{"id":46212,"date":"2014-06-23T06:46:47","date_gmt":"2014-06-23T06:46:47","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=46212"},"modified":"2015-02-07T10:31:28","modified_gmt":"2015-02-07T10:31:28","slug":"interior-pabellon-espanol","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/interior-pabellon-espanol\/","title":{"rendered":"<!--:es-->Interior. Pabell\u00f3n espa\u00f1ol<!--:--><!--:gl-->Interior. Pavill\u00f3n espa\u00f1ol<!--:--><!--:en-->Interior. Spanish pavilion<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-46213\" title=\"stamping-Biennale_2014[1]\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg\" alt=\"\" width=\"620\" height=\"885\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141-210x300.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Interior. Pabell\u00f3n espa\u00f1ol. XIV Bienal de Arquitectura de Venecia 2014<\/strong><\/p>\n<p style=\"text-align: justify;\">Cat\u00e1logo del Pabell\u00f3n espa\u00f1ol en la XIV Bienal de Venecia 2014, editado por la Fundaci\u00f3n Arquia. Recoge la exposici\u00f3n <em>Interior <\/em>que ha llevado a cabo el equipo del comisariado que ha dirigido I\u00f1aki \u00c1balos, formado por Inmaculada E. Maluenda, Enrique Encabo y Lluis Ortega. I\u00f1aki \u00c1balos y Jos\u00e9 Luis Pardo son los autores de los ensayos contenidos en el libro.<\/p>\n<p style=\"text-align: justify;\">Inmaculada E. Maluenda y Erique Encabo han sido asimismo los autores de la investigaci\u00f3n hist\u00f3rica <em>absorbing modernity 1913-2014.<\/em><\/p>\n<p style=\"text-align: justify;\">A prop\u00f3sito de la elecci\u00f3n del \u2018interior\u2019 como tema central del Pabell\u00f3n de Espa\u00f1a, escribe I\u00f1aki \u00c1balos:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abEl proyecto impl\u00edcito [\u2026] \u00a0no es tanto la reivindicaci\u00f3n de un saber hacer retroactivo, que se mira en el pasado, como la utilizaci\u00f3n de las dos f\u00f3rmulas propuestas por el comisario general de la Bienal, Rem Koolhaas, <em>Fundamentals <\/em>y <em>Absorbing Modernity: 1914-2014, <\/em>para provocar y proyectar una discusi\u00f3n sobre la vigencia de la experiencia moderna en el contexto contempor\u00e1neo\u00bb.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/fundacion.arquia.es\/es\/ediciones\/publicaciones\/Colecciones\/DetallePublicacion\/103?coleccion=4\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-46213\" title=\"stamping-Biennale_2014[1]\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg\" alt=\"\" width=\"620\" height=\"885\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141-210x300.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Interior. Pavill\u00f3n espa\u00f1ol. XIV Bienal de Arquitectura de Venecia 2014<\/strong><\/p>\n<p style=\"text-align: justify;\">Cat\u00e1logo do Pavill\u00f3n espa\u00f1ol na XIV Bienal de Venecia 2014, editado pola Fundaci\u00f3n Arquia. Recolle a exposici\u00f3n <em>Interior<\/em> que levou a cabo o equipo do comisariado que dirixiu I\u00f1aki \u00c1balos, formado por Inmaculada E. Maluenda, Enrique Encabo e Lluis Ortega. I\u00f1aki \u00c1balos e Jos\u00e9 Luis Pardo son os autores dos ensaios contidos no libro.<\/p>\n<p style=\"text-align: justify;\">Inmaculada E. Maluenda e Erique Encabo foron as\u00ed mesmo os autores da investigaci\u00f3n hist\u00f3rica \u00a0<em>absorbing modernity 1913-2014.<\/em><\/p>\n<p style=\"text-align: justify;\">A prop\u00f3sito da elecci\u00f3n do &#8216;interior&#8217; como tema central do Pavill\u00f3n de Espa\u00f1a, escribe I\u00f1aki \u00c1balos:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abO proxecto impl\u00edcito [&#8230;] non \u00e9 tanto a reivindicaci\u00f3n dun saber facer retroactivo, que se mira no pasado, como a utilizaci\u00f3n das d\u00faas f\u00f3rmulas propostas polo comisario xeral da Bienal, Rem Koolhaas, <em>Fundamentals e Absorbing Modernity<\/em>: 1914-2014, para provocar e proxectar unha discusi\u00f3n sobre a vixencia da experiencia moderna no contexto contempor\u00e1neo\u00bb.