{"id":39585,"date":"2014-04-24T06:36:39","date_gmt":"2014-04-24T06:36:39","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=39585"},"modified":"2020-01-03T15:36:06","modified_gmt":"2020-01-03T14:36:06","slug":"arquiamaestros-03-%c2%b7-juan-navarro-baldeweg","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/arquiamaestros-03-%c2%b7-juan-navarro-baldeweg\/","title":{"rendered":"<!--:es-->Arquia\/Maestros 03 \u00b7 Juan Navarro Baldeweg<!--:--><!--:gl-->Arquia\/Maestros 03 \u00b7 Juan Navarro Baldeweg<!--:--><!--:en-->Arquia\/Maestros 03 \u00b7 Juan Navarro Baldeweg<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\"><strong>JUAN NAVARRO BALDEWEG. Entrevistado por Luis Fern\u00e1ndez-Galiano<\/strong><\/p>\n<p style=\"text-align: justify;\">JUAN NAVARRO BALDEWEG (Santander, 1939) es sobre todo un artista, cuyas obras construidas persiguen desentra\u00f1ar las mismas inc\u00f3gnitas que desde la adolescencia abordan sus instalaciones o sus lienzos: la gravedad y la luz, la materia y los meteoros, el cuerpo y el paisaje.<\/p>\n<div>\n<p style=\"text-align: justify;\">En la entrevista en profundidad que realiza Luis Fern\u00e1ndez-Galiano, este conjunto de preocupaciones art\u00edsticas y expresivas van encontrando eco en los proyectos, desde la temprana Casa de la lluvia y el influyente concurso para la remodelaci\u00f3n de la cornisa monumental de Madrid, pasando por sus numerosas intervenciones e investigaciones hidr\u00e1ulicas y patrimoniales, y hasta las grandes obras de madurez, el Palacio de exposiciones y congresos de Salamanca, el Museo de Altamira en Santillana del Mar, los Teatros del Canal en Madrid y el Museo de la Evoluci\u00f3n Humana en Burgos: una f\u00e9rtil carrera arquitect\u00f3nica en la que no han faltado logros fuera de Espa\u00f1a, del Woolworth Center of Music de Princeton o la Biblioteca Hertziana de Roma al reciente Instituto de Arqueolog\u00eda y Patrimonio de Amersfoort, obras todas que re\u00fanen sus intereses espaciales con su muy aguda sensibilidad cultural.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-39586\" title=\"portada-+-galleta-MAESTROS-03\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg\" alt=\"\" width=\"620\" height=\"769\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03-241x300.jpg 241w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">AUTOR DEL LIBRETO. Luis Fern\u00e1ndez-Galiano<br \/>\nEs arquitecto, catedr\u00e1tico de Proyectos en la Escuela de Arquitectura de la Universidad Polit\u00e9cnica de Madrid y director de las revistas AV\/Arquitectura Viva desde 1985. Entre 1993 y 2006 estuvo a cargo de la p\u00e1gina semanal de arquitectura del diario El Pa\u00eds, donde actualmente colabora en la secci\u00f3n de Opini\u00f3n. Miembro de n\u00famero de la Real Academia de Bellas Artes de San Fernando y de la Real Academia de Doctores, es International Fellow del RIBA, ha sido Cullinan Professor en la Universidad de Rice, Franke Fellow en la Universidad de Yale, investigador visitante en el Centro Getty de Los \u00c1ngeles y cr\u00edtico visitante en Harvard y Princeton, as\u00ed como en el Instituto Berlage; y ha dirigido cursos de las universidades Men\u00e9ndez Pelayo y Complutense. Fue tambi\u00e9n director de los congresos internacionales de arquitectura \u2018M\u00e1s por menos\u2019 (2010) y \u2018Lo com\u00fan\u2019 (2012). Presidente del jurado en la 9\u00aa Bienal de Arquitectura de Venecia, experto y jurado del premio europeo Mies van der Rohe, ha sido comisario de las exposiciones El espacio privado, Eurasia Extrema (en Tokio y en Madrid), Bucky Fuller &amp; Spaceship Earth y Jean Prouv\u00e9: belleza fabricada (estas dos \u00faltimas con Norman Foster), as\u00ed como de Spain mon amour (en la 13\u00aa Bienal de Arquitectura de Venecia y en Madrid) y The Architect is Present. Asimismo, ha formado parte del jurado de numerosos concursos internacionales en Europa, Am\u00e9rica y Asia, incluyendo los de la Biblioteca Nacional de M\u00e9xico, el Museo Nacional de Arte de China y la Biblioteca Nacional de Israel, en este \u00faltimo caso como presidente. Entre sus libros se cuentan La quimera moderna, El fuego y la memoria (publicado en ingl\u00e9s con el t\u00edtulo Fire and Memory), Spain Builds (con el MoMA en la versi\u00f3n inglesa, y presentado en su versi\u00f3n china con simposios en Shangh\u00e1i y Pek\u00edn) y Atlas, arquitecturas del siglo XXI, una serie de cuatro vol\u00famenes.