{"id":43512,"date":"2014-05-06T06:06:38","date_gmt":"2014-05-06T06:06:38","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=43512"},"modified":"2026-10-21T13:55:34","modified_gmt":"2026-10-21T11:55:34","slug":"la-imagen-corporea-imaginacion-e-imaginario-en-la-arquitectura","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-imagen-corporea-imaginacion-e-imaginario-en-la-arquitectura\/","title":{"rendered":"La imagen corp\u00f3rea. Imaginaci\u00f3n e imaginario en la arquitectura"},"content":{"rendered":"<div>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/05\/9788425226250_06_x.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-43513\" title=\"9788425226250_06_x\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/05\/9788425226250_06_x.jpg\" alt=\"La imagen corp\u00f3rea. Imaginaci\u00f3n e imaginario en la arquitectura\" width=\"620\" height=\"761\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/05\/9788425226250_06_x.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/05\/9788425226250_06_x-244x300.jpg 244w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">La ilimitada producci\u00f3n y mercantilizaci\u00f3n de las im\u00e1genes en la cultura contempor\u00e1nea ha relegado el concepto de \u2018imagen\u2019 a una forma superficial, estilizada y ef\u00edmera de representaci\u00f3n art\u00edstica y de comunicaci\u00f3n visual. Sin embargo, las im\u00e1genes constituyen un veh\u00edculo esencial para la percepci\u00f3n, el pensamiento, el lenguaje y la memoria y, en el conjunto del imaginario que configura nuestras mentes, las im\u00e1genes po\u00e9ticas y corp\u00f3reas se erigen como categor\u00edas fundamentales, puesto que son la ra\u00edz de toda expresi\u00f3n art\u00edstica. En el \u00e1mbito de la arquitectura, las experiencias espaciales duraderas consisten precisamente en im\u00e1genes vividas y corp\u00f3reas que se han convertido en parte inseparable de nuestras vidas.<\/p>\n<p style=\"text-align: justify;\">Este libro ahonda en la naturaleza de la imagen. Tras revisar su controvertido papel en la cultura contempor\u00e1nea y la m\u00ednima atenci\u00f3n que le ha brindado la tradici\u00f3n logoc\u00e9ntrica filos\u00f3fica occidental, <a href=\"https:\/\/veredes.es\/blog\/tocando-mundo-juhani-pallasmaa\/\">Juhani Pallasmaa<\/a> nos muestra la gran complejidad del universo de la imagen, donde entran en juego elementos como el tiempo, el espacio, el cuerpo o la met\u00e1fora, y nos brinda, a trav\u00e9s de estas p\u00e1ginas, un delicioso alegato a favor de una revisi\u00f3n cr\u00edtica de la imagen.<\/p>\n<\/div>\n<p style=\"text-align: justify;\"><strong>Juhani Pallasmaa<\/strong> (H\u00e4meenlinna, Finlandia, 1936) es arquitecto y trabaja en Helsinki. Fue profesor de arquitectura en la Universidad de Tecnolog\u00eda de Helsinki, director del Museo de Arquitectura de Finlandia y profesor invitado en diversas escuelas de arquitectura de todo el mundo. Autor de numerosos art\u00edculos sobre filosof\u00eda, psicolog\u00eda y teor\u00eda de la arquitectura y del arte, su obra <em>Los ojos de la piel. La arquitectura y los sentidos<\/em> (<a href=\"https:\/\/veredes.es\/blog\/editorial-gustavo-gili-una-historia-1902-2012-2\/\">Editorial Gustavo Gili<\/a>, Barcelona, 2006) se ha convertido en un cl\u00e1sico de la teor\u00eda de la arquitectura y es de lectura obligatoria en diferentes escuelas de arquitectura de todo el mundo. Pallasmaa es tambi\u00e9n autor de <em>The Architecture of Image: Existential Space in Cinema<\/em> (2001),<em> Encounters. Architectural Essays<\/em> (2005) y <em>La mano que piensa <\/em>(Editorial Gustavo Gili, Barcelona, 2012).<\/p>\n<p class=\"veredes-amazon\">Comprar en Amazon: <a href=\"https:\/\/www.amazon.es\/dp\/8425226252?tag=veredes-21\" target=\"_blank\" rel=\"sponsored nofollow noopener\">La imagen corp\u00f3rea<\/a> <small>(enlace de afiliado)<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La ilimitada producci\u00f3n y mercantilizaci\u00f3n de las im\u00e1genes en la cultura contempor\u00e1nea ha relegado el concepto de \u2018imagen\u2019 a una forma superficial, estilizada y ef\u00edmera de representaci\u00f3n art\u00edstica y de comunicaci\u00f3n visual. Sin embargo, las im\u00e1genes constituyen un veh\u00edculo esencial para la percepci\u00f3n, el pensamiento, el lenguaje y la memoria y, en el conjunto del [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":43513,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[6893,399,2514,1873,1541,920,1120,1298],"class_list":["post-43512","post","type-post","status-publish","format-standard","has-post-thumbnail","category-libros","category-publicaciones","tag-arquitectura-finlandesa","tag-cultura","tag-editorial-gustavo-gili","tag-imagen","tag-juhani-pallasmaa","tag-naturaleza","tag-publicacion","tag-tradicion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La imagen corp\u00f3rea. 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