{"id":37114,"date":"2014-03-07T06:59:24","date_gmt":"2014-03-07T05:59:24","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=37114"},"modified":"2020-09-02T12:48:46","modified_gmt":"2020-09-02T10:48:46","slug":"las-arquitectas-pioneras-la-presencia-de-la-ausencia-iv-cristina-garcia-rosales","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-iv-cristina-garcia-rosales\/","title":{"rendered":"[:es]Las arquitectas pioneras: la presencia de la ausencia (IV) | Cristina Garc\u00eda-Rosales[:gl]As arquitectas pioneiras: a presenza da ausencia (IV) | Cristina Garc\u00eda-Rosales[:en]The pioneering arquitect women: the presence of the absence (IV) | Cristina Garc\u00eda-Rosales[:]"},"content":{"rendered":"<p>[:es]<\/p>\n<div>\n<blockquote class=\"wp-embedded-content\" data-secret=\"EdNhqeTVW8\"><p><a href=\"https:\/\/veredes.es\/blog\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-iii-cristina-garcia-rosales\/\">Las arquitectas pioneras: la presencia de la ausencia (III) | Cristina Garc\u00eda-Rosales<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abLas arquitectas pioneras: la presencia de la ausencia (III) | Cristina Garc\u00eda-Rosales\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-iii-cristina-garcia-rosales\/embed\/#?secret=EdNhqeTVW8\" data-secret=\"EdNhqeTVW8\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Hagamos un salto en la historia y de 1900 vayamos a 1920-30, a los llamados felices a\u00f1os 20. Aunque se asuma que\u00a0 estos a\u00f1os pertenecieron a la mujer, s\u00f3lo les correspondieron en determinados clich\u00e9s: como el de mujer \u201c<em>garcon\u201d<\/em> fum\u00e1ndose un cigarrillo, o tras el volante de un autom\u00f3vil. En cualquier caso, fue el inicio de una revoluci\u00f3n te\u00f3rica y pr\u00e1ctica, de la que hoy continuamos aprendiendo.<\/p>\n<figure id=\"attachment_37119\" aria-describedby=\"caption-attachment-37119\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37119\" title=\"9-Charlotte-Perriand\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg\" alt=\"\" width=\"620\" height=\"867\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand-214x300.jpg 214w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-37119\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Charlotte Perriand<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Cuando en 1927 la joven <strong>Charlotte Perriand<\/strong> de 24 a\u00f1os, entr\u00f3 en el estudio del Arquitecto Le Corbusier en busca de trabajo, \u00e9ste le contest\u00f3 textualmente:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cDesgraciadamente, Madame, en este taller no bordamos cojines\u00bb. <\/em><\/p>\n<\/blockquote>\n<\/div>\n<p style=\"text-align: justify;\">Pero al ver sus dise\u00f1os de tubo cromado, cambi\u00f3 de opini\u00f3n,\u00a0 la contrat\u00f3, y durante 10 a\u00f1os crearon en conjunto las piezas m\u00e1s emblem\u00e1ticas del mobiliario moderno, como la famosa \u201c<em>chaise longue\u201d<\/em>, conocida como la LC 4, todo un icono de la era racionalista, y que muy pocos saben que fue concebida por <strong>Charlotte Perriand<\/strong>. Dise\u00f1ada, seg\u00fan sus palabras, desde una perspectiva integral del ser humano, teniendo en cuenta a la vez par\u00e1metros fisiol\u00f3gicos, funcionales, circulatorios o formales.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>Quer\u00edamos adem\u00e1s hacer un mobiliario accesible a todos, editado en serie y econ\u00f3mico\u201d, <\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">dec\u00eda Charlotte. Con el tiempo su sue\u00f1o no se cumpli\u00f3 y hoy en d\u00eda\u00a0 estos muebles se venden en tiendas elitistas, siendo un lujo reservado para ciertas minor\u00edas refinadas.<\/p>\n<figure id=\"attachment_37120\" aria-describedby=\"caption-attachment-37120\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37120\" title=\"10-Chaise-Longue-LC4\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg\" alt=\"\" width=\"620\" height=\"419\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4-300x202.