{"id":39436,"date":"2014-03-25T07:17:41","date_gmt":"2014-03-25T07:17:41","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=39436"},"modified":"2019-07-29T15:08:14","modified_gmt":"2019-07-29T13:08:14","slug":"shigeru-ban-premio-pritzker-2014","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/shigeru-ban-premio-pritzker-2014\/","title":{"rendered":"[:es]Shigeru Ban, Premio Pritzker 2014 [:gl]Shigeru Ban, Premio Pritzker 2014 [:en]Shigeru Ban, 2014 Pritzker Architecture Prize[:]"},"content":{"rendered":"

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Cortes\u00eda de Shigeru Ban Architects<\/span><\/figcaption><\/figure><\/p>\n

Desde su creaci\u00f3n hace treinta y cinco a\u00f1os, el objetivo del Premio Pritzker de Arquitectura es reconocer a los arquitectos vivos por su excelencia en el trabajo construido como tambi\u00e9n en la contribuci\u00f3n significativa y consistente hacia la humanidad.<\/p>\n

Shigeru Ban, el laureado 2014, refleja este esp\u00edritu del premio al m\u00e1ximo. \u00c9l es un arquitecto excepcional que durante veinte a\u00f1os, ha estado entregando respuestas a situaciones extremas causadas por desastres naturales devastadores, con creatividad y dise\u00f1o de alta calidad. Sus edificios entregan refugio, centros comunitarios y lugares espirituales para aquellos que han sufrido enorme p\u00e9rdidas y han sido v\u00edctimas de la destrucci\u00f3n. Cuando ocurre una tragedia , a menudo \u00e9l est\u00e1 all\u00ed desde el principio, como en Ruanda , Turqu\u00eda , India , China , Italia, Hait\u00ed, y su pa\u00eds de origen, Jap\u00f3n, entre otros.<\/p>\n

Su enfoque e innovaci\u00f3n creativa, sobre todo en relaci\u00f3n con los materiales y estructuras, \u00a0est\u00e1n presentes en todas sus obras. A trav\u00e9s de un dise\u00f1o de excelencia, en respuesta a problemas apremiantes, Shigeru Ban ha ampliado el rol de la profesi\u00f3n; ha generado un espacio para que los arquitectos participen en el di\u00e1logo con los gobiernos y los organismos p\u00fablicos, los fil\u00e1ntropos y las comunidades afectadas. Su sentido de la responsabilidad y la acci\u00f3n positiva para crear una arquitectura de calidad capaz de atender las necesidades de la sociedad, junto con una singular mirada hacia los desaf\u00edos humanitarios, hacen del ganador de este a\u00f1o, un profesional ejemplar.<\/p>\n

El galardonado tiene una carrera excepcionalmente amplia. Desde la fundaci\u00f3n de su primera oficina en Tokio en 1985 y su posterior despliegue hacia Nueva York y Par\u00eds, ha llevado a cabo proyectos que van desde las viviendas m\u00ednimas, casas experimentales y vivienda colectiva, hasta los museos, pabellones de exposiciones, salas de conferencias y de conciertos, y edificios de oficinas.<\/p>\n

Su enfoque experimental se ha convertido en el fundamento que une gran parte de su obra construida. Con su trabajo se ha ampliado el campo de la arquitectura, en relaci\u00f3n no s\u00f3lo a los problemas y desaf\u00edos que aborda, sino tambi\u00e9n con respecto a las herramientas y t\u00e9cnicas para lidiar con ellos. Ban es capaz de ver en componentes est\u00e1ndares y materiales comunes, tales como los tubos de papel, materiales de embalaje o contenedores de transporte, oportunidades para usarlos de nuevas maneras. Es especialmente conocido por sus innovaciones estructurales y el uso creativo de materiales no convencionales como el bamb\u00fa, la tela, el papel y materiales compuestos de fibra de papel y pl\u00e1stico reciclado.<\/p>\n

En Naked House, fue capaz de cuestionar la noci\u00f3n tradicional de las habitaciones, y en consecuencia, la de la vida dom\u00e9stica. Al mismo tiempo cre\u00f3 un ambiente transl\u00facido, casi m\u00e1gico. Todo esto, con medios modestos, como paredes revestidas externamente en pl\u00e1stico corrugado y secciones de acr\u00edlico blanco estructuradas por dentro a trav\u00e9s de un entramado de madera. Esta sofisticada composici\u00f3n en base a capas de materiales comunes, utilizados de una manera natural y eficiente, ofrece confort, un desempe\u00f1o ambiental eficiente y al mismo tiempo, una calidad sensual de la luz.<\/p>\n

