{"id":46374,"date":"2014-07-03T06:12:16","date_gmt":"2014-07-03T06:12:16","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=46374"},"modified":"2022-11-17T14:50:52","modified_gmt":"2022-11-17T13:50:52","slug":"retratos-a-traves-de-los-ojos-de-un-miope-vi-epr","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/retratos-a-traves-de-los-ojos-de-un-miope-vi-epr\/","title":{"rendered":"[:es]Retratos a trav\u00e9s de los ojos de un miope (VI) | epR [:gl]Retratos a trav\u00e9s dos ollos dun miope (VI) | epR[:en]Portraits across the eyes of a near-sighted person (VI) | epR[:]"},"content":{"rendered":"

[:es]<\/p>\n

Ave marina<\/strong><\/h4>\n

Todos recuerdan a J\u00f8rn Utzon<\/strong><\/a> como un hombre alto. Pero en realidad no lo era.<\/p>\n

Utzon parec\u00eda descomunal porque vivi\u00f3 sobre una plataforma, como las que hab\u00eda visto en M\u00e9xico o en Jap\u00f3n en su juventud; y desde ella mir\u00f3 atr\u00e1s y adelante.<\/p>\n

Reconoci\u00f3 templos orientales y construcciones mayas; record\u00f3 las maquetas de barcos que hab\u00eda construido junto a su padre, la colecci\u00f3n de objetos ex\u00f3ticos de su t\u00edo Ejnar, y sus tardes con Steen Eiler Rasmussen en la Kunstakademiet <\/em>de Copenhague.
\nVislumbr\u00f3 despu\u00e9s una arquitectura nueva en la cual la funci\u00f3n no alcanzaba a explicar la forma.<\/p>\n

Como manifestaci\u00f3n de su f\u00e9rrea confianza en la geometr\u00eda, var\u00f3 una \u00f3pera en la bah\u00eda de S\u00eddney para observar las gaviotas. Esas aves que en tierra anuncian el mar, y en el oc\u00e9ano son heraldos de una playa pr\u00f3xima.<\/p>\n

\"Retratos
J\u00f8rn Utzon | Fuente: Urbipedia<\/span><\/a><\/figcaption><\/figure>\n

El primo Ram\u00f3n
\nTroms\u00f8, verano de 2014[:en]<\/p>\n

\"\"<\/a><\/p>\n

Bird marinades<\/strong><\/p>\n

They all resemble J\u00f8rn Utzon as a high man. But actually it it was not.<\/p>\n

Utzon seemed to be extraodinary because it lived on a platform, as that it had seen in Mexico or in Japan in his youth; and from her it looked behind and forward.<\/p>\n

It recognized oriental temples and Mayan constructions; he remembered the models of ships that he had constructed together with his father, the collection of exotic objects of his uncle Ejnar, and his evenings with Steen Eiler Rasmussen in the Kunstakademiet<\/em> of Copenhagen.
\nIt glimpsed later a new architecture in which the function was not managing to explain the form.<\/p>\n

As manifestation of his ferreous confidence in the geometry, it beached an opera in S\u00eddney’s bay to observe the gulls. These birds that in land announce the sea, and in the ocean they are heralds of a near beach.<\/p>\n

El primo Ram\u00f3n
\nTroms\u00f8, summer of 2014<\/p>\n

[:gl]<\/p>\n

\"\"<\/a><\/p>\n

Ave mari\u00f1a<\/strong><\/p>\n

Todos recordan a J\u00f8rn Utzon como un home alto. Pero en realidade non o era.<\/p>\n

Utzon parec\u00eda descomunal porque viviu sobre unha plataforma, como as que vira en M\u00e9xico ou en Xap\u00f3n na s\u00faa xuventude; e dende ela mirou atr\u00e1s e adiante.<\/p>\n

Reco\u00f1eceu templos orientais e construci\u00f3ns maias; recordou as maquetas de barcos que constru\u00edra xunto ao seu pai, a colecci\u00f3n de obxectos ex\u00f3ticos do seu t\u00edo Ejnar, e as s\u00faas tardes con Steen Eiler Rasmussen na Kunstakademiet<\/em> de Copenhaguen.
\nEnxergou despois unha arquitectura nova na cal a funci\u00f3n non alcanzaba a explicar a forma.<\/p>\n

Como manifestaci\u00f3n da s\u00faa f\u00e9rrea confianza na xeometr\u00eda, varou unha \u00f3pera na ba\u00eda de S\u00eddney para observar as gaivotas. Esas aves que en terra anuncian o mar, e no oc\u00e9ano son heraldos dunha praia pr\u00f3xima.<\/p>\n

El primo Ram\u00f3n
\nTroms\u00f8, ver\u00e1n de 2014<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Ave marina Todos recuerdan a J\u00f8rn Utzon como un hombre alto. Pero en realidad no lo era. Utzon parec\u00eda descomunal porque vivi\u00f3 sobre una plataforma, como las que hab\u00eda visto en M\u00e9xico o en Jap\u00f3n en su juventud; y desde ella mir\u00f3 atr\u00e1s y adelante. Reconoci\u00f3 templos orientales y construcciones mayas; record\u00f3 las maquetas […]<\/p>\n","protected":false},"author":27,"featured_media":91382,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6506,5951],"tags":[3657,6734,424,6505,7577,668,698,2774,815,898,3452,1103,1865,1169,7678],"class_list":["post-46374","post","type-post","status-publish","format-standard","has-post-thumbnail","category-nasa","category-slider-principal","tag-arquitectura-japonesa","tag-arquitectura-mexicana","tag-dibujo","tag-el-primo-ramon","tag-epr","tag-historia","tag-ilustracion","tag-jorn-utzon","tag-maestro","tag-movimiento-moderno","tag-personaje","tag-profesion","tag-reflexion","tag-retrato","tag-steen-eiler-rasmussen"],"yoast_head":"\nRetratos a trav\u00e9s de los ojos de un miope (VI) | epR<\/title>\n<meta name=\"description\" content=\"Retratos a trav\u00e9s de los ojos de un miope\" \/>\n<meta name=\"robots\" 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