{"id":35299,"date":"2013-10-17T06:26:02","date_gmt":"2013-10-17T06:26:02","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=35299"},"modified":"2020-02-26T16:28:20","modified_gmt":"2020-02-26T15:28:20","slug":"la-arquitectura-de-la-esencia-l-barragan-1902-88-y-a-de-la-sota-1913-96","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-arquitectura-de-la-esencia-l-barragan-1902-88-y-a-de-la-sota-1913-96\/","title":{"rendered":"<!--:es-->La arquitectura de la esencia: L. Barrag\u00e1n (1902-88) y A. de la Sota (1913-96)<!--:--><!--:gl-->A arquitectura da esencia: L. Barrag\u00e1n (1902-88) e A. de la Sota (1913-96)<!--:--><!--:en-->The architecture of the essence: L. Barrag\u00e1n (1902-88) and A. de la Sota (1913-96)<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\">El ciclo de conferencias <strong>Proyecto + Investigaci\u00f3n 3<\/strong> propone un acercamiento a uno de los procesos l\u00f3gicos de la ideaci\u00f3n, a su sistematizaci\u00f3n y transmisi\u00f3n mediante el an\u00e1lisis de las obras de dos de los arquitectos del siglo XX referentes en el uso del m\u00e9todo esencial: Luis Barrag\u00e1n y Alejandro de la Sota.<\/p>\n<p style=\"text-align: justify;\">Ambos arquitectos, Barrag\u00e1n y de la Sota, en un evidente paralelismo en el tiempo, ejercen su magisterio proyectual en las dos orillas del Oc\u00e9ano Atl\u00e1ntico sometiendo sus creaciones a un proceso de depuraci\u00f3n continua. Este hecho les permite rearticular lo vern\u00e1culo con la modernidad de modo independiente del lenguaje, de la forma presencial, empleado por ambos.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35300\" title=\"05_a4\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg\" alt=\"\" width=\"620\" height=\"438\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4-300x211.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Para ello, se propone el siguiente calendario, con una sesi\u00f3n doble matinal de conferencias de 11:00 a 15:00 horas, durante todos los viernes del mes de noviembre:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\">1. JOS\u00c9 BENITO RODR\u00cdGUEZ CHEDA\u00a0 8 noviembre 2013<br \/>\n<em>El proceso creativo en A. de la Sota: el m\u00e9todo l\u00f3gico<\/em><br \/>\n<em>Tres obras: Gimnasio Maravillas (1961), Vivienda unifamiliar Sr. Dom\u00ednguez en La Caeyra, Pontevedra (1976) y Urbanizaci\u00f3n en Alcudia, Mallorca (1984)<\/em><\/p>\n<p style=\"text-align: justify; padding-left: 30px;\">2. C\u00c1NDIDO L\u00d3PEZ GONZ\u00c1LEZ\u00a0 8 noviembre 2013<br \/>\n<em>La estructura formal del Gimnasio Maravillas: relaciones tecnol\u00f3gicas con dos obras referentes: el Front\u00f3n Recoletos y el Hip\u00f3dromo de la Zarzuela<\/em><\/p>\n<p style=\"padding-left: 30px;\">3. CRUZ L\u00d3PEZ VISO\u00a0 15 noviembre 2013<br \/>\n<em>El mundo interior de Luis Barrag\u00e1n: arquitectura y naturaleza<\/em><br \/>\n<em>Cuatro obras: Jardines del Pedregal (1945), Casa-Estudio de Tacubaya (1947), Las Arboledas (1958-62) y Los Clubes (1962-64)<\/em><\/p>\n<p style=\"padding-left: 30px;\">4. ANTONIO RUIZ BARBAR\u00cdN\u00a0 15 noviembre 2013<br \/>\n<em>El mundo exterior de Luis Barrag\u00e1n: el neoplasticismo, la relaci\u00f3n con De Stijl, Rietveld y Mies. La Casa Gilardi (1975-77)<\/em><\/p>\n<p style=\"padding-left: 30px;\">5. PEDRO DE LLANO CABADO\u00a0 22 noviembre 2013<br \/>\n<em>\u00a0El dibujo como herramienta en el proceso creativo de A. de la Sota<\/em><\/p>\n<p style=\"padding-left: 30px;\">6. MAR\u00cdA CARREIRO OTERO\u00a0 22 noviembre 2013<br \/>\n<em>La escalera, elemento de esencialidad: Casa-Estudio de Tacubaya (1947), L. Barrag\u00e1n y Casa Arves\u00fa (1955), A. de la Sota<\/em><\/p>\n<p style=\"padding-left: 30px;\">7.