{"id":46582,"date":"2014-07-14T06:00:06","date_gmt":"2014-07-14T04:00:06","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=46582"},"modified":"2024-03-19T13:32:23","modified_gmt":"2024-03-19T12:32:23","slug":"la-roiba-homenaje-a-un-viajero-rodrigo-almonacid","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-roiba-homenaje-a-un-viajero-rodrigo-almonacid\/","title":{"rendered":"[:es]La Roiba, homenaje a un viajero | Rodrigo Almonacid[:gl]A Roiba, homenaxe a un viaxeiro | Rodrigo Almonacid[:en]The Roiba, honoring to a traveler | Rodrigo Almonacid[:]"},"content":{"rendered":"

[:es]

\"La<\/a>
Ram\u00f3n V\u00e1zquez Molez\u00fan, navegando\u00a0| Fotograf\u00eda cedida generosamente por la familia de Ram\u00f3n V\u00e1zquez Molez\u00fan<\/span><\/figcaption><\/figure><\/p>\n
\n

\u201cPide que el camino sea largo.
\nQue muchas sean las ma\u00f1anas de verano
\nen que llegues \u2014\u00a1con qu\u00e9 placer y alegr\u00eda!\u2014
\na puertos nunca vistos antes.\u201d<\/em><\/p>\n

(C. Kavafis: \u00cdtaca)<\/p>\n<\/blockquote>\n

El anhelo por conocer la gran Roma seguramente llev\u00f3 al gallego Ram\u00f3n V\u00e1zquez Molez\u00fan<\/a> (1922-93) a la ciudad eterna tras la obtenci\u00f3n de una beca de posgrado para la Academia. Pero, escuchando los consejos de Kavafis en \u00cdtaca, no apresur\u00f3 su viaje sino que dilat\u00f3 su estancia entre 1949 y 1954, ansioso por descubrir lo que entonces la Espa\u00f1a de autarqu\u00eda y posguerra le negaba. Lo que pudo ser inter\u00e9s, inicialmente, se convirti\u00f3 en una aut\u00e9ntica pasi\u00f3n; y acaso, m\u00e1s tarde, en toda una forma de vivir.<\/p>\n

Me atrever\u00eda a decir que la casa que se hizo construir en la playa de Beluso en Bueu, conocida como \u201cLa Roiba\u201d (1969), es el h\u00e1bitat apropiado para un viajero. La r\u00eda de Pontevedra en la que se hab\u00eda criado de ni\u00f1o iba a significar el retorno al hogar tras un largo, largo viaje, de casi cincuenta a\u00f1os de vida nada menos, acompa\u00f1ado ahora ya de su propia familia. Todo aquel tiempo transcurrido le hab\u00eda servido para entender que la vida es un mero tr\u00e1nsito, para el que apenas se precisa equipaje. Y lo sab\u00eda de veras, pues se recorri\u00f3 media Europa a bordo de su querida Lambretta<\/em><\/a>, una moto que sol\u00eda fotografiar, cual fiel compa\u00f1era de aventuras, junto a los edificios (modernos y antiguos) que iba visitando.<\/p>\n

\u201cLa Roiba\u201d se levant\u00f3 sobre unos muros de contenci\u00f3n de una antigua f\u00e1brica de salaz\u00f3n que permanec\u00edan en el lugar elegido por el arquitecto. Aquellos restos se aceptaron como propios, sirviendo de firme ancla a la casa que iba a reposar encima. Uno de pronto recuerda a Ridolfi adoptando una actitud semejante en su \u201cvillino Alatri<\/em>\u201d, que justo acababa de terminase en la Roma reci\u00e9n descubierta por V\u00e1zquez Molez\u00fan a su llegada. Solo que aqu\u00ed, en su paisaje natal, el arquitecto coru\u00f1\u00e9s quer\u00eda afirmar los valores naturales del lugar, dej\u00e1ndose impregnar por el oleaje, por las rachas de viento del oc\u00e9ano, por la luz que se filtra entre las fugitivas nubes de la costa gallega. Aunque a menudo se alude a la met\u00e1fora del barco varado, nada hay aqu\u00ed de \u201carquitectura por la arquitectura\u201d, sino todo lo contrario: es la ant\u00edtesis del magn\u00edfico Club N\u00e1utico de San Sebasti\u00e1n (1928), de Aizpur\u00faa y Labayen.<\/p>\n