Su propio estudio, ubicado en lo alto de una terraza en el Centro Pompidou de Par\u00eds durante los seis a\u00f1os que trabaj\u00f3 en el proyecto del Museo de Metz, fue construido con tubos de cart\u00f3n y una membrana que cubre el techo arqueado. Para la construcci\u00f3n del museo utiliz\u00f3 containers como elementos \u00a0pre-fabricados. Su obra es una prueba de su capacidad de agregar valor a trav\u00e9s del dise\u00f1o. Desarroll\u00f3 muchas otras nuevas ideas conceptuales y estructurales que pueden verse materializadas en PC Pile House, House of Double Roof, Furniture House, Wall-less House y Nine-Square Grid House.<\/p>\n

La continuidad espacial entre los espacios interiores y exteriores es tambi\u00e9n una cualidad que recorre todo su trabajo. En Curtain Wall House, utiliz\u00f3 cortinas m\u00f3viles, similares a las de tiendas de campa\u00f1a, para vincular f\u00e1cilmente el interior y el exterior, proporcionando de igual manera la privacidad necesaria. El edificio de catorce pisos Nicolas G. Hayek Center de Tokio, est\u00e1 cubierto con persianas de vidrio en las fachadas delanteras y traseras que se pueden abrir completamente.<\/p>\n

Para Shigeru Ban, la sustentabilidad no es un concepto que se pueda a\u00f1adir despu\u00e9s de los hechos, sino que es un factor intr\u00ednseco a la arquitectura. Sus obras se esfuerzan para encontrar los productos y sistemas apropiados que se encuentran en armon\u00eda con el medio ambiente y el contexto espec\u00edfico, el uso de materiales renovables y de producci\u00f3n local, cada vez que sea posible. S\u00f3lo un ejemplo es su edificio de oficinas Tamedia reci\u00e9n inaugurado en Zurich, que utiliza un sistema estructural de piezas de madera entrelazadas, carente por completo de piezas met\u00e1licas anexas o pegamento.<\/p>\n

Su gran conocimiento de la estructura y su aprecio por maestros como Mies van der Rohe y Frei Otto, han contribuido al desarrollo y la claridad de sus edificios. Su arquitectura es directa y honesta. Sin embargo, nunca es com\u00fan, y cada nuevo proyecto tiene una frescura especial que lo caracteriza. La elegante sencillez y aparente falta de esfuerzo en sus obras son el resultado de a\u00f1os de pr\u00e1ctica y un amor por la construcci\u00f3n. Por sobre todas las cosas, su respeto por las personas que habitan en sus edificios, sean estas, v\u00edctimas de desastres naturales o clientes privados, siempre se revela a trav\u00e9s de un enfoque reflexivo, planes funcionales, materiales apropiados y cuidadosamente seleccionados, y la riqueza de los espacios que crea.<\/p>\n

Shigeru Ban es un arquitecto incansable cuya obra exhuda optimismo. Donde otros pueden percibir retos casi imposibles de superar, Shigeru Ban ve una llamada a la acci\u00f3n. Donde otros pueden preferir tomar un camino ya probado, \u00e9l ve la oportunidad de innovar. Es adem\u00e1s un profesor comprometido que no s\u00f3lo representa un modelo a seguir para la generaci\u00f3n m\u00e1s joven, sino tambi\u00e9n una fuente de inspiraci\u00f3n.<\/p>\n

Por todas estas razones, Shigeru Ban es Galardonado con el Premio Pritzker de Arquitectura 2014.<\/p>\n

+ info<\/span><\/p>\n

[:gl]

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Cortes\u00eda de Shigeru Ban Architects<\/span><\/figcaption><\/figure><\/p>\n

Dende a s\u00faa creaci\u00f3n hai trinta e cinco anos, o obxectivo do Premio Pritzker de Arquitectura \u00e9 reco\u00f1ecer os arquitectos vivos pola s\u00faa excelencia no traballo constru\u00eddo como tam\u00e9n na contribuci\u00f3n significativa e consistente cara \u00e1 humanidade.<\/p>\n

