{"id":33617,"date":"2013-08-09T06:53:32","date_gmt":"2013-08-09T06:53:32","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=33617"},"modified":"2015-02-07T13:21:48","modified_gmt":"2015-02-07T13:21:48","slug":"e-n-g-a-w-a-1-3-2","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/e-n-g-a-w-a-1-3-2\/","title":{"rendered":"<!--:es-->e n g a w a # 1 3<!--:--><!--:gl-->e n g a w a # 1 3<!--:--><!--:en-->e n g a w a # 1 3<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\">Hemos llegado a nuestro n\u00famero 13, por mucho que le pese a \u00c1ngel Nieto, contando con la colaboraci\u00f3n estimada y desinteresada de Josep Quetglas y Gillermo Zuaznabar. El primero eligiendo la imagen para este n\u00famero y el segundo escribiendo las primeras palabras que acompa\u00f1an al resto de textos. \u00a1Mil gracias!<\/p>\n<p style=\"text-align: justify;\">Es dif\u00edcil escribir sobre lo que tanto se ha escrito. Al igual que es dif\u00edcil construir cuando se ha hecho con tanta calidad. A pesar de ello la respuesta a esta imagen ha sido valiente y nuestro objetivo se ha cumplido una vez m\u00e1s. Porque uno de los prop\u00f3sitos de engawa es dar una oportunidad a todas aquellas voces que quieren opinar sobre arquitectura sin prejuicios y sin miedo a ser valorados.<\/p>\n<p style=\"text-align: justify;\">Por tanto este n\u00famero no es un monogr\u00e1fico sobre la obra de Mies, si no un n\u00famero dedicado a la lucha. Hoy, la nuestra, hablar sobre arquitectura.<\/p>\n<blockquote>\n<div style=\"text-align: justify;\"><em>\u201cPara los fil\u00f3sofos o los poetas, las palabras tambi\u00e9n son hechos, y ellos s\u00ed pueden usar palabras para hablar de palabras. Pero para los arquitectos las palabras no son hechos, sino instrumentos pr\u00e1cticos, nunca problem\u00e1ticos, nunca interesantes, con los cuales tratar de aquello \u00fanico problem\u00e1ticos, para ellos: los propios hechos de arquitectura.<\/em><\/div>\n<p style=\"text-align: justify;\"><em>El discurso referido a arquitectura ha de ser lenguaje llano. Ninguna especializaci\u00f3n de jerga. Ni filos\u00f3fica ni arquitect\u00f3nica, es adecuada, por cuanto impondr\u00eda su veteado y nervadura al vaciado que se trata de obtener. La pasta para vaciados es siempre blanda y neutra. Todos los pliegues y granos pertenecen al cuerpo que hay debajo.\u201d<\/em><\/p>\n<p style=\"text-align: right;\">\u201c<strong>lo que no he leido<\/strong>\u201d \u00a0J. Quetglas, \u00a0GG en 2004.<\/p>\n<\/blockquote>\n<figure id=\"attachment_33619\" aria-describedby=\"caption-attachment-33619\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-33619\" title=\"e13-portada-500-\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--150x150.jpg 150w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--120x120.jpg 120w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-33619\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Imagen propuesta por Josep Quetglas<\/span><\/figcaption><\/figure>\n<p>Editorial<br \/>\nOctubre &#8211; Noviembre \u00b7 Gillermo Zuaznabar<br \/>\nHip\u00f3tesis sobre el emplazamiento del monumento \u00b7 Gillermo Zuaznabar, Carlos Gonzalvo y Josep Ramon Domingo.<br \/>\nLa otra cara de la moneda \u00b7 Fran\u00e7ois Guynot de Boismenu<br \/>\nUn muro de libros \u00b7 Santiago de molina<br \/>\n\u00bfPropaganda silenciosa? \u00b7 Rub\u00e9n P\u00e1ez<br \/>\nLas cortinas de Mies \u00b7 M\u00aa Jos\u00e9 Pizarro y \u00d3scar Rueda<br \/>\nReservationen der Seele \u00b7 David Caralt<br \/>\nUtop\u00eda, 1927 \u00b7 Claudio Blanco<br \/>\nCriaderos de polvo \u00b7 V\u00edctor Manuel Cano Ciborro<br \/>\nMonta\u00f1as sobre monta\u00f1as \u00b7 Manuel Alvarez Diestro<br \/>\nLo que est\u00e1 detr\u00e1s \u00b7 Carlos Cach\u00f3n<br \/>\nBombas hiper-cr\u00edticas \u00b7 Mat\u00edas Grimaldi<br \/>\nMi ex \u00b7 Pedro Puertas Herrera<\/p>\n<p><a href=\"http:\/\/www.engawa.es\/index.php?