{"id":32477,"date":"2013-06-26T06:51:14","date_gmt":"2013-06-26T06:51:14","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=32477"},"modified":"2020-05-01T00:14:14","modified_gmt":"2020-04-30T22:14:14","slug":"cuando-habra-arquitectura-jose-manuel-aizpurua-joaquin-labayen","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/cuando-habra-arquitectura-jose-manuel-aizpurua-joaquin-labayen\/","title":{"rendered":"<!--:es-->\u00bfCu\u00e1ndo habr\u00e1 arquitectura? Jos\u00e9 Manuel Aizp\u00farua &#038; Joaqu\u00edn Labayen<!--:--><!--:gl-->\u00bfCando haber\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &#038; Joaqu\u00edn Labayen<!--:--><!--:en-->When there will be architecture? Jose Manuel Aizpurua and Joaqu\u00edn Labayen<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\">El Museo Oteiza presenta la exposici\u00f3n <strong>\u201c\u00bfCu\u00e1ndo habr\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &amp; Joaqu\u00edn Labayen\u201d<\/strong>, una muestra\u00a0 formada por m\u00e1s de 150 objetos, fotograf\u00edas, dibujos, planos, documentaci\u00f3n y maquetas de algunos de los proyectos m\u00e1s significados realizados por estos dos autores, arquitectos emblem\u00e1ticos del movimiento racionalista europeo de las primeras d\u00e9cadas del siglo XX.<\/p>\n<p style=\"text-align: justify;\">Muchos de los proyectos arquitect\u00f3nicos realizados por estos dos autores no se llegaron a construir, pero el Club N\u00e1utico de San Sebasti\u00e1n (1929), constituye un hito en la historia de la arquitectura del siglo XX. \u00a0Esta muestra, \u00a0comisariada por Jos\u00e9 \u00c1ngel Medina y Santos Brega\u00f1a y producida por <a href=\"http:\/\/kmk.gipuzkoakultura.net\/\">Koldo Mitxelena Kulturunea<\/a>,\u00a0 y que ahora se expone en el Museo Oteiza\u00a0 gracias a la colaboraci\u00f3n de la <a href=\"http:\/\/www.coavn.org\/coavn\/jsp\/portal\/delegacionNavarra.jsp?SELECCION..\">Delegaci\u00f3n de Navarra del Colegio de Arquitectos Vasco Navarro<\/a>, con quien el Museo Oteiza ha suscrito un convenio de colaboraci\u00f3n y la Mancomunidad Comarca de Pamplona, propone un recorridos por numerosos planos originales, dibujos e im\u00e1genes de los proyectos m\u00e1s significativos de los autores, e incluye las maquetas de 6 proyectos no construidos entre 1927 y 1935, en los que colaboraron con otros autores como Lagarde, Aguinaga o S\u00e1nchez Arcas.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32482\" title=\"expo-686x1024\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg\" alt=\"\" width=\"620\" height=\"925\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024-201x300.jpg 201w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">De este modo, la exposici\u00f3n propone un recorrido a trav\u00e9s de un conjunto de piezas que expresan una manera m\u00e1s cient\u00edfica y racional de concebir la arquitectura, que, tras el c\u00e9lebre congreso del CIAM de 1929, permiti\u00f3 construir viviendas m\u00e1s baratas y de mayor dignidad que las construidas hasta entonces con la sencilla aplicaci\u00f3n de la m\u00e1xima de la eficiencia cient\u00edfica y una estrecha colaboraci\u00f3n con el mundo de la industria.