M\u00e1s que una casa, es un refugio, una promesa de habitar rozando la experiencia n\u00e1utica. El escaso equipaje del viajero no demanda espacio para grandes posesiones en su interior, solo lo imprescindible. Una escueta terraza para sentir ese contacto \u00edntimo con el lugar, unos vidrios a la altura de la vista para disfrutar del panorama mientras se descansa sentado en su exiguo sal\u00f3n, algunos camarotes donde pasar la noche. Abajo, un espacio de almac\u00e9n para sus barcas, confinado por los vetustos muros que nunca llegaron a impedir la entrada del mar cuando \u00e9ste llamaba a la puerta. Solo el color blanco y el gesto inclinado de su tejado, \u00fanica diagonal de su perfil, revela su predisposici\u00f3n a erigirse en una casa, levantando su volumen como lo hacen las velas de las peque\u00f1as embarcaciones; aunque, en realidad, ese espacio elevado de la casa es el verdadero puente de mando, el reducto del capit\u00e1n Molez\u00fan. Ese hombre que un d\u00eda quiso hacerse viajero sin saber que, en el fondo, acabar\u00eda siendo marinero.<\/p>\n

Rodrigo Almonacid [r-arquitectura<\/a>] \u00b7 doctor arquitecto
\nvalladolid. julio 2014<\/p>\n

[:en]

\"\"<\/a>
Ramon V\u00e1zquez Molez\u00fan, sailing | Photography is yielded generously by Ramon V\u00e1zquez Molez\u00fan’s family<\/span><\/figcaption><\/figure><\/p>\n
\n

\u201cHe asks that the way is long.<\/em><\/p>\n

That many are the summer mornings<\/p>\n

in which you come – with what pleasure and happiness! –<\/p>\n

to ports never seen before.\u201d<\/p>\n

(C. Kavafis: \u00cdtaca)<\/p>\n<\/blockquote>\n

The longing for knowing the great Rome surely took the Galician Ramon V\u00e1zquez Molez\u00fan (1922-93) to the eternal city after the obtaining of a scholarship of posgrado for the Academy. But, listening to Kavafis’s advices in \u00cdtaca, he did not hurry his trip but it expanded his stay between 1949 and 1954, eager to discover what at the time the Spain of autarchy and postwar period was denying to him. What could be an interest, initially, turned into an authentic passion; and perhaps, later, in the whole way of living.<\/p>\n

I would dare to say that the house that was made construct in Beluso’s beach in Bueu known as\u00a0\u201cLa Roiba\u201d (1969), is the habitat adapted for a traveler. Her laugh at Pontevedra in the one that had grown up of child it was going to mean the return to the home after a long, long trip, of almost fifty years of life nothing less, accompanied now already of his own family. All that passed time had served him to understand that the life is a mere traffic, for the one that you upset it needs baggage. And it knew it in deed, so there crossed half An Europe on board of his dear\u00a0Lambretta<\/em>, a motorcycle that was in the habit of coming out in photographs, which faithful companion of adventures, close to the buildings (modern and ancient) that he was visiting.<\/p>\n

\u201cLa Roiba\u201d got up on a few walls of containment of a former factory of salting that they were remaining in the place chosen by the architect. Those remains were accepted like own, using as firm anchor to the house that was going to rest above. One suddenly resembles Ridolfi adopting a similar attitude in his \u201cvillino Alatri\u201d, that just finish of was ending in the Rome newly discovered by V\u00e1zquez Molez\u00fan at his arrival. Only that here, in his natal landscape, the architect\u00a0 wanted to affirm the natural local values, being left to impregnate for the surge, for the wind squalls of the ocean, for the light that filters between the fugitive clouds of the Galician coast. Though often one alludes to the metaphor of the aground ship, nothing is here of \u201carchitecture for the architecture\u201d, but everything opposite: it is the antithesis of the magnificent Nautical Club of San Sebastian (1928), of Aizpur\u00faa and Labayen.<\/p>\n

