{"id":34483,"date":"2013-09-23T06:24:44","date_gmt":"2013-09-23T06:24:44","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=34483"},"modified":"2020-01-20T10:35:52","modified_gmt":"2020-01-20T09:35:52","slug":"las-cosas-pequenas-jorge-meijide","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/las-cosas-pequenas-jorge-meijide\/","title":{"rendered":"Las cosas peque\u00f1as | Jorge MeijideAs cousas pequenas | Jorge MeijideThe small things | Jorge Meijide"},"content":{"rendered":"

\"\"<\/a>
Fresco de la Capilla Sixtina (detalle de la Creaci\u00f3n de Ad\u00e1n), Miguel Angel, 1508-1512<\/span><\/figcaption><\/figure><\/p>\n

Las cosas peque\u00f1as<\/strong><\/p>\n

Empezaremos por una confesi\u00f3n, hola, me llamo Jorge y me gustan las cosas peque\u00f1as. Si, lo admito, me gustan las cosas peque\u00f1as y los hechos peque\u00f1os. Las peque\u00f1as cosas. En el fondo creo que a todos nos gustan, de una u otra manera.\u00a0 Adem\u00e1s, dicen que es por las peque\u00f1as cosas por las que el mundo se mueve, ser\u00e1 verdad. Los comienzos son siempre peque\u00f1os y son siempre importantes, as\u00ed que…<\/p>\n

La clasificaci\u00f3n de lo peque\u00f1o<\/em>, como dir\u00eda Bachelard, es, al contrario de lo que su nombre parece indicar, muy amplia, casi infinita, casi todo ha sido peque\u00f1o alguna vez, y tan variada como cualquiera de aquellas clasificaciones o categor\u00edas con las que el bueno de John Wilkins pretend\u00eda ordenar el mundo all\u00e1 por el siglo XVII. Borges nos lo recuerda en su texto El idioma anal\u00edtico de John Wilkins<\/em>, en el que tambi\u00e9n aparece esa magn\u00edfica referencia a cierta enciclopedia china que se titula Emporio celestial de conocimientos ben\u00e9volos<\/em> que, cierta o no, es tan sublime como in\u00fatil era intento de Wilkins.<\/p>\n

Pero mi inter\u00e9s por lo peque\u00f1o no nace por un af\u00e1n de catalogaci\u00f3n, tampoco tiene que ver con la fabricaci\u00f3n \u00edntima de los objetos, ni con la filigrana de su detalle o aspecto, ni est\u00e1 asociado a objetos determinados. No, mi inter\u00e9s por lo peque\u00f1o nace por lo abarcable de su naturaleza. Si hacemos caso de la definici\u00f3n que de abarcar hace el diccionario de la RAE tenemos:<\/p>\n

1. Ce\u00f1ir algo con los brazos o con la mano.
\n2. Rodear, comprender.
\n3. Contener, implicar o encerrar en s\u00ed.
\n4. Percibir o dominar con la vista, de una vez, algo en su totalidad.<\/p>\n

Entonces comprendemos hacia donde quiero llegar, estamos ante aquello que se puede comprender<\/em>, adem\u00e1s de abarcar, aquello que se puede percibir en su totalidad. Percepci\u00f3n y comprensi\u00f3n, o mejor dicho comprehensi\u00f3n<\/em>, si se me permite ir un paso m\u00e1s all\u00e1 en la abstracci\u00f3n del concepto. As\u00ed pues lo peque\u00f1o radica en su proporci\u00f3n y escala, y por ello, tambi\u00e9n con su relaci\u00f3n respecto a otras cosas con las que se le puede comparar, y sobre todo, con la percepci\u00f3n que tenemos de \u00e9l. Pero tambi\u00e9n lo peque\u00f1o es una categor\u00eda intima que est\u00e1 fuera de toda escala y proporci\u00f3n, es una categor\u00eda interior y personal. La percepci\u00f3n nos sit\u00faa ante nuestro entorno y el entorno aprehensible es el entorno controlable por nuestros sentidos y sensaciones.<\/p>\n