\u00a0 MAR\u00cdA TERESA MU\u00d1OZ JIM\u00c9NEZ\u00a0 29 noviembre 2013<br \/>\n<em>Un espacio de discusi\u00f3n y\/o reflexi\u00f3n<\/em><\/p>\n<p><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\">O ciclo de conferencias <strong>Proxecto + Investigaci\u00f3n 3<\/strong> prop\u00f3n un achegamento a un dos procesos l\u00f3xicos da ideaci\u00f3n, \u00e1 s\u00faa sistematizaci\u00f3n e transmisi\u00f3n mediante a an\u00e1lise das obras de dous dos arquitectos do s\u00e9culo XX referentes no uso do m\u00e9todo esencial: Luis Barrag\u00e1n e Alejandro de la Sota.<\/p>\n<p style=\"text-align: justify;\">Ambos os dous arquitectos, Barrag\u00e1n e da Sota, nun evidente paralelismo no tempo, exercen o seu maxisterio proyectual nas d\u00faas beiras do Oc\u00e9ano Atl\u00e1ntico sometendo as s\u00faas creaci\u00f3ns a un proceso de depuraci\u00f3n continua. Este feito perm\u00edtelles rearticular o vern\u00e1culo coa modernidade de modo independente da linguaxe, da forma presencial, empregado por ambos os dous.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35300\" title=\"05_a4\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg\" alt=\"\" width=\"620\" height=\"438\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4-300x211.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Para iso, proponse o seguinte calendario, cunha sesi\u00f3n dobre matinal de conferencias de 11:00 a 15:00 horas, durante todos os venres do mes de novembro:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\">1. JOS\u00c9 BENITO RODR\u00cdGUEZ CHEDA 8 novembro 2013<br \/>\n<em>O proceso creativo na. da Sota: o m\u00e9todo l\u00f3xico<br \/>\nTres obras: Ximnasio Marabillas (1961), Vivenda unifamiliar Sr. Dom\u00ednguez en La Caeyra, Pontevedra (1976) e Urbanizaci\u00f3n en Alcudia, Mallorca (1984)<\/em><em><\/em><\/p>\n<p style=\"text-align: justify; padding-left: 30px;\">2. C\u00c1NDIDO L\u00d3PEZ GONZ\u00c1LEZ 8 novembro 2013<br \/>\n<em>A estrutura formal do Ximnasio Marabillas: relaci\u00f3ns tecnol\u00f3xicas con d\u00faas obras referentes: o Front\u00f3n Recoletos e o Hip\u00f3dromo da Zarzuela<\/em><\/p>\n<p style=\"padding-left: 30px;\">3. CRUZ L\u00d3PEZ VISO 15 novembro 2013<br \/>\n<em>O mundo interior de Luis Barrag\u00e1n: arquitectura e natureza<br \/>\nCatro obras: Xard\u00edns do Pedregal (1945), Casa-Estudo de Tacubaya (1947), Las Arboledas (1958-62) e Los Clubes (1962-64)<\/em><em><\/em><\/p>\n<p style=\"padding-left: 30px;\">4. ANTONIO RUIZ BARBAR\u00cdN 15 novembro 2013<br \/>\n<em> O mundo exterior de Luis Barrag\u00e1n: o neoplasticismo, a relaci\u00f3n con De Stijl, Rietveld e Cereal. A Casa Gilardi (1975-77)<\/em><\/p>\n<p style=\"padding-left: 30px;\">5. PEDRO DE LLANO CABADO 22 novembro 2013<br \/>\n<em> O debuxo como ferramenta no proceso creativo de de la Sota<\/em><\/p>\n<p style=\"padding-left: 30px;\">6. MAR\u00cdA CARREIRO OTERO 22 novembro 2013<br \/>\n<em>A escaleira, elemento de esencialidade: Casa-Estudo de Tacubaya (1947), L. Barrag\u00e1n e Casa Arves\u00fa (1955), A. da Sota<\/em><\/p>\n<p style=\"padding-left: 30px;\">7. MAR\u00cdA TERESA MU\u00d1OZ JIM\u00c9NEZ 29 novembro 2013<em><br \/>\nUn espazo de discusi\u00f3n e\/ou reflexi\u00f3n<\/em><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\">The cycle of conferences <strong style=\"text-align: justify;\">Project + Investigation 3<\/strong> he proposes an approximation to one of the logical processes of the ideaci\u00f3n, to his systematizing and transmission by means of the analysis of the works of two of the relating architects of the 20th century in the use of the essential method: Luis Barrag\u00e1n and Alejandro de la Sota.