{"id":36688,"date":"2013-12-10T08:58:16","date_gmt":"2013-12-10T08:58:16","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=36688"},"modified":"2015-02-09T19:34:15","modified_gmt":"2015-02-09T19:34:15","slug":"palabra-de-arquitecto-el-ambito-digital-un-nuevo-espacio-para-la-critica-arquitectonica","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/palabra-de-arquitecto-el-ambito-digital-un-nuevo-espacio-para-la-critica-arquitectonica\/","title":{"rendered":"Palabra de arquitecto: el \u00e1mbito digital, \u00bfun nuevo espacio para la cr\u00edtica arquitect\u00f3nica?Palabra de arquitecto: o \u00e1mbito dixital, \u00bfun novo espazo para a cr\u00edtica arquitect\u00f3nica?Architect’s word: the digital area, a new space for the architectural critique?"},"content":{"rendered":"

<\/p>\n

Esta mesa redonda, moderada por Domenico di Siena, confronta la visi\u00f3n de algunos de los comunicadores del actual panorama de nuestra arquitectura, en su relaci\u00f3n con la cr\u00edtica y con los nuevos modelos profesionales que abogan por un arquitecto que trabaja m\u00e1s con comunidades y menos con ladrillos. Intervienen: Domenico di Siena<\/strong>, Santiago de Molina<\/strong>, Jos\u00e9 Mar\u00eda Echarte<\/strong>, Anatxu Zabalbeascoa <\/strong>y Aurora Adalid.<\/strong><\/p>\n

\"\"<\/a><\/p>\n

En un mundo como el de la arquitectura, regido hist\u00f3ricamente por las publicaciones en papel, la cr\u00edtica se supeditaba a las directrices que las principales revistas marcaban. De la misma forma que la existencia de premios, bienales y concursos serv\u00edan para legitimar unas l\u00edneas de fuga preestablecidas. La aparici\u00f3n de Internet y las nuevas f\u00f3rmulas de comunicaci\u00f3n (blogs, redes sociales como Twitter, etc.) han hecho proliferar plataformas desde las que se muestran los m\u00e1s variados puntos de vista, la cr\u00edtica se ha pluralizado y mucha gente an\u00f3nima ha encontrado altavoz y generando corrientes de pensamiento alternativas que relegan las antiguas f\u00f3rmulas a un segundo plano.<\/p>\n

El salto generacional que registran estos nuevos espacios para la cr\u00edtica se acompa\u00f1a de una crisis econ\u00f3mica que parece haber puesto de manifiesto nuevas forma de ejercer la profesi\u00f3n: desde el modelo del arquitecto-director de orquesta o realizador cinematogr\u00e1fico, que toma decisiones de forma jer\u00e1rquica y construye edificios con un valor t\u00e9cnico y est\u00e9tico, se ha pasado a una nueva concepci\u00f3n donde prima la capacidad para construir escenarios de acci\u00f3n basada en unos valores sociales.<\/p>\n

Mi\u00e9rcoles 11 de diciembre de 2013, a las 19:00 h.
\nSal\u00f3n de Actos de la BNE
\n#PalabraDArq
\nEste acto se retransmitir\u00e1 en directo desde la web.<\/span><\/a><\/p>\n

<\/p>\n

Esta mesa redonda, moderada por Domenico dei Siena, confronta a visi\u00f3n dalg\u00fans dos comunicadores do actual panorama da nosa arquitectura, na s\u00faa relaci\u00f3n coa cr\u00edtica e cos novos modelos profesionais que avogan por un arquitecto que traballa m\u00e1is con comunidades e menos con ladrillos. Interve\u00f1en: Domenico di Siena<\/strong>, Santiago de Molina<\/strong>, Jos\u00e9 Mar\u00eda Echarte<\/strong>, Anatxu Zabalbeascoa <\/strong>e Aurora Adalid.<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Nun mundo como o da arquitectura, rexido historicamente polas publicaci\u00f3ns en papel, a cr\u00edtica supedit\u00e1base \u00e1s directrices que as principais revistas marcaban. Da mesma forma que a existencia de premios, bienais e concursos serv\u00edan para lexitimar unhas li\u00f1as de fuga preestablecer. A aparici\u00f3n de Internet e as novas f\u00f3rmulas de comunicaci\u00f3n (blogs, redes sociais como Twitter, etc.) fixeron proliferar plataformas dende as que se mostran os m\u00e1is variados puntos de vista, a cr\u00edtica se pluralizado e moita xente an\u00f3nima encontrou altofalante e xerando correntes de pensamento alternativas que relegan as antigas f\u00f3rmulas a un segundo plano.<\/p>\n

