{"id":31878,"date":"2018-01-15T00:03:20","date_gmt":"2018-01-14T23:03:20","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=31878"},"modified":"2019-11-19T18:15:35","modified_gmt":"2019-11-19T17:15:35","slug":"promesas-incumplidas-y-oscuras-transparencias-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/promesas-incumplidas-y-oscuras-transparencias-jose-ramon-hernandez-correa\/","title":{"rendered":"[:es]Promesas incumplidas y oscuras transparencias | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Promesas incumpridas e escuras transparencias | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Unfulfilled promises and dark transparencies | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:]"},"content":{"rendered":"

[:es]<\/p>\n

Hace unas semanas un amable lector an\u00f3nimo dej\u00f3 un comentario a una entrada \u00abEl concepto moderno de espacio arquitect\u00f3nico\u00bb<\/a>. El comentario era tan breve que lo copio \u00edntegro:<\/p>\n

\n

\u00ab\u00a1Muy interesante! \u00bfY la continuaci\u00f3n?\u00bb<\/em><\/p>\n<\/blockquote>\n

\u00bfQu\u00e9 continuaci\u00f3n? Yo no ten\u00eda conciencia de que tuviera que haber ninguna continuaci\u00f3n. Rele\u00ed aquella vieja entrada (del siete de diciembre de dos mil once) y vi dos cosas terribles.<\/p>\n

La primera, con horror y verg\u00fcenza:<\/p>\n

\n

Efectivamente, hab\u00eda prometido (si sub\u00eda puestos en el ranking) continuarla con otra en la que desarrollar\u00eda los conceptos de\u00a0espacio literal<\/i>\u00a0y\u00a0espacio fenomenol\u00f3gico<\/i>\u00a0y, como vulgar pol\u00edtico, hab\u00eda incumplido absoluta y completamente mi promesa (porque sub\u00ed puestos, que luego baj\u00e9 con creces, seguramente por mentiroso).<\/p>\n<\/blockquote>\n

La segunda la vi con pasmo y desorientaci\u00f3n:<\/p>\n

\n

\u00bfQu\u00e9 narices son el\u00a0espacio literal\u00a0<\/i>y el\u00a0espacio fenomenol\u00f3gico<\/i>? \u00bfEn qu\u00e9 estar\u00eda pensando yo cuando escrib\u00ed eso? No tengo la menor idea. Tuve que tener una suerte de inspiraci\u00f3n (provocada probablemente por la ingesta desaforada de alcohol et\u00edlico o por la lectura -no menos desaforada- de alg\u00fan pepino sobre cr\u00edtica y teor\u00eda de la arquitectura) y se me debi\u00f3 de ocurrir algo en ese momento, a lo mejor hasta interesante. Pero, lamentablemente, no s\u00e9 qu\u00e9 pudo ser.<\/p>\n<\/blockquote>\n

Lo que s\u00ed s\u00e9 es que si enfrentaba lo literal a lo fenomenol\u00f3gico lo tuve que hacer obligatoriamente a la luz del famoso art\u00edculo de\u00a0Colin Rowe<\/a><\/b>\u00a0(y\u00a0Robert Slutzky<\/b>, que siempre se nos olvida a todos) titulado en castellano \u00abTransparencia: literal y fenomenal\u00bb, del libro de art\u00edculos\u00a0Manierismo y arquitectura moderna y otros ensayos<\/i><\/b><\/a>.<\/p>\n

(A mi juicio, esa traducci\u00f3n de\u00a0phenomenal<\/i>\u00a0por\u00a0fenomenal<\/i>\u00a0es poco afortunada. Me hace risa. Es como si leyera \u00abTransparencia: literal y estupenda\u00bb. Por eso, prefiero decir \u00abfenomenol\u00f3gica\u00bb).<\/p>\n

Resumiendo much\u00edsimo aquel art\u00edculo, un claro ejemplo de la transparencia literal es el edificio de la Bauhaus, en Dessau, de\u00a0Walter Gropius<\/a><\/b>,<\/p>\n

<\/a>
Bauhaus, en Dessau, de Walter Gropius\u00a0| arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

y un claro ejemplo de transparencia fenomenol\u00f3gica es la Villa Stein, en Garches, de\u00a0Le Corbusier<\/a><\/b>.<\/p>\n

\"Villa
Villa Stein-de-Monzie, Les Terrasses, Garches (Vaucresson), France, 1926<\/span><\/figcaption><\/figure>\n

