{"id":34636,"date":"2017-09-18T00:02:06","date_gmt":"2017-09-17T22:02:06","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=34636"},"modified":"2024-03-11T14:57:38","modified_gmt":"2024-03-11T13:57:38","slug":"arquitectura-y-caos-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/arquitectura-y-caos-jose-ramon-hernandez-correa\/","title":{"rendered":"[:es]Arquitectura y Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Arquitectura e Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Architecture and Chaos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:]"},"content":{"rendered":"

[:es]<\/p>\n

Acabo de leer una buena frase de Rem Koolhaas<\/a><\/strong> en el blog de Cosas de Arquitectos<\/em><\/strong>. El titular dice:<\/p>\n

\n

\u00abLa arquitectura por definici\u00f3n es una aventura ca\u00f3tica\u00bb. <\/em><\/p>\n<\/blockquote>\n

La frase completa no la copio para que as\u00ed les hag\u00e1is una visita a estos chicos, que lo merecen, (Frasecica<\/a><\/strong>).<\/p>\n

Hacer arquitectura es coordinar aspectos que en principio no son coordinables, y es dar cancha a muchas solicitaciones diversas. Estoy de acuerdo con lo que dice Koolhaas, s\u00f3lo que yo utilizar\u00eda como conclusi\u00f3n (y titular) pr\u00e1cticamente la contraria: La arquitectura es una aventura que siempre lucha contra el caos.<\/p>\n

\"Arquitectura<\/a>
Maxwell Smart, el Superagente 86 |\u00a0wikipedia.org<\/a><\/span><\/figcaption><\/figure>\n

\u00bfQue pierde? Vale, tambi\u00e9n nosotros, todos, nos pasamos la vida luchando contra la muerte y al final perdemos. La vida es una enfermedad mortal, y la arquitectura es una aventura ca\u00f3tica que acaba naufragando en el caos. S\u00ed, de acuerdo. Pero es un naufragio extraordinario, fruto de la convicci\u00f3n de que se puede y se debe luchar.<\/p>\n

Eso es lo que le da gracia y sentido a la aventura. Sentimos tr\u00e1gica, unamunianamente<\/em>, la vida. Tenemos miedo a morir, a desaparecer sin dejar nada, a dejar de ser. Pero por eso mismo nos aferramos a la vida y la disfrutamos. Si no muri\u00e9ramos nunca no tendr\u00eda sentido nada; todo ser\u00eda un aburrimiento.<\/p>\n

Por el mismo motivo, si nuestro mundo fuera un ente ordenado no habr\u00eda por qu\u00e9 hacer arquitectura, ya que nos vendr\u00eda todo dado, y cualquier chabolo (o cualquier mont\u00f3n de trastos) colocado y dispuesto de cualquier manera ser\u00eda armonioso y bello, \u00fatil y funcional, y sus proporciones, dimensiones y caracter\u00edsticas varias ser\u00edan siempre gratas.<\/p>\n

Pero no es as\u00ed. La\u00a0entrop\u00eda<\/a><\/b>\u00a0es una pu\u00f1etera. (Es una pu\u00f1etera y al mismo tiempo una estimuladora y una entusiasmadora. Es la que nos hace saltar de la cama todas las ma\u00f1anas y lanzarnos a la lucha diaria).<\/p>\n

El\u00a0Otro poema de los dones<\/i>, de\u00a0Jorge Luis Borges<\/a><\/b>, comienza as\u00ed:<\/p>\n

Gracias quiero dar al divino<\/em><\/p>\n

laberinto de los efectos y de las causas<\/em><\/p>\n

por la diversidad de las criaturas<\/em><\/p>\n

que forman este singular universo,<\/em><\/p>\n

por la raz\u00f3n, que no cesar\u00e1 de so\u00f1ar<\/em><\/p>\n

con un plano del laberinto,<\/em><\/p>\n

[…]<\/em><\/p>\n

El universo es un inextricable (y divino) laberinto de causas y efectos, pero el ser humano jam\u00e1s renunciar\u00e1 a so\u00f1ar con un plano del laberinto, y a trabajar duramente para dibujarlo.<\/p>\n

