{"id":45904,"date":"2014-11-24T06:42:47","date_gmt":"2014-11-24T06:42:47","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=45904"},"modified":"2024-09-26T13:59:58","modified_gmt":"2024-09-26T11:59:58","slug":"elogio-de-la-incorreccion-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/elogio-de-la-incorreccion-miguel-angel-diaz-camacho\/","title":{"rendered":"[:es]Elogio de la incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho[:gl]Eloxio da incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho[:en]Praise of the incorrectness | Michael \u00c1ngel D\u00edaz Camacho[:]"},"content":{"rendered":"

[:es]

\"Elogio<\/a>
A+P Smithson, Sugden, 1955<\/span><\/figcaption><\/figure><\/p>\n

La arquitectura habita pl\u00e1cidamente en el \u00e1mbito de la ortodoxia, bendecida por las reglas com\u00fanmente aceptadas por el colectivo, libre de errores<\/em> o defectos<\/em>. Los c\u00f3digos justifican, los c\u00e1nones legitiman. Aunque no siempre. La historia nos ha regalado magn\u00edficos ejemplos de arquitectura surgida desde lo que Enrique Walker<\/a> califica como \u201clo ordinario\u201d 1<\/sup><\/sup>, es decir, lo cotidiano, lo popular, lo banal hasta el l\u00edmite de la incorrecci\u00f3n. Arquitectura ejercida desde la alteraci\u00f3n del canon.<\/p>\n

Alison y Peter Smithson finalizan en 1954 su austera y miesiana<\/em> escuela secundaria de Hunstanton<\/a>, Norfolk (Reino Unido), considerada el manifiesto del nuevo brutalismo<\/em>. Tan solo un a\u00f1o despu\u00e9s abordan un peque\u00f1o proyecto dom\u00e9stico en Wattford: la casa para el ingeniero de estructuras Derek Sugden2<\/sup><\/sup>. Su aspecto exterior renuncia a cualquier presunci\u00f3n de singularidad y se integra con desparpajo en el tejido an\u00f3nimo de la casa suburbana, ejercicios con cubierta inclinada y fachada de ladrillo visto para una clase media de sal\u00f3n, cocina y cuatro dormitorios<\/em>3<\/sup><\/sup>. Sin embargo la arquitectura no entiende de materiales, programas, escalas ni ortodoxias y aparece siempre inesperada. La lectura atenta de plantas y secciones muestra mecanismos complejos del habitar; la fotograf\u00eda<\/a> del espacio interior revela una modernidad radical y vivificante, una contemporaneidad desarrollada desde la franqueza de la cotidianidad, sin la deliberada intervenci\u00f3n de la arquitectura<\/em>.<\/p>\n

La incorrecci\u00f3n puede ser una poderosa herramienta de transformaci\u00f3n. Cuentan que P\u00edo Baroja, gracias al uso de ciertas incorrecciones del lenguaje, fue \u201cel iniciador m\u00e1s destacado de la revoluci\u00f3n ling\u00fc\u00edstica en Espa\u00f1a\u201d 4<\/sup><\/sup>. En este caso, como en el de los Smithson, se supera la mera provocaci\u00f3n, la sorpresa o sencillamente la farsa: la mayor incorrecci\u00f3n es ser uno mismo; la incorrecci\u00f3n supone la alteridad del sistema y desde su conocimiento riguroso, propone su disponibilidad para ser otro<\/em>; la incorrecci\u00f3n supone la extralimitaci\u00f3n, el abandono de la cautela disciplinar, salir de la cueva<\/em> y explorar el extrarradio soleado de la arquitectura.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. junio 2014<\/p>\n

Notas<\/h6>\n

1<\/sup><\/sup> Enrique Walker, (Ed.), Lo ordinario<\/em>, Barcelona, Gustavo Gili, 2010.<\/p>\n

2<\/sup><\/sup> Casa Sugden, Wattford, Reino Unido 1955.<\/p>\n

3<\/sup><\/sup> El cliente rechaz\u00f3 una primera propuesta m\u00e1s ortodoxa, dir\u00edamos de \u201carquitectura\u201d, lo que al parecer enoj\u00f3 sobremanera a Alison Smithson. El relato de Sugden aparece en el libro Alison y Peter Smithson \u2013 from the House of the Future to the house of today, <\/em>editado por Dirk van der Heuvel y Max Risselada, Rotterdam, 010 Publishers, 2004.<\/p>\n