En el primer caso, la transparencia del vidrio muestra directamente la organizaci\u00f3n interior del espacio. La cuesti\u00f3n es mucho m\u00e1s compleja de lo que aqu\u00ed insin\u00fao, pero dej\u00e9moslo en que esa transparencia literal muestra sin sorpresas el interior, que es algo digamos que n\u00edtido y f\u00e1cil de comprender (perd\u00f3n por la grosera simplificaci\u00f3n y la exageraci\u00f3n).<\/p>\n

Por el contrario, la transparencia fenomenol\u00f3gica no es la directa del material que deja pasar la luz y las im\u00e1genes, sino, digamos, la transparencia de las relaciones, de los actos, de las organizaciones. Es, por lo tanto, m\u00e1s oscura, m\u00e1s contradictoria.<\/p>\n

La transparencia no \u00abreal\u00bb pero s\u00ed \u00abefectiva\u00bb de la casa de Le Corbusier se produce por los diversos diafragmas exteriores e interiores. La fachada delantera, tensa como un lienzo, con sus tres salientes, y la trasera, con el vac\u00edo de la terraza, el peto de la escalera exterior, etc, producen una complejidad de capas, de macizos y vac\u00edos, que sugieren una cierta secuenciaci\u00f3n del espacio; pero en el interior los tabiques se curvan inesperadamente y producen nuevas relaciones de profundidad e interacci\u00f3n entre aquellas capas virtuales de transparencia.<\/p>\n

\"Villa
Villa Stein-de-Monzie, Les Terrasses, Garches (Vaucresson), France, 1926<\/span><\/figcaption><\/figure>\n

\u00abSecuenciaci\u00f3n del espacio\u00bb. \u00abCapas virtuales de transparencia\u00bb. Pues s\u00ed que estoy estupendo hoy. No me gusta el palabrer\u00edo y no quiero seguir patinando sem\u00e1ntica y l\u00e9xicamente entre conceptos escurridizos. Dej\u00e9moslo ah\u00ed.<\/p>\n

Adem\u00e1s de hablar de esta transparencia de planos verticales, podr\u00edamos hablar tambi\u00e9n de la de los horizontales.<\/p>\n

Hagamos algo tan f\u00e1cil como dibujar las sucesivas plantas en papel vegetal (es broma, el papel vegetal\u00a0no existe<\/i>) y superpong\u00e1moslas.<\/p>\n

La casa de Le Corbusier nos sorprende con distribuciones espaciales imprevistas, y en nada coincidentes. Pero la Bauhaus, mucho m\u00e1s ordenada y en ese sentido m\u00e1s previsible, tambi\u00e9n muestra cierta riqueza de juegos en esas transparencias horizontales con el solo hecho de construir una de las alas de conexi\u00f3n s\u00f3lo en planta baja y otra s\u00f3lo en planta alta.<\/p>\n

\"Gropius,
Gropius, Bauhaus Dessau<\/span><\/figcaption><\/figure>\n

Vale: He ido a la fuente de donde tom\u00e9 los conceptos \u00abliteral\u00bb y \u00abfenomenol\u00f3gico\u00bb para enfrentarlos, pero sigo sin saber qu\u00e9 quise decir con esos conceptos aplicados al espacio.<\/p>\n

Veo que en aquella vieja entrada ya lo dec\u00eda de alguna forma, y ahora lo repetir\u00e9 con otras palabras:<\/p>\n

\n

Entiendo que el \u00abespacio literal\u00bb vendr\u00eda a ser el que nos es dado, o el que est\u00e1 construido y definido. Es decir, el espacio de los puntos x,y,z, el espacio geom\u00e9trico, eucl\u00eddeo, externo a nosotros. Es el espacio previo a nuestra estancia en \u00e9l. Yo dir\u00eda que es el espacio sin gente, el espacio hu\u00e9rfano de nosotros. El espacio muerto. El espacio constante y entendible racionalmente.<\/p>\n<\/blockquote>\n

Sin embargo, en el momento en el que lo habitamos nos ponemos (qu\u00e9 ego\u00edstas) como centro y referencia de todo, y ese espacio se curva virtualmente hacia nosotros, y vive, y se hace din\u00e1mico porque nos vamos moviendo y \u00e9l se va adaptando a nuestro paso y a nuestro cambio de perspectiva, y aunque no nos movamos lo vamos aprendiendo y aprehendiendo en el tiempo y con el tiempo. (Como en la transparencia fenomenol\u00f3gica, las relaciones del espacio se hacen variables e inesperadas, y se forman y modifican sobre la marcha).<\/p>\n

