{"id":46450,"date":"2014-07-07T06:34:26","date_gmt":"2014-07-07T06:34:26","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=46450"},"modified":"2024-09-05T14:19:59","modified_gmt":"2024-09-05T12:19:59","slug":"la-casa-que-no-era-un-barco-borja-lopez-cotelo","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-casa-que-no-era-un-barco-borja-lopez-cotelo\/","title":{"rendered":"[:es]La casa que no era un barco | Borja L\u00f3pez Cotelo[:gl]A casa que no era un barco | Borja L\u00f3pez Cotelo[:en]The house that was not a ship | Borja Lopez Cotelo[:]"},"content":{"rendered":"

[:es]<\/p>\n

<\/div>\n
\"La
A Roiba | El primo Ram\u00f3n<\/span><\/figcaption><\/figure>\n

Se ha hablado de esta casa como un barco a punto de hacerse a la mar1<\/sup><\/sup>. Quiz\u00e1 por su situaci\u00f3n, en ese fino hilo que separa tierra y mar, o tal vez por aquella foto descolorida de Ram\u00f3n V\u00e1zquez Molez\u00fan aferrado al tim\u00f3n de un barco, protegiendo su cr\u00e1neo con un gorro de lana.<\/p>\n

Pero todos sabemos que esa casa no es un barco, del mismo modo que el mar no es el mar.<\/p>\n

El mar es, en realidad, nuestros miedos y leyendas; las historias y los cuentos transmitidos durante generaciones; es tambi\u00e9n todos y cada uno de los hombres que se llev\u00f3, es cada promesa que en \u00e9l vieron quienes prefirieron quedarse. Es un inmenso dep\u00f3sito de anhelos y sue\u00f1os, algunos cumplidos, muchos hechos pedazos.<\/p>\n

La casa en A Roiba no es un barco porque es un cofre; un cofre de vivencias y recuerdos, de historias que susurra a todo aquel que la visita dispuesto a escucharla.<\/p>\n

Ram\u00f3n V\u00e1zquez Molez\u00fan<\/a>, Janine, y sus hijos, han vivido \u2013viven- en esa casa. Y sus vidas han ido llenando, poco a poco, la magistral carcasa dibujada por el arquitecto. Las ma\u00f1anas al sol en la terraza, las tardes en el sal\u00f3n que domina la r\u00eda desde su modesta escala, los ni\u00f1os haci\u00e9ndose mayores en sus estancias, la marea reclamando el pa\u00f1ol en cada pleamar.<\/p>\n

Todo eso est\u00e1 impreso en la piel de este min\u00fasculo edificio.<\/p>\n

Pero los cofres siempre han sido codiciados. En ocasiones por piratas, corsarios y bucaneros, por aquellos con quienes Stevenson esperaba compartir sepultura2<\/sup><\/sup> <\/strong><\/em>; en otras, las m\u00e1s, por el oc\u00e9ano y por el propio tiempo.<\/p>\n

A Roiba es vieja y el mar la golpea sin misericordia. Invierno tras invierno las olas erosionan su hormig\u00f3n, lo deterioran poco a poco como el esqueleto reum\u00e1tico de un viejo marinero que mitiga su soledad rescatando recuerdos en la taberna del puerto de Bueu.<\/p>\n

Si no se toman medidas urgentes, A Roiba pronto enmudecer\u00e1. El cofre quedar\u00e1 vac\u00edo. Quiz\u00e1 sea el momento de recordar el triste final del Pequod<\/em> y la paradoja de ese Ismael que, en un \u00faltimo esfuerzo, transform\u00f3 en salvavidas un ata\u00fad para sobrevivir al mar y a los hombres3<\/sup><\/sup>.<\/p>\n

Y as\u00ed pudo contar su historia.<\/p>\n

Borja L\u00f3pez Cotelo, doctor arquitecto
\nGalicia, verano de 2014<\/p>\n

Ilustraci\u00f3n: El primo Ram\u00f3n (EpR<\/a>)<\/p>\n

Notas:
\n1<\/sup><\/sup> As\u00ed, la<\/em> mar, en femenino es como \u2018<\/em>le dicen en espa\u00f1ol cuando la quieren\u2019, asegura Hemingway en El viejo y el mar.<\/em>
\n2<\/sup><\/sup> Afirma Robert Louis Stevenson en la dedicatoria de La isla del tesoro<\/em>: \u2018Si los cuentos y las tonadas marineras, tempestades y aventuras, calor y fr\u00edo, si goletas, islas y el destierro en el oc\u00e9ano, y bucaneros y oro enterrado y todos los romances de anta\u00f1o contados nuevamente, exactamente como antes se contaban, pueden complacer como otrora a m\u00ed me complac\u00edan a los j\u00f3venes m\u00e1s sabios de hoga\u00f1o: as\u00ed sea y \u00a1adelante! Y ojal\u00e1 yo y todos mis piratas compartamos las sepulturas donde yacen \u00e9stos y sus creaciones\u2019.<\/em>
\n3<\/sup><\/sup> Melville recuerda al inicio de Moby Dick<\/em> que Coffin (ata\u00fad<\/em>) era en el siglo XIX uno de los apellidos m\u00e1s comunes en Nantucket. Quiz\u00e1 por eso, un ata\u00fad acab\u00f3 por convertirse en un miembro m\u00e1s de la tripulaci\u00f3n del Pequod<\/em>.<\/p>\n