<\/p>\n<p style=\"text-align: justify;\">En ese contexto, Jos\u00e9 Manuel Aizpurua redact\u00f3 en 1930 el manifiesto <em>\u00bfCu\u00e1ndo habr\u00e1 arquitectura?,<\/em> que da t\u00edtulo a esta exposici\u00f3n, en el que concatena una serie de denuncias sobre el panorama constructivo de la \u00a0\u00e9poca, que suponen todo un manifiesto de las cuestiones que la nueva arquitectura debe solucionar. Desde la primeras palabras del texto \u2013\u201cLa arquitectura en Espa\u00f1a no existe; no hay arquitectos, hay pasteleros\u201d\u2013 el donostiarra arremete con rotundidad contra todas aquellas actitudes que \u00e9l considera perjudiciales para la arquitectura. El argumento m\u00e1s presente tiene que ver con esta idea del arquitecto \u201cpastelero\u201d m\u00e1s preocupado por la composici\u00f3n de sus edificios que por la verdadero esp\u00edritu de servicio que debe ocupar al trabajo del arquitecto al tiempo que reclama al \u201cArquitecto \u2013 Arquitecto\u201d. Asimismo, existen una serie de afirmaciones a prop\u00f3sito del servicio y la educaci\u00f3n de las \u201cmasas\u201d como \u201cla nueva arquitectura es de las masas y viene a ellas para redimirlas\u201d, que remiten a la actualidad e influencia del pensamiento de Ortega y Gasset<\/p>\n<p style=\"text-align: justify;\">Por otro lado, varios elementos vinculan las vidas de Oteiza y de los arquitectos Labayen (1900-1995) y Aizpurua (1902-1936) : su origen guipuzcoano, su inter\u00e9s por los nuevos lenguajes est\u00e9ticos de inicios del siglo XX, y la convivencia en San Sebasti\u00e1n en los a\u00f1os previos a la Guerra Civil espa\u00f1ola. Pero Oteiza siempre record\u00f3 que sus primeras referencias sobre el arte de vanguardia las conoci\u00f3 a trav\u00e9s de las revistas y publicaciones que estos arquitectos manejaban en su estudio de la capital guipuzcoana, que le permiti\u00f3 profundizar en su intuici\u00f3n art\u00edstica y cultivar su mirada. As\u00ed\u00a0 lo relata en su art\u00edculo <em>Recuerdo y olvido de Jos\u00e9 Manuel Aizpurua<\/em>, publicado en el n\u00famero monogr\u00e1fico que la revista\u00a0 Nueva Forma dedic\u00f3 al arquitecto en 1969, en el que Oteiza recuerda que \u201call\u00ed vi por primera vez un Cahiers d\u2019Art y abr\u00ed los ojos a lo que pasaba en Par\u00eds\u201d. Esta muestra, pretende ser el reencuentro de los protagonistas de esta historia 78 a\u00f1os despu\u00e9s.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #888888;\">\u00bfCu\u00e1ndo habr\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &amp; Joaqu\u00edn Labayen<\/span><br \/>\n<span style=\"color: #888888;\"> Una producci\u00f3n de Koldo Mitxelena Kulturunea adaptada por el Museo Oteiza.<\/span><br \/>\n<span style=\"color: #888888;\"> Con la colaboraci\u00f3n de la Delegaci\u00f3n de Navarra del Colegio de Arquitectos Vasco Navarro y la Mancomunidad Comarca de Pamplona<\/span><br \/>\n<span style=\"color: #888888;\"> Del 13 de junio al 6 de octubre de 2013<\/span><br \/>\n<span style=\"color: #888888;\"> Comisariado y dise\u00f1o expositivo: Jos\u00e9 \u00c1ngel Medina y Santos Brega\u00f1a<\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.museooteiza.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\">O Museo Oteiza presenta a exposici\u00f3n <strong>\u201cCando haber\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &#038; Joaqu\u00edn Labayen\u201d<\/strong>, unha mostra formada por m\u00e1is de 150 obxectos, fotograf\u00edas, debuxos, planos, documentaci\u00f3n e maquetas dalg\u00fans dos proxectos m\u00e1is significados realizados por estes dous autores, arquitectos emblem\u00e1ticos do movemento racionalista europeo das primeiras d\u00e9cadas do s\u00e9culo XX.<\/p>\n<p style=\"text-align: justify;\">Moitos dos proxectos arquitect\u00f3nicos realizados por estes dous autores non se chegaron a constru\u00edr, pero o Club N\u00e1utico de San Sebasti\u00e1n (1929), constit\u00fae un fito na historia da arquitectura do s\u00e9culo XX. Esta mostra, comisariada por Jos\u00e9 Anxo Medina e Santos Brega\u00f1a e producida por Koldo Mitxelena Kulturunea, e que agora se exp\u00f3n no Museo Oteiza grazas \u00e1 colaboraci\u00f3n da Delegaci\u00f3n de Navarra do Colexio de Arquitectos Vasco Navarro, con quen o Museo Oteiza subscribiu un convenio de colaboraci\u00f3n e a Mancomunidad Comarca de Pamplona, prop\u00f3n un percorridos por numerosos planos orixinais, debuxos e imaxes dos proxectos m\u00e1is significativos dos autores, e incl\u00fae as maquetas de 6 proxectos non constru\u00eddos entre 1927 e 1935, nos que colaboraron con outros autores como Lagarde, Aguinaga ou S\u00e1nchez Arcas.