Y, si no hay un \u00fanico habitante de ese espacio, sino varios, \u00e9ste se multiplica para cada uno, se desvive en giros y contorsiones para satisfacer la experiencia de todos y cada uno de sus habitantes, y para crear las relaciones espaciales entre unos y otros y entre cada uno y el todo. Es decir, es un espacio que responde a los fen\u00f3menos que ocurren en \u00e9l: un espacio fenomenol\u00f3gico.<\/p>\n

Podemos decir que el espacio literal es el espacio que\u00a0es<\/i><\/b>, mientras que el espacio fenomenol\u00f3gico es el espacio que\u00a0ocurre<\/i><\/b>.<\/p>\n

Por supuesto que esto pasa con cualquier espacio, con cualquier edificio de cualquier \u00e9poca. Pero, siguiendo la l\u00ednea de aquella entrada, yo dir\u00eda que si todo edificio del pasado, desde una catedral rom\u00e1nica a un palacio renacentista, est\u00e1 quieto y muerto hasta que lo revivimos con nuestra presencia, el espacio moderno, desde el barroco, ya no se est\u00e1 quieto ni muerto, esperando que lo resucitemos, sino que se curva en s\u00ed mismo. (Enti\u00e9ndase esto como se quiera. Digamos que sus partes tienen relaciones m\u00e1s abiertas y cambiantes, m\u00e1s \u00abvivas\u00bb).<\/p>\n

No s\u00e9 muy bien lo que quise decir entonces ni lo que trato de decir ahora. Valga, como chuleta provisional para aprobar por los pelos el examen de la espacialidad moderna, que la arquitectura moderna es (debe ser) una arquitectura de relaciones no jerarquizadas r\u00edgidamente, sino organizadas en torno a la propia experiencia del espacio. (Para qu\u00e9 me meter\u00e9 en estos l\u00edos).<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoctor Arquitecto y autor de\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7\u00a0mayo 2013<\/p>\n

Notas: Dedicado al lector An\u00f3nimo que me hizo el comentario que digo, y por extensi\u00f3n a todos los lectores an\u00f3nimos de\u00a0mi blog<\/a>. (Les agradezco much\u00edsimo a todos, y muy especialmente a los que hacen alg\u00fan comentario).<\/p>\n

[:gl]<\/p>\n

Fai unhas semanas un amable lector an\u00f3nimo deixou un comentario a unha entrada, \u00abO concepto moderno do espazo arquitect\u00f3nico\u00bb<\/a>. O comentario era tan breve que o copio \u00edntegro:<\/p>\n

\n

\u00ab\u00a1Moi interesante! \u00bfE a continuaci\u00f3n?\u00bb<\/em><\/p>\n<\/blockquote>\n

\u00bfQue continuaci\u00f3n? Eu non ti\u00f1a conciencia de que tivese que haber ningunha continuaci\u00f3n. Rel\u00edn aquela vella entrada (do sete de decembro de dous mil once) e vin d\u00faas cousas terribles.<\/p>\n

A primeira, con horror e vergonza:<\/p>\n

\n

Efectivamente, prometera (si sub\u00eda postos no ranking) continuala con outra na que desenvolver\u00eda os conceptos de espazo literal e espazo fenomenol\u00f3xico e, como vulgar pol\u00edtico, hab\u00eda incumplido absoluta e completamente a mi\u00f1a promesa (porque sub\u00edn postos, que logo baixei con fartura, seguramente por mentiroso).<\/p>\n<\/blockquote>\n

A segunda vina con pasmo e desorientaci\u00f3n:<\/p>\n

\n

Que narices son o espazo literal<\/em> e o espazo fenomenol\u00f3xico<\/em>? En que estar\u00eda pensando eu cando escrib\u00edn iso? Non te\u00f1o a menor idea. Tiven que ter unha sorte de inspiraci\u00f3n (provocada probablemente pola inxesta desaforada de\u00a0alcohol et\u00edlico ou pola lectura -non menos desaforada- dalg\u00fan pepino sobre cr\u00edtica e teor\u00eda da arquitectura) e deb\u00e9ulleme de ocorrer algo nese momento, se cadra ata interesante. Pero, lamentablemente, non s\u00e9 que puido ser.<\/p>\n<\/blockquote>\n