More than a house, it is a refuge, a promise to live rubbing the nautical experience. The scanty baggage of the traveler does not demand space for big possessions in his interior, only the indispensable thing. A succinct terrace to feel this intimate contact with the place, a few glasses at a height of the sight to enjoy the panorama while it relies sat on his exiguous lounge, some berths where to happen the night. Below, a space of store for his boats, confined by the very old walls that never managed to prevent the entry of the sea when this one was calling to the door. Only the white color and the sloping gesture of his roof, the only diagonal of his profile, reveals his predisposition to be raised in a house, raising his volume it is done by the candles of the small crafts; though, actually, this high space of the house is the real bridge of control, the redoubt of the captain Molez\u00fan. This man that one day traveler wanted to do to him without knowing that, in the bottom, he would end up by being a sailor.<\/p>\n

Rodrigo Almonacid [r-arquitectura<\/a>] \u00b7 doctor architect<\/p>\n

valladolid. july 2014<\/p>\n

[:gl]

\"\"<\/a>
Ram\u00f3n V\u00e1zquez Molez\u00fan, navegando | Fotograf\u00eda cedida xenerosamente pola familia de Ram\u00f3n V\u00e1zquez Molez\u00fan<\/span><\/figcaption><\/figure><\/p>\n
\n

\u201cPide que o cami\u00f1o sexa longo.<\/em><\/p>\n

Que moitas sexan as ma\u00f1\u00e1s de ver\u00e1n<\/p>\n

en que chegues -\u00a1con que pracer e alegr\u00eda!-<\/p>\n

a portos nunca vistos antes.\u201d<\/p>\n

(C. Kavafis: \u00cdtaca)<\/p>\n<\/blockquote>\n

O anhelo por co\u00f1ecer a gran Roma seguramente levou ao galego Ram\u00f3n V\u00e1zquez Molez\u00fan (1922-93) \u00e1 cidade eterna tras a obtenci\u00f3n dunha bolsa de posgrao para a Academia. Pero, escoitando os consellos de Kavafis en \u00cdtaca, non apresurou a s\u00faa viaxe sen\u00f3n que dilatou a s\u00faa estanza entre 1949 e 1954, ansioso por descubrir o que ent\u00f3n a Espa\u00f1a de autarqu\u00eda e posguerra lle negaba. O que puido ser interese, inicialmente, converteuse nunha aut\u00e9ntica paix\u00f3n; e acaso, m\u00e1is tarde, en toda unha forma de vivir.<\/p>\n

Atrever\u00edame a dicir que a casa que se fixo constru\u00edr na praia de Beluso en Bueu, co\u00f1ecida como\u00a0\u201cA Roiba\u201d (1969), \u00e9 o h\u00e1bitat apropiado para un viaxeiro. A r\u00eda de Pontevedra na que se criara de neno \u00eda significar o retorno ao fogar tras un longo, longa viaxe, de case cincuenta anos de vida nada menos, acompa\u00f1ado agora xa da s\u00faa propia familia. Todo aquel tempo transcorrido serv\u00edralle para entender que a vida \u00e9 un mero tr\u00e1nsito, para o que apenas se precisa equipaxe. E sab\u00edao de veras, pois se percorreu media Europa a bordo da s\u00faa querida Lambretta,<\/em> unha moto que adoitaba fotografar, cual fiel compa\u00f1eira de aventuras, xunto aos edificios (modernos e antigos) que \u00eda visitando.<\/p>\n