Tal vez en muchos siglos s\u00f3lo sea capaz de cartografiar un par de giros o recodos, pero no se desanimar\u00e1 ante el ingente trabajo que le queda, sino que celebrar\u00e1 haber reconocido esos dos giros, y estar\u00e1 siempre dispuesto a descifrar el siguiente, aunque le lleve otro milenio.<\/p>\n

Esa es la condici\u00f3n humana<\/strong><\/h5>\n

En arquitectura, no s\u00f3lo una obra tiene que luchar contra mil dificultades, y no triunfa nunca completamente y casi nunca parcialmente, sino que las pocas veces que sale m\u00e1s o menos airosa se levanta en medio de un entorno hostil. (\u00bfCu\u00e1ntas veces hemos ido en peregrinaci\u00f3n a ver una obra m\u00edtica y nos la hemos encontrado casi tapada por un concesionario de coches o por un restaurante de comida r\u00e1pida, que los fot\u00f3grafos de arquitectura evitan h\u00e1bilmente?). Ya no es que no podamos hacer una buena obra de arquitectura: Es que no podemos cambiar el mundo.<\/p>\n

Y sin embargo seguimos.<\/p>\n

He puesto antes un enlace al concepto \u00abentrop\u00eda\u00bb de la wikipedia, y me ha sorprendido (y agradado especialmente) que la palabra proceda del griego \u00abevoluci\u00f3n\u00bb o \u00abtransformaci\u00f3n\u00bb. Yo ya sab\u00eda que era una medida del desorden, y que era una energ\u00eda que no produce trabajo, una energ\u00eda in\u00fatil, una gaita. Y adem\u00e1s significa la irreversibilidad de los procesos y, en definitiva, la tragedia de la vida (El Sentimiento Tr\u00e1gico de la Vida<\/i><\/a>). Pero lo que no me esperaba (pero, por lo dem\u00e1s, es obvio) es que eso mismo fuera la evoluci\u00f3n o la transformaci\u00f3n.<\/p>\n

Bruno Zevi<\/a>, cordial odiador de simetr\u00edas y de esquemas r\u00edgidos en arquitectura, escribi\u00f3 que s\u00f3lo los cementerios est\u00e1n ordenados. Yo a\u00f1ado que \u00abperfecto\u00bb significa \u00abterminado\u00bb y, en muchos sentidos, muerto.<\/p>\n

Por lo tanto, bendito desorden y bendita imperfecci\u00f3n. (Y a\u00fan m\u00e1s: Bendito af\u00e1n de luchar siempre contra el desorden y contra la imperfecci\u00f3n. Y a\u00fan m\u00e1s todav\u00eda: Bendita maldici\u00f3n de ser siempre derrotados en ese af\u00e1n).<\/p>\n

Lo dicho: una tragedia sin soluci\u00f3n.<\/p>\n

Este blog tiene un perfil de lectores insultantemente j\u00f3venes. Eso no es malo de suyo, pero les priva, por ejemplo, de haber conocido a\u00a0Maxwell Smart<\/b>, el\u00a0Superagente 86<\/a><\/b>.<\/p>\n

\"Don
Don Adams como Maxwell Smart y Barbara Feldon como la Agente 99 | 1965 | wikepedia.org<\/a><\/span><\/figcaption><\/figure>\n

Les contar\u00e9 a todos ellos (pobrecillos) que este formidable agente secreto luchaba contra el mal. El mal resid\u00eda en la agencia KAOS, y \u00e9l militaba en CONTROL.<\/p>\n

Eso es: Control contra Kaos<\/strong><\/h5>\n

El superagente siempre ganaba, pero pich\u00eds pich\u00e1s. No es que fueran victorias apabullantes, casi siempre eran p\u00edrricas, y tambi\u00e9n rid\u00edculas.<\/p>\n