O que si sei \u00e9 que si enfrontaba o literal ao fenomenol\u00f3gico t\u00edveno que facer obligatoriamente \u00e1 luz do famoso artigo de Colin Rowe<\/a><\/b>\u00a0(e Robert Slutzky<\/strong>, que sempre se nos esquece a todos) titulado en castel\u00e1n \u00abTransparencia: literal e fenomenal\u00bb<\/em>, do libro de artigos Manierismo e arquitectura moderna e outros ensaios<\/em><\/strong><\/a>.<\/p>\n

Ao meu xu\u00edzo, esa traduci\u00f3n de phenomenal<\/em> por fenomenal \u00e9 pouco afortunada. Faime risa. \u00c9 coma se lese \u00abTransparencia: literal e estupenda\u00bb. Por iso, prefiro dicir \u00abfenomenol\u00f3xica\u00bb).<\/p>\n

Resumindo much\u00edsimo aquel artigo, un claro exemplo da transparencia literal \u00e9 o edificio da Bauhaus, en Dessau, de Walter Gropius<\/a><\/b>,<\/p>\n

\"\"<\/a>
Edificio da Bauhaus, en Dessau, de Walter Gropius | arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

e un claro exemplo de transparencia fenomenol\u00f3gica \u00e9 a Vila Stein, en Garches, de\u00a0Le Corbusier<\/a><\/b>.<\/p>\n

\"Villa
Villa Stein-de-Monzie, Les Terrasses, Garches (Vaucresson), France, 1926<\/span><\/figcaption><\/figure>\n

No primeiro caso, a transparencia do vidro mostra directamente a organizaci\u00f3n interior do espazo. A cuesti\u00f3n \u00e9 moito m\u00e1is complexa do que aqu\u00ed insin\u00fao, pero deix\u00e9molo en que esa transparencia literal mostra sen sorpresas o interior, que \u00e9 algo digamos que n\u00edtido e f\u00e1cil de comprender (perd\u00f3n pola groseira simplificaci\u00f3n e a esaxeraci\u00f3n).<\/p>\n

Pola contra, a transparencia fenomenol\u00f3gica non \u00e9 a directa do material que deixa pasar a luz e as imaxes, sen\u00f3n, digamos, a transparencia das relaci\u00f3ns, dos actos, das organizaci\u00f3ns. \u00c9, por tanto, m\u00e1is escura, m\u00e1is contraditoria.<\/p>\n

A transparencia non \u00abreal\u00bb pero si \u00abefectiva\u00bb da casa de Lle Corbusier prod\u00facese polos diversos diafragmas exteriores e interiores. A fachada dianteira, tensa como un lenzo, cos seus tres sa\u00edntes, e a traseira, co baleiro da terraza, o peto da escaleira exterior, etc, producen unha complexidade de capas, de macizos e baleiros, que suxiren unha certa secuenciaci\u00f3n do espazo; pero no interior os tabiques se curvan inesperadamente e producen novas relaci\u00f3ns de profundidade e interacci\u00f3n entre aquelas capas virtuais de transparencia.<\/p>\n

\"Villa
Villa Stein-de-Monzie, Les Terrasses, Garches (Vaucresson), France, 1926<\/span><\/figcaption><\/figure>\n

\u00abSecuenciaci\u00f3n do espazo\u00bb. \u00abCapas virtuais de transparencia\u00bb. Pois si que estou estupendo hoxe. Non me gusta o palabrer\u00edo e non quero seguir patinando sem\u00e1ntica e l\u00e9xicamente entre conceptos escurridizos. Deix\u00e9molo a\u00ed.<\/p>\n

Ademais de falar desta transparencia de planos verticais, poderiamos falar tam\u00e9n da dos horizontais.<\/p>\n

Fagamos algo tan f\u00e1cil como debuxar as sucesivas plantas en papel vexetal (\u00e9 broma, o papel vexetal non existe) e superpong\u00e1moslas.<\/p>\n

A casa de Le Corbusier sorpr\u00e9ndenos con distribuci\u00f3ns espaciais imprevistas, e en nada coincidentes. Pero a Bauhaus, moito m\u00e1is ordenada e nese sentido m\u00e1is previsible, tam\u00e9n mostra certa riqueza de xogos nesas transparencias horizontais co s\u00f3 feito de constru\u00edr unha das \u00e1s de conexi\u00f3n s\u00f3 en planta baixa e outra s\u00f3 en planta alta.<\/p>\n