4<\/sup><\/sup> F. Bello V\u00e1zquez, Lenguaje y estilo en la obra de P\u00edo Baroja, <\/em>Salamanca, Ediciones Universidad de Salamanca, 1988. P\u00e1g. 113.<\/p>\n

[:en]

\"\"<\/a>
A+P Smithson, Sugden, 1955<\/span><\/figcaption><\/figure><\/p>\n

The architecture lives placidly in the area of the orthodoxy, bendecida for the rules commonly accepted by the group, freely of mistakes or faults<\/em>. The codes justify, the c\u00e1nones legitimize. Though not always. The history has given us magnificent examples of architecture arisen from what Enrique Walker qualifies as \u201cthe ordinary thing\u201d 1<\/sup><\/sup>, that is to say, the daily thing, the popular thing, the banal thing up to the limit of the incorrectness. Architecture exercised from the alteration of the canon.<\/p>\n

Alyssum and Peter Smithson finish in 1954 his austere one and miesiana Hunstanton<\/a>‘s secondary school, Norfolk (United Kingdom), considered the manifest of the new brutalismo. Only one year later they approach a small domestic project in Wattford: the house for the engineer of structures Derek Sugden2<\/sup><\/sup>. His exterior aspect resigns any presumption of singularity and joins with nonchalance the anonymous fabric of the suburban house, exercises with sloping cover and front of brick I dress for a middle class of lounge, kitchen and four bedrooms<\/em>3<\/sup><\/sup>. Nevertheless the architecture deals neither on materials, programs, scales nor orthodoxies and turns out to be always unexpected. The reading commits an outrage of plants and sections shows complex mechanisms of to live; the photografhies<\/a> of the interior space reveals a radical and refreshing modernity, a contemporaneousness developed from the honesty of the commonness, without the deliberate intervention of the architecture<\/em>.<\/p>\n

The incorrectness can be a powerful tool of transformation. They tell that P\u00edo Baroja, thanks to the use of certain incorrectnesses of the language, was \u201cthe initiator most distinguished from the linguistic revolution in Spain\u201d 4<\/sup><\/sup>. In this case, since in that of the Smithson, the mere provocation, the surprise excels itself or simply the farce: the major incorrectness is to be one itself; the incorrectness supposes the alteridad of the system and from his rigorous knowledge, proposes his availability to be different; the incorrectness supposes the abuse, the abandon of the caution disciplining, going out of the cave<\/em> and exploring the sunny suburbs of the architecture.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Architect<\/p>\n

Madrid. juny 2014<\/p>\n

Notes<\/p>\n

1<\/sup><\/sup> Enrique Walker, (Ed.), Lo ordinario<\/em>, Barcelona, Gustavo Gili, 2010.<\/p>\n

2<\/sup><\/sup> Sugden House, Wattford, United Kingdom 1955.<\/p>\n

3<\/sup><\/sup> The client rejected the more orthodox first offer, we would say of \u201carchitecture\u201d, which apparently annoyed exceedingly Alison Smithson. Sugden’s statement Alison y Peter Smithson \u2013 from the House of the Future to the house of today<\/em>, edited by Dirk van der Heuvel and Max Risselada, Rotterdam, 010 Publishers, 2004.<\/p>\n

4<\/sup><\/sup> F. Bello V\u00e1zquez, Lenguaje y estilo en la obra de P\u00edo Baroja, <\/em>Salamanca, Ediciones Universidad de Salamanca, 1988. P\u00e1g. 113.<\/p>\n

[:gl]

\"\"<\/a>
A+P Smithson, Sugden, 1955<\/span><\/figcaption><\/figure><\/p>\n

A arquitectura habita pracidamente no \u00e1mbito da ortodoxia, bendicida polas regras comunmente aceptadas polo colectivo, libre de erros ou defectos<\/em>. Os c\u00f3digos xustifican, os canons lexitiman. A\u00ednda Que non sempre. A historia regalounos magn\u00edficos exemplos de arquitectura xurdida dende o que Enrique Walker cualifica como \u201co ordinario\u201d 1<\/sup><\/sup>, \u00e9 dicir, o coti\u00e1n, o popular, o banal ata o l\u00edmite da incorrecci\u00f3n. Arquitectura exercida dende a alteraci\u00f3n do canon.<\/p>\n

