{"id":45496,"date":"2014-06-24T06:20:20","date_gmt":"2014-06-24T04:20:20","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=45496"},"modified":"2017-11-27T19:47:06","modified_gmt":"2017-11-27T18:47:06","slug":"fotografia-2-0-phe","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/fotografia-2-0-phe\/","title":{"rendered":"Fotograf\u00eda 2.0 PHE 14Fotograf\u00eda 2.0 PHE 14 Photography 2.0 PHE 14"},"content":{"rendered":"

\"\"<\/a>
Pablo Chac\u00f3n, Autopsia, 2011-2014 \u00a9 Pablo Chac\u00f3n<\/span><\/figcaption><\/figure><\/p>\n

Las primeras generaciones de fot\u00f3grafos se desarrollaron con la cultura visual pict\u00f3rica; otras tomaron el cine como referencia; las siguientes lo hicieron con la televisi\u00f3n; y, finalmente, ha irrumpido Internet como formateador del imaginario contempor\u00e1neo.<\/p>\n

Esta producci\u00f3n masiva de fotograf\u00edas puede considerarse como un efecto del poscapitalismo y de la globalizaci\u00f3n que ha venido propiciado por una sucesi\u00f3n de innovaciones tecnol\u00f3gicas.<\/p>\n

Fotograf\u00eda 2.0<\/em> pone de relieve estas transformaciones al tomar como caso de estudio el \u00e1mbito espa\u00f1ol, en el momento en el que surge una oleada de j\u00f3venes fot\u00f3grafos cr\u00edticos con la nueva situaci\u00f3n. El primer apartado de la exposici\u00f3n se ocupa de aspectos como la banalizaci\u00f3n del acto fotogr\u00e1fico, la vor\u00e1gine de los reality shows o el voyeurismo exacerbado. El segundo ata\u00f1e a las formulaciones de identidad social, a las narrativas biogr\u00e1ficas y a las ficciones personales. El \u00faltimo apunta al \u00abinconsciente tecnol\u00f3gico\u00bb de la posfotograf\u00eda, a los accidentes y fisuras que son reciclados para desplegar un vocabulario est\u00e9tico innovador.<\/p>\n

Se expondr\u00e1n obras de los fot\u00f3grafos Albert Gusi, Alejandro Guijarro, Arturo Rodr\u00edguez, Daniel Mayrit, Darius Koehli, Diego Collado, Fosi Vegue, Jon Uriarte, Jordi V. Pou, Juana Ghost, Laia Abril, Manuel Fern\u00e1ndez, Miguel Angel Garc\u00eda, Miguel \u00c1ngel Tornero, Noelia P\u00e9rez, Oscar Monz\u00f3n, Pablo Chac\u00f3n, Reinaldo Loureiro, Roc Herms y Txema Salvans.<\/p>\n

C\u00edrculo de Bellas Artes de Madrid (Espa\u00f1a)<\/strong>
\nDe martes a domingos de 11:00 > 14:00 y de 17:00 > 21:00 lunes cerrado<\/p>\n

\"\"<\/a>
Pablo Chac\u00f3n, Autopsia, 2011-2014 \u00a9 Pablo Chac\u00f3n<\/span><\/figcaption><\/figure><\/p>\n

As primeiras xeraci\u00f3ns de fot\u00f3grafos desenvolv\u00e9ronse coa cultura visual pict\u00f3rica; outras tomaron o cine como referencia; as seguintes fix\u00e9rono coa televisi\u00f3n; e, finalmente, irrompeu Internet como formateador do imaxinario contempor\u00e1neo.<\/p>\n

Esta produci\u00f3n masiva de fotograf\u00edas pode considerarse como un efecto do postcapitalismo e da globalizaci\u00f3n que veu propiciado por unha sucesi\u00f3n de innovaci\u00f3ns tecnol\u00f3xicas.<\/p>\n

Fotograf\u00eda 2.0<\/em> pon de relevo estas transformaci\u00f3ns ao tomar como caso de estudo o \u00e1mbito espa\u00f1ol, no momento no que xorde unha ondada de novos fot\u00f3grafos cr\u00edticos coa nova situaci\u00f3n. O primeiro apartado da exposici\u00f3n oc\u00fapase de aspectos como a banalizaci\u00f3n do acto fotogr\u00e1fico, o v\u00f3rtice dos reality espect\u00e1culos ou o voyeurismo exacerbado. O segundo atinxe \u00e1s formulaci\u00f3ns de identidade social, \u00e1s narrativas biogr\u00e1ficas e \u00e1s ficci\u00f3ns persoais. O \u00faltimo apunta o \u00abinconsciente tecnol\u00f3xico\u00bb da postfotograf\u00eda, aos accidentes e fisuras que son reciclados para despregar un vocabulario est\u00e9tico innovador.<\/p>\n