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32482\" title=\"expo-686x1024\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg\" alt=\"\" width=\"620\" height=\"925\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024-201x300.jpg 201w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Deste xeito, a exposici\u00f3n prop\u00f3n un percorrido a trav\u00e9s dun conxunto de pezas que expresan un xeito m\u00e1is cient\u00edfico e racional de concibir a arquitectura, que, tralo soado congreso do CIAM de 1929, permitiu constru\u00edr vivendas m\u00e1is baratas e de maior dignidade que as constru\u00eddas ata ent\u00f3n coa sinxela aplicaci\u00f3n da m\u00e1xima da eficiencia cient\u00edfica e unha estreita colaboraci\u00f3n co mundo da industria.<\/p>\n<p style=\"text-align: justify;\">Nese contexto, Jos\u00e9 Manuel Aizpurua redactou en 1930 o manifesto Cando haber\u00e1 arquitectura?, que d\u00e1 t\u00edtulo a esta exposici\u00f3n, no que concatena unha serie de denuncias sobre o panorama constructivo da \u00e9poca, que supo\u00f1en todo un manifesto das cuesti\u00f3ns que a nova arquitectura debe solucionar. Desde a primeiras palabras do texto \u2013\u201cA arquitectura en Espa\u00f1a non existe; non hai arquitectos, hai pasteleros\u201d\u2013 o donostiarra arremete con rotundidad contra todas aquelas actitudes que el considera perjudiciales para a arquitectura. O argumento m\u00e1is presente ten que ver con esta idea do arquitecto \u201cpastelero\u201d m\u00e1is preocupado pola composici\u00f3n dos seus edificios que pola verdadeiro esp\u00edrito de servizo que debe ocupar ao traballo do arquitecto \u00e1 vez que reclama ao \u201cArquitecto \u2013 Arquitecto\u201d. As\u00ed mesmo, existen unha serie de afirmaci\u00f3ns \u00e1 mantenta do servizo e a educaci\u00f3n das \u201cmasas\u201d como \u201ca nova arquitectura \u00e9 das masas e v\u00e9n a elas para redimirlas\u201d, que remiten \u00e1 actualidade e influencia do pensamento de Ortega e Gasset.<\/p>\n<p style=\"text-align: justify;\">Doutra banda, varios elementos vinculan as vidas de Oteiza e dos arquitectos Labayen (1900-1995) e Aizpurua (1902-1936) : a s\u00faa orixe guipuzcoano, o seu interese polas novas linguaxes est\u00e9ticas de inicios do s\u00e9culo XX, e a convivencia en San Sebasti\u00e1n nos anos previos \u00e1 Guerra Civil espa\u00f1ola. Pero Oteiza sempre recordou que as s\u00faas primeiras referencias sobre a arte de vanguardia co\u00f1eceunas a trav\u00e9s das revistas e publicaci\u00f3ns que estes arquitectos manexaban no seu estudo da capital guipuzcoana, que lle permitiu profundar na s\u00faa intuici\u00f3n art\u00edstica e cultivar a s\u00faa mirada. As\u00ed o relata no seu artigo Recordo e esquecemento de Jos\u00e9 Manuel Aizpurua, publicado no n\u00famero monogr\u00e1fico que a revista Nova Forma dedicou ao arquitecto en 1969, no que Oteiza recorda que \u201cal\u00ed vin por primeira vez un Cahiers d\u2019Art e abr\u00edn os ollos ao que pasaba en Parides\u201d. Esta mostra, pretende ser o reencontro dos protagonistas desta historia 78 anos despois.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #888888;\">\u00bfCando haber\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &#038; Joaqu\u00edn Labayen<\/span><br \/>\n<span style=\"color: #888888;\"> Unha produci\u00f3n de Koldo Mitxelena Kulturunea adaptada polo Museo Oteiza.