{"id":41672,"date":"2011-10-07T11:33:09","date_gmt":"2011-10-07T11:33:09","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=41672"},"modified":"2020-01-18T15:08:58","modified_gmt":"2020-01-18T14:08:58","slug":"john-ford-arquitectos-y-cineastas-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/john-ford-arquitectos-y-cineastas-jorge-gorostiza\/","title":{"rendered":"<!--:es-->John Ford. Arquitectos y cineastas | Jorge Gorostiza<!--:--><!--:gl-->John Ford. Arquitectos e Cineastas | Jorge Gorostiza<!--:--><!--:en-->John Ford. Architects y Moviemaker | Jorge Gorostiza<!--:-->"},"content":{"rendered":"<p><!--:es--><figure id=\"attachment_41748\" aria-describedby=\"caption-attachment-41748\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/John_Ford_1946.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-41748\" title=\"John_Ford,_1946\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/John_Ford_1946.jpg\" alt=\"\" width=\"620\" height=\"723\" \/><\/a><figcaption id=\"caption-attachment-41748\" class=\"wp-caption-text\"><span style=\"color: #888888;\">John Ford,1946<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">En esta serie sobre las relaciones entre construir un edificio y rodar una pel\u00edcula que he titulado <em>Arquitectos y cineastas<\/em>, tras haber reunido textos de otros directores, como Ren\u00e9 Clair, Amos Gitai e Ingmar Bergman, ahora le toca el turno al gran\u00a0John Ford que, cuando\u00a0le preguntaban si improvisaba en el plat\u00f3, afirmaba que lo hac\u00eda pocas veces porque tra\u00eda ya preparados los movimientos de c\u00e1mara y comparaba esta preparaci\u00f3n con el proyecto arquitect\u00f3nico:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00ab\u00bfQu\u00e9 pensar\u00eda usted de un arquitecto que llegase a su edificio y no supiese d\u00f3nde poner la escalera? Un filme no se \u00abcompone\u00bb en el decorado; se aplica al filme una composici\u00f3n predeterminada\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Ford continuaba con la comparaci\u00f3n entre la creaci\u00f3n de una pel\u00edcula y un edificio:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abEs err\u00f3neo comparar a un director con un autor. Se parece m\u00e1s a un arquitecto, si es creador. Un arquitecto concibe sus planos a partir de ciertas premisas dadas: la finalidad del edificio, su tama\u00f1o, el terreno. Si es inteligente, puede realizar algo creador dentro de esas limitaciones\u00bb\u00a0y finalizaba justific\u00e1ndose por no lograr una obra maestra en cada una de sus pel\u00edculas: \u00abLos arquitectos no s\u00f3lo crean monumentos y palacios. Tambi\u00e9n construyen casas. \u00bfCu\u00e1ntas casas hay en Par\u00eds por cada monumento? Lo mismo pasa con las pel\u00edculas. Cuando un director crea una peque\u00f1a joya de vez en cuando, un Arco del Triunfo, tiene el derecho de hacer pel\u00edculas m\u00e1s o menos corrientes\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. <span style=\"color: #888888;\">Autor del blog <em>Arquitectura+Cine+Ciudad<\/em><\/span><br \/>\nSanta Cruz de Tenerife, octubre 2011<\/p>\n<p><!--:--><!--:en--><figure id=\"attachment_41748\" aria-describedby=\"caption-attachment-41748\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/John_Ford_1946.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-41748\" title=\"John_Ford,_1946\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/John_Ford_1946.jpg\" alt=\"\" width=\"620\" height=\"723\" \/><\/a><figcaption id=\"caption-attachment-41748\" class=\"wp-caption-text\"><span style=\"color: #888888;\">John Ford,1946<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">In this series on the relations between constructing a building and rolling a movie that I have titled <em>Arquitectos and filmmaker<\/em>s, after having assembled texts of other directors, as Ren\u00e9 Clair, Amos Gitai and Ingmar Bergman, now there touches the shift the great John Ford who, when they were asking him if it was improvising in the set, was affirming that it was doing it rarely because it was bringing already prepared the movements of chamber and was comparing this preparation with the architectural project:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abWhat would think you about an architect who was coming to his building and did not know where to put the stairs? A movie \u00abdoes not \u00abconsist\u00bb in the set; a predetermined composition is applied to the movie\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Ford was continuing with the comparison between the creation of a movie and a building:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abIt is erroneous to compare the director with