Expo\u00f1eranse obras dos fot\u00f3grafos Albert Gusi, Alejandro Guijarro, Arturo Rodr\u00edguez, Daniel Mayrit, Darius Koehli, Diego Collado, Fosi Vegue, Jon Uriarte, Jordi V. Pou, Juana Ghost, Laia Abril, Manuel Fern\u00e1ndez, Miguel Angel Garc\u00eda, Miguel \u00c1ngel Tornero, Noelia P\u00e9rez, Oscar Monz\u00f3n, Pablo Chac\u00f3n, Reinaldo Loureiro, Roc Herms e Txema Salvans.<\/p>\n

C\u00edrculo de Bellas Artes de Madrid (Espa\u00f1a)<\/strong><\/p>\n

De martes a domingos de 11:00 > 14:00 e de 17:00 > 21:00 luns pechado<\/p>\n

\"\"<\/a>
Pablo Chac\u00f3n, Autopsia, 2011-2014 \u00a9 Pablo Chac\u00f3n<\/span><\/figcaption><\/figure><\/p>\n

The earliest photographers grew up in the visual culture of painting; later generations took cinema \u2013 and then TV \u2013 as their visual reference. Now Internet has burst onto the scene as a universe that shapes contemporary perspectives.<\/p>\n

This mass production of photographs may be regarded as an effect of post-capitalism and globalization, prompted by a succession of technological innovations.<\/p>\n

Photography 2.0 <\/em>focuses on these changes through an examination of the situation in Spain, where a whole new wave of young photographers are currently engaged in a critical appraisal of the new situation. The exhibition comprises three sections. The first addresses the banalisation of the photographic act, the cortex of reality shows, unbridled voyeurism and loss of privacy. The second session looks at formulations of social identity, biographical narratives and personal fictions, in the light of new digital tools. The final section explores the \u201ctechnological unconscious\u201d of post-photography, the accidents and fissures that are artistically recycled to provide an innovative aesthetic vocabulary.<\/p>\n

C\u00edrculo de Bellas Artes de Madrid (Spain)<\/strong><\/p>\n

Exhibitions open Tuesdays to Sundays 11:00 \u2013 14:00 and 17:00 \u2013 21:00. Closed Mondays.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Las primeras generaciones de fot\u00f3grafos se desarrollaron con la cultura visual pict\u00f3rica; otras tomaron el cine como referencia; las siguientes lo hicieron con la televisi\u00f3n; y, finalmente, ha irrumpido Internet como formateador del imaginario contempor\u00e1neo. Esta producci\u00f3n masiva de fotograf\u00edas puede considerarse como un efecto del poscapitalismo y de la globalizaci\u00f3n que ha venido propiciado […]<\/p>\n","protected":false},"author":2,"featured_media":45497,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[10571,10572,155,10573,249,12471,10574,10575,10576,521,556,10577,12460,2086,730,8961,10578,10579,10580,10581,10582,8857,10584,10585,10586,10587,10588,10589,10590],"class_list":["post-45496","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-albert-gusi","tag-alejandro-guijarro","tag-arte-contemporaneo","tag-arturo-rodriguez","tag-capitalismo","tag-cine","tag-daniel-mayrit","tag-darius-koehli","tag-espana","tag-exposicion","tag-fosi-vegue","tag-fotografia","tag-generacion","tag-internet","tag-joan-fontcuberta","tag-jon-uriarte","tag-jordi-v-pou","tag-juana-ghost","tag-laia-abril","tag-manuel-fernandez","tag-miguel-angel-garcia-lomas-y-mata","tag-miguel-angel-tornero","tag-noelia-perez","tag-oscar-monzon","tag-pablo-chacon","tag-reinaldo-loureiro","tag-roc-herms","tag-txema-salvans"],"yoast_head":"\nFotograf\u00eda 2.0 PHE 14Fotograf\u00eda 2.0 PHE 14 Photography 2.0 PHE 14 - 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