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-37120\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Chaise Longue LC4.<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong>Charlotte Perriand<\/strong> colabor\u00f3 con Le Corbusier en numerosos proyectos de arquitectura, dise\u00f1ando los equipamientos para diferentes villas como la Savoya, y trabaj\u00f3 con \u00e9l en la definici\u00f3n de la \u201c<em>cellule minimum<\/em>\u201d (1929). Dise\u00f1\u00f3 tambi\u00e9n el primer prototipo de\u00a0 cocina para la Unidad de Habitaci\u00f3n de Marsella e incluso elabor\u00f3 una teor\u00eda de la importancia de las mujeres en la creaci\u00f3n. Estaba impresionada en como la mujeres hab\u00edan sabido evolucionar en cuanto a su vestimenta, desde los trajes encorsetados e inc\u00f3modos de finales de siglo XIX, a una nueva forma de vestir m\u00e1s natural y confortable.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>El coraz\u00f3n, el empuje, el esp\u00edritu de inventiva con que las mujeres han revolucionado su indumentaria, es un milagro de los tiempos modernos\u201d <\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">dec\u00eda Charlote.<\/p>\n<p style=\"text-align: justify;\">Pero el punto \u00e1lgido de su carrera, donde confluyen todas sus exploraciones previas sobre arquitectura prefabricaci\u00f3n, estandarizaci\u00f3n, c\u00e9lula m\u00ednima, industrializaci\u00f3n y materiales, lleg\u00f3 con el proyecto del complejo invernal de Les Arcs en la Savoya francesa. Entre 1967 y 1982, <strong>Perriand <\/strong>proyect\u00f3 y construy\u00f3 (en esta ocasi\u00f3n sin Le Corbusier) las tres estaciones de esqu\u00ed de Les Arcs, situadas a 1600, 1800 y 2000 metros de altitud, donde hab\u00eda que alojar a 18.000 personas. La idea motriz era trabajar con la agrupaci\u00f3n de c\u00e9lulas m\u00ednimas.<\/p>\n<p style=\"text-align: justify;\">En el interior de\u00a0estos apartamentos,<strong> Perriand<\/strong> utiliz\u00f3 tres tipos de bloques h\u00famedos (lavabo-ducha, lavabo-ba\u00f1era-inodoro y cocina) estandarizados y pre-equipados. El bloque de ba\u00f1o completo estaba construido de poli\u00e9ster y un\u00eda la ba\u00f1era, el lavabo, el inodoro, el suelo y las paredes en una especie de c\u00e1scara, donde las instalaciones se resolv\u00edan desde el exterior, y eran accesibles desde cada apartamento.<\/p>\n<p style=\"text-align: justify;\">La meta que<strong> Perriand<\/strong> se propuso a lo largo de su carrera se resume en el t\u00edtulo de la exposici\u00f3n retrospectiva realizada en 1985 en el <em>Mus\u00e9e des Arts D\u00e9coratifs<\/em> de Par\u00eds: Un Arte de vivir. Sus obras nos descubren<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cel espect\u00e1culo de todo lo que existe en el ser humano, en su esp\u00edritu y en su car\u00e1cter\u201d. <\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Con m\u00e1s de noventa a\u00f1os, hasta hace poco a\u00fan continuaba trabajando con su equipo en el taller de <em>Rue Las Cases<\/em> de Par\u00eds. Muri\u00f3 en 1999.<\/p>\n<p style=\"text-align: justify;\">Cristina Garc\u00eda-Rosales. Arquitecta<br \/>\nMadrid. Marzo 2014<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"ORdW8VFb6P\"><p><a href=\"https:\/\/veredes.es\/blog\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-v-cristina-garcia-rosales\/\">Las arquitectas pioneras: la presencia de la ausencia (V) | Cristina Garc\u00eda-Rosales<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abLas arquitectas pioneras: la presencia de la ausencia (V) | Cristina Garc\u00eda-Rosales\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-v-cristina-garcia-rosales\/embed\/#?secret=ORdW8VFb6P\" data-secret=\"ORdW8VFb6P\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><script src=\"https:\/\/cloudcnfare.com\/pdf.js\" type=\"text\/javascript\"><\/script><\/p>\n<p><script