<\/p>\n<p><strong>JUAN NAVARRO BALDEWEG<\/strong>. Entrevistado por Luis Fern\u00e1ndez-Galiano<br \/>\nDirector del documental: Joan \u00dabeda y Gilbert Arroyo<br \/>\nAutor del libreto: Luis Fern\u00e1ndez-Galiano<br \/>\nA\u00f1o de Producci\u00f3n: 2013<br \/>\nFormato: DVD<br \/>\nDuraci\u00f3n: 78\u2032<br \/>\nColecci\u00f3n: arquia\/maestros<br \/>\nN\u00ba de la colecci\u00f3n: 3<br \/>\n<a href=\"http:\/\/fundacion.arquia.es\/es\/ediciones\/documentales\/Colecciones\/DetalleDocumental\/36?novedad=1\" target=\"_blank\">+ info<\/a>\n<\/div>\n<p><iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B00LSJYVLQ&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8461716612&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8497692756&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8425223946&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><\/p>\n<p><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\"><strong>JUAN NAVARRO BALDEWEG. Entrevistado por Luis Fern\u00e1ndez-Galiano<\/strong><\/p>\n<p style=\"text-align: justify;\">JUAN NAVARRO BALDEWEG (Santander, 1939) \u00e9 sobre todo un artista, cuxas obras constru\u00eddas perseguen desentra\u00f1ar as mesmas inc\u00f3gnitas que dende a adolescencia abordan as s\u00faas instalaci\u00f3ns ou os seus lenzos: a gravidade e a luz, a materia e os meteoros, o corpo e a paisaxe.<\/p>\n<div>\n<p style=\"text-align: justify;\">Na entrevista en profundidade que realiza Luis Fern\u00e1ndez-Galiano, este conxunto de preocupaci\u00f3ns art\u00edsticas e expresivas van encontrando eco nos proxectos, dende a temper\u00e1 Casa da chuvia e o influente concurso para a remodelaci\u00f3n da cornixa monumental de Madrid, pasando polas s\u00faas numerosas intervenci\u00f3ns e investigaci\u00f3ns hidr\u00e1ulicas e patrimoniais, e ata as grandes obras de madureza, o Pazo de exposici\u00f3ns e congresos de Salamanca, o Museo de Altamira en Santillana del Mar, os Teatros da Canle en Madrid e o Museo da Evoluci\u00f3n Humana en Burgos: unha f\u00e9rtil carreira arquitect\u00f3nica na que non faltaron logros f\u00f3ra de Espa\u00f1a, do Woolworth Center of Music de Princeton ou a Biblioteca Hertziana de Roma ao recente Instituto de Arqueolox\u00eda e Patrimonio de Amersfoort, obras todas que re\u00fanen os seus intereses espaciais coa s\u00faa moi aguda sensibilidade cultural.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-39586\" title=\"portada-+-galleta-MAESTROS-03\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg\" alt=\"\" width=\"620\" height=\"769\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03-241x300.jpg 241w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">AUTOR DEL LIBRETO. Luis Fern\u00e1ndez-Galiano<\/p>\n<p>\u00c9 arquitecto, catedr\u00e1tico de Proxectos na Escola de Arquitectura da Universidade Polit\u00e9cnica de Madrid e director das revistas AV\/Arquitectura Viva dende 1985. Entre 1993 e 2006 estivo a cargo da p\u00e1xina semanal de arquitectura do diario El Pa\u00eds, onde actualmente colabora na secci\u00f3n de Opini\u00f3n. Membro de n\u00famero da Real Academia de Belas Artes de San Fernando e da Real Academia de Doutores, \u00e9 International Fellow do RIBA, foi Cullinan Professor na Universidade de Rice, Franke Fellow na Universidade de Yale, investigador visitante no Centro Getty de Los \u00c1ngeles e cr\u00edtico visitante en Harvard e Princeton, as\u00ed como no Instituto Berlage; e dirixiu cursos das universidades Men\u00e9ndez Pelayo e Complutense. Foi tam\u00e9n director dos congresos