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/fundacion.arquia.es\/es\/ediciones\/publicaciones\/Colecciones\/DetallePublicacion\/103?coleccion=4\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-46213\" title=\"stamping-Biennale_2014[1]\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg\" alt=\"\" width=\"620\" height=\"885\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/06\/stamping-Biennale_20141-210x300.jpg 210w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Interior. Spanish pavilion. The Biennial XIVth of Architecture of Venice 2014<\/strong><\/p>\n<p style=\"text-align: justify;\">Catalogue of the Spanish Pavilion in the Biennial show XIV of Venice 2014 edited by the Foundation Arquia. He gathers the <em>Interior<\/em> exhibition that has carried out the equipment of the comisariado that has directed I\u00f1aki los Abuse, formed by Inmaculate Conception And. Maluenda, Enrique Encabo y Lluis Imperial sand grouse. I\u00f1aki Them Abuse and Jose Luis Pardo they are the authors of the tests contained in the book.<\/p>\n<p style=\"text-align: justify;\">Inmaculate Conception E. Maluenda and Erique Encabo have been likewise the authors of the historical investigation <em>absorbing modernity 1913-2014.<\/em><\/p>\n<p style=\"text-align: justify;\">About the choice of the &#8216;interior&#8217; as central topic of the Pavilion of Spain, I\u00f1aki \u00c1balos write:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abThe implicit project [\u2026] is not so much the recovery of one to be able to do retroactively, that looks in the past, as the utilization of both formulae proposed by the commissioner general of the Biennial show, Rem Koolhaas, <em>Fundamentals and Absorbing Modernity<\/em>: 1914-2014, to provoke and to project a discussion on the force of the modern experience in the contemporary context\u00bb.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/fundacion.arquia.es\/es\/ediciones\/publicaciones\/Colecciones\/DetallePublicacion\/103?coleccion=4\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p>About the choice of the &#8216;interior&#8217; as central topic of the Pavilion of Spain, he writes I\u00f1aki los Abuse:<\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interior. Pabell\u00f3n espa\u00f1ol. XIV Bienal de Arquitectura de Venecia 2014 Cat\u00e1logo del Pabell\u00f3n espa\u00f1ol en la XIV Bienal de Venecia 2014, editado por la Fundaci\u00f3n Arquia. Recoge la exposici\u00f3n Interior que ha llevado a cabo el equipo del comisariado que ha dirigido I\u00f1aki \u00c1balos, formado por Inmaculada E. Maluenda, Enrique Encabo y Lluis Ortega. I\u00f1aki [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":46213,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1410,794,26],"tags":[143,2631,210,211,275,9884,556,3170,3197,10632,9883,10634,10633,8668,1120,2173],"class_list":["post-46212","post","type-post","status-publish","format-standard","has-post-thumbnail","category-catalogos","category-libros","category-publicaciones","tag-arquitectura-espanola","tag-bienal","tag-bienal-de-venecia","tag-catalogo","tag-enrique-encabo","tag-exposicion","tag-fundacion-caja-de-arquitectos","tag-inaki-abalos","tag-inmaculada-e-maluenda","tag-jamie-benyei","tag-jose-luis-pardo","tag-lluis-ortega","tag-moises-puente","tag-publicacion","tag-rem-koolhaas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interior. Pabell\u00f3n espa\u00f1olInterior. 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