{"id":36992,"date":"2014-02-04T06:00:55","date_gmt":"2014-02-04T06:00:55","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=36992"},"modified":"2018-07-03T08:56:10","modified_gmt":"2018-07-03T06:56:10","slug":"ensayo-sobre-la-ruina-%c2%b7-luis-urculo","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/ensayo-sobre-la-ruina-%c2%b7-luis-urculo\/","title":{"rendered":"[:es]Ensayo Sobre la Ruina \u00b7 Luis \u00darculo[:gl]Ensaio Sobre a Ruina \u00b7 Luis \u00darculo[:en]Essay on Decline \u00b7 Luis \u00darculo[:]"},"content":{"rendered":"<p>[:es]https:\/\/vimeo.com\/51465279<\/p>\n<p style=\"text-align: justify;\">Albert Speer, arquitecto que Hitler hizo responsable de la mayor parte de los proyectos de edificio importantes del Tercer Reich, habitualmente hac\u00eda dibujo de las futuras ruinas de sus propios edificios. Speer reclam\u00f3, con la raz\u00f3n, que el verdadero potencial de la arquitectura reside en la fuerza evocadora de su futura ruina o destrucci\u00f3n. Y para justificar este argumento, \u00e9l record\u00f3 las estructuras monumentales del pasado, los restos de civilizaciones como la romana, griega y egipcia.<\/p>\n<p style=\"text-align: justify;\">Los trabajos de Luis \u00darculo\u00a0 tratan esta caida del poder y su manifestaci\u00f3n sobre la base de la arquitectura monumental. Usando las composiciones de objetos dom\u00e9sticos, arreglados seg\u00fan el ideal neocl\u00e1sico, \u00e9l representa el derrumbamiento y la interrupci\u00f3n de los s\u00edmbolos de la estable y eterna Europa, la celebraci\u00f3n de fracaso como un acto est\u00e9tico. Al mismo tiempo, \u00darculo retrata el concepto mismo de derrumbamiento o destrucci\u00f3n en un momento exacto en la vida de una persona.<\/p>\n<p style=\"text-align: justify;\">Iv\u00e1n L\u00f3pez Munuera explica:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abUn culto para disminuir, como Andreas Huyssen indica, ha saltado de una de las mayores obsesiones de la \u00e9poca contempor\u00e1nea. Como la disminuci\u00f3n o la ruina piden para un lugar que es acusado de la nostalgia; [es] una llamada a un pasado que m\u00e1s existe, que pregunta el presente de una posici\u00f3n que considera no s\u00f3lo el pasado, pero tambi\u00e9n la incertidumbre para venir.\u00bb<\/p>\n<\/blockquote>\n<p>[:gl]https:\/\/vimeo.com\/51465279<\/p>\n<p style=\"text-align: justify;\">Albert Speer,arquitecto que Hitler fixo responsable da maior parte dos proxectos de edificio importantes do Terceiro Reich, habitualmente fac\u00eda debuxo das futuras ru\u00ednas dos seus propios edificios. Speer reclamou, coa raz\u00f3n, que o verdadeiro potencial da arquitectura reside na forza evocadora da s\u00faa futura ru\u00edna ou destruci\u00f3n. E para xustificar este argumento, el recordou as estruturas monumentais do pasado, os restos de civilizaci\u00f3ns como a romana, grega e exipcia.<\/p>\n<p style=\"text-align: justify;\">Os traballos de Luis \u00darculo tratan esta caida do poder e a s\u00faa manifestaci\u00f3n sobre a base da arquitectura monumental. Usando as composici\u00f3ns de obxectos dom\u00e9sticos, arranxados segundo o ideal neocl\u00e1sico, el representa o derrubamento e a interrupci\u00f3n dos s\u00edmbolos da estable e eterna Europa, a celebraci\u00f3n de fracaso como un acto est\u00e9tico. Ao mesmo tempo, \u00darculo retrata o concepto mesmo de derrubamento ou destruci\u00f3n nun momento exacto na vida dunha persoa.