O salto xeracional que rexistran estes novos espazos para a cr\u00edtica acomp\u00e1\u00f1ase dunha crise econ\u00f3mica que parece ter posto de manifesto novas forma de exercer a profesi\u00f3n: dende o modelo do arquitecto-director de orquestra ou realizador cinematogr\u00e1fico, que toma decisi\u00f3ns de forma xer\u00e1rquica e constr\u00fae edificios cun valor t\u00e9cnico e est\u00e9tico, pasouse a unha nova concepci\u00f3n onde prima a capacidade para constru\u00edr escenarios de acci\u00f3n baseada nuns valores sociais.<\/p>\n

M\u00e9rcores 11 de decembro de 2013, \u00e1s 19:00 h.
\nSal\u00f3n de Actos da BNE
\n#PalabraDArq
\nEste acto retransmitirase en directo dende a web.<\/span><\/a><\/p>\n

<\/p>\n

This round table moderated by Domenico di Siena, it confronts the vision of some of the communicators of the current panorama of our architecture, in his relation with the critique and with the new professional models who plead for an architect who works more with communities and less with bricks. They intervene:\u00a0Domenico di Siena<\/strong>, Santiago de Molina<\/strong>, Jos\u00e9 Mar\u00eda Echarte<\/strong>, Anatxu Zabalbeascoa <\/strong>and Aurora Adalid.<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In a world as that of the architecture, governed historically by the publications in paper, the critique was subordinated to the directives that the principal magazines were marking. In the same way as the existence of prizes, biennial shows and contests was served by them to legitimize a few pre-established lines of escape. The Internet appearance and the new formulae of communication (blogs, social networks as Twitter, etc.) platforms have made proliferate from those who show themselves the most varied points of view, the critique is pluralizado and many anonymous people have found loudspeaker and generating alternative currents of thought that relegate the former formulae to a background.<\/p>\n

The generational jump that these new spaces register for the critique accompanies of an economic crisis that seems to have revealed new way of exercising the profession: from the model of the architect – conductor or cinematographic producer, who takes decisions of hierarchic form and constructs buildings with a technical and aesthetic value, it has passed to a new conception where it gives priority to the aptitude to construct scenes of action based on a few social values.<\/p>\n

Wednesday on December 11, 2013, at 19:00 h.
\nAssembly hall of the BNE
\n#PalabraDArq
\nThis act will be broadcast directly from the web.<\/span><\/a><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Esta mesa redonda, moderada por Domenico di Siena, confronta la visi\u00f3n de algunos de los comunicadores del actual panorama de nuestra arquitectura, en su relaci\u00f3n con la cr\u00edtica y con los nuevos modelos profesionales que abogan por un arquitecto que trabaja m\u00e1s con comunidades y menos con ladrillos. Intervienen: Domenico di Siena, Santiago de Molina, […]<\/p>\n","protected":false},"author":2,"featured_media":36689,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16],"tags":[5509,5866,9481,210,350,355,357,392,393,4859,521,5114,3378,4798,1093,1103,1152,1173,1210,3804],"class_list":["post-36688","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conferencias","category-eventos","tag-anatxu-zabalbeascoa","tag-biblioteca-nacional-de-espana","tag-bienal","tag-comunicacion","tag-concurso","tag-conferencia","tag-crisis-economica","tag-critica","tag-espana","tag-jose-maria-echarte-ramos","tag-mesa-redonda","tag-modelo-profesional","tag-premio-eventos","tag-profesion","tag-red-social","tag-revista","tag-santiago-de-molina","tag-streaming"],"yoast_head":"\nPalabra de arquitecto: el \u00e1mbito digital, \u00bfun nuevo espacio para la cr\u00edtica arquitect\u00f3nica?Palabra de arquitecto: o \u00e1mbito dixital, \u00bfun novo espazo para a cr\u00edtica arquitect\u00f3nica?Architect's word: the digital area, a new space for the architectural critique? 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