{"id":31729,"date":"2013-06-05T05:56:00","date_gmt":"2013-06-05T05:56:00","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=31729"},"modified":"2019-10-31T17:22:26","modified_gmt":"2019-10-31T16:22:26","slug":"un-susurro-remoto-%c2%b7-pedro-cabrita-reis","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/","title":{"rendered":"Un susurro remoto \u00b7 Pedro Cabrita Reis"},"content":{"rendered":"
<\/p>\n
El