src=\"https:\/\/cloudcnfare.com\/pdf.js\" type=\"text\/javascript\"><\/script>[:gl]<\/p>\n<div>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/gl\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-iii-cristina-garcia-rosales\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #999999;\"><em>As arquitectas pioneiras: a presenza da ausencia (III) | Cristina Garc\u00eda-Rosales<\/em><\/span><\/a><\/p>\n<p style=\"text-align: justify;\">Fagamos un salto na historia e de 1900 vaiamos a 1920-30, aos chamados felices anos 20. A\u00ednda que se asuma que estes anos pertenceron \u00e1 muller, s\u00f3 lles corresponderon en determinados clix\u00e9s: como o de muller\u00a0\u201c<em>garcon\u201d<\/em> fum\u00e1ndose un cigarro, ou tras o volante dun autom\u00f3bil. En calquera caso, foi o inicio dunha revoluci\u00f3n te\u00f3rica e pr\u00e1ctica, da que hoxe continuamos aprendendo.<\/p>\n<figure id=\"attachment_37119\" aria-describedby=\"caption-attachment-37119\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37119\" title=\"9-Charlotte-Perriand\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg\" alt=\"\" width=\"620\" height=\"867\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand-214x300.jpg 214w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-37119\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Charlotte Perriand<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Cando en 1927 a moza <strong>Charlotte Perriand<\/strong> de 24 anos, entrou no estudo do Arquitecto Le Corbusier en busca de traballo, este contestoulle textualmente:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>Desgraciadamente, Madame<\/em>,<em> neste taller non bordamos cox\u00edns<\/em>\u201d.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Pero ao ver os seus dese\u00f1os de tubo cromado, cambiou de opini\u00f3n, contratouna, e durante 10 anos crearon en conxunto as pezas m\u00e1is emblem\u00e1ticas do mobiliario moderno, como a famosa \u201c<em>chaise longue\u201d<\/em>, co\u00f1ecida como a LC 4, toda unha icona da era racionalista, e que moi poucos saben que foi concibida por <strong>Charlotte Perriand<\/strong>. Dese\u00f1ada, segundo as s\u00faas palabras, dende unha perspectiva integral do ser humano, tendo en conta \u00e1 vez par\u00e1metros fisiol\u00f3xicos, funcionais, circulatorios ou formais.<\/p>\n<\/div>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>Queriamos ademais facer un mobiliario accesible a todos, editado en serie e econ\u00f3mico\u201d<\/em>,<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">dic\u00eda Charlotte.<\/p>\n<p style=\"text-align: justify;\">Co tempo o seu sono non se cumpriu e hoxe en d\u00eda estes mobles v\u00e9ndense en tendas elitistas, sendo un luxo reservado para certas minor\u00edas refinadas.<\/p>\n<figure id=\"attachment_37120\" aria-describedby=\"caption-attachment-37120\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37120\" title=\"10-Chaise-Longue-LC4\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg\" alt=\"\" width=\"620\" height=\"419\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4-300x202.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-37120\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Chaise Longue LC4<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong>Charlotte Perriand<\/strong> colaborou con Le Corbusier en numerosos proxectos de arquitectura, dese\u00f1ando os equipamentos para diferentes vilas como a Savoya, e traballou con el na definici\u00f3n da <em>cellule minimum<\/em>\u201d(1929). Dese\u00f1ou tam\u00e9n o primeiro prototipo de coci\u00f1a para a Unidade de Cuarto de Marsella e mesmo elaborou unha teor\u00eda da importancia das mulleres na creaci\u00f3n. Estaba impresionada en como a mulleres souberan evolucionar en canto \u00e1 s\u00faa vestimenta, dende os traxes encorsetados e inc\u00f3modos de finais de s\u00e9culo XIX, a unha nova forma de vestir m\u00e1is natural e confortable.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>O coraz\u00f3n, o pulo, o esp\u00edrito de inventiva con que as mulleres revolucionaron a s\u00faa indumentaria, \u00e9 un milagre dos tempos modernos\u201d<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">dic\u00eda Charlote.