[:en]

\"\"<\/a>
A Roiba | El primo Ram\u00f3n<\/span><\/figcaption><\/figure><\/p>\n

One has spoken about this house as a ship on the verge of be doing to the sea1<\/sup><\/sup>. Probably for his situation, in this thin thread that separates land and sea, or maybe for that Ramon V\u00e1zquez Molez\u00fan’s discolored photo grasped to the helm of a ship, protecting his cranium with a cap of wool.<\/p>\n

But we all know that this house is not a ship, in the same way that the sea is not the sea.<\/p>\n

The sea is, actually, our fears and legends; the histories and the stories transmitted during generations; he is also each and every of the men that it removed, is every promise that in him there saw those who prefirieron to remain. It is an immense warehouse of longings and dreams, some compliments, many made pieces.<\/p>\n

The house in To Roiba is not a ship because it is a chest; a chest of experiences and recollections, of histories that that one whispers to everything that the visit ready to listen to to her.<\/p>\n

Ramon V\u00e1zquez Molez\u00fan, Janine, and his children, have lived – they live – in this house. And his lives have been filling, little by little, the magisterial framework drawn by the architect. The mornings to the Sun in the terrace, the evenings in the lounge that dominates her laugh from his modest scale, the children becoming major in his stays, the tide claiming the pa\u00f1ol in every tide.<\/p>\n

All that is printed in the skin of this minuscule building.<\/p>\n

In occasions for pirates, corsairs and buccaneers, for those with whom Stevenson was expecting to share grave2<\/sup><\/sup><\/strong><\/em>; in others, them more, for the ocean and in the own time.<\/p>\n

A Roiba is old and the sea strikes her without mercy. Winter after winter the waves erode his concrete, spoil it little by little as the rheumatic skeleton of a seaworthy old man who mitigates his loneliness rescuing recollections in the tavern of Bueu’s port.<\/p>\n

If urgent measurements are not taken, A Roiba he will silence prompt. The chest will remain empty.\u00a0Probably it is the moment to remember the sad end of the Pequod<\/em> and the paradox of this Ismael who, in a last effort, transformed into lifeguard a coffin to survive the sea and the men3<\/sup><\/sup>.<\/p>\n

And this way it could count his history.<\/p>\n

Borja L\u00f3pez Cotelo, doctor architect<\/p>\n

Galicia, summer of 2014<\/p>\n

Illustration: El primo Ram\u00f3n (EpR)<\/p>\n

Notes:<\/p>\n

1<\/sup><\/sup> This way, the sea, in feminine it is as \u2018<\/em>they say to him in Spanish when they want it\u2019, assures Hemingway in The old man and the sea<\/em>.
2<\/sup><\/sup> Robert Louis Stevenson affirms in the dedication of The island of the exchequer<\/em>: \u2018If the stories and the seaworthy tunes, tempests and adventures, heat and cold, if schooners, islands and the exile in the ocean, and buccaneers and buried gold and all the romances of long ago counted again, exactly as before they were counted, can take pleasure since once to they me me were taking pleasure to the young persons more wise of nowadays: this way be and forward! And ojal\u00e1 I and all my pirates share the graves where these and his creations lie\u2019.<\/p>\n

3<\/sup><\/sup> Melville remembers to the beginning of Moby Dick<\/em> that Coffin (coffin<\/em>) was in the 19th century one of the most common surnames in Nantucket. Probably because of it, a coffin finished for turning into one more member of the crew of the Pequod<\/em>.<\/p>\n

[:gl]

\"\"<\/a>
A Roiba | El primo Ram\u00f3n<\/span><\/figcaption><\/figure><\/p>\n

Falouse desta casa como un barco a punto de facerse ao\u00a0mar1<\/sup><\/sup>. Quizais pola s\u00faa situaci\u00f3n, nese fino f\u00edo que separa terra e mar, ou talvez por aquela foto descolorida de Ram\u00f3n V\u00e1zquez Molez\u00fan aferrado ao leme dun barco, protexendo o seu cranio cun gorro de la.<\/p>\n

Pero todos sabemos que esa casa non \u00e9 un barco, do mesmo modo que o mar non \u00e9 o mar.<\/p>\n

O mar \u00e9, en realidade, os nosos medos e lendas; as historias e os contos transmitidos durante xeraci\u00f3ns; \u00e9 tam\u00e9n todos e cada un dos homes que se levou, \u00e9 cada promesa que nel viron os que preferiron quedar. \u00c9 un inmenso dep\u00f3sito de anhelos e sonos, alg\u00fans cumprimentos, moitos feitos anacos.<\/p>\n