La peque\u00f1a escala ofrece un campo de experimentaci\u00f3n m\u00e1s controlado, permite una g\u00e9nesis m\u00e1s directa, una percepci\u00f3n m\u00e1s cercana. Una sensaci\u00f3n cercana. Lo peque\u00f1o permite, por su abarcabilidad, si se me permite el palabro y ya llevo unos cuantos, una relaci\u00f3n personal, directa e \u00edntima. Son objetos, piezas, o espacios abarcables, manipulables y habitables, que podemos hacerlos uno con nosotros. Y todo ello tiene mucho que ver con el espacio y la percepci\u00f3n del mismo, tiene que ver con la arquitectura, esa gran palabra a la que tan a menudo se vac\u00eda de contenido para se utilizada para cualquier fin.<\/p>\n

La peque\u00f1a arquitectura, esa de la peque\u00f1a escala, suele ser nuestro primer paso en la profesi\u00f3n. Generalmente se llega a la arquitectura pr\u00e1ctica, esa del encargo m\u00e1s o menos remunerado, de la mano de la peque\u00f1a escala, del peque\u00f1o encargo. La primera obra, tiene mucho que ver con la contenci\u00f3n, tanto de medios como de programa. Son ejercicios limitados, y est\u00e1 bien que lo sean, al fin y al cabo la confianza hay que gan\u00e1rsela, la de los dem\u00e1s y la de uno mismo… Pero tambi\u00e9n tiene que ver con la autocontenci\u00f3n.<\/p>\n

\u00a1Ay de aquel que comienza desplegando todo su extenso repertorio amontonado con ansia de primerizo nervioso! \u00a1Ay de aquel que no ha aprendido el valor de la contenci\u00f3n, de esa autocontenci\u00f3n<\/em>, esa que viene de la mano de la reflexi\u00f3n y la autocr\u00edtica!.<\/p>\n

Todo aquello, en lo peque\u00f1o, rebosa y se desborda, se vuelve grosero e in\u00fatil. En lo peque\u00f1o se delata el exceso. Exceso y falsa complejidad que se confunden con profundidad de pensamiento y mensaje, \u201clo que s\u00f3lo resulta complejo es equivocadamente confundido con lo profundo\u201d, dec\u00eda Edgar Allan Poe por boca de uno de sus personajes en Los cr\u00edmenes de la calle Morgue<\/em>. Menos es m\u00e1s<\/em>, dec\u00eda don Ludwig, y dar liebre por gato<\/em> era la m\u00e1xima de don Alejandro. Ambos hablaban de calidad y no de cantidad.<\/p>\n

Las peque\u00f1as cosas, los peque\u00f1os hechos, detalles de la vida como en la novela de la india Arundhati Roy, El dios de las peque\u00f1as cosas<\/em>, o como en el tan famoso como maltratado y malentendido efecto mariposa, son aquellas que cambian el curso de los acontecimientos; en ellos est\u00e1 la posibilidad de la diferencia, as\u00ed en la vida como en la arquitectura. Ya dec\u00eda Mies \u201cDios est\u00e1 en los detalles\u201d, una frase robada a Flaubert por cierto… Nadie es perfecto.<\/p>\n

jorge meijide . arquitecto
\na coru\u00f1a. septiembre 2013

\"\"<\/a>
Fresh air of the Sistine Chapel (detail of Adam’s Creation), Michael Angel, 1508-1512<\/span><\/figcaption><\/figure><\/p>\n

The small thing <\/strong><\/p>\n

We will begin for a confession, hello, I am called Jorge and I like the small things. If, I admit it, I like the small things and the small facts. The small things. In the bottom I believe that they all like, of one or another way. In addition, they say that it is for the small things for which the world moves, it be be. The beginning are always small and are always important, so…<\/p>\n

The classification of the small thing<\/em>, as Bachelard would say, it is, unlike what his name seems to indicate, very wide, almost infinite, almost quite it has been small at some time, and so changed as any of those classifications or categories with which the John Wilkins’s good one was trying to arrange the world as far back as the 17th century. Borges us it remembers in his text John Wilkins’s analytical language<\/em>, in which also it appears this magnificent reference to certain Chinese encyclopedia that titles Celestial emporium of benevolent knowledge<\/em> that, certain or not, is so sublime as useless was A Wilkins’s attempt.<\/p>\n