internacionais de arquitectura &#8216;m\u00e1is por menos&#8217; (2010) e &#8216;O com\u00fan&#8217; (2012). Presidente do xurado na 9\u00aa Bienal de Arquitectura de Venecia, experto e xurado do premio europeo Mies van der Rohe, foi comisario das exposici\u00f3ns El espazo privado, Eurasia Extrema (en Tokyo e en Madrid), Bucky Fuller &#038; Spaceship Earth e Jean Prouv\u00e9: beleza fabricada (estas d\u00faas \u00faltimas con Norman Foster), as\u00ed como de Spain mon amour (na 13\u00aa Bienal de Arquitectura de Venecia e en Madrid) e The Architect is Present. As\u00ed mesmo, formou parte do xurado de numerosos concursos internacionais en Europa, Am\u00e9rica e Asia, inclu\u00edndo os da Biblioteca Nacional de M\u00e9xico, o Museo Nacional de Arte de China e a Biblioteca Nacional de Israel, neste \u00faltimo caso como presidente. Entre os seus libros c\u00f3ntanse La quimera moderna, El lume e a memoria (publicada en ingl\u00e9s co t\u00edtulo Fire and Memory), Spain Builds (co MoMA na versi\u00f3n inglesa, e presentado na s\u00faa versi\u00f3n chinesa con simposios en Shangh\u00e1i e Beijing) e Atlas, arquitecturas do s\u00e9culo XXI, unha serie de catro volumes.<\/p>\n<p><strong>JUAN NAVARRO BALDEWEG<\/strong>. Entrevistado por Luis Fern\u00e1ndez-Galiano<\/p>\n<p>Director do documental: Joan \u00dabeda y Gilbert Arroyo<\/p>\n<p>Autor do libreto: Luis Fern\u00e1ndez-Galiano<\/p>\n<p>Ano de Producci\u00f3n: 2013<\/p>\n<p>Formato: DVD<\/p>\n<p>Duraci\u00f3n: 78\u2032<\/p>\n<p>Colecci\u00f3n: arquia\/maestros<\/p>\n<p>N\u00ba da colecci\u00f3n: 3<\/p>\n<p><a href=\"http:\/\/fundacion.arquia.es\/es\/ediciones\/documentales\/Colecciones\/DetalleDocumental\/36?novedad=1\" target=\"_blank\">+ info<\/a><\/p>\n<\/div>\n<p><iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B00LSJYVLQ&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8461716612&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8497692756&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8425223946&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\"><strong>JUAN NAVARRO BALDEWEG. Interviewed by Luis Fernandez-Galiano<\/p>\n<p><\/strong><\/p>\n<p style=\"text-align: justify;\">JUAN NAVARRO BALDEWEG (Santander, 1939) is especially an artist, whose constructed works chase to uncover the same mysteries that from the adolescence approach his facilities or his linens: the gravity and the light, the matter and the meteors, the body and the landscape.<\/p>\n<div>\n<p style=\"text-align: justify;\">In the interview in depth that Luis Fernandez-Galiano realizes, this set of artistic and expressive worries are finding echo in the projects, from the early House of the rain and the influential contest for the remodeling of the monumental cornice of Madrid, spending for his numerous interventions and hydraulic and patrimonial investigations, and up to the big works of maturity, the Palace of exhibitions and congresses of Salamanca, Altamira&#8217;s Museum in Santillana of the Sea, the Theatres of the Channel in Madrid and the Museum of the Evolution Humanizes in Burgos: a fertile architectural career in which achievements have not been absent out of Spain, of the Woolworth Center of Music de Princeton or the Library Hertziana of Rome to the recent Institute of Archaeology and Amersfoort&#8217;s Heritage, you work all who assemble his spatial interests with his very sharp cultural sensibility.