O sea, que ahora, despu\u00e9s de tantos a\u00f1os, me doy cuenta de que Maxwell Smart era el s\u00edmbolo de la arquitectura, su m\u00e1s ardiente met\u00e1fora. No, si al final resulta que me decid\u00ed a ser arquitecto por su culpa.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoctor Arquitecto y autor de\u00a0Arquitectamos locos?<\/span><\/em>
\nToledo \u00b7 septiembre 2013<\/p>\n

[:gl]<\/p>\n

Acabo de ler unha boa frase de Rem Koolhaas<\/a><\/strong> no blogue de Cosas de Arquitectos<\/em><\/strong>.\u00a0O titular di:<\/p>\n

\n

\u00abA arquitectura por definici\u00f3n \u00e9 unha aventura ca\u00f3tica\u00bb.<\/p>\n<\/blockquote>\n

A frase completa non a copio para que as\u00ed lles fagades unha visita a estes rapaces, que o merecen (Frasecica<\/a><\/strong>).<\/p>\n

Facer arquitectura \u00e9 coordinar aspectos que en principio non son coordinables, e \u00e9 dar cancha a moitas solicitudes diversas. Estou de acordo co que di Koolhaas, s\u00f3 que eu utilizar\u00eda como conclusi\u00f3n (e titular) practicamente a contraria: A arquitectura \u00e9 unha aventura que sempre loita contra o caos.<\/p>\n

\"\"<\/a>
Maxwell Smart, o\u00a0Superaxente 86 |\u00a0wikipedia.org<\/a><\/span><\/figcaption><\/figure>\n

Que perde? Vale, tam\u00e9n n\u00f3s, todos, nos pasamos a vida loitando contra a morte e ao final perdemos. A vida \u00e9 unha enfermidade mortal, e a arquitectura \u00e9 unha aventura ca\u00f3tica que acaba naufragando no caos. Si, de acordo. Pero \u00e9 un naufraxio extraordinario, froito da convicci\u00f3n de que se pode e se debe loitar.<\/p>\n

Iso \u00e9 o que lle d\u00e1 graza e sentido \u00e1 aventura. Sentimos tr\u00e1xica, unamunianamente, a vida. Temos medo a morrer, a desaparecer sen deixar nada, a deixar de ser. Pero por iso mesmo aferr\u00e1monos \u00e1 vida e goz\u00e1mola. Se non morr\u00e9semos nunca ter\u00eda sentido nada; todo ser\u00eda un aburrimento.<\/p>\n

Polo mesmo motivo, se o noso mundo fose un ente ordenado non haber\u00eda por que facer arquitectura, xa que nos vir\u00eda todo dado, e calquera chabolo (ou calquera chea de trastes) colocado e disposto de calquera xeito ser\u00eda armonioso e belo, \u00fatil e funcional, e as s\u00faas proporci\u00f3ns, dimensi\u00f3ns e caracter\u00edsticas varias ser\u00edan sempre gratas.<\/p>\n

Pero non \u00e9 as\u00ed. A entrop\u00eda<\/a><\/b> \u00e9 unha maldita. (\u00c9 unha maldita e ao mesmo tempo unha estimuladora e unha entusiasmadora. \u00c9 a que nos fai saltar da cama todas as ma\u00f1\u00e1s e lanzarnos \u00e1 loita diaria).<\/p>\n

O Outro poema dos dons,<\/em> de Jorge Luis Borges<\/a><\/b>,, comeza as\u00ed:<\/p>\n