\"Gropius,
Gropius, Bauhaus Dessau<\/span><\/figcaption><\/figure>\n

Vale: Fun \u00e1 fonte de onde tomei os conceptos \u00abliteral\u00bb e \u00abfenomenol\u00f3gico\u00bb para enfrontalos, pero sigo sen saber que quixen dicir con eses conceptos aplicados ao espazo.<\/p>\n

Vexo que naquela vella entrada xa o dic\u00eda dalgunha forma, e agora repetireino con outras palabras:<\/p>\n

\n

Entendo que o \u00abespazo literal\u00bb vir\u00eda ser o que nos \u00e9 dado, ou o que est\u00e1 constru\u00eddo e definido. \u00c9 dicir, o espazo dos puntos x,e,z, o espazo xeom\u00e9trico, eucl\u00eddeo, externo a n\u00f3s. \u00c9 o espazo previo \u00e1 nosa estancia nel. Eu dir\u00eda que \u00e9 o espazo sen xente, o espazo orfo de n\u00f3s. O espazo morto. O espazo constante e entendible racionalmente.<\/p>\n<\/blockquote>\n

Con todo, no momento no que o habitamos po\u00f1\u00e9monos (que ego\u00edstas) como centro e referencia de todo, e ese espazo se curva virtualmente cara a n\u00f3s, e vive, e faise din\u00e1mico porque nos imos movendo e el vaise adaptando ao noso paso e ao noso cambio de perspectiva, e a\u00ednda que non nos movamos imos aprendendo e aprehendiendo no tempo e co tempo. (Como na transparencia fenomenol\u00f3gica, as relaci\u00f3ns do espazo fanse variables e inesperadas, e f\u00f3rmanse e modifican sobre a marcha).<\/p>\n

E, se non hai un \u00fanico habitante dese espazo, sen\u00f3n varios, este multipl\u00edcase para cada un, se desvive en xiros e contorsiones para satisfacer a experiencia de todos e cada un dos seus habitantes, e para crear as relaci\u00f3ns espaciais entre uns e outros e entre cada un e o todo. \u00c9 dicir, \u00e9 un espazo que responde os fen\u00f3menos que ocorren nel: un espazo fenomenol\u00f3gico.<\/p>\n

Podemos dicir que o espazo literal \u00e9 o espazo que \u00e9, mentres que o espazo fenomenol\u00f3gico \u00e9 o espazo que ocorre.<\/p>\n

Por suposto que isto pasa con calquera espazo, con calquera edificio de calquera \u00e9poca. Pero, seguindo a li\u00f1a daquela entrada, eu dir\u00eda que se todo edificio do pasado, desde unha catedral rom\u00e1nica a un palacio renacentista, est\u00e1 quieto e morto ata que o revivimos coa nosa presenza, o espazo moderno, desde o barroco, xa non se est\u00e1 quieto nin morto, esperando que o resucitemos, sen\u00f3n que se curva en si mesmo. (Ent\u00e9ndase isto como se queira. Digamos que os seus partes te\u00f1en relaci\u00f3ns m\u00e1is abertas e cambiantes, m\u00e1is \u00abvivas\u00bb).<\/p>\n

Non sei moi ben o que quixen dicir ent\u00f3n nin o que trato de dicir agora. Valga, como chuleta provisional para aprobar polos pelos o exame da espacialidad moderna, que a arquitectura moderna \u00e9 (debe ser) unha arquitectura de relaci\u00f3ns non jerarquizadas r\u00edgidamente, sen\u00f3n organizadas ao redor da propia experiencia do espazo. (Para que me meterei nestas leas).<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoctor Arquitecto y autor de\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7\u00a0mayo 2013<\/p>\n

Nota:\u00a0Dedicado ao lector An\u00f3nimo que me fixo o comentario que digo, e por extensi\u00f3n a todos os lectores an\u00f3nimos do meu blog<\/a>. (Agrad\u00e9zolles moit\u00edsimo a todos, e moi especialmente aos que fan alg\u00fan comentario).<\/p>\n

[:en]<\/p>\n

A few weeks ago a nice anonymous reader left a comment at an entry \u00abThe modern concept of architectural space\u00bb<\/a>. The comment was so brief that I copy complete:<\/p>\n