<\/span><br \/>\n<span style=\"color: #888888;\"> Coa colaboraci\u00f3n da Delegaci\u00f3n de Navarra do Colexio de Arquitectos Vasco Navarro e a Mancomunidad Comarca de Pamplona<\/span><br \/>\n<span style=\"color: #888888;\"> Do 13 de xu\u00f1o ao 6 de outubro de 2013<\/span><br \/>\n<span style=\"color: #888888;\"> Comisariado e dese\u00f1o expositivo: Jos\u00e9 Anxo Medina e Santos Brega\u00f1a<\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.museooteiza.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\">The Museum Oteiza presents the exhibition \u201cWhen there will be architecture? Jos\u00e9 Manuel Aizpurua &#038; Joaqu\u00edn Labayen\u201d, a sample formed by more than 150 objects, photographies, drawings, planes, documentation and maquetas of some of the most meant projects realised by these two authors, emblematic architects of the movement racionalista European of the first decades of the 20th century.<\/p>\n<p style=\"text-align: justify;\">Many of the architectural projects realised by these two authors did not arrive\u00a0 to build, but the Nautical Club of San Sebasti\u00e1n (1929), constitutes a milestone in the history of the architecture of the 20th century. This sample, curated by Jos\u00e9 \u00c1ngel Medina and Santos Brega\u00f1a and produced by Koldo Mitxelena Kulturunea, and that now exposes\u00a0 in the Museum Oteiza thanks to the collaboration of the Delegation of Navarra of the School of Basque Architects Navarro, with the one who the Museum Oteiza has subscribed an agreement of collaboration and the Mancomunidad Region of Pamplona, proposes some routes by numerous original planes, drawings and images of the most significant projects of the authors, and includes the maquetas of 6 no built projects between 1927 and 1935, in which they collaborated with other authors like Lagarde, Aguinaga or S\u00e1nchez Arks.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32482\" title=\"expo-686x1024\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg\" alt=\"\" width=\"620\" height=\"925\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/06\/expo-686x1024-201x300.jpg 201w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">In this way, the exhibition proposes a route through a group of pieces that express a more scientific way and rational to conceive the architecture, that, after the famous congress of the CIAM of 1929, allowed to build houses cheaper and of greater dignity that the built until then with the simple application of the maximum of the scientific efficiency and a narrow collaboration with the world of the industry.<\/p>\n<p style=\"text-align: justify;\">In this context, Jos\u00e9 Manuel Aizpurua drafted in 1930 the self-evident When there will be architecture?, that gives title to this exhibition, in which it concatenates a series of complaints on the constructive panorama of the period, that suppose all a self-evident of the questions that the new architecture has to solve. From the first words of the text \u2013\u201cThe architecture in Spain does not exist; there are not architects, there is pasteleros\u201d\u2013 the donostiarra rushes forward with rotundity against all those attitudes that he considers hurtful for the architecture. The most present argument has to see with this idea of the architect \u201cpastelero\u201d more concerned by the composition of his buildings that by the true spirit of service that has to occupy to the work of the architect to the time that demands to the \u201cArchitect \u2013 Architect\u201d. Likewise, they exist a series of affirmations apropos the service and the education of the \u201cmasses\u201d like \u201cthe new architecture is of the masses and comes to them to redeem them\u201d, that remit to the actuality and influence of the thought of Ortega and Gasset.