Shigeru Ban, o laureado 2014, reflicte este esp\u00edrito do premio ao m\u00e1ximo. El \u00e9 un arquitecto excepcional que durante vinte anos, estivo a entregar respostas a situaci\u00f3ns extremas causadas por desastres naturais desvastadores, con creatividade e dese\u00f1o de alta calidade. Os seus edificios entregan refuxio, centros comunitarios e lugares espirituais para aqueles que sufriron enorme perdas e foron v\u00edtimas da destruci\u00f3n. Cando acontece unha traxedia, a mi\u00fado el est\u00e1 al\u00ed dende o principio, como en Ruanda, Turqu\u00eda, India, China, Italia, Hait\u00ed, e o seu pa\u00eds de orixe, Xap\u00f3n, entre outros.<\/p>\n

O seu enfoque e innovaci\u00f3n creativa, sobre todo en relaci\u00f3n cos materiais e estruturas, est\u00e1n presentes en todas as s\u00faas obras. A trav\u00e9s dun dese\u00f1o de excelencia, en resposta a problemas urxentes, Shigeru Ban ampliou o rol da profesi\u00f3n; xerou un espazo para que os arquitectos participen no di\u00e1logo cos gobernos e os organismos p\u00fablicos, os fil\u00e1ntropos e as comunidades afectadas. O seu sentido da responsabilidade e a acci\u00f3n positiva para crear unha arquitectura de calidade capaz de atender as necesidades da sociedade, xunto cunha singular mirada cara aos desaf\u00edos humanitarios, fan do ga\u00f1ador deste ano, un profesional exemplar.<\/p>\n

O galardoado ten unha carreira excepcionalmente ampla. Dende a fundaci\u00f3n da s\u00faa primeira oficina en Tokyo en 1985 e o seu posterior despregamento cara a Nova York e Par\u00eds, levou a cabo proxectos que van dende as vivendas m\u00ednimas, casas experimentais e vivenda colectiva, ata os museos, pavill\u00f3ns de exposici\u00f3ns, salas de conferencias e de concertos, e edificios de oficinas.<\/p>\n

O seu enfoque experimental converteuse no fundamento que une gran parte da s\u00faa obra constru\u00edda. Co seu traballo ampliouse o campo da arquitectura, en relaci\u00f3n non s\u00f3 aos problemas e desaf\u00edos que aborda, sen\u00f3n tam\u00e9n con respecto \u00e1s ferramentas e t\u00e9cnicas para lidar con eles. Ban \u00e9 capaz de ver en compo\u00f1entes est\u00e1ndares e materiais com\u00fans, tales como os tubos de papel, materiais de embalaxe ou colectores de transporte, oportunidades para usalos de novas maneiras. \u00c9 especialmente co\u00f1ecido polas s\u00faas innovaci\u00f3ns estruturais e o uso creativo de materiais non convencionais como o bamb\u00fa, a tea, o papel e materiais compostos de fibra de papel e pl\u00e1stico reciclado.<\/p>\n

En Naked House, foi capaz de cuestionar a noci\u00f3n tradicional dos cuartos, e, en consecuencia a da vida dom\u00e9stica. Ao mesmo tempo creou un ambiente transl\u00facido, case m\u00e1xico. Todo isto, con medios modestos, como paredes revestidas externamente en pl\u00e1stico corrugado e secci\u00f3ns de acr\u00edlico branco estruturadas por dentro a trav\u00e9s dunha armaz\u00f3n de madeira. Esta sofisticada composici\u00f3n sobre a base de capas de materiais com\u00fans, utilizados dun xeito natural e eficiente, ofrece confort, un desempe\u00f1o ambiental eficiente e ao mesmo tempo, unha calidade sensual da luz.<\/p>\n

O seu propio estudo, situado no alto dunha terraza no Centro Pompidou de Par\u00eds durante os seis anos que traballou no proxecto do Museo de Metz, foi constru\u00eddo con tubos de cart\u00f3n e unha membrana que cobre o teito arqueado. Para a construci\u00f3n do museo utilizou containers como elementos pre-fabricados. A s\u00faa obra \u00e9 unha proba da s\u00faa capacidade de agregar valor a trav\u00e9s do dese\u00f1o. Desenvolveu moitas outras novas ideas conceptuais e estruturais que poden verse materializadas en PC Pile House, House of Double Roof, Furniture House, Wall-less House e Nine-Square Grid House.<\/p>\n