<\/p>\n<p style=\"text-align: justify;\">Iv\u00e1n L\u00f3pez Munuera explica:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abUn culto para diminu\u00edr, como Andreas Huyssen indica, saltou dunha das maiores obsesi\u00f3ns da \u00e9poca contempor\u00e1nea. Como a diminuci\u00f3n ou a ru\u00edna piden para un lugar que \u00e9 acusado da nostalxia; [\u00e9] unha chamada a un pasado que m\u00e1is existe, que pregunta o presente dunha posici\u00f3n que considera non s\u00f3 o pasado, pero tam\u00e9n a incerteza para vir.\u00bb<\/p>\n<\/blockquote>\n<p>[:en]https:\/\/vimeo.com\/51465279<\/p>\n<p style=\"text-align: justify;\">Albert Speer, the architect that Hitler placed in charge of most of the important building projects of the Third Reich, habitually made drawings of the future ruins of his own buildings. Speer claimed, with reason, that the real potential of architecture resides in the evocative force of its future ruin or destruction. And in order to justify this argument, he recalled monumental structures of the past, the remains of civilizations such as the Roman, Greek and Egyptian ones.<\/p>\n<p style=\"text-align: justify;\">Luis \u00darculo&#8217;s works deal with this fall from power and its manifestation on the basis of monumental architecture. Using compositions of domestic objects, arranged according to the neoclassical ideal, he depicts the collapse and breakdown of the symbols of a stable and eternal Europe, the celebration of failure as an aesthetic act. At the same time, \u00darculo portrays the very concept of collapse or destruction at a precise moment in a person&#8217;s life.<\/p>\n<p style=\"text-align: justify;\">Iv\u00e1n L\u00f3pez Munuera explains:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abA cult to decline, as Andreas Huyssen points out, has sprung from one of the greatest obsessions of contemporary times. Because decline or ruin begs for a place that is charged with nostalgia; [it is] a call to a past that no longer exists, that questions the present from a position that ponders not only the past, but also the uncertainty to come.\u00bb<\/p>\n<\/blockquote>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es]https:\/\/vimeo.com\/51465279 Albert Speer, arquitecto que Hitler hizo responsable de la mayor parte de los proyectos de edificio importantes del Tercer Reich, habitualmente hac\u00eda dibujo de las futuras ruinas de sus propios edificios. Speer reclam\u00f3, con la raz\u00f3n, que el verdadero potencial de la arquitectura reside en la fuerza evocadora de su futura ruina o destrucci\u00f3n. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":36995,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4854],"tags":[4930,9578,8679,9576,8497,9577,9575,9574,4508,2812,1865,1190,1346],"class_list":["post-36992","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tv","tag-albert-speer","tag-andreas-huyssen","tag-arquitectura-clasica","tag-arquitectura-egipcia","tag-arquitectura-griega","tag-arquitectura-monumental","tag-arquitectura-romana","tag-ivan-lopez-munuera","tag-luis-urculo","tag-manifiesto","tag-reflexion","tag-ruina","tag-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[:es]Ensayo Sobre la Ruina \u00b7 Luis \u00darculo[:gl]Ensaio Sobre a Ruina \u00b7 Luis \u00darculo[:en]Essay on Decline \u00b7 Luis \u00darculo[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Ensayo Sobre la Ruina \u00b7 Luis \u00darculo[:gl]Ensaio Sobre a Ruina \u00b7 Luis \u00darculo[:en]Essay on Decline \u00b7 Luis \u00darculo[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/ensayo-sobre-la-ruina-\u00b7-luis-urculo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Ensayo Sobre la Ruina \u00b7 Luis \u00darculo[:gl]Ensaio Sobre a Ruina \u00b7 Luis \u00darculo[:en]Essay on Decline \u00b7 Luis \u00darculo[:] - 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