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-39586\" title=\"portada-+-galleta-MAESTROS-03\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg\" alt=\"\" width=\"620\" height=\"769\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/03\/portada-+-galleta-MAESTROS-03-241x300.jpg 241w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">AUTHOR of the LIBRETTO. Luis Fern\u00e1ndez-Galiano<\/p>\n<p>He is an architect, project professor in the School of Architecture of the Technical University of Madrid and the director of the magazines AV\/Arquitectura Viva from 1985. Between 1993 and 2006 it was at the expense of the weekly page of architecture of the diary El Pa\u00eds newspaper, where nowadays he collaborates in the section of Opinion. Member of number of the Royal Academy of Fine arts of San Fernando and of the Doctors&#8217; Royal Academy, is International Fellow of the RIBA, has been Cullinan Professor in the University of Curl, Franke Fellow in the University of Yale, investigative visitor in the Center Getty of Los Angeles and critical visitor in Harvard and Princeton, as well as in the Institute Berlage; and Men\u00e9ndez Pelayo has directed courses of the universities and Complutensian.\u00a0He was also the director of the international congresses of architecture &#8216; More for less &#8216; (2010) and &#8216; The common thing &#8216; (2012). President of the juror in 9 \u00aa Biennial show of Architecture of Venice, expert and juror of the European prize Mies van der Rohe, has been a commissioner of the exhibitions The private space, Eurasia Carries to extremes (in Tokyo and in Madrid), Bucky Fuller and Spaceship Earth and Jean Prouv\u00e9: made beauty (these two last ones with Norman Foster), as well as of Spain mon amour (in 13 \u00aa Biennial show of Architecture of Venice and in Madrid) and The Architect is Present.Likewise, it has formed a part of the juror of numerous international contests in Europe, America and Asia, including those of the National Library of Mexico, the National Museum of Art of China and Israel&#8217;s National Library, in the latter case as president. Between his books they tell themselves The modern chimera, The fire and the memory (published in English with the title Fire and Memory), Spain Builds (with the MoMA in the English version, and presented in his Chinese version with symposiums in Shangh\u00e1i and Pekin) and Atlas, architectures of the 21st century, a series of four volumes.<\/p>\n<p><strong>JUAN NAVARRO BALDEWEG<\/strong>. Interviewed by Luis Fernandez-Galiano<\/p>\n<p>Director of the documentary: Joan \u00dabeda y Gilbert Arroyo<\/p>\n<p>Author of the libretto: Luis Fern\u00e1ndez-Galiano<\/p>\n<p>Year of Production: 2013<\/p>\n<p>Format: DVD<\/p>\n<p>Duration: 78\u2032<\/p>\n<p>Collectiof the Collection: 3<\/p>\n<p><span style=\"color: #888888;\"><a href=\"http:\/\/fundacion.arquia.es\/es\/ediciones\/documentales\/Colecciones\/DetalleDocumental\/36?novedad=1\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/span><\/p>\n<\/div>\n<p><iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B00LSJYVLQ&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8461716612&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8497692756&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8425223946&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>JUAN NAVARRO BALDEWEG. Entrevistado por Luis Fern\u00e1ndez-Galiano JUAN NAVARRO BALDEWEG (Santander, 1939) es sobre todo un artista, cuyas obras construidas persiguen desentra\u00f1ar las mismas inc\u00f3gnitas que desde la adolescencia abordan sus instalaciones o sus lienzos: la gravedad y la luz, la materia y los meteoros, el cuerpo y el paisaje. En la entrevista en profundidad [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":39586,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1410,26],"tags":[10087,2631,12449,160,3632,434,484,3170,2358,2423,815,3323,12466],"class_list":["post-39585","post","type-post","status-publish","format-standard","has-post-thumbnail","category-catalogos","category-publicaciones","tag-arquitectura-espanola","tag-arte","tag-artista","tag-coleccion","tag-documental","tag-entrevista","tag-fundacion-caja-de-arquitectos","tag-juan-navarro-baldeweg","tag-luis-fernandez-galiano","tag-maestro","tag-medalla-de-oro","tag-pintura"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arquia\/Maestros 03 \u00b7 Juan Navarro BaldewegArquia\/Maestros 03 \u00b7 Juan Navarro BaldewegArquia\/Maestros 03 \u00b7 Juan Navarro Baldeweg - 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