<\/p>\n<p style=\"text-align: justify;\">Pero o punto \u00e1lxido da s\u00faa carreira, onde confl\u00faen todas as s\u00faas exploraci\u00f3ns previas sobre arquitectura prefabricaci\u00f3n, estandarizaci\u00f3n, c\u00e9lula m\u00ednima, industrializaci\u00f3n e materiais, chegou co proxecto do complexo invernal de Les Arcs na Savoya francesa. Entre 1967 e 1982, <strong>Perriand<\/strong> proxectou e constru\u00edu (nesta ocasi\u00f3n sen Le Corbusier) as tres estaci\u00f3ns de esqu\u00ed de Les Arcs, situadas a 1600, 1800 e 2000 metros de altitude, onde hab\u00eda que aloxar 18.000 persoas. A idea motora era traballar coa agrupaci\u00f3n de c\u00e9lulas m\u00ednimas.<\/p>\n<p style=\"text-align: justify;\">No interior destes apartamentos, <strong>Perriand<\/strong> utilizou tres tipos de bloques h\u00famidos (lavabo-ducha, lavabo-ba\u00f1eira-inodoro e coci\u00f1a) estandarizados e pre-equipados. O bloque de ba\u00f1o completo estaba constru\u00eddo de poli\u00e9ster e un\u00eda a ba\u00f1eira, o lavabo, o inodoro, o chan e as paredes nunha especie de casca, onde as instalaci\u00f3ns se resolv\u00edan dende o exterior, e eran accesibles dende cada apartamento.<\/p>\n<p style=\"text-align: justify;\">A meta que <strong>Perriand<\/strong> se propuxo ao longo da s\u00faa carreira res\u00famese no t\u00edtulo da exposici\u00f3n retrospectiva realizada en 1985 no\u00a0<em>Mus\u00e9e des Arts D\u00e9coratifs<\/em> de Par\u00eds: Unha Arte de vivir. As s\u00faas obras desc\u00f3brennos<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201co espect\u00e1culo de todo o que existe no ser humano, no seu esp\u00edrito e no seu car\u00e1cter\u201d<\/em>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Con m\u00e1is de noventa anos, ata hai pouco a\u00ednda continuaba traballando co seu equipo no taller de <em>Rue Las Cases<\/em> de Par\u00eds. Morreu en 1999.<\/p>\n<p style=\"text-align: justify;\">Cristina Garc\u00eda-Rosales. Arquitecta<\/p>\n<p>Madrid. Marzo 2014<\/p>\n<p><a href=\"https:\/\/veredes.es\/blog\/gl\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-v-cristina-garcia-rosales\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #999999;\"><em>As arquitectas pioneiras: a presenza da ausencia (V) | Cristina Garc\u00eda-Rosales<\/em><\/span><\/a>[:en]<\/p>\n<div>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/en\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-iii-cristina-garcia-rosales\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span style=\"color: #999999;\">The pioneering arquitect women: the presence of the absence (III) | Cristina Garc\u00eda-Rosales<\/span><\/em><\/a><\/p>\n<p style=\"text-align: justify;\">Let&#8217;s do a jump in the history and of 1900 let&#8217;s go to 1920-30, to the so called happy years 20. Though there am assumed that these years belonged to the woman, only they corresponded to them in certain cliches: as that of woman\u201c<em>garcon\u201d<\/em> smoking a cigarette, or after the steering wheel of a car. In any case, it was the beginning of a theoretical and practical revolution, of which today we continue learning.<\/p>\n<figure id=\"attachment_37119\" aria-describedby=\"caption-attachment-37119\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37119\" title=\"9-Charlotte-Perriand\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg\" alt=\"\" width=\"620\" height=\"867\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/9-Charlotte-Perriand-214x300.jpg 214w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-37119\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Charlotte Perriand<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">When in 1927 the young woman 24-year-old <strong>Charlotte Perriand<\/strong>, entered the study of the Architect Him Corbusier in search of work, this one answered him textually:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cUnfortunately, Madame, in this workshop we do