Grazas quero dar ao divino<\/p>\n

labirinto dos efectos e das causas<\/p>\n

pola diversidade das criaturas<\/p>\n

que forman este singular universo,<\/p>\n

pola raz\u00f3n, que non cesar\u00e1 de so\u00f1ar<\/p>\n

cun plano do labirinto,<\/p>\n

[…]<\/p><\/blockquote>\n

O universo \u00e9 un inextricable (e divino) labirinto de causas e efectos, pero o ser humano xamais renunciar\u00e1 a so\u00f1ar cun plano do labirinto, e a traballar duramente para debuxalo.<\/p>\n

Talvez en moitos s\u00e9culos s\u00f3 sexa capaz de cartografiar un par de xiros ou recodos, pero non se desanimar\u00e1 ante o inxente traballo que queda, sen\u00f3n que celebrar\u00e1 reco\u00f1ecer eses dous xiros, e estar\u00e1 sempre disposto a descifrar o seguinte, a\u00ednda que lle leve outro milenio.<\/p>\n

Esa \u00e9 a condici\u00f3n humana.<\/p>\n

En arquitectura, non s\u00f3 unha obra ten que loitar contra mil dificultades, e non triunfa nunca completamente e case nunca parcialmente, sen\u00f3n que as poucas veces que sae m\u00e1is ou menos airosa lev\u00e1ntase no medio dunha contorna hostil. (Cantas veces fomos en peregrinaci\u00f3n a ver unha obra m\u00edtica e atop\u00e1monola\/atop\u00e1mosnola case tapada por un concesionario de coches ou por un restaurante de comida r\u00e1pida, que os fot\u00f3grafos de arquitectura evitan h\u00e1bilmente?). Xa non \u00e9 que non podamos facer unha boa obra de arquitectura: \u00c9 que non podemos cambiar o mundo.<\/p>\n

E con todo seguimos.<\/p>\n

Puxen antes unha ligaz\u00f3n ao concepto \u00abentrop\u00eda\u00bb da wikipedia, e sorprendeume (e agradado especialmente) que a palabra proceda da grego \u00abevoluci\u00f3n\u00bb ou \u00abtransformaci\u00f3n\u00bb. Eu xa sab\u00eda que era unha medida da desorde, e que era unha enerx\u00eda que non produce traballo, unha enerx\u00eda in\u00fatil, unha gaita. E ademais significa a irreversibilidad dos procesos e, en definitiva, a traxedia da vida (O Sentimento Tr\u00e1xico da Vida<\/em><\/a>). Pero o que non me esperaba (pero, polo demais, \u00e9 obvio) \u00e9 que iso mesmo fose a evoluci\u00f3n ou a transformaci\u00f3n.<\/p>\n

Bruno Zevi<\/a>, cordial odiador de simetr\u00edas e de esquemas r\u00edxidos en arquitectura, escribiu que s\u00f3 os cemiterios est\u00e1n ordenados. Eu engado que \u00abperfecto\u00bb significa \u00abterminado\u00bb e, en moitos sentidos, morto.<\/p>\n

Por tanto, bendita desorde e bendita imperfecci\u00f3n. (E a\u00ednda m\u00e1is: Bendito af\u00e1n de loitar sempre contra a desorde e contra a imperfecci\u00f3n. E a\u00ednda m\u00e1is a\u00ednda: Bendita maldici\u00f3n de ser sempre derrotados nese af\u00e1n).<\/p>\n

O devandito: unha traxedia sen soluci\u00f3n.<\/p>\n

Este blogue ten un perfil de lectores insultantemente novos. Iso non \u00e9 malo de seu, pero pr\u00edvalles, por exemplo, de co\u00f1ecer a Maxwell Smart<\/strong>, o\u00a0Superagente 86<\/a><\/b>.<\/p>\n

\"Don
Don Adams como Maxwell Smart e\u00a0Barbara Feldon como a Axente 99 | 1965 | wikepedia.org<\/a><\/span><\/figcaption><\/figure>\n

Contareilles a todos eles (pobrecillos) que este formidable axente secreto loitaba contra o mal. O mal resid\u00eda na axencia KAOS, e el militaba en CONTROL.<\/p>\n

