplishment of Nautical Club in Bueu, January, 2001, The First Priz (in collaboration with Jorge Valseca). The pantal\u00e1n that the bases were demanding proposes floatingly to avoid precisely what has happened with the sting of an insect constructed in Beluso’s beach. This offer, 13 years later, still is to the wait of which Bueu’s Town hall manages the ownership of the cet\u00e1rea on the one that summoned the contest.<\/p>\n

2<\/sup> Summer refuge in Bueu, Pontevedra, 1969.<\/p>\n

3<\/sup>\u00a0Appointment extracted from the campaign initiated in Kuabol by the architects Maria V\u00e1zquez Molez\u00fan, Jesus Gallo and Paul Olalquiaga. There collaborate in the equipment the architects Nuria Prieto, \u00c1lvaro Mallo, Borja Lopez Cotelo, Maria Olmo B\u00e9jar, Alberto Alonso Oro and Ana Espinosa. Link to collaborate here. Facebook<\/a>. Twitter<\/a>.<\/p>\n

4 <\/sup>To take care: of the Latin\u00a0cogit\u0101re<\/em> (to (think). The verb\u00a0cogit\u0101re<\/em> consists of co – (joint or global action) and\u00a0agitare<\/em> (to put in movement, to wave), the frequentative one of\u00a0agere<\/em> (to go forward, to make advance, move, treat, act).<\/p>\n

[:gl]

\"\"<\/a>
Alzado de A Roiba, Ram\u00f3n V\u00e1zquez Molez\u00fan<\/span><\/figcaption><\/figure><\/p>\n

Fai alg\u00fans anos visitabamos Bueu para a toma de datos na realizaci\u00f3n dun concurso de ideas1<\/sup>. Antes de colonizar<\/em> a localizaci\u00f3n, antes de calquera labor, acheg\u00e1monos a La Roiba. Quizais este fose o noso maior acerto. O concurso formulaba a construci\u00f3n dun pequeno club n\u00e1utico entre as praias de Petis e Pescadoira, no \u00e1mbito dunha antiga cetaria. A nosa proposta propo\u00f1\u00eda respectar a estrutura orixinal da cetaria e acondicionar o seu espazo interior como almac\u00e9n de trai\u00f1eiras, ao tempo que a cuberta se transformaba en terraza privilexiada sobre a enseada de Bueu. Case todo o aprendemos antes en La Roiba.<\/p>\n

Ram\u00f3n V\u00e1zquez Molez\u00fan (re)construe\u00a0unha antiga f\u00e1brica de salgaduras e acondici\u00f3naa para o seu novo uso residencial2<\/sup>. Sobre o espazo inferior aloxado entre os muros de pedra existentes, inundable durante as mareas vivas e habilitado como almac\u00e9n de embarcaci\u00f3ns, se establece un plano horizontal de formig\u00f3n, unha bandexa reafundida respecto ao cami\u00f1o posterior de acceso que voa a\u00e9rea sobre os muros de pedra existentes: unha plataforma entre a terra e o mar. Sobre este mecanismo esencial e primeiro, prox\u00e9ctase outro plano superior de cuberta, resultando a vent\u00e1 horizontal sobre a enseada, a greta contida entre estes dous planos, o mecanismo principal de construci\u00f3n do f\u00f3ra. A sombra horizontal baixo a plataforma e o primoroso oco – fen\u00eatre en longueur<\/em> – baixo a cuberta (sen apoios aparentes), achegan unha ilusi\u00f3n de ingravidez que contrasta coa p\u00e9trea verticalidade das rotundas murallonas.<\/p>\n

