{"id":32616,"date":"2013-07-03T06:26:35","date_gmt":"2013-07-03T06:26:35","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=32616"},"modified":"2015-02-07T16:36:55","modified_gmt":"2015-02-07T16:36:55","slug":"el-futuro-de-la-arquitectura-desde1889","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-futuro-de-la-arquitectura-desde1889\/","title":{"rendered":"<!--:es-->El futuro de la arquitectura desde 1889<!--:--><!--:gl-->The Future of Architecture Since 1889<!--:--><!--:en-->The Future of Architecture Since 1889<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\">En 1963 Nikolaus Pevsner escrib\u00eda: \u201cA bicycle shed is a building; Lincoln Cathedral is a piece of architecture\u201d. Afortunadamente hace tiempo que las construcciones \u201cmenos po\u00e9ticas\u201d han sido atendidas por los historiadores de la arquitectura \u2013puede que por la propia supervivencia de la disciplina. Este libro es un buen ejemplo.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32617\" title=\"THE-FUTURE-OF-ARCHITECTURE-SINCE\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg\" alt=\"\" width=\"620\" height=\"805\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE-231x300.jpg 231w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Me gustar\u00eda comenzar con un comentario sobre el autor, Jean-Louis Cohen. La primera vez que supe de su trabajo fue como visitante de una exposici\u00f3n que \u00e9l hab\u00eda comisariado sobre la influencia americana en la arquitectura europea de primera mitad del siglo XX (\u201cLa tentaci\u00f3n de Am\u00e9rica. Ciudad y arquitectura en Europa, 1893-1960\u201d). La exposici\u00f3n hab\u00eda sido organizada por el Canadian Centre for Architecture (CCA) en 1995 y pudo verse en el Centro de Cultura Contempor\u00e1nea de Barcelona (CCCB) en 1996. En ella se abordaba el concepto de americanismo como uno de los rasgos constituyentes de la modernidad, y para ello se analizaban las estructuras globales de las relaciones entre Am\u00e9rica y Europa. Lo que resultaba revelador en esta exposici\u00f3n era la manera en la que se evidenciaba la imposibilidad de entender la arquitectura sin un an\u00e1lisis hist\u00f3rico metadisciplinar, limitando el protagonismo de los grandes maestros.<\/p>\n<p>[&#8230;]<\/p>\n<p>David H. Falagan<\/p>\n<p>The Future of Architecture Since 1889<br \/>\nJean-Louis Cohen<br \/>\nPhaidon, 2012<\/p>\n<p><a href=\"http:\/\/www.arquilecturas.com\/2013\/06\/regreso-al-futuro-back-to-future.html\" target=\"_blank\"><span style=\"color: #888888;\">+ art\u00edculo publicado en arquilecturas<\/span><\/a><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=veredes-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=0714845981&amp;ref=tf_til&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=ED9913&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=8425211611&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&lt;1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=B000BL5YWM&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&lt;1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=B000F7KORW&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&lt;1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&amp;o=30&amp;p=8&amp;l=as1&amp;asins=B00DJBPZZM&amp;ref=tf_til&amp;fc1=E9940D&amp;IS2=1&lt;1=_blank&amp;m=amazon&amp;lc1=575760&amp;bc1=FFFFFF&amp;bg1=FFFFFF&amp;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\">En 1963 Nikolaus Pevsner escrib\u00eda: \u201cA bicycle shed is a building; Lincoln Cathedral is a piece of architecture\u201d. Afortunadamente fai tempo que as construci\u00f3ns \u201cmenos po\u00e9ticas\u201d foron atendidas polos historiadores da arquitectura \u2013poida que pola propia supervivencia da disciplina. Este libro \u00e9 un bo exemplo.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32617\" title=\"THE-FUTURE-OF-ARCHITECTURE-SINCE\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg\" alt=\"\" width=\"620\" height=\"805\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE-231x300.jpg 231w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Gustar\u00edame comezar cun comentario sobre o autor, Jean-Louis Cohen. A primeira vez que souben do seu traballo foi como visitante dunha exposici\u00f3n que el hab\u00eda comisariado sobre a influencia americana na arquitectura europea de primeira metade do s\u00e9culo XX (\u201cA tentaci\u00f3n de Am\u00e9rica. Cidade e arquitectura en Europa, 1893-1960\u201d). A exposici\u00f3n fora organizada polo Canadian Centre for Architecture (CCA) en 1995 e puido verse no Centro de Cultura Contempor\u00e1nea de Barcelona (CCCB) en 1996. Nela abord\u00e1base o concepto de americanismo como un dos trazos constituyentes da modernidad, e para iso analiz\u00e1banse as estruturas globais das relaci\u00f3ns entre Am\u00e9rica e Europa. O que resultaba revelador nesta exposici\u00f3n era o xeito na que se evidenciaba a imposibilidad de entender a arquitectura sen unha an\u00e1lise hist\u00f3rica metadisciplinar, limitando o protagonismo dos grandes mestres.