But my interest for the small thing is not born for a zeal of cataloguing, it has to see neither with the intimate manufacture of the objects, nor with the filigrane of his detail or aspect, is not even associated with certain objects. Not, my interest for the small thing is born for abarcable of his nature. If we notice of the definition that of including does the dictionary of RAE we have:<\/p>\n

1. Encircling something with the arms or with the hand.<\/p>\n

2. Making a detour, understanding.<\/p>\n

3. Containning, implying or enclosing in yes.<\/p>\n

4. Perceiving or dominating with the sight, of once, slightly in its entirety.<\/p>\n

Then we understand where I want to come, are before that one that can be understood<\/em>, beside including, that one that it is possible to perceive in its entirety. Perception and comprehension, or rather understanding<\/em>, if a step allows me to go away beyond in the abstraction of the concept. This way so the small thing takes root in his proportion and scale, and for it, also with his relation with regard to other things with which it is possible to compare him, and especially, with the perception that we have of him. But also the small thing is a category announces that it is out of any scale and proportion, is an interior and personal category. The perception places us before our environment and the environment aprehensible is the controllable environment for our senses and sensations.<\/p>\n

The small scale offers a field of experimentation more controlled, allows a more direct genesis, a more nearby perception. A nearby sensation. The small thing allows, for his abarcabilidad, if the palabro is allowed me and already I go a few, a personal, direct and intimate relation. They are objects, pieces, or spaces abarcables, operable and inhabitable, that we them can do one with us. And all this has great that to see with the space and the perception of the same one, it has to see with the architecture, this great word to which so often it empties of content for used for any end.<\/p>\n

The small architecture, this of the small scale, is in the habit of being our first step in the profession. Generally it comes near to the practical, this architecture of the more or less remunerated order, of the hand of the small scale, of the small order. The first work, there has much that to see with the containment, both of means and of program. They are limited exercises, and it is nice that they it are, in the end the confidence it is that she to be gained, her of the others and her of one itself… But also it has to see with the autocontainment.<\/p>\n

Sigh of that one that starts by opening all his extensive accumulated digest longingly of inexperienced nervously! Sigh of that one who has not learned the value of the containment, of this autocontainment<\/em>, this that comes from the hand of the reflection and the self-criticism!.<\/p>\n

All that, in the small thing, overflows and overflows, becomes rude and useless. In the small thing the excess is betrayed. Excess and false complexity that they confuse with depth of thought and message,\u201cthat only turns out to be complex is wrongly confused with the deep thing\u201d, Edgar Allan Poe was saying for mouth of one of his prominent figures in The crimes of the Morgue<\/em> street<\/em>. Less it is more<\/em>, he was saying don Ludwig, and to give hare for cat<\/em> was don Alejandro’s maxim. Both were speaking about quality and not about quantity.<\/p>\n

The small things, the small facts, details of the life as in the novel of the indian Arundhati Roy, The god of the small things<\/em>, or as in so famous as ill-treated and misunderstanding effect butterfly, they are those that change the course of the events; in them the possibility of the difference is, this way in the life as in the architecture. Already Mies was saying \u201cGod is in the details\u201d, a phrase stolen from Flaubert certainly… Nobody is perfect.<\/p>\n

jorge meijide . architect<\/p>\n

a coru\u00f1a. september 2013<\/p>\n

\"\"<\/a>
Fresco da Capela Sixtina (detalle da Creaci\u00f3n de Ad\u00e1n), Miguel Anxo, 1508-1512<\/span><\/figcaption><\/figure><\/p>\n

As cousas pequenas<\/strong><\/p>\n

Empezaremos por unha confesi\u00f3n, ola, ch\u00e1mome Jorge e g\u00fastanme as cousas pequenas. Se, o admito, g\u00fastanme as cousas pequenas e os feitos pequenos. As pequenas cousas. No fondo creo que a todos nos gustan, dunha ou outro xeito. Ademais, din que \u00e9 polas pequenas cousas polas que o mundo se move, ser\u00e1 verdade. Os comezos son sempre pequenos e son sempre importantes, as\u00ed que…<\/p>\n