Iso \u00e9: Control contra Kaos.<\/p>\n

O superagente sempre ga\u00f1aba, pero pich\u00eds pich\u00e1s. Non \u00e9 que fosen vitorias humillantes, case sempre eran p\u00edrricas, e tam\u00e9n rid\u00edculas.<\/p>\n

Ou sexa, que agora, despois de tantos anos, doume conta de que Maxwell Smart era o s\u00edmbolo da arquitectura, a s\u00faa m\u00e1is ardente met\u00e1fora. Non, se ao final resulta que me decid\u00edn a ser arquitecto pola s\u00faa culpa.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoctor Arquitecto e\u00a0autor de\u00a0Arquitectamos locos?<\/span><\/em>
\nToledo \u00b7 setembro 2013<\/p>\n

[:en]<\/p>\n

I have just read a good phrase of\u00a0Rem Koolhaas<\/a><\/strong>\u00a0in the blog Cosas de Arquitectos<\/em><\/strong>.\u00a0The holder says:<\/p>\n

\n

\u00abThe architecture for definition is a chaotic adventure\u00bb.<\/p>\n<\/blockquote>\n

The phrase completes I do not copy it in order that this way you do a visit to these boys, who deserve it, (Frasecica<\/a><\/strong>).<\/p>\n

To do architecture is to coordinate aspects that at first are not coordinables, and it is to give field to many diverse solicitations. I agree with what Koolhaas says, only that I would use as conclusion (and to title) practically contradicts it: The architecture is an adventure that always fights against the chaos.<\/p>\n

\"\"<\/a>
Maxwell Smart, Superagent 86 |\u00a0wikipedia.org<\/a><\/span><\/figcaption><\/figure>\n

That loses? It costs, also we, all, we spend the life to ourselves fighting against the death and ultimately we lose. The life is a mortal disease, and the architecture is a chaotic adventure that ends up by sinking in the chaos. Yes, in agreement. But it is an extraordinary shipwreck, fruit of the conviction of which one can and it is necessary to to fight.<\/p>\n

It is what gives him grace and sense to the adventure. We feel tragic, unamunianamente<\/em>, the life. We are afraid to dying, to disappearing without leaving anything, to stopping being. But because of it same we stick to the life and enjoy it. If we were not dying sense would never ma anything; everything would be a boredom.<\/p>\n

For the same motive, if our world was a tidy entity it would not have why to do architecture, since it us would come quite given, and any chabolo (or any heap of utensils) placed and arranged anyhow would be harmonious and beautiful, useful and functional, and his proportions, dimensions and different characteristics would be always pleasing.<\/p>\n

But it is not like that. The entropy<\/a> is a pu\u00f1etera. (It is a pu\u00f1etera and at the same time an estimuladora and an entusiasmadora. It is the one that makes us jump of the bed every morning and throw to the daily fight).<\/p>\n

Another poem of the gifts<\/em>, of Jorge Luis Borges<\/a><\/b>, it begins this way:<\/p>\n

El\u00a0Otro poema de los dones<\/i>, de\u00a0Jorge Luis Borges<\/a><\/b>, comienza as\u00ed:<\/p>\n

Thank you I want to give to the divine<\/p>\n

labyrinth of the effects and of the reasons<\/p>\n

for the diversity of the creatures<\/p>\n

that form these singular universe,<\/p>\n

for the reason, which will not stop dreaming<\/p>\n

of a plane of the labyrinth,<\/p>\n

[…]<\/p><\/blockquote>\n

The universe is the inextricable one (and divine) labyrinth of reasons and effects, but the human being will never give up dreaming of a plane of the labyrinth, and working duramente to draw it.<\/p>\n

Maybe in many centuries only there is capable of cartografiar a couple of drafts or bends, but he will not lose heart before the enormous work that he still has, but it will celebrate to have recognized these two drafts, and to be always ready to decipher the following one, though it takes another millenium to him.<\/p>\n