\n

\u00abvery interesting! And the continuation?\u00bb<\/em><\/p>\n<\/blockquote>\n

What continuation? I did not have conscience of which there had to be no continuation. I reread that old woman entered (of December, seven of two thousand eleven) and saw two terrible things.<\/p>\n

The first one, with horror and shame:<\/p>\n

\n

Really, it had promised (if it was raising positions in the ranking) to continue it with other one in the one that would develop the concepts of literal space and I spread fenomenol\u00f3gico and, as vulgar politician, it had broken absolutely and completely my promise (because I raised positions, which then I lowered fully, surely for liar).<\/p>\n<\/blockquote>\n

I saw the second one with astonishment and disorientation:<\/p>\n

\n

What noses are the literal space and the space fenomenol\u00f3gico? About what would I be thinking when I wrote it? I do not have the minor idea. I had been lucky of inspiration(provoked probably by the ingestion behaved in an outrageous way of etilic alcohol or for the reading – not less behaved in an outrageous way – of some cucumber on critique and theory of the architecture) and it was necessary to to me to have happened a little in this moment, probably even interesting. But, lamentably, do not be what could be.<\/p>\n<\/blockquote>\n

What yes I know it is that if fenomenol\u00f3gico was facing the literal thing to I had to do necessarily in the light of Colin Rowe<\/a><\/b>\u00b4s famous article (and Robert Slutzky<\/strong>, that always graduate forgets to all) in Castilian \u00abTransparency: literal and phenomenal\u00bb, of the book of articles Manierism and modern architecture and other tests<\/em><\/strong><\/a>.<\/p>\n

(In my opinion, this translation of phenomenal for phenomenal<\/em> is slightly lucky. It does laugh to me. It is as if he was reading \u00abTransparency: literal and marvellous\u00bb. Because of it, I prefer saying \u00abphenomenologic\u00bb).<\/p>\n

Summarizing very much that article, a clear example of the literal transparency is the building of the Bauhaus, in Dessau, of Walter Gropius<\/a><\/b>,<\/p>\n

\"\"<\/a>
Building of the Bauhaus, in Dessau, of Walter Gropius\u00a0| arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

and a clear example of transparency fenomenol\u00f3gica is the Villa Stein, in Garches, of Le Corbusier<\/a><\/strong>.<\/p>\n

 <\/p>\n

 <\/p>\n

<\/a>
Bauhaus, in Dessau, de Walter Gropius\u00a0| arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

y un claro ejemplo de transparencia fenomenol\u00f3gica es la Villa Stein, en Garches, de\u00a0Le Corbusier<\/a><\/b>.<\/p>\n

\"Villa
Villa Stein-de-Monzie, Les Terrasses, Garches (Vaucresson), France, 1926<\/span><\/figcaption><\/figure>\n

Nevertheless, in the moment in which we live it we put (what egoists) as center and reference of everything, and this space bows virtually towards us, and lives, and becomes dynamic because we are moving and he is adapting to our step and to our change of perspective, and though we do not move we are learning it and apprehending in the time and with the time. (As in the transparency fenomenol\u00f3gica, the relations of the space become variable and unexpected, and they are formed and modify on the march).<\/p>\n

On the contrary, the transparency fenomenol\u00f3gica is not the direct one of the material that stops to spend the light and the images, but, let’s say, the transparency of the relations, of the acts, of the organizations. It is, therefore, darker, more contradictory.<\/p>\n

The \u00abnot \u00abroyal\u00bb transparency but yes \u00abeffective\u00bb of the Le Corbusier\u00b4s\u00a0house takes place for the diverse exterior and interior diaphragms. The front, tense front as a linen, with his three projections, and the back, with the emptiness of the terrace, the bib of the exterior stairs, etc, they produce a complexity of caps, of clumps and emptinesses, which suggest a certain sequence of the space; but in the interior the partitions bow unexpectedly and produce new relations of depth and interaction between those virtual caps of transparency.<\/p>\n

\"Villa
Villa Stein-de-Monzie, Les Terrasses, Garches (Vaucresson), France, 1926<\/span><\/figcaption><\/figure>\n

\u00abSequence of the space\u00bb. \u00abVirtual caps of transparency\u00bb. So yes that I am marvellous today. I do not like the palabrer\u00edo and I do not want to continue skating semantics and lexically between slippery concepts. Dej\u00e9moslo there.<\/p>\n

Beside speaking about this transparency of vertical planes, we might speak also about that of the horizontal ones.<\/p>\n