an author. It looks like more an architect, if it is creative. An architect conceives his planes from certain given premises: the purpose of the building, his size, the area. If it is intelligent, it can realize something creative inside these limitations \u00bb and it was finishing justifying itself for not achieving a masterpiece in each of his movies: \u00bb The architects not only create monuments and palaces. Also they construct houses. How many you marry are in Paris for every monument? The same thing happens with the movies. When the director creates a small jewel occasionally, an Arch of the Victory, it has the right to do more or less current movies\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Jorge Gorostiza, architect. <span style=\"color: #888888;\">Author of the blog <em>Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n<p>Santa Cruz de Tenerife, october 2011<\/p>\n<p><!--:--><!--:gl--><figure id=\"attachment_41748\" aria-describedby=\"caption-attachment-41748\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/John_Ford_1946.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-41748\" title=\"John_Ford,_1946\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/John_Ford_1946.jpg\" alt=\"\" width=\"620\" height=\"723\" \/><\/a><figcaption id=\"caption-attachment-41748\" class=\"wp-caption-text\"><span style=\"color: #888888;\">John Ford,1946<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Nesta serie sobre as relaci\u00f3ns entre constru\u00edr un edificio e rodar unha pel\u00edcula que titulei Arquitectos e cineastas, tras reunir textos doutros directores, como Ren\u00e9 Clair, Amos Gitai e Ingmar Bergman, agora t\u00f3calle a quenda ao gran John Ford que, cando lle preguntaban se improvisaba no estudio, afirmaba que hab\u00edao poucas veces porque tra\u00eda xa preparados os movementos de c\u00e1mara e comparaba esta preparaci\u00f3n co proxecto arquitect\u00f3nico:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00ab\u00bfQue pensar\u00eda vostede dun arquitecto que chegase ao seu edificio e non soubese onde po\u00f1er a escaleira? Un filme non se \u00abcomp\u00f3n\u00bb no decorado; apl\u00edcase ao filme unha composici\u00f3n predeterminada\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Ford continuaba coa comparaci\u00f3n entre a creaci\u00f3n dunha pel\u00edcula e un edificio:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00ab\u00c9 err\u00f3neo comparar un director cun autor. Par\u00e9cese m\u00e1is a un arquitecto, se \u00e9 creador. Un arquitecto concibe os seus planos a partir de certas premisas dadas: a finalidade do edificio, o seu tama\u00f1o, o terreo. Se \u00e9 intelixente, pode realizar algo creador dentro desas limitaci\u00f3ns\u00bb e finalizaba xustific\u00e1ndose por non lograr unha obra mestra en cada unha das s\u00faas pel\u00edculas: \u00abOs arquitectos non s\u00f3 crean monumentos e pazos. Tam\u00e9n constr\u00faen casas. Cantas casas hai en Par\u00eds por cada monumento? O mesmo pasa coas pel\u00edculas. Cando un director crea unha pequena xoia de cando en vez, un Arco do Triunfo, ten o dereito de facer pel\u00edculas m\u00e1is ou menos correntes\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. <span style=\"color: #888888;\">Autor do blogue <em>Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n<p>Santa Cruz de Tenerife, outubro 2011<\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En esta serie sobre las relaciones entre construir un edificio y rodar una pel\u00edcula que he titulado Arquitectos y cineastas, tras haber reunido textos de otros directores, como Ren\u00e9 Clair, Amos Gitai e Ingmar Bergman, ahora le toca el turno al gran\u00a0John Ford que, cuando\u00a0le preguntaban si improvisaba en el plat\u00f3, afirmaba que lo hac\u00eda [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":41748,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[5154,4930,4400,11184,12471,4396,318,3283,10246,4245,1787,2069,10253,668,4397,9265,3637,1593,3452,4395,5155,3664,4399,3929,10254,4398],"class_list":["post-41672","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-adrian-martin","tag-albert-speer","tag-amos-gitai","tag-arquitectos-y-cineastas","tag-cine","tag-cineastas","tag-ciudad","tag-dziga-vertov","tag-espacio-cinematografico","tag-boulle","tag-europa","tag-gales","tag-girish-shambu","tag-historia","tag-ingmar-bergman","tag-isaac-newton","tag-john-ford","tag-jorge-gorostiza","tag-personaje","tag-peter-greenaway","tag-raul-ruiz","tag-reino-unido","tag-rene-clair","tag-sigfried-giedion","tag-walerian-borowcyk"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>John Ford. 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