A continuidade espacial entre os espazos interiores e exteriores \u00e9 tam\u00e9n unha calidade que percorre todo o seu traballo. En Curtain Wall House, utilizou cortinas m\u00f3biles, similares \u00e1s de tendas de campa\u00f1a, para vincular doadamente o interior e o exterior, proporcionando de igual xeito a privacidade necesaria. O edificio de catorce pisos Nicolas G. Hayek Center de Tokyo, est\u00e1 cuberto con persianas de vidro nas fachadas dianteiras e traseiras que se poden abrir completamente.<\/p>\n

Para Shigeru Ban, a sustentabilidad non \u00e9 un concepto que se poida engadir despois dos feitos, sen\u00f3n que \u00e9 un factor intr\u00ednseco \u00e1 arquitectura. As s\u00faas obras esf\u00f3rzanse para encontrar os produtos e sistemas apropiados que se encontran en harmon\u00eda co medio e o contexto espec\u00edfico, o uso de materiais renovables e de produci\u00f3n local, cada vez que sexa posible. S\u00f3 un exemplo \u00e9 o seu edificio de oficinas Tamedia rec\u00e9n inaugurado en Z\u00fcrich, que utiliza un sistema estrutural de pezas de madeira entrelazadas, carente por completo de pezas met\u00e1licas anexas ou pegamento.<\/p>\n

O seu gran co\u00f1ecemento da estrutura e o seu aprecio por mestres como Mies van der Rohe e Frei Otto, contribu\u00edron ao desenvolvemento e a claridade dos seus edificios. A s\u00faa arquitectura \u00e9 directa e honesta. Non obstante, nunca \u00e9 com\u00fan, e cada novo proxecto ten unha frescura especial que o caracteriza. A elegante sinxeleza e aparente falta de esforzo nas s\u00faas obras son o resultado de anos de pr\u00e1ctica e un amor pola construci\u00f3n. Por sobre todas as cousas, o seu respecto polas persoas que habitan nos seus edificios, sexan estas, v\u00edtimas de desastres naturais ou clientes privados, sempre se revela a trav\u00e9s dun enfoque reflexivo, plans funcionais, materiais apropiados e coidadosamente seleccionados, e a riqueza dos espazos que crea.<\/p>\n

Shigeru Ban \u00e9 un arquitecto incansable cuxa obra exhuda optimismo. Onde outros poden percibir retos case imposibles de superar, Shigeru Ban ve unha chamada \u00e1 acci\u00f3n. Onde outros poden preferir tomar un cami\u00f1o xa probado, el ve a oportunidade de innovar. \u00c9 ademais un profesor comprometido que non s\u00f3 representa un modelo a seguir para a xeraci\u00f3n m\u00e1is nova, sen\u00f3n tam\u00e9n unha fonte de inspiraci\u00f3n.<\/p>\n

Por todas estas raz\u00f3ns, Shigeru Ban \u00e9 Galardoado co Premio Pritzker de Arquitectura 2014.<\/p>\n

+ info<\/span><\/p>\n

[:en]

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Cortes\u00eda de Shigeru Ban Architects<\/span><\/figcaption><\/figure><\/p>\n

Since its establishment thirty-five years ago, the goal of the Pritzker Architecture Prize is to recognize living architects for excellence in built work and who make a significant and consistent contribution to humanity.<\/p>\n

Shigeru Ban, the 2014 laureate, reflects this spirit of the prize to the fullest. He is an outstanding architect who, for twenty years, has been responding with creativity and high quality design to extreme situations caused by devastating natural disasters. His buildings provide shelter, community centers, and spiritual places for those who have suffered tremendous loss and destruction. When tragedy strikes, he is often there from the beginning, as in Rwanda, Turkey, India, China, Italy, and Haiti, and his home country of Japan, among others.<\/p>\n

His creative approach and innovation, especially related to building materials and structures, not merely good intentions, are present in all his works. Through excellent design, in response to pressing challenges, Shigeru Ban has expanded the role of the profession; he has made a place at the table for architects to participate in the dialogue with governments and public agencies, philanthropists, and the affected communities. His sense of responsibility and positive action to create architecture of quality to serve society \u0301s needs, combined with his original approach to these humanitarian challenges, make this year \u0301s winner an exemplary professional.<\/p>\n

The recipient has an exceptionally wide-ranging career. Since founding his first office in Tokyo in 1985 and later expanding to New York and Paris, he has undertaken projects that range from minimal dwellings, experimental houses and housing, to museums, exhibition pavilions, conference and concert venues, and office buildings.<\/p>\n