<\/p>\n<p style=\"text-align: justify;\">Both architects, Barrag\u00e1n and de la Sota, in an evident parallelism in the time, they exercise his teaching proyectual in both shores of the Atlantic Ocean submitting his creations to a process of constant purification. This fact allows them to re-articulate the vernacular thing with the modernity of a way independent from the language, from the form presencial, used by both.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35300\" title=\"05_a4\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg\" alt=\"\" width=\"620\" height=\"438\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/10\/05_a4-300x211.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">For it, one proposes the following calendar, with a double morning session of conferences of 11:00 to 15:00 hours, during every Friday of November:<\/p>\n<p style=\"text-align: justify; padding-left: 30px;\">1. JOS\u00c9 BENITO RODR\u00cdGUEZ CHEDA On November 8, 2013<br \/>\n<em>The creative process in A. of the Jack: the logical method<br \/>\nThree you act: Gymnasium You Astonish (1961), one-family Housing Mr. Dom\u00ednguez in The Caeyra, Pontevedra (1976) and Urbanization in Alcudia, Majorca (1984)<\/em><\/p>\n<p style=\"text-align: justify; padding-left: 30px;\">2. C\u00c1NDIDO L\u00d3PEZ GONZ\u00c1LEZ On November 8, 2013<br \/>\n<em>The formal structure of the Gymnasium You Astonish: technological relations with two relating works: the Fronton Recluses and the Racetrack of the Operetta<\/em><\/p>\n<p style=\"padding-left: 30px; text-align: justify;\">3. CRUZ L\u00d3PEZ VISO On November 15, 2013<br \/>\n<em>Luis Barrag\u00e1n&#8217;s interior world: architecture and nature<br \/>\nFour you act: Gardens of the Stony area (1945), House &#8211; study of Tacubaya (1947), The Groves (1958-62) and The Clubs (1962-64)<\/em><\/p>\n<p style=\"padding-left: 30px;\">4. ANTONIO RUIZ BARBAR\u00cdN On November 15, 2013<br \/>\n<em>Luis Barrag\u00e1n&#8217;s exterior world: the neoplasticismo, the relation with Of Stijl, Rietveld and Grain. The House Gilardi (1975-77)<\/em><\/p>\n<p style=\"padding-left: 30px;\">5. PEDRO DE LLANO CABADO On November 22, 2013<br \/>\n<em> The drawing like tool in the creative process of A. de la Sota<\/em><\/p>\n<p style=\"padding-left: 30px;\">6. MAR\u00cdA CARREIRO OTERO On November 22, 2013<br \/>\n<em>The stairs, element of esencialidad: House &#8211; study of Tacubaya (1947), L. Barrag\u00e1n and He Marries Arves\u00fa (1955), A<\/em>. <em>de la Sota<\/em><\/p>\n<p style=\"padding-left: 30px;\">7. MAR\u00cdA TERESA MU\u00d1OZ JIM\u00c9NEZ On November 29, 2013<br \/>\n<em>A space of discussion and \/ or reflection<\/em><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El ciclo de conferencias Proyecto + Investigaci\u00f3n 3 propone un acercamiento a uno de los procesos l\u00f3gicos de la ideaci\u00f3n, a su sistematizaci\u00f3n y transmisi\u00f3n mediante el an\u00e1lisis de las obras de dos de los arquitectos del siglo XX referentes en el uso del m\u00e9todo esencial: Luis Barrag\u00e1n y Alejandro de la Sota. Ambos arquitectos, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":35300,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16],"tags":[66,93,9070,6757,4300,357,9071,3032,541,5777,3687,3533,9068,9069,865,878,7581,5873,4444],"class_list":["post-35299","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conferencias","category-eventos","tag-a-coruna","tag-alejandro-de-la-sota","tag-antonio-ruiz-barbarin","tag-arquitectura-vernacula","tag-candido-lopez-gonzalez","tag-conferencia","tag-cruz-lopez-viso","tag-de-stijl","tag-etsac","tag-gerrit-t-rietveld","tag-jose-benito-rodriguez-cheda","tag-luis-barragan","tag-maria-carreiro-otero","tag-maria-teresa-munoz-jimenez","tag-mies-van-der-rohe","tag-modernidad","tag-neoplasticismo","tag-pedro-de-llano","tag-s-xx"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La arquitectura de la esencia: L. 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