\u201cA Roiba\u201d\u00a0ergueuse sobre uns muros de contenci\u00f3n dunha antiga f\u00e1brica de salgadura que permanec\u00edan no lugar elixido polo arquitecto. Aqueles restos acept\u00e1ronse como propios, servindo de firme \u00e1ncora \u00e1 casa que \u00eda repousar enriba. Un de pronto recorda a Ridolfi adoptando unha actitude semellante no seu villino Alatri\u201d, que xusto remataba de rematase na Roma rec\u00e9n descuberta por V\u00e1zquez Molez\u00fan \u00e1 s\u00faa chegada. S\u00f3 que aqu\u00ed, na s\u00faa paisaxe natal, o arquitecto coru\u00f1\u00e9s quer\u00eda afirmar os valores naturais do lugar, deix\u00e1ndose impregnar pola ondada, polos refachos de vento do oc\u00e9ano, pola luz que se filtra entre as fuxitivas nubes da costa galega. A\u00ednda que a mi\u00fado se alude \u00e1 met\u00e1fora do barco varado, nada hai aqu\u00ed de \u201c\u00bbarquitectura pola arquitectura\u201d, sen\u00f3n todo o contrario: \u00e9 a ant\u00edtese do magn\u00edfico Club N\u00e1utico de San Sebasti\u00e1n (1928), de Aizpur\u00faa e Labayen.<\/p>\n

M\u00e1is que unha casa, \u00e9 un refuxio, unha promesa de habitar rozando a experiencia n\u00e1utica. A escasa equipaxe do viaxeiro non demanda espazo para grandes posesi\u00f3ns no seu interior, s\u00f3 o imprescindible. Unha concisa terraza para sentir ese contacto \u00edntimo co lugar, uns vidros \u00e1 altura da vista para gozar do panorama mentres se descansa sentado no seu exiguo sal\u00f3n, alg\u00fans camarotes onde pasar a noite. Abaixo, un espazo de almac\u00e9n para as s\u00faas barcas, confinado polos vetustos muros que nunca chegaron a impedir a entrada do mar cando este chamaba \u00e1 porta. S\u00f3 a cor branca e o xesto inclinado do seu tellado, \u00fanica diagonal do seu perfil, revela a s\u00faa predisposici\u00f3n a erixirse nunha casa, levantando o seu volume como o fan as velas das pequenas embarcaci\u00f3ns; a\u00ednda que, en realidade, ese espazo elevado da casa \u00e9 a verdadeira ponte de mando, o reduto do capit\u00e1n Molez\u00fan. Ese home que un d\u00eda quixo facerse viaxeiro sen saber que, no fondo, acabar\u00eda sendo mari\u00f1eiro.<\/p>\n

Rodrigo Almonacid [r-arquitectura<\/a>] \u00b7 doutor arquitecto<\/p>\n

valladolid. xullo 2014<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u201cPide que el camino sea largo. Que muchas sean las ma\u00f1anas de verano en que llegues \u2014\u00a1con qu\u00e9 placer y alegr\u00eda!\u2014 a puertos nunca vistos antes.\u201d (C. Kavafis: \u00cdtaca) El anhelo por conocer la gran Roma seguramente llev\u00f3 al gallego Ram\u00f3n V\u00e1zquez Molez\u00fan (1922-93) a la ciudad eterna tras la obtenci\u00f3n de una beca […]<\/p>\n","protected":false},"author":25,"featured_media":46584,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[2631,5865,9446,10672,12014,8082,8081,10715,815,10360,12463,1004,1136,7887,1286,12455],"class_list":["post-46582","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","tag-arquitectura-espanola","tag-arquitectura-gallega","tag-arquitectura-madrilena","tag-bueu","tag-constantino-cavafis","tag-joaquin-labayen","tag-jose-manuel-aizpurua-y-azqueta","tag-labay","tag-maestro","tag-mario-ridolfi","tag-patrimonio","tag-patrimonio-historico","tag-ramon-vazquez-molezun","tag-rodrigo-almonacid-canseco","tag-territorio","tag-vivienda-unifamiliar"],"yoast_head":"\nLa Roiba, homenaje a un viajero | Rodrigo Almonacid<\/title>\n<meta name=\"description\" content=\"La Roiba, homenaje a un viajero\" \/>\n<meta name=\"robots\" content=\"index, follow, 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