An underpinning uniting much of his built work is his experimental approach. He has expanded the architectural field regarding not only the problems and challenges he tackles, but also regarding the tools and techniques to deal with them. He is able to see in standard components and common materials, such as paper tubes, packing materials or shipping containers, opportunities to use them in new ways. He is especially known for his structural innovations and the creative use of unconventional materials like bamboo, fabric, paper, and composites of recycled paper fiber and plastics.<\/p>\n

In Naked House, he was able to question the traditional notion of rooms and consequently domestic life, and simultaneously create a translucent, almost magical atmosphere. This was done with modest means: walls externally clad in clear corrugated plastic and sections of white acrylic stretched internally across a timber frame. This sophisticated layered composition of ordinary materials used in a natural and efficient way, provides comfort, efficient environmental performance and simultaneously a sensual quality of light.<\/p>\n

His own studio, atop a terrace at the Pompidou Center in Paris for the six years he was working on the museum project for Metz, was built using cardboard tubes and a membrane covering the arched roof. He has also used transportation containers as ready-made elements in museum construction.<\/p>\n

His body of work is proof of his ability to add value through design. Further new conceptual and structural ideas were developed and can be seen in PC Pile House, House of Double Roof, Furniture House, Wall-less House, and Nine-Square Grid House.<\/p>\n

Another theme that runs through his work is the spatial continuity between interior and exterior spaces. In Curtain Wall House, he uses tent-like movable curtains to easily link interior and exterior, yet provide privacy when needed. The fourteen-story Nicolas G. Hayek Center in Tokyo is covered with glass shutters on front and back facades that can be fully opened.<\/p>\n

For Shigeru Ban, sustainability is not a concept to add on after the fact; rather, it is intrinsic to architecture. His works strive for appropriate products and systems that are in concert with the environment and the specific context, using renewable and locally produced materials, whenever possible. Just one example is his newly opened Tamedia office building in Zurich, which uses an interlocking timber structural system, completely devoid of joint hardware and glue.<\/p>\n

His great knowledge of structure and his appreciation for such masters as Mies van der Rohe and Frei Otto have contributed to the development and clarity of his buildings. His own architecture is direct and honest. However, it is never ordinary, and each new project has an inspired freshness about it.<\/p>\n

The elegant simplicity and apparent effortlessness of his works are really the result of years of practice and a love for building. Above all, his respect for the people who inhabit his buildings, whether victims of natural disaster or private clients or the public, is always revealed through his thoughtful approach, functional plans, carefully selected appropriate materials, and the richness of spaces he creates.<\/p>\n

Shigeru Ban is a tireless architect whose work exudes optimism. Where others may see insurmountable challenges, Ban sees a call to action. Where others might take a tested path, he sees the opportunity to innovate. He is a committed teacher who is not only a role model for younger generations, but also an inspiration.<\/p>\n

For all these reasons, Shigeru Ban is the 2014 Pritzker Architecture Prize Laureate.<\/p>\n

+ info<\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Desde su creaci\u00f3n hace treinta y cinco a\u00f1os, el objetivo del Premio Pritzker de Arquitectura es reconocer a los arquitectos vivos por su excelencia en el trabajo construido como tambi\u00e9n en la contribuci\u00f3n significativa y consistente hacia la humanidad. Shigeru Ban, el laureado 2014, refleja este esp\u00edritu del premio al m\u00e1ximo. \u00c9l es un […]<\/p>\n","protected":false},"author":2,"featured_media":39437,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1383],"tags":[6711,3657,6315,865,1096,1226,1721],"class_list":["post-39436","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-premios","tag-arquitectura-de-emergencia","tag-arquitectura-japonesa","tag-frei-otto","tag-mies-van-der-rohe","tag-premio-pritzker","tag-shigeru-ban","tag-toyo-ito"],"yoast_head":"\n[:es]Shigeru Ban, Premio Pritzker 2014 [:gl]Shigeru Ban, Premio Pritzker 2014 [:en]Shigeru Ban, 2014 Pritzker Architecture Prize[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Shigeru Ban, Premio Pritzker 2014 [:gl]Shigeru Ban, Premio Pritzker 2014 [:en]Shigeru Ban, 2014 Pritzker Architecture Prize[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/shigeru-ban-premio-pritzker-2014\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Shigeru Ban, Premio Pritzker 2014 [:gl]Shigeru Ban, Premio Pritzker 2014 [:en]Shigeru Ban, 2014 Pritzker Architecture Prize[:] - 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