Let’s make something so easy as to draw the successive plants in grease-proof paper (it is a joke, the grease-proof paper does not exist) and super let’s put\u00a0.<\/p>\n

The Le Corbusier\u00b4s house we surprise with spatial unforeseen distributions, and in nothing coincidental. Pero la Bauhaus, much more tidy and in this more predictable sense, also certain sample wealth of games in these horizontal transparencies with the alone fact of constructing one of the wings of connection only in ground and different floor only in high plant.<\/p>\n

\"Gropius,
Gropius, Bauhaus Dessau<\/span><\/figcaption><\/figure>\n

It costs: I have gone to the source wherefrom I took the concepts \u00abliterally\u00bb and \u00abphenomenological\u00bb to face them, but I continue without knowing what I wanted to say with these concepts applied to the space.<\/p>\n

I see that in that old woman entered already he was saying it of some form, and now I will repeat it with other words:<\/p>\n

I understand that the \u00bb literal space \u00bb would come to be the fact that it is given us, or the one that is constructed and defined. That is to say, the space of the points x, and, z, the geometric, Euclidean, external space to us. It is the space before our stay in him. I would say that it is the space without people, the orphan space of us. The dead space. The constant and understandable space rationally.<\/p><\/blockquote>\n

Nevertheless, in the moment in which we live it we put (what egoists) as center and reference of everything, and this space bows virtually towards us, and lives, and becomes dynamic because we are moving and he is adapting to our step and to our change of perspective, and though we do not move we are learning it and apprehending in the time and with the time. (As in the transparency fenomenol\u00f3gica, the relations of the space become variable and unexpected, and they are formed and modify on the march).<\/p>\n

And, if there is no the only inhabitant of this space, but several, this one multiplies for each one, craves in drafts and contortions to satisfy the experience of each and every of his inhabitants, and to create the spatial relations between some and others and between each one and everything. That is to say, it is a space that answers to the phenomena that happen in him: a space phenomenological.<\/p>\n

We can say that the literal space is the space that is, whereas the space fenomenol\u00f3gico is the space that happens.<\/strong><\/p>\n

Certainly that this spends with any space, with any building of any epoch. But, following the line of that entry, I would say that if any building of the past, from a Romanesque cathedral to a Renaissance palace, is still and dead until we re-live through it with our presence, the modern space, from the baroque, already one is stillly not even dead man, hoping that we revive it, but it bows in yes same. (This be understood since it is wanted. Let’s say that his parts have more opened and changeable, \u00abmore \u00abalive\u00bb relations).<\/p>\n

I do not know very well what I wanted to say then what I try to say now. Cost, as provisional chop to approve for the hair the examination of the modern spaciality, that the modern architecture is (it must be) an architecture of relations not organized into a hierarchy rigidly, but organized concerning the own experience of the space. (Why I will get into these messes).<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nPhD\u00a0Architect and author of\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7\u00a0may 2013<\/p>\n

Notes:\u00a0Dedicated to the reader An\u00f3nimo who did the comment that I say, and for extension to all the anonymous readers of\u00a0my blog<\/a>. (I am grateful to them very much for all, and very specially to those who do some comment).<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hace unas semanas un amable lector an\u00f3nimo dej\u00f3 un comentario a una entrada \u00abEl concepto moderno de espacio arquitect\u00f3nico\u00bb. El comentario era tan breve que lo copio \u00edntegro: \u00ab\u00a1Muy interesante! \u00bfY la continuaci\u00f3n?\u00bb \u00bfQu\u00e9 continuaci\u00f3n? Yo no ten\u00eda conciencia de que tuviera que haber ninguna continuaci\u00f3n. Rele\u00ed aquella vieja entrada (del siete de diciembre […]<\/p>\n","protected":false},"author":33,"featured_media":31883,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[147,199,7891,12467,510,513,3581,605,11861,668,3653,785,3452,1865,3944,2112,13142,1278,3615],"class_list":["post-31878","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-moderna","tag-colin-rowe","tag-ensayo","tag-espacio","tag-espacio-interior","tag-francesco-borromini","tag-frank-lloyd-wright","tag-giulio-carlo-argan","tag-historia","tag-jose-ramon-hernandez-correa","tag-le-corbusier","tag-personaje","tag-reflexion","tag-renacimiento","tag-representacion","tag-robert-slutzky","tag-teoria","tag-walter-gropius"],"yoast_head":"\n[:es]Promesas incumplidas y oscuras transparencias | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez 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