Alison e Peter Smithson finalizan en 1954 a s\u00faa austera e miesiana<\/em> escola secundaria de Hunstanton<\/a>, Norfolk (Reino Unido), considerada o manifesto do novo brutalismo<\/em>. Tan s\u00f3 un ano despois abordan un pequeno proxecto dom\u00e9stico en Wattford: a casa para o enxe\u00f1eiro de estruturas Derek Sugden2<\/sup><\/sup>. O seu aspecto exterior renuncia a calquera presunci\u00f3n de singularidade e int\u00e9grase con desenvoltura no tecido an\u00f3nimo da casa suburbana, exercicios con cuberta inclinada e fachada de ladrillo visto para unha clase media de sal\u00f3n, coci\u00f1a e catro dormitorios<\/em>3<\/sup><\/sup>. Non obstante a arquitectura non entende de materiais, programas, escalas nin ortodoxias e aparece sempre inesperada. A lectura atenta de plantas e secci\u00f3ns mostra mecanismos complexos do habitar; a\u00a0fotograf\u00eda<\/a> do espazo interior revela unha modernidade radical e vivificante, unha contemporaneiade desenvolvida dende a franqueza da cotianidade, sen a deliberada intervenci\u00f3n da arquitectura<\/em>.<\/p>\n

A incorrecci\u00f3n pode ser unha poderosa ferramenta de transformaci\u00f3n. Contan que P\u00edo Baroja, grazas ao uso de certas incorrecci\u00f3ns da linguaxe, foi \u201co iniciador m\u00e1is destacado da revoluci\u00f3n ling\u00fc\u00edstica en Espa\u00f1a\u201d 4<\/sup><\/sup>. Neste caso, como no dos Smithson, se supera a mera provocaci\u00f3n, a sorpresa ou sinxelamente a farsa: a maior incorrecci\u00f3n \u00e9 ser un mesmo; a incorrecci\u00f3n sup\u00f3n a alteridade do sistema e dende o seu co\u00f1ecemento rigoroso, prop\u00f3n a s\u00faa dispo\u00f1ibilidade para ser outro; a incorrecci\u00f3n sup\u00f3n a extralimitaci\u00f3n, o abandono da cautela disciplinar, sa\u00edr da cova e explorar os arredores soleados da arquitectura.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto<\/p>\n

Madrid. xu\u00f1o 2014<\/p>\n

Notas<\/p>\n

1<\/sup><\/sup> Enrique Walker, (Ed.), Lo ordinario<\/em>, Barcelona, Gustavo Gili, 2010.<\/p>\n

2<\/sup><\/sup> Casa Sugden, Wattford, Reino Unido 1955.<\/p>\n

3<\/sup><\/sup>\u00a0O cliente rexeitou unha primeira proposta m\u00e1is ortodoxa, diriamos de \u201carquitectura\u201d, o que ao parecer anoxou sobremanera a Alison Smithson. O relato de Sugden aparece no libro Alison y Peter Smithson \u2013 from the House of the Future to the house of today, <\/em>editado por Dirk van der Heuvel e Max Risselada, Rotterdam, 010 Publishers, 2004.<\/p>\n

4<\/sup><\/sup> F. Bello V\u00e1zquez, Lenguaje y estilo en la obra de P\u00edo Baroja, <\/em>Salamanca, Ediciones Universidad de Salamanca, 1988. P\u00e1g. 113.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] La arquitectura habita pl\u00e1cidamente en el \u00e1mbito de la ortodoxia, bendecida por las reglas com\u00fanmente aceptadas por el colectivo, libre de errores o defectos. Los c\u00f3digos justifican, los c\u00e1nones legitiman. Aunque no siempre. La historia nos ha regalado magn\u00edficos ejemplos de arquitectura surgida desde lo que Enrique Walker califica como \u201clo ordinario\u201d 1, es […]<\/p>\n","protected":false},"author":5,"featured_media":45906,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[6743,7474,10628,10555,1682,10630,12460,789,10631,6465,3640,1517,10629,1278],"class_list":["post-45904","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-alison-smithson","tag-arquitectura-brutalista","tag-derek-sugden","tag-dirk-van-der-heuvel","tag-enrique-walker","tag-felix-bello-vazquez","tag-fotografia","tag-lenguaje","tag-max-risselada","tag-miguel-angel-diaz-camacho","tag-peter-smithson","tag-peter-y-alison-smithson","tag-pio-baroja","tag-teoria"],"yoast_head":"\nElogio de la incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Elogio de la incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho[:gl]Eloxio da incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho[:en]Praise of the incorrectness | Michael \u00c1ngel D\u00edaz Camacho[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/elogio-de-la-incorreccion-miguel-angel-diaz-camacho\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elogio de la incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Elogio de la incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho[:gl]Eloxio da incorrecci\u00f3n | Miguel \u00c1ngel D\u00edaz Camacho[:en]Praise of 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