\/numero--13\/e-n-g-a-w-a--1-3\/\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\">Chegamos ao noso n\u00famero 13, por moito que lle pese a Anxo Neto, contando coa colaboraci\u00f3n estimada e desinteresada de Josep Quetglas e Gillermo Zuaznabar. O primeiro elixindo a imaxe para este n\u00famero e o segundo escribindo as primeiras palabras que acompa\u00f1an ao resto de textos. \u00a1Mil grazas!<\/p>\n<p style=\"text-align: justify;\">\u00c9 dif\u00edcil escribir sobre o que tanto se escribiu. Do mesmo xeito que \u00e9 dif\u00edcil constru\u00edr cando se fixo con tanta calidade. Malia iso a resposta a esta imaxe foi valente e o noso obxectivo cumpriuse unha vez m\u00e1is. Porque un dos prop\u00f3sitos de engawa \u00e9 dar unha oportunidade a todas aquelas voces que queren opinar sobre arquitectura sen prejuicios e sen medo a ser valorados.<\/p>\n<p style=\"text-align: justify;\">Xa que logo este n\u00famero non \u00e9 un monogr\u00e1fico sobre a obra de Mies, si non un n\u00famero dedicado \u00e1 loita. Hoxe, a nosa, falar sobre arquitectura.<\/p>\n<blockquote>\n<div style=\"text-align: justify;\"><em>\u201cPara os fil\u00f3sofos ou os poetas, as palabras tam\u00e9n son feitos, e eles si poden usar palabras para falar de palabras. Pero para os arquitectos as palabras non son feitos, sen\u00f3n instrumentos pr\u00e1cticos, nunca problem\u00e1ticos, nunca interesantes, cos cales tratar daquilo \u00fanico problem\u00e1ticos, para eles: os propios feitos de arquitectura.<\/em><\/div>\n<p style=\"text-align: justify;\"><em>O discurso referido a arquitectura ha de ser linguaxe llano. Ningunha especializaci\u00f3n de jerga. Nin filos\u00f3fica nin arquitect\u00f3nica, \u00e9 adecuada, por canto impo\u00f1er\u00eda a s\u00faa veteado e nervadura ao baleirado que se trata de obter. A pasta para baleirados \u00e9 sempre branda e neutra. Todos os pliegues e grans pertencen ao corpo que hai debaixo.\u201d<\/em><\/p>\n<p style=\"text-align: right;\">\u201c<strong>o que non l\u00edn<\/strong>\u201d J. Quetglas, GG en 2004.<\/p>\n<\/blockquote>\n<figure id=\"attachment_33619\" aria-describedby=\"caption-attachment-33619\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-33619\" title=\"e13-portada-500-\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--150x150.jpg 150w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--120x120.jpg 120w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-33619\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Imaxe proposta por Josep Quetglas<\/span><\/figcaption><\/figure>\n<p>Editorial<br \/>\nOutubro &#8211; Novembro \u00b7 Gillermo Zuaznabar<br \/>\nHip\u00f3tese sobre o emprazamento do monumento \u00b7 Gillermo Zuaznabar, Carlos Gonzalvo y Josep Ramon Domingo.<br \/>\nA outra cara da moeda \u00b7 Fran\u00e7ois Guynot de Boismenu<br \/>\nUn muro de libros \u00b7 Santiago de molina<br \/>\n\u00bfPropaganda silenciosa? \u00b7 Rub\u00e9n P\u00e1ez<br \/>\nAs cortinas de Mies \u00b7 M\u00aa Jos\u00e9 Pizarro y \u00d3scar Rueda<br \/>\nReservationen der Seele \u00b7 David Caralt<br \/>\nUtop\u00eda, 1927 \u00b7 Claudio Blanco<br \/>\nCriadeiros de po \u00b7 V\u00edctor Manuel Cano Ciborro<br \/>\nMonta\u00f1as sobre monta\u00f1as \u00b7 Manuel Alvarez Diestro<br \/>\nO que est\u00e1 detr\u00e1s \u00b7 Carlos Cach\u00f3n<br \/>\nBombas hiper-cr\u00edticas \u00b7 Mat\u00edas Grimaldi<br \/>\nMeu ex \u00b7 Pedro Puertas Herrera<\/p>\n<p><a href=\"http:\/\/www.engawa.es\/index.php?\/numero--13\/e-n-g-a-w-a--1-3\/\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\">We have come to our number 13, for much that him in spite of \u00c1ngel Nieto, possessing the collaboration estimated and lost interest in Josep Quetglas and Gillermo Zuaznabar. The first one choosing the image for this number and the second one writing the first words that they accompany on the rest of texts. Thousand graces!<\/p>\n<p style=\"text-align: justify;\">It is difficult to write on what so much he has written himself. As it is difficult to construct when it has been done by so many quality. In spite of it the response to this image has been brave and our aim has been fulfilled once again. Because one of the intentions of engawa is to give an opportunity to all those voices that they want to think about architecture without prejudices and without fear of being valued.