Precisamente esta delicada intervenci\u00f3n enc\u00f3ntrase agora nun profundo estado de deterioraci\u00f3n: \u201cnos \u00faltimos cinco anos a Roiba sufriu importantes danos que atentan contra a s\u00faa integridade\u201d 3<\/sup>.\u00a0Moito tem\u00e9monos que na batalla contra o mar todo est\u00e1 perdido de antem\u00e1n: o propio Chillida proxectaba o derrubamento do Peite do Vento como unha parte natural e inevitable da s\u00faa existencia. E non obstante, como arquitecto, non encontro un mellor xeito de expresar a nosa confraternidade: coidar a arquitectura de xeito colectivo, sen m\u00e1is intermediarios que a nosa propia capacidade de asociaci\u00f3n4<\/sup>. Dende P\u00e1rrafos de Arquitectura<\/a> apoiamos a campa\u00f1a de crowdfunding<\/em> iniciada na plataforma Kuabol por varios compa\u00f1eiros e amigos para a restauraci\u00f3n da Roiba en d\u00faas fases. Coidar \u00e9 avanzar. Coidar \u00e9 axitar unha bandeira sostida por moitas mans. Coidar \u00e9 po\u00f1er as mans \u00e1 obra. Mans \u00e1 Roiba.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto<\/p>\n

Madrid. xullo 2014<\/p>\n

Notas:<\/p>\n

1<\/sup>\u00a0Concurso para a realizaci\u00f3n de Club N\u00e1utico en Bueu, xaneiro 2001, Primeiro premio (en colaboraci\u00f3n con Jorge Valseca). O peirao que esix\u00edan as bases proponse flotante para evitar precisamente o que aconteceu co espig\u00f3n constru\u00eddo na praia de Beluso. Esta proposta, 13 anos despois, a\u00ednda se encontra \u00e1 espera de que o Concello de Bueu xestione a titularidade da cetaria sobre a que convocou o concurso.<\/p>\n

2<\/sup> Refuxo de ver\u00e1n en Bueu, Pontevedra, 1969.<\/p>\n

3<\/sup>\u00a0Cita extraida da campa\u00f1a iniciada en Kuabol polos arquitectos Mar\u00eda V\u00e1zquez Molez\u00fan, Jes\u00fas Gallo e Pablo Olalquiaga. Colaboran no equipo os arquitectos Nuria Prieto, \u00c1lvaro Mallo, Borja L\u00f3pez Cotelo, Mar\u00eda Olmo B\u00e9jar, Alberto Alonso Oro e Ana Espinosa. Enlace para colaborar aqu\u00ed. Facebook<\/a>. Twitter<\/a>.<\/p>\n

4\u00a0<\/sup>Cuidar: do lat\u00edn\u00a0cogit\u0101re <\/em> (pensar). O verbo\u00a0cogit\u0101re <\/em><\/em> componse de co- (acci\u00f3n conxunta ou global) e agitare<\/em> (po\u00f1er en movemento, axitar), un frecuentativo de agere<\/em> (levar adiante, facer avanzar, mover, tratar, actuar).<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hace algunos a\u00f1os visit\u00e1bamos Bueu para la toma de datos en la realizaci\u00f3n de un concurso de ideas1. Antes de colonizar el emplazamiento, antes de cualquier labor, nos acercamos a La Roiba. Quiz\u00e1 este fuera nuestro mayor acierto. El concurso planteaba la construcci\u00f3n de un peque\u00f1o club n\u00e1utico entre las playas de Petis y […]<\/p>\n","protected":false},"author":5,"featured_media":47524,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[2631,5865,10672,2641,6632,619,659,10852,815,6465,977,1136,12464,3686,1286,12455],"class_list":["post-47507","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","tag-arquitectura-espanola","tag-arquitectura-gallega","tag-bueu","tag-construir","tag-eduardo-chillida","tag-galicia","tag-habitar","tag-jorge-valseca","tag-maestro","tag-miguel-angel-diaz-camacho","tag-paisaje","tag-ramon-vazquez-molezun","tag-rehabilitacion","tag-rehabilitar","tag-territorio","tag-vivienda-unifamiliar"],"yoast_head":"\nManos a la Roiba | Miguel \u00c1ngel D\u00edaz Camacho<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: 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