<\/p>\n<p>[&#8230;]<\/p>\n<p>David H. Falagan<\/p>\n<p>The Future of Architecture Since 1889<\/p>\n<p>Jean-Louis Cohen<\/p>\n<p>Phaidon, 2012<\/p>\n<p><a href=\"http:\/\/www.arquilecturas.com\/2013\/06\/regreso-al-futuro-back-to-future.html\" target=\"_blank\"><span style=\"color: #888888;\">+ artigo publicado en arquilecturas<\/span><\/a><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=veredes-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=0714845981&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=ED9913&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8425211611&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B000BL5YWM&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B000F7KORW&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B00DJBPZZM&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\">In 1963 Nikolaus Pevsner wrote: \u00abA bicycle shed is a building, Lincoln Cathedral is a piece of architecture\u00bb. Fortunately long ago that \u00abless poetic\u00bb constructions have been addressed by historians of architecture -maybe for the very survival of the discipline. This book is a good example.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32617\" title=\"THE-FUTURE-OF-ARCHITECTURE-SINCE\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg\" alt=\"\" width=\"620\" height=\"805\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/07\/THE-FUTURE-OF-ARCHITECTURE-SINCE-231x300.jpg 231w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">I would start with a comment on the author, Jean-Louis Cohen. The first I knew of his work was as a visitor to an exhibition that he had curated about American influence on European architecture from the first half of the twentieth century (\u00abScenes of the World to Come: European Architecture and the American Challenge 1893-1960\u00bb) . The exhibition was organized by the Canadian Centre for Architecture (CCA) in 1995 and was shown at the Centro de Cultura Contempor\u00e1nea in Barcelona (CCCB) in 1996. It concerned the concept of Americanism as one of the constituent features of modernity, and it analyzed the global structures of relations between America and Europe. What was revealing in this exhibition was the way it evidenced the impossibility of understanding the architecture without a metadisciplinar historical analysis, limiting the role of the great masters.<em><\/em><\/p>\n<p>[&#8230;]<\/p>\n<p>David H. Falagan<\/p>\n<p>The Future of Architecture Since 1889<\/p>\n<p>Jean-Louis Cohen<\/p>\n<p>Phaidon, 2012<\/p>\n<p><a href=\"http:\/\/www.arquilecturas.com\/2013\/06\/regreso-al-futuro-back-to-future.html\" target=\"_blank\"><span style=\"color: #888888;\">+ article is published in arquilecturas<\/span><\/a><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=veredes-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=0714845981&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=ED9913&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" width=\"320\" height=\"240\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=8425211611&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B000BL5YWM&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B000F7KORW&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe> <iframe src=\"http:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?t=wwwveredeses-21&#038;o=30&#038;p=8&#038;l=as1&#038;asins=B00DJBPZZM&#038;ref=tf_til&#038;fc1=E9940D&#038;IS2=1<1=_blank&#038;m=amazon&#038;lc1=575760&#038;bc1=FFFFFF&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1963 Nikolaus Pevsner escrib\u00eda: \u201cA bicycle shed is a building; Lincoln Cathedral is a piece of architecture\u201d. Afortunadamente hace tiempo que las construcciones \u201cmenos po\u00e9ticas\u201d han sido atendidas por los historiadores de la arquitectura \u2013puede que por la propia supervivencia de la disciplina. Este libro es un buen ejemplo. Me gustar\u00eda comenzar con un [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":32617,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[393,3432,5212,668,8134,8135,1103,1120],"class_list":["post-32616","post","type-post","status-publish","format-standard","has-post-thumbnail","category-libros","category-publicaciones","tag-critica","tag-david-hernandez-falagan","tag-disciplina","tag-historia","tag-jean-louis-cohen","tag-nikolaus-pevsner","tag-profesion","tag-publicacion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El futuro de la arquitectura desde 1889The Future of Architecture Since 1889The Future of Architecture Since 1889 - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: El futuro de la arquitectura desde 1889The Future of Architecture Since 1889The Future of Architecture Since 1889\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/el-futuro-de-la-arquitectura-desde1889\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El futuro de la arquitectura desde 1889The Future of Architecture Since 1889The Future of Architecture Since 1889 - 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