<\/p>\n<p style=\"text-align: justify;\">Therefore this number is not the monographic one on the work of Grain, if not a number dedicated to the fight. Today, ours, to speak on architecture.<\/p>\n<blockquote>\n<div style=\"text-align: justify;\"><em>\u201cFor the philosophers or the poets, the words also become, and they yes can use words to speak about words. But for the architects the words never become, but practical instruments, problematic, interesting, in spite of which treating of only that one problematic, for them ever: the own facts of architecture.<\/em><\/div>\n<p style=\"text-align: justify;\"><em>The speech referred to architecture has to be a flat language. No specialization of slang. Neither philosophical nor architectural, it is adapted, since it would impose his veined one and nervure to the emptying that it tries of obtaining. The pasta for emptyings is always soft and neutral. All the folds and grains belong to the body that exists below.\u201d<\/em><\/p>\n<p style=\"text-align: right;\">\u201c<strong>What is no the well-read one<\/strong>\u201d J. Quetglas, GG en 2004.<\/p>\n<\/blockquote>\n<figure id=\"attachment_33619\" aria-describedby=\"caption-attachment-33619\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-33619\" title=\"e13-portada-500-\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500-.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--150x150.jpg 150w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/08\/e13-portada-500--120x120.jpg 120w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-33619\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Image proposed by Josep Quetglas<\/span><\/figcaption><\/figure>\n<p>Publishing house<br \/>\nOctober &#8211; November \u00b7 Gillermo Zuaznabar<br \/>\nHypothesis on the emplacement of the monument \u00b7 Gillermo Zuaznabar, Carlos Gonzalvo and Josep Ramon Domingo.<br \/>\nAnother face of the currency \u00b7 Fran\u00e7ois Guynot de Boismenu<br \/>\nA wall of books \u00b7 Santiago de Molina<br \/>\nSilent propaganda? \u00b7 Rub\u00e9n P\u00e1ez<br \/>\nThe curtains of Grain \u00b7 M\u00aa Jos\u00e9 Pizarro y \u00d3scar Rueda<br \/>\nReservationen der Seele \u00b7 David Caralt<br \/>\nUtopia, 1927 \u00b7 Claudio Blanco<br \/>\nBreeding-places of powder \u00b7 V\u00edctor Manuel Cano Ciborro<br \/>\nMountains on mountains \u00b7 Manuel Alvarez Diestro<br \/>\nWhat it is behind \u00b7 Carlos Cach\u00f3n<br \/>\nHyper-critical bombs \u00b7 Mat\u00edas Grimaldi<br \/>\nMy ex- \u00b7 Pedro Puertas Herrera<\/p>\n<p><a href=\"http:\/\/www.engawa.es\/index.php?\/numero--13\/e-n-g-a-w-a--1-3\/\" target=\"_blank\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hemos llegado a nuestro n\u00famero 13, por mucho que le pese a \u00c1ngel Nieto, contando con la colaboraci\u00f3n estimada y desinteresada de Josep Quetglas y Gillermo Zuaznabar. El primero eligiendo la imagen para este n\u00famero y el segundo escribiendo las primeras palabras que acompa\u00f1an al resto de textos. \u00a1Mil gracias! Es dif\u00edcil escribir sobre lo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":33619,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,28],"tags":[7923,7915,7920,7919,6304,7914,3952,7916,7922,7924,8403,7918,2901,7925,6300,1210,7921],"class_list":["post-33617","post","type-post","status-publish","format-standard","has-post-thumbnail","category-publicaciones","category-revistas","tag-carlos-cachon","tag-carlos-gonzalvo","tag-claudio-blanco","tag-david-caralt","tag-francois-guynot-de-boismenu","tag-gillermo-zuaznabar","tag-josep-quetglas","tag-josep-ramon-domingo","tag-manuel-alvarez-diestro","tag-matias-grimaldi","tag-ma-jose-pizarro","tag-oscar-rueda","tag-pedro-puertas-herrera","tag-revista-engawa","tag-ruben-paez","tag-santiago-de-molina","tag-victor-manuel-cano-ciborro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>e n g a w a # 1 3e n g a w a # 1 3e n g a w a # 1 3 - 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