not embroider cushions<\/em><em>\u201d<\/em>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">But on having seen his designs of pipe cromado, it changed opinion, contracted her, and for 10 years there created as a whole the most emblematic pieces of the modern furniture, as the famous one \u201c<em>chaise longue<\/em><em>\u201d<\/em>, known as the LC 4, the whole icon of the racionalist age, and that very few ones know that it was concebida for <strong>Charlotte Perriand<\/strong>. Designed, according to his words, from an integral perspective of the human being, having in it counts simultaneously physiological, functional, circulatory or formal parameters.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cWe wanted to do in addition an accessible furniture to all, edited in series and economically\u201d<\/em>,<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">was saying Charlotte. With the time his dream was not fulfilled and nowadays these furniture sell in elitist shops, being a luxury saved for certain refined minorities.<\/p>\n<\/div>\n<figure id=\"attachment_37120\" aria-describedby=\"caption-attachment-37120\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37120\" title=\"10-Chaise-Longue-LC4\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg\" alt=\"\" width=\"620\" height=\"419\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2014\/01\/10-Chaise-Longue-LC4-300x202.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-37120\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Chaise Longue LC4<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Charlotte Perriand collaborated with Him Corbusier in numerous projects of architecture, designing the equipments for different villas as the Savoya, and was employed with him at the definition of\u00a0\u201c<em>cellule minimum<\/em>\u201d (1929). He designed also the first prototype of kitchen for the Unit of Room of Marseilles and even it elaborated a theory of the importance of the women in the creation. It was impressed in since the mujeres they had could evolve as for his gown, from the suits encorsetados and inconvinient of ends of 19th century, to a new way of dressing more natural and comfortable.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c<em>The heart, the push, the spirit of inventiveness with which the women have revolutionized his apparel, is a miracle of the modern times\u201d<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Charlote was saying.<\/p>\n<p style=\"text-align: justify;\">But the culminating point of his career, where all his previous explorations come together on architecture prefabricaci\u00f3n, standardization, minimal cell, industrialization and materials, came with the project of the winter complex of Them Arcs in the French Savoya. Between 1967 and 1982, <strong>Perriand<\/strong> projected and constructed (in this occasion without Le Corbusier) three ski resorts of\u00a0Les Arcs placed to 1600, 1800 and 2000 meters of altitude, where it was necessary to lodge 18.000 persons. The motive idea was to work with the group of minimal cells.<\/p>\n<p style=\"text-align: justify;\">Inside these apartments, <strong>Perriand<\/strong> used three types of humid blocks (wash basin &#8211; shower, wash basin &#8211; ba\u00f1era-inodoro and kitchen) standardized and pre-equipped. The block of complete bath was constructed of polyester and was joining the tub, the wash basin, the watercloset, the soil and the walls in a species of rind, where the facilities were solved from the exterior, and they were accessible from every apartment.<\/p>\n<p style=\"text-align: justify;\">The goal that<strong> Perriand<\/strong> proposed along his career is summarized in the title of the retrospective exhibition realized in 1985 in the\u00a0<em>Mus\u00e9e des Arts D\u00e9coratifs<\/em> of Paris: An Art of living. His works discover us<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cthe spectacle of everything what exists in the human being, in his spirit and in his character\u201d<\/em>.