This it is the human condition.<\/p>\n

In architecture, not only a work has to fight against thousand difficulties, and never triumphs completely and almost partially, but rarely that works out more or less airy gets up in the middle of a hostile environment ever. (How many times we have been going in peregrination to see a mythical work and we have been her almost covered by a concessionaire of cars or for a restaurant of snack food, which the photographers of architecture avoid skilfully?). Already it is not that we could not do a good work of architecture: It is that we cannot change the world.<\/p>\n

And nevertheless we continue.<\/p>\n

I have put before a link to the concept \u00abentropy\u00bb of the wikipedia, and I have surprised (and pleased specially) that the word comes from the Greek \u00abevolution\u00bb or \u00abtransformation\u00bb. I already knew that it was a measure of the disorder, and that was an energy that does not produce work, a useless energy, a bagpipe. And in addition it means the irreversibility of the processes and, definitively, the tragedy of the life (The Tragic Feeling of the Life<\/em><\/a>). But what was not waiting for me (but, for the rest, it is obvious) is that it itself was the evolution or the transformation.<\/p>\n

Bruno Zevi<\/a>, cordial odiador of symmetries and of rigid schemes in architecture, wrote that only the cemeteries are tidy. I add that \u00abperfect\u00bb it means \u00abfinished\u00bb and, in many senses, dead man.<\/p>\n

Therefore, blessed disorder and blessed blemish. (And furthermore: Blessed zeal to fight always against the disorder and against the blemish. And furthermore still: Blessed curse of being defeated always in this zeal).<\/p>\n

The above mentioned thing: a tragedy without solution.<\/p>\n

This blog has a readers’ profile insultantemente young. It is not bad of his, but it forbids them to have known, for example, Maxwell Smart<\/strong>, the Superagent 86<\/a><\/b>.<\/p>\n

\"Don
Don Adams as\u00a0Maxwell Smart and\u00a0Barbara Feldon as\u00a0the Agent 99 | 1965 | wikepedia.org<\/a><\/span><\/figcaption><\/figure>\n

I will tell all of them (pobrecillos) that this formidable secret agent was fighting against the evil. The evil was residing in the agency KAOS, and he militaba in CONTROL.<\/p>\n

It is: Control against Kaos.<\/p>\n

The superagent always was winning, but pich\u00eds pich\u00e1s. It is not that they were resounding victories, almost always they were p\u00edrricas, and also ridiculous.<\/p>\n

Or, that now, after so many years, I realize that Maxwell Smart was the symbol of the architecture, his more ardent metaphor. Not, if ultimately it turns out that I decided to be an architect for his fault.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nPhD\u00a0Architect\u00a0and author of\u00a0Arquitectamos locos?<\/span><\/em>
\nToledo \u00b7 september 2013<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Acabo de leer una buena frase de Rem Koolhaas en el blog de Cosas de Arquitectos. El titular dice: \u00abLa arquitectura por definici\u00f3n es una aventura ca\u00f3tica\u00bb. La frase completa no la copio para que as\u00ed les hag\u00e1is una visita a estos chicos, que lo merecen, (Frasecica). Hacer arquitectura es coordinar aspectos que en […]<\/p>\n","protected":false},"author":33,"featured_media":34637,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[12448,4766,12471,668,3639,3653,1021,1865,2173,1278],"class_list":["post-34636","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura","tag-bruno-zevi","tag-cine","tag-historia","tag-jorge-luis-borges","tag-jose-ramon-hernandez-correa","tag-pensamiento","tag-reflexion","tag-rem-koolhaas","tag-teoria"],"yoast_head":"\n[:es]Arquitectura y Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Arquitectura e Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Architecture and Chaos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Arquitectura y Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Arquitectura e Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Architecture and Chaos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/arquitectura-y-caos-jose-ramon-hernandez-correa\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Arquitectura y Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Arquitectura e Caos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Architecture and Chaos | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:] - 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