A clasificaci\u00f3n do pequeno<\/em>, como dir\u00eda Bachelard, \u00e9, ao contrario do que o seu nome parece indicar, moi ampla, case infinita, case todo foi pequeno algunha vez, e tan variada como calquera daquelas clasificaci\u00f3ns ou categor\u00edas coas que o bo de John Wilkins pretend\u00eda ordenar o mundo al\u00e1 polo s\u00e9culo XVII. Borges rec\u00f3rdanolo no seu texto O idioma anal\u00edtico de John Wilkins<\/em>, no que tam\u00e9n aparece esa magn\u00edfica referencia a certa enciclopedia chinesa que se titula Emporio celestial de co\u00f1ecementos ben\u00e9volos<\/em> que, certa ou non, \u00e9 tan sublime como in\u00fatil era intento de Wilkins.<\/p>\n

Pero o meu interese polo pequeno non nace por un af\u00e1n de catalogaci\u00f3n, tampouco ten que ver coa fabricaci\u00f3n \u00edntima dos obxectos, nin coa filigrana do seu detalle ou aspecto, nin est\u00e1 asociado a obxectos determinados. Non, o meu interese polo pequeno nace polo abarcable da s\u00faa natureza. Se facemos caso da definici\u00f3n que de abranguer fai o dicionario de RAE temos:<\/p>\n

1. Cinguir algo cos brazos ou coa man.<\/p>\n

2. Rodear, comprender.<\/p>\n

3. Conter, implicar ou encerrar en si.<\/p>\n

4. Percibir ou dominar coa vista, dunha vez, algo na s\u00faa totalidade.<\/p>\n

Ent\u00f3n comprendemos cara a onde quero chegar, estamos ante aquilo que se pode comprender<\/em>, adem\u00e1is de abranguer, aquilo que se pode percibir na s\u00faa totalidade. Percepci\u00f3n e comprensi\u00f3n, ou mellor dito comprehensi\u00f3n<\/em>, se se me permite ir un paso m\u00e1is al\u00e1 na abstracci\u00f3n do concepto. As\u00ed pois o pequeno radica na s\u00faa proporci\u00f3n e escala, e por iso, tam\u00e9n coa s\u00faa relaci\u00f3n respecto a outras cousas coas que se lle pode comparar, e sobre todo, coa percepci\u00f3n que temos del. Pero tam\u00e9n o pequeno \u00e9 unha categor\u00eda intima que est\u00e1 f\u00f3ra de toda escala e proporci\u00f3n, \u00e9 unha categor\u00eda interior e persoal. A percepci\u00f3n sit\u00faanos ante o noso \u00e1mbito e o \u00e1mbito aprehensible \u00e9 o \u00e1mbito controlable polos nosos sentidos e sensaci\u00f3ns.<\/p>\n

A pequena escala ofrece un campo de experimentaci\u00f3n m\u00e1is controlado, permite unha x\u00e9nese m\u00e1is directa, unha percepci\u00f3n m\u00e1is pr\u00f3xima. Unha sensaci\u00f3n pr\u00f3xima. O pequeno permite, polo seu abarcabilidad, se se me permite o palabro e xa levo uns cantos, unha relaci\u00f3n persoal, directa e \u00edntima. Son obxectos, pezas, ou espazos abarcables, manipulables e habitables, que podemos facelos un connosco. E todo iso ten moito que ver co espazo e a percepci\u00f3n deste, ten que ver coa arquitectura, esa gran palabra \u00e1 que tan a mi\u00fado se baleira de contido para se utilizada para calquera fin.<\/p>\n