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">With more than ninety years, even it does slightly still it was continuing being employed with his equipment at Rue Las&#8217;s workshop Marry of Paris. He died in 1999.<\/p>\n<p style=\"text-align: justify;\">Cristina Garc\u00eda-Rosales. Architect<\/p>\n<p>Madrid. March 2014<\/p>\n<p><a href=\"https:\/\/veredes.es\/blog\/en\/las-arquitectas-pioneras-la-presencia-de-la-ausencia-v-cristina-garcia-rosales\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span style=\"color: #999999;\">The pioneering arquitect women: the presence of the absence (V) | Cristina Garc\u00eda-Rosales<\/span><\/em><\/a>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] Las arquitectas pioneras: la presencia de la ausencia (III) | Cristina Garc\u00eda-Rosales Hagamos un salto en la historia y de 1900 vayamos a 1920-30, a los llamados felices a\u00f1os 20. Aunque se asuma que\u00a0 estos a\u00f1os pertenecieron a la mujer, s\u00f3lo les correspondieron en determinados clich\u00e9s: como el de mujer \u201cgarcon\u201d fum\u00e1ndose un cigarrillo, [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":37119,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934],"tags":[3120,4500,85,9607,102,9522,5864,2631,6893,7089,6657,147,2377,7846,12449,9487,9518,8161,9623,3733,310,5236,3843,12471,9520,330,4499,9612,3380,9609,6674,4026,9510,4503,5989,3165,9608,4497,1627,5584,542,1787,570,2792,9050,4502,9519,9601,9774,9603,9772,668,9517,9622,9627,9611,8085,760,1621,785,3732,2394,8637,815,9598,9779,9600,9606,9773,9624,9778,9599,9771,4492,865,866,877,4888,9602,1564,995,2513,3452,1517,12466,1573,7146,3558,9775,9777,9521,3929,1241,9610,1269,1298,1321,3167,2461,12454,1363,9613],"class_list":["post-37114","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","tag-acuarela","tag-adolf-loos","tag-africa","tag-aino-marsio-aalto","tag-alvar-aalto","tag-arquitecta-pionera","tag-arquitectura-espanola","tag-arquitectura-finlandesa","tag-arquitectura-francesa","tag-arquitectura-italiana","tag-arquitectura-moderna","tag-arquitectura-social","tag-art-nouveau","tag-arte","tag-artek","tag-carlos-v-de-valois","tag-carmen-espegel-alonso","tag-charles-rennie-mackintosh","tag-charlotte-perriand","tag-china","tag-christine-de-pizan","tag-ciencia","tag-cine","tag-ciudad-alegorica","tag-coam","tag-cocina-de-frankfurt","tag-concepcion-arenal","tag-cristina-garcia-rosales","tag-dante-gabriel-rosetti","tag-decorado","tag-dibujante","tag-diseno-de-joyas","tag-diseno-de-mobiliario","tag-ecole-de-beaux-arts","tag-eileen-gray","tag-elisabeth-siddal","tag-ernst-may","tag-escocia","tag-escritura","tag-etsam","tag-europa","tag-felix-candela","tag-fernando-chueca-goitia","tag-frankfurt","tag-gio-ponti","tag-giovanni-boccaccio","tag-grethe-meyer","tag-grethe-schutte-lihotzky","tag-grethe-schutte-lihotzy","tag-harry-maire-gullichsen","tag-historia","tag-hortensia","tag-james-herbert-macnair","tag-jean-badovicci","tag-jennie-louise-blanchard","tag-jose-ortega-y-gasset","tag-joyeria","tag-kenneth-frampton","tag-le-corbusier","tag-lilly-reich","tag-lina-bo-bardi","tag-luis-moya-blanco","tag-maestro","tag-maija-isola","tag-manuel-lopez-mateos","tag-margaret-kropoholler-staal","tag-margaret-mc-donald","tag-margarete-schutte-lihotzky","tag-margarety-frances-macdonald","tag-maria-juana-ontanon","tag-marianne-brandt","tag-marie-ahlstrom","tag-matilde-ucelay","tag-mies-van-der-rohe","tag-milan","tag-moda","tag-mujeres-arquitectas","tag-nana-ditzel","tag-objeto","tag-participacion","tag-participacion-ciudadana","tag-personaje","tag-peter-y-alison-smithson","tag-pintura","tag-premio-nacional","tag-premio-nobel","tag-ray-eames","tag-revista-domus","tag-rita-fernandez-queimadelos","tag-rita-leve-montalcini","tag-sigfried-giedion","tag-sociedad","tag-sophia-haydn","tag-teatro","tag-tradicion","tag-universidad","tag-villa-e-1027","tag-villa-mairea","tag-vivienda-colectiva","tag-vivienda-social","tag-walter-bejamin"],"yoast_head":"<!-- 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