A casa na Roiba non \u00e9 un barco porque \u00e9 un cofre; un cofre de vivencias e recordos, de historias que murmura a todo aquel que a visita disposto a escoitala.<\/p>\n

Ram\u00f3n V\u00e1zquez Molez\u00fan, Janine, e os seus fillos, viviron -viven- nesa casa. E as s\u00faas vidas foron enchendo, pouco a pouco, a maxistral carcasa debuxada polo arquitecto. As ma\u00f1\u00e1s ao sol na terraza, as tardes no sal\u00f3n que domina a r\u00eda dende a s\u00faa modesta escala, os nenos fac\u00e9ndose maior nas s\u00faas estanzas, a marea reclamando o pa\u00f1ol en cada preamar.<\/p>\n

Todo iso est\u00e1 imprimido na pel deste min\u00fasculo edificio.<\/p>\n

Pero os cofres sempre foron cobizados. En ocasi\u00f3ns por piratas, corsarios e bucaneiros, por aqueles cos cales Stevenson esperaba\u00a0compartir sepultura2<\/sup><\/sup><\/strong><\/em>; noutras, as m\u00e1is, polo oc\u00e9ano e polo propio tempo.<\/p>\n

A Roiba \u00e9 vella e o mar golp\u00e9aa sen misericordia. Inverno tras inverno as ondas erosionan o seu formig\u00f3n, deteri\u00f3rano pouco a pouco como o esqueleto reum\u00e1tico dun vello mari\u00f1eiro que mitiga a s\u00faa soidade rescatando recordos na taberna do porto de Bueu.<\/p>\n

Se non se toman medidas urxentes, A Roiba pronto enmudecer\u00e1. O cofre quedar\u00e1 baleiro. Quizais sexa o momento de recordar o triste final do Pequod<\/em>\u00a0e o paradoxo dese Ismael que, nun \u00faltimo esforzo, transformou en salvavidas un ata\u00fade para sobrevivir ao mar e aos homes3<\/sup><\/sup>.<\/p>\n

E as\u00ed puido contar a s\u00faa historia.<\/p>\n

Borja L\u00f3pez Cotelo, doutor arquitecto<\/p>\n

Galicia, ver\u00e1n de 2014<\/p>\n

Ilustraci\u00f3n: El primo Ram\u00f3n (EpR)<\/p>\n

Notas:<\/p>\n

1<\/sup><\/sup> As\u00ed, o mar, en feminino \u00e9 como \u2018<\/em>lle din en espa\u00f1ol cando a queren\u2019, asegura Hemingway en O vello e o mar.<\/em>
2<\/sup><\/sup> Afirma Robert Louis Stevenson na dedicatoria de A illa do tesouro<\/em>: \u2018Se os contos e as toadas mari\u00f1eiras, tempestades e aventuras, calor e fr\u00edo, se goletas, illas e o desterro no oc\u00e9ano, e bucaneiros e ouro enterrado e todos os romances de antano contados novamente, exactamente como antes se contaban, poden compracer como otrora a min me comprac\u00edan aos mozos m\u00e1is sabios de hoga\u00f1o: as\u00ed sexa e adiante! E ogall\u00e1 eu e todos os meus piratas compartamos as sepulturas onde xacen estes e as s\u00faas creaci\u00f3ns\u2019.<\/p>\n

3<\/sup><\/sup> Melville recorda ao inicio de Moby Dick<\/em> que Coffin (ata\u00fade)<\/em> era no s\u00e9culo XIX un dos apelidos m\u00e1is com\u00fans en Nantucket. Quizais por iso, un ata\u00fade rematou por converterse nun membro m\u00e1is da tripulaci\u00f3n do Pequod<\/em>.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Se ha hablado de esta casa como un barco a punto de hacerse a la mar1. Quiz\u00e1 por su situaci\u00f3n, en ese fino hilo que separa tierra y mar, o tal vez por aquella foto descolorida de Ram\u00f3n V\u00e1zquez Molez\u00fan aferrado al tim\u00f3n de un barco, protegiendo su cr\u00e1neo con un gorro de lana. […]<\/p>\n","protected":false},"author":17,"featured_media":99898,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[2631,5865,3852,10672,6505,7577,619,12463,1004,1136,12464,1286,12455],"class_list":["post-46450","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","tag-arquitectura-espanola","tag-arquitectura-gallega","tag-borja-lopez-cotelo","tag-bueu","tag-el-primo-ramon","tag-epr","tag-galicia","tag-patrimonio","tag-patrimonio-historico","tag-ramon-vazquez-molezun","tag-rehabilitacion","tag-territorio","tag-vivienda-unifamiliar"],"yoast_head":"\nLa casa que no era un barco | Borja L\u00f3pez Cotelo<\/title>\n<meta name=\"description\" content=\"La casa que no era un barco\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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