{"id":47496,"date":"2014-08-01T06:25:47","date_gmt":"2014-08-01T06:25:47","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=47496"},"modified":"2022-11-17T14:54:44","modified_gmt":"2022-11-17T13:54:44","slug":"retratos-a-traves-de-los-ojos-de-un-miope-vii-epr","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/retratos-a-traves-de-los-ojos-de-un-miope-vii-epr\/","title":{"rendered":"[:es]Retratos a trav\u00e9s de los ojos de un miope (VII) | epR [:gl]Retratos a trav\u00e9s dos ollos dun miope (VII) | epR[:en]Portraits across the eyes of a near-sighted person (VII) | epR[:]"},"content":{"rendered":"

[:es]<\/p>\n

Gunnar Asplund y su n\u00e9mesis. Pelea de gallos<\/strong><\/h4>\n

Gunnar<\/strong><\/a> fue la bisagra entre el g\u00e9lido clasicismo sueco y los vientos que soplaban del sur.
\nUn maestro refinado y visionario.<\/p>\n

En 1915, mientras Europa se desangraba, concibi\u00f3 el m\u00e1s hermoso cementerio contempor\u00e1neo.<\/p>\n

Pero Gunnar no estaba solo.<\/p>\n

A su lado hab\u00eda una sombra embozada, esquiva incluso para el objetivo fotogr\u00e1fico. Podr\u00eda llamarse Sigurd<\/a>.<\/p>\n

Luego sus caminos se separaron.<\/p>\n

Gunnar acept\u00f3 con \u00e9nfasis la modernidad y fue paseado a hombros por sus coet\u00e1neos. Estocolmo, Gotemburgo, Stenn\u00e4s.<\/p>\n

La sombra, por su parte, se perdi\u00f3 durante d\u00e9cadas para reaparecer en sus d\u00edas postreros en el remoto Klippan y el impronunciable Bjorkhagen.<\/p>\n

En su lecho de muerte, Gunnar se pregunt\u00f3 si tanto esfuerzo hab\u00eda valido la pena.<\/p>\n

\"Retratos
Gunnar Asplund | Fuente: Wikipedia<\/span><\/a><\/figcaption><\/figure>\n

El primo Ram\u00f3n
\nConcepci\u00f3n, Chile, invierno de 2014<\/p>\n

\n

[:en]<\/p>\n

Gunnar Asplund and his nemesis.<\/p>\n

Fights of roosters<\/strong><\/p>\n

Gunnar was the hinge between the chill Swedish classicism and the winds that were blowing of the south.<\/p>\n

A refined and visionary teacher.<\/p>\n

In 1915, while Europe was drained, he conceived the most beautiful contemporary cemetery.<\/p>\n

But Gunnar was not alone.<\/p>\n

To his side there was a muffled shade, it avoids even for the photographic aim. He might be called Sigurd.<\/p>\n

Then his ways separated.<\/p>\n

Gunnar accepted emphatically the modernity and was walked to shoulders by his contemporaries. Stockholm, Gotemburgo, Stenn\u00e4s.<\/p>\n

The shade, for your part, got lost during decades to reappear in his last days in the remote Klippan and the unpronounceable Bjorkhagen.<\/p>\n

In his bed of death, Gunnar wondered if so much effort had cost a sorrow.<\/p>\n

\"\"<\/a><\/p>\n

El primo Ram\u00f3n<\/p>\n

Concepci\u00f3n, Chile, winter 2014<\/p>\n

\n[:gl]<\/p>\n

Gunnar Asplund e o seu n\u00e9mesis.<\/p>\n

Pelexa de galos<\/p>\n

<\/strong><\/p>\n

Gunnar foi a bisagra entre o x\u00e9lido clasicismo sueco e os ventos que sopraban do sur.<\/p>\n

Un mestre refinado e visionario.<\/p>\n

En 1915, mentres Europa se desangraba, concibiu o m\u00e1is fermoso cemiterio contempor\u00e1neo.<\/p>\n

Pero Gunnar non estaba s\u00f3.<\/p>\n

Ao seu lado hab\u00eda unha sombra embozada, esquiva mesmo para o obxectivo fotogr\u00e1fico. Poder\u00eda chamarse Sigurd.<\/p>\n

Logo os seus cami\u00f1os separ\u00e1ronse.<\/p>\n

Gunnar aceptou con \u00e9nfase a modernidade e foi paseado a ombros polos seus coet\u00e1neos. Estocolmo, Gotemburgo, Stenn\u00e4s.<\/p>\n

A sombra, pola s\u00faa banda, perdeuse durante d\u00e9cadas para reaparecer nos seus d\u00edas postremeiros no remoto Klippan e o impronunciable Bjorkhagen.<\/p>\n

No seu leito de morte, Gunnar preguntouse se tanto esforzo pagara a pena.<\/p>\n

\"\"<\/a><\/p>\n

El primo Ram\u00f3n<\/p>\n

Concepci\u00f3n, Chile, inverno de 2014<\/p>\n

\n[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Gunnar Asplund y su n\u00e9mesis. Pelea de gallos Gunnar fue la bisagra entre el g\u00e9lido clasicismo sueco y los vientos que soplaban del sur. Un maestro refinado y visionario. En 1915, mientras Europa se desangraba, concibi\u00f3 el m\u00e1s hermoso cementerio contempor\u00e1neo. Pero Gunnar no estaba solo. A su lado hab\u00eda una sombra embozada, esquiva […]<\/p>\n","protected":false},"author":27,"featured_media":91384,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6506,5951],"tags":[6818,6786,424,6505,7577,6821,668,698,815,898,3452,1103,1865,1169,3636],"class_list":["post-47496","post","type-post","status-publish","format-standard","has-post-thumbnail","category-nasa","category-slider-principal","tag-arquitectura-nordica","tag-arquitectura-sueca","tag-dibujo","tag-el-primo-ramon","tag-epr","tag-erik-gunnar-asplund","tag-historia","tag-ilustracion","tag-maestro","tag-movimiento-moderno","tag-personaje","tag-profesion","tag-reflexion","tag-retrato","tag-sigurd-lewerentz"],"yoast_head":"\nRetratos a trav\u00e9s de los ojos de un miope (VII) | epR<\/title>\n<meta name=\"description\" content=\"Retratos a trav\u00e9s de los ojos de un miope\" \/>\n<meta name=\"robots\" content=\"index, follow, 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