<\/p>\n<p style=\"text-align: justify;\">On the other hand, several elements link the lives of Oteiza and of the architects Labayen (1900-1995) and Aizpurua (1902-1936) : his Gipuzkoan origin, his interest by the new aesthetic languages of starts of the 20th century, and the convivencia in San Sebasti\u00e1n in the previous years to the Spanish Civil War. But Oteiza always remembered that his first references on the art of avant-garde knew them through the magazines and publications that these architects handled in his study of the Gipuzkoan capital, that allowed him deepen in his artistic intuition and cultivate his look. Like this it relates it in his article Remember and forget of Jos\u00e9 Manuel Aizpurua, published in the monographic number that the New magazine Form devoted to the architect in 1969, in which Oteiza remembers that \u201cthere I saw for the first time a Cahiers d&#8217;Art and opened the eyes to what happened in Paris\u201d. This sample, pretend to be the reunion of the protagonists of this history 78 years afterwards.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #888888;\">When there will be architecture? Jos\u00e9 Manuel Aizpurua &#038; Joaqu\u00edn Labayen<\/span><br \/>\n<span style=\"color: #888888;\">A production of Koldo Mitxelena Kulturunea adapted by the Museum Oteiza.<\/span><br \/>\n<span style=\"color: #888888;\">With the collaboration of the Delegation of Navarra of the School of Basque Architects Navarro and the Mancomunidad Region of Pamplona<\/span><br \/>\n<span style=\"color: #888888;\">Of 13 June to 6 October 2013<\/span><br \/>\n<span style=\"color: #888888;\">Curated and design expositive: Jos\u00e9 \u00c1ngel Medina and Santos Brega\u00f1a<\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.museooteiza.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El Museo Oteiza presenta la exposici\u00f3n \u201c\u00bfCu\u00e1ndo habr\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &amp; Joaqu\u00edn Labayen\u201d, una muestra\u00a0 formada por m\u00e1s de 150 objetos, fotograf\u00edas, dibujos, planos, documentaci\u00f3n y maquetas de algunos de los proyectos m\u00e1s significados realizados por estos dos autores, arquitectos emblem\u00e1ticos del movimiento racionalista europeo de las primeras d\u00e9cadas del siglo XX. Muchos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":32482,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[2631,7059,7101,12460,7383,668,8082,8079,8081,8085,8084,2812,828,8080,1564,6307,1130,4444,8083],"class_list":["post-32477","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","tag-arquitectura-espanola","tag-arquitectura-navarra","tag-arquitectura-vasca","tag-fotografia","tag-francisco-javier-cossio-lagarde","tag-historia","tag-joaquin-labayen","tag-jose-angel-medina","tag-jose-manuel-aizpurua-y-azqueta","tag-jose-ortega-y-gasset","tag-koldo-mitxelena-kulturunea","tag-manifiesto","tag-maqueta","tag-museo-oteiza","tag-objeto","tag-plano","tag-racionalismo","tag-s-xx","tag-santos-bregana"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00bfCu\u00e1ndo habr\u00e1 arquitectura? Jos\u00e9 Manuel Aizp\u00farua &amp; Joaqu\u00edn Labayen\u00bfCando haber\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &amp; Joaqu\u00edn LabayenWhen there will be architecture? Jose Manuel Aizpurua and Joaqu\u00edn Labayen - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: \u00bfCu\u00e1ndo habr\u00e1 arquitectura? Jos\u00e9 Manuel Aizp\u00farua &amp; Joaqu\u00edn Labayen\u00bfCando haber\u00e1 arquitectura? Jos\u00e9 Manuel Aizpurua &amp; Joaqu\u00edn LabayenWhen there will be architecture? 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