A pequena arquitectura, esa da pequena escala, adoita ser o noso primeiro paso na profesi\u00f3n. Xeralmente ch\u00e9gase \u00e1 arquitectura pr\u00e1ctica, esa do encargo m\u00e1is ou menos remunerado, da man da pequena escala, do pequeno encargo. A primeira obra, ten que ver moito coa contenci\u00f3n, tanto de medios coma de programa. Son exercicios limitados, e est\u00e1 ben que o sexan, \u00e1 fin e ao cabo a confianza hai que ga\u00f1arlla, a dos demais e a dun mesmo… Pero tam\u00e9n ten que ver coa autocontenci\u00f3n.<\/p>\n

\u00a1Ai daquel que comeza despregando todo o seu extenso repertorio amontoado con ansia de novato nervioso! \u00a1Ai daquel que non aprendeu o valor da contenci\u00f3n, desa autocontenci\u00f3n<\/em>, esa que v\u00e9n da man da reflexi\u00f3n e a autocr\u00edtica!.<\/p>\n

Todo aquilo, no pequeno, reborda e desb\u00f3rdase, v\u00f3lvese groseiro e in\u00fatil. No pequeno del\u00e1tase o exceso. Exceso e falsa complexidade que se confunden con profundidade de pensamento e mensaxe, \u201co que s\u00f3 resulta complexo \u00e9 equivocadamente confundido co profundo\u201d, dic\u00eda Edgar Allan Poe por boca dun dos seus personaxes en Os crimes da r\u00faa Morgue<\/em>. Menos \u00e9 m\u00e1is<\/em>, dic\u00eda don Ludwig, e dar lebre por gato<\/em> era a m\u00e1xima de don Alejandro. Ambos os dous falaban de calidade e non de cantidade.<\/p>\n

Todo aquello, en lo peque\u00f1o, rebosa y se desborda, se vuelve grosero e in\u00fatil. En lo peque\u00f1o se delata el exceso. Exceso y falsa complejidad que se confunden con profundidad de pensamiento y mensaje, \u201clo que s\u00f3lo resulta complejo es equivocadamente confundido con lo profundo\u201d, dec\u00eda Edgar Allan Poe por boca de uno de sus personajes en Los cr\u00edmenes de la calle Morgue<\/em>. Menos es m\u00e1s<\/em>, dec\u00eda don Ludwig, y dar liebre por gato<\/em> era la m\u00e1xima de don Alejandro. Ambos hablaban de calidad y no de cantidad.<\/p>\n

As pequenas cousas, os pequenos feitos, detalles da vida como na novela da india Arundhati Roy, O deus das pequenas cousas<\/em>, ou como no tan famoso como maltratado e malentendido efecto bolboreta, son aquelas que cambian o curso dos acontecementos; neles est\u00e1 a posibilidade da diferenza, as\u00ed na vida como na arquitectura. Xa dic\u00eda Mies \u201cDeus est\u00e1 nos detalles\u201d, unha frase roubada a Flaubert por certo… Ningu\u00e9n \u00e9 perfecto.<\/p>\n

jorge meijide . arquitecto<\/p>\n

a coru\u00f1a. setembro 2013<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Las cosas peque\u00f1as Empezaremos por una confesi\u00f3n, hola, me llamo Jorge y me gustan las cosas peque\u00f1as. Si, lo admito, me gustan las cosas peque\u00f1as y los hechos peque\u00f1os. Las peque\u00f1as cosas. En el fondo creo que a todos nos gustan, de una u otra manera.\u00a0 Adem\u00e1s, dicen que es por las peque\u00f1as cosas por […]<\/p>\n","protected":false},"author":47,"featured_media":35103,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[93,7430,6361,7074,8710,8711,3639,3462,865,6567,4740,8712],"class_list":["post-34483","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-alejandro-de-la-sota","tag-edgar-allan-poe","tag-escala","tag-gaston-bachelard","tag-gustave-flaubert","tag-john-wilkins","tag-jorge-luis-borges","tag-jorge-meijide","tag-mies-van-der-rohe","tag-miguel-angel","tag-psicoanalisis-freudiano","tag-sigmund-freud"],"yoast_head":"\nLas cosas peque\u00f1as | Jorge Meijide<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Las cosas peque\u00f1as | Jorge MeijideAs 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