{"id":36482,"date":"2014-06-13T06:41:59","date_gmt":"2014-06-13T06:41:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=36482"},"modified":"2020-02-17T14:24:53","modified_gmt":"2020-02-17T13:24:53","slug":"construir-alli-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/construir-alli-inigo-garcia-odiaga\/","title":{"rendered":"Construir all\u00ed | \u00cd\u00f1igo Garc\u00eda OdiagaConstruir al\u00ed | \u00cd\u00f1igo Garc\u00eda OdiagaConstructing there | \u00cd\u00f1igo Garc\u00eda Odiaga"},"content":{"rendered":"

\"\"<\/a>
Biblioteca en Tailandia, Tyin Tegnestue Architects | Fotograf\u00eda: Pasi Aalto<\/span><\/figcaption><\/figure><\/p>\n

Durante los a\u00f1os precrisis muchos arquitectos llenaron las portadas del \u00e9xito en la prensa. Es tal vez esta actitud la que ha supuesto que se equipare la profesi\u00f3n con una de las causas de la crisis y que los arquitectos no ostenten ahora una gran autoridad moral.<\/p>\n

Evidentemente existe en estas l\u00edneas una parte de verdad pero, si se quiere oculta hay tambi\u00e9n otra realidad, la de los arquitectos que trabajan a diario de forma esforzada para llevar adelante las ilusiones de sus clientes.<\/p>\n

Un caso extremo es el de los arquitectos comprometidos con las causas sociales, que ya no aqu\u00ed, sino all\u00ed, en Asia o en \u00c1frica levantan proyectos concebidos desde la \u00f3ptica de Europa. All\u00ed donde el t\u00e9rmino refugio, la casa como protecci\u00f3n, adquiere todo su significado, arquitectos como los noruegos de TYIN trabajan llevando arquitectura imaginativa, pero llena de calidad.<\/p>\n

\"\"<\/a>
Biblioteca y ba\u00f1os en Tailandia, Tyin Tegnestue Architects | Fotograf\u00eda: Pasi Aalto<\/span><\/figcaption><\/figure>\n

En el a\u00f1o 2008 crearon una organizaci\u00f3n humanitaria para construir casas a los adolescentes hu\u00e9rfanos, bibliotecas de pueblo y ba\u00f1os p\u00fablicos, con la poblaci\u00f3n local y dentro de las condiciones necesarias para proteger el medio ambiente.<\/p>\n

En enero de 2009, TYIN reclut\u00f3 15 estudiantes de arquitectura de la NTNU para asistir a un taller en Tailandia, y mejorar las instalaciones del Orfanato Safe Haven, bajo la direcci\u00f3n del profesor Sami Rintala. Las dos necesidades b\u00e1sicas eran la de crear una biblioteca y un edificio de servicios sanitarios. El edificio sanitario deb\u00eda cubrir las necesidades b\u00e1sicas, como ba\u00f1os, higiene personal y lavander\u00eda. Exist\u00eda ya uno de dimensiones m\u00ednimas construido en el lugar, y \u00e9ste fue el punto de partida para la nueva casa de ba\u00f1os.<\/p>\n

El nuevo volumen se divide en dos partes, una tapiada de piedra y hormig\u00f3n que se cierra sobre s\u00ed misma y genera los espacios interiores para las funciones m\u00e1s \u00edntimas. En el centro se coloca un cuarto de ba\u00f1o, que se abre a las plantaciones de teca existentes detr\u00e1s del edificio. A pesar de que esta sala se utiliza para el lavado del cuerpo, est\u00e1 parcialmente abierta a las vistas del paisaje ya que en el pueblo Karen culturamente este acto de limpieza se realiza de forma conjunta. Una fachada inclinada de bamb\u00fa corre a lo largo del lado largo del edificio y permite la construcci\u00f3n de un pasillo protegido del sol que conecta todas las estancias.<\/p>\n

\"\"<\/a>
Ba\u00f1os en Tailandia, Tyin Tegnestue Architects | Fotograf\u00eda: Pasi Aalto<\/span><\/figcaption><\/figure>\n

El edificio de la Biblioteca se encuentra sobre una base de piedra del lugar, las paredes de piedra y hormig\u00f3n pulido protegen el edificio del calor durante el d\u00eda, mientras que la fachada abierta de lamas de bamb\u00fa hacia el oeste ofrece una buena ventilaci\u00f3n. Con madera local se construy\u00f3 un entramado robusto que genera un espacio en la cubierta separado de la humedad en la \u00e9poca de lluvias y que se adopta como espacio de lectura.<\/p>\n

Las estanter\u00edas corren a lo largo de las paredes aumentando la inercia de \u00e9stas, mientras que el frente se abre al paisaje generando una especie de escenario que permite la realizaci\u00f3n de diferentes actividades. El \u00e1rea de entrada general crea un espacio confortable entre exterior e interior, y se ampl\u00eda hacia el exterior en una especie de terraza separada del suelo.<\/p>\n

Esto ha cargado al edificio con un papel importante como lugar de reuni\u00f3n y es ampliamente utilizado para el juego, la estancia o la realizaci\u00f3n de actividades conjuntas.<\/p>\n

\"\"<\/a>
Escuela en Bangladesh,\u00a0Anna Heringer<\/span><\/figcaption><\/figure>\n

Otro caso similar es el de Anna Heringer, una arquitecta licenciada en 2004 en la Universidad de Linz, Austria. Bajo la idea de que la arquitectura es un mecanismo para mejorar la vida y que tiene la capacidad de estimular la confianza de la gente, se traslad\u00f3 a Rudrapur, un peque\u00f1o pueblo de la zona m\u00e1s rural de Bangladesh, donde construy\u00f3 su proyecto fin de carrera, una escuela levantada con barro y bamb\u00fa. Este trabajo se llev\u00f3 a cabo con la cooperaci\u00f3n de los artesanos locales y con la implicaci\u00f3n de toda la comunidad, lo que adem\u00e1s de dotar a la regi\u00f3n de un equipamiento necesario como una escuela, fortaleci\u00f3 el sentimiento de pertenencia y de identidad cultural local.<\/p>\n

El edificio llena de alegr\u00eda la planta baja mediante unas cortinas llenas de color. Los dos pisos de la escuela primaria han surgido de una profunda comprensi\u00f3n de los materiales locales y de una sincera conexi\u00f3n con la comunidad local. Su innovaci\u00f3n reside en la adaptaci\u00f3n de los m\u00e9todos y materiales tradicionales de construcci\u00f3n para la creaci\u00f3n de espacios contempor\u00e1neos, llenos de luz, as\u00ed como espacios informales para los ni\u00f1os, en los que \u00e9stos puedan experimentar el disfrute del juego. Materiales terrestres, tales como el barro, la arcilla y la paja se combinan con elementos m\u00e1s ligeros, como palos de bamb\u00fa y cuerdas de amarre de nylon para dar forma a una construcci\u00f3n que se ocupa de la sostenibilidad y del equilibrio con la naturaleza de una manera ejemplar. La soluci\u00f3n de dise\u00f1o no puede ser replicable, es lo contrario a la arquitectura del derroche, donde el lugar no importa.<\/p>\n

Las condiciones locales determinan el resultado final, porque \u00e9ste nace precisamente de ese aprovechamiento del conocimiento acumulado en un lugar. El dise\u00f1o permite nuevas soluciones para utilizar el profundo conocimiento del contexto local y de las formas de construcci\u00f3n tradicionales.<\/p>\n

\"\"<\/a>
Escuela en Bangladesh, Anna Heringer<\/span><\/figcaption><\/figure>\n

El resultado final de estos esfuerzos voluntarios son edificios muy dignos de arquitectura contempor\u00e1nea que m\u00e1s all\u00e1 de sus hermosos espacios, tienen el valor de lo colectivo y de lo humano, ya que suponen un aprendizaje, tanto para los ni\u00f1os a los que sirven como para los que participaron en su construcci\u00f3n. Este modelo y no el que ha desembocado en la crisis, puede ser entendido como un modelo de esperanza para la construcci\u00f3n adecuada y sostenible a nivel mundial.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga . arquitecto
\nsan sebasti\u00e1n. junio 2012<\/p>\n

Art\u00edculo publicado en ZAZPIKA 2012.07.15<\/span><\/em><\/p>\n

\"\"<\/a>
Library in Thailand, Tyin Tegnestue Architects | Photography: Pasi Aalto<\/span><\/figcaption><\/figure><\/p>\n

During the years precrisis many architects filled the front pages of the success in the press. It is maybe this attitude the one that has supposed that compares the profession with one of the reasons of the crisis and that the architects do not show now a great moral authority.<\/p>\n

Evidently a part exists in these lines indeed but, if it is wanted secret there is also another reality, that of the architects who work daily of form strengthened to take forward the illusions of his clients.<\/p>\n

An extreme case is that of the architects compromised with the social reasons, who already not here, but there, in Asia or in Africa raise projects conceived from Europa’s optics. There where the term I shelter, the house as protection, he acquires all his meaning, architects like the Norwegians of TYIN work taking architecture imaginative, but full of quality.<\/p>\n

\"\"<\/a>
Library and baths in Thailand, Tyin Tegnestue Architects | Photography: Pasi Aalto<\/span><\/figcaption><\/figure>\n

In the year 2008 they created a humanitarian organization to construct houses the orphan teenagers, libraries of people and public baths, with the local population and inside the necessary conditions to protect the environment.<\/p>\n

In January, 2009, TYIN recruited 15 students of architecture of the NTNU to be present at a workshop in Thailand, and Safe Haven improved the facilities of the Orphanage, under the direction of the teacher Sami Rintala. Both basic needs were it of creating a library and a building of sanitary services. The sanitary building had to cover the basic needs, as baths, personal hygiene and laundry. There existed already one of minimal dimensions constructed in the place, and this one was the point of item for the new bathhouse.<\/p>\n

The new volume divides in two parts, the blocked one of stone and concrete that is closed on yes same and generates the interior spaces for the most intimate functions. In the center there is placed a bathroom, which is opened for the existing plantations of teak behind the building. In spite of the fact that this room is in use for the wash of the body, it is partially opened for the sights of the landscape since in the people Karen culturamente this act of cleanliness is realized of joint form. A sloping front of bamboo runs along the long side of the building and allows the construction of a corridor protected from the Sun that connects all the stays.<\/p>\n

\"\"<\/a>
Baths in Thailand, Tyin Tegnestue Architects | Photography: Pasi Aalto<\/span><\/figcaption><\/figure>\n

The building of the Library is on a base of local stone, the walls of stone and polished concrete protect the building of the heat during the day, whereas the front opened of muds of bamboo towards the west offers a good ventilation. With local wood there was constructed a robust studding that generates a space in the cover separated from the dampness in the epoch of rains and that is adopted as space of reading.<\/p>\n

The racks run along the walls increasing the inertia of these, whereas the front is opened for the landscape generating a species of scene that allows the accomplishment of different activities. The area of general entry creates a comfortable space between exterior and interior, and is extended towards the exterior in a species of terrace separated from the soil.<\/p>\n

This has loaded to the building with an important paper as place of meeting and is widely used for the game, the stay or the accomplishment of joint activities.<\/p>\n

\"\"<\/a>
School in Bangladesh, Anna Heringer<\/span><\/figcaption><\/figure>\n

Another similar case is that of Anna Heringer, an arquitecta licensed in 2004 in the University of Linz, Austria. Under the idea of that the architecture is a mechanism to improve the life and that has the aptitude to stimulate the confidence of the people, moved to Rudrapur, a small people of the most rural zone of Bangladesh, where his project constructed end of career, a school raised with mud and bamboo. This work carried out with the cooperation of the local craftsmen and with the implication of the whole community, which of providing to the region of a necessary equipment as a school, strengthened the feeling of belonging and of cultural local identity.<\/p>\n

The building fills with happiness the ground floor by means of a few curtains full of color. Both floors of the primary school have arisen from a deep comprehension of the local materials and from a sincere connection with the local community. His innovation resides in the adjustment of the methods and traditional materials of construction for the creation of contemporary spaces, full of light, as well as informal spaces for the children, in whom these could experience the enjoyment of the game. Terrestrial, such materials as the mud, the clay and the straw combine with more light elements, as sticks of bamboo and ropes of tie of nylon to give form to a construction that deals with the sustainability and with the balance with the nature of an exemplary way. The solution of design cannot be replicable, is the opposite to the architecture of the waste, where the place does not matter.<\/p>\n

The local conditions determine the final result, because this one is born precisely of this utilization of the knowledge accumulated in a place. The design allows new solutions to use the deep knowledge of the local context and of the traditional forms of construction.<\/p>\n

\"\"<\/a>
School in Bangladesh, Anna Heringer<\/span><\/figcaption><\/figure>\n

The final result of these voluntary efforts they are very worthy buildings of contemporary architecture that beyond his beautiful spaces, have the value of the collective thing and of the human thing, since they suppose a learning, so much for the children to those who serve like for those who took part in his construction. This model and not the one that has ended in the crisis, can be understood as a model of hope for the suitable and sustainable construction worldwide.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga . architect<\/p>\n

san sebasti\u00e1n. june 2014<\/p>\n

Article is published in ZAZPIKA 2012.07.15<\/em><\/span><\/p>\n

\"\"<\/a>
Biblioteca en Thailandia, Tyin Tegnestue Architects | Fotograf\u00eda: Pasi Aalto<\/span><\/figcaption><\/figure><\/p>\n

Durante os anos precrises moitos arquitectos encheron as portadas do \u00e9xito na prensa. \u00c9 talvez esta actitude a que supuxo que se equipare a profesi\u00f3n cunha das causas da crise e que os arquitectos non ostenten agora unha grande autoridade moral.<\/p>\n

Evidentemente existe nestas li\u00f1as unha parte de verdade pero, se se quere oculta hai tam\u00e9n outra realidade, a dos arquitectos que traballan a diario de forma esforzada para levar adiante as ilusi\u00f3ns dos seus clientes.<\/p>\n

Un caso extremo \u00e9 o dos arquitectos comprometidos coas causas sociais, que xa non aqu\u00ed, sen\u00f3n al\u00ed, en Asia ou en \u00c1frica levantan proxectos concibidos dende a \u00f3ptica de Europa. Al\u00ed onde o termo refuxio, a casa como protecci\u00f3n, adquire todo o seu significado, arquitectos como os noruegueses de TYIN traballan levando arquitectura imaxinativa, pero chea de calidade.<\/p>\n

\"\"<\/a>
Biblioteca e ba\u00f1os en Thailandia, Tyin Tegnestue Architects | Fotograf\u00eda: Pasi Aalto<\/span><\/figcaption><\/figure>\n

No ano 2008 crearon unha organizaci\u00f3n humanitaria para constru\u00edr casas aos adolescentes orfos, bibliotecas de pobo e ba\u00f1os p\u00fablicos, coa poboaci\u00f3n local e dentro das condici\u00f3ns necesarias para protexer o medio.<\/p>\n

En xaneiro de 2009, TYIN recrutou 15 estudantes de arquitectura da NTNU para asistir a un taller en Thailandia, e mellorar as instalaci\u00f3ns do Orfanato Safe Haven, baixo a direcci\u00f3n do profesor Sami Rintala. As d\u00faas necesidades b\u00e1sicas eran a de crear unha biblioteca e un edificio de servizos sanitarios. O edificio sanitario deb\u00eda cubrir as necesidades b\u00e1sicas, como ba\u00f1os, hixiene persoal e lavandar\u00eda. Exist\u00eda xa un de dimensi\u00f3ns m\u00ednimas constru\u00eddo no lugar, e este foi o punto de partida para a nova casa de ba\u00f1os.<\/p>\n

O novo volume div\u00eddese en d\u00faas partes, unha tapiada de pedra e formig\u00f3n que se pecha sobre si mesma e xera os espazos interiores para as funci\u00f3ns m\u00e1is \u00edntimas. No centro col\u00f3case un cuarto de ba\u00f1o, que se abre \u00e1s plantaci\u00f3ns de teca existentes detr\u00e1s do edificio. A pesar de que esta sala se utiliza para o lavado do corpo, est\u00e1 parcialmente aberta \u00e1s vistas da paisaxe xa que no pobo Karen culturamente este acto de limpeza se realiza de forma conxunta. Unha fachada inclinada de bamb\u00fa corre ao longo do lado longo do edificio e permite a construci\u00f3n dun corredor protexido do sol que conecta todas as estanzas.<\/p>\n

\"\"<\/a>
Ba\u00f1os en Tailandia, Tyin Tegnestue Architects | Fotograf\u00eda: Pasi Aalto<\/span><\/figcaption><\/figure>\n

O edificio da Biblioteca enc\u00f3ntrase sobre unha base de pedra do lugar, as paredes de pedra e formig\u00f3n pulido protexen o edificio da calor durante o d\u00eda, mentres que a fachada aberta de lamas de bamb\u00fa cara ao oeste ofrece unha boa ventilaci\u00f3n. Con madeira local constru\u00eduse unha armaz\u00f3n robusta que xera un espazo na cuberta separado da humidade na \u00e9poca de chuvias e que se adopta como espazo de lectura.<\/p>\n

Os estantes corren ao longo das paredes aumentando a inercia destas, mentres que a fronte se abre \u00e1 paisaxe xerando unha especie de escenario que permite a realizaci\u00f3n de diferentes actividades. A \u00e1rea de entrada xeral crea un espazo confortable entre exterior e interior, e ampl\u00edase cara ao exterior nunha especie de terraza separada do chan.<\/p>\n

Isto cargou o edificio cun papel importante como lugar de reuni\u00f3n e \u00e9 utilizado amplamente para o xogo, a estanza ou a realizaci\u00f3n de actividades conxuntas.<\/p>\n

\"\"<\/a>
Escola en Bangladesh, Anna Heringer<\/span><\/figcaption><\/figure>\n

Outro caso similar \u00e9 o de Anna Heringer, unha arquitecta licenciada en 2004 na Universidade de Linz, Austria. Baixo a idea de que a arquitectura \u00e9 un mecanismo para mellorar a vida e que ten a capacidade de estimular a confianza da xente, trasladouse a Rudrapur, un pequeno pobo da zona m\u00e1is rural de Bangla Desh, onde constru\u00edu o seu proxecto fin de carreira, unha escola levantada con barro e bamb\u00fa. Este traballo levouse a cabo coa cooperaci\u00f3n dos artes\u00e1ns locais e coa implicaci\u00f3n de toda a comunidade, o que ademais de dotar \u00e1 rexi\u00f3n dun equipamento necesario como unha escola, fortaleceu o sentimento de pertenza e de identidade cultural local.<\/p>\n

O edificio enche de alegr\u00eda a planta baixa mediante unhas cortinas cheas de cor. Os dous pisos da escola primaria xurdiron dunha profunda comprensi\u00f3n dos materiais locais e dunha sincera conexi\u00f3n coa comunidade local. A s\u00faa innovaci\u00f3n reside na adaptaci\u00f3n dos m\u00e9todos e materiais tradicionais de construci\u00f3n para a creaci\u00f3n de espazos contempor\u00e1neos, cheos de luz, as\u00ed como espazos informais para os nenos, nos que estes poidan experimentar o desfrute do xogo. Materiais terrestres, tales como o barro, a arxila e a palla se combinan con elementos m\u00e1is lixeiros, como paus de bamb\u00fa e cordas de amarre de nailon para dar forma a unha construci\u00f3n que se ocupa da sostibilidade e do equilibrio coa natureza dun xeito exemplar. A soluci\u00f3n de dese\u00f1o non pode ser replicable, \u00e9 o contrario \u00e1 arquitectura do dispendio, onde o lugar non importa.<\/p>\n

As condici\u00f3ns locais determinan o resultado final, porque este nace precisamente dese aproveitamento do co\u00f1ecemento acumulado nun lugar. O dese\u00f1o permite novas soluci\u00f3ns para utilizar o profundo co\u00f1ecemento do contexto local e das formas de construci\u00f3n tradicionais.<\/p>\n

\"\"<\/a>
Escuela en Bangladesh, Anna Heringer<\/span><\/figcaption><\/figure>\n

O resultado final destes esforzos voluntarios son edificios moi dignos de arquitectura contempor\u00e1nea que m\u00e1is al\u00e1 dos seus fermosos espazos, te\u00f1en o valor do colectivo e do humano, xa que supo\u00f1en unha aprendizaxe, tanto para os nenos aos que serven coma para os que participaron na s\u00faa construci\u00f3n. Este modelo e non o que desembocou na crise, pode ser entendido como un modelo de esperanza para a construci\u00f3n axeitada e sostible a nivel mundial.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga . arquitecto<\/p>\n

san sebasti\u00e1n. xu\u00f1o 2012<\/p>\n

Artigo publicado en ZAZPIKA 2012.07.15<\/em><\/span><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Durante los a\u00f1os precrisis muchos arquitectos llenaron las portadas del \u00e9xito en la prensa. Es tal vez esta actitud la que ha supuesto que se equipare la profesi\u00f3n con una de las causas de la crisis y que los arquitectos no ostenten ahora una gran autoridad moral. Evidentemente existe en estas l\u00edneas una parte de […]<\/p>\n","protected":false},"author":31,"featured_media":36511,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[85,4725,10570,6547,2377,1922,169,208,486,12443,505,4285,7058,847,1201,10569,1286,10568],"class_list":["post-36482","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-africa","tag-anna-heringer","tag-arquitectura-austriaca","tag-arquitectura-noruega","tag-arquitectura-social","tag-asia","tag-austria","tag-biblioteca","tag-equipamiento","tag-equipamiento-docente","tag-escuela","tag-inigo-garcia-odiaga","tag-materialidad","tag-medio-rural","tag-sami-rintala","tag-tailandia","tag-territorio","tag-tyin-tegnestue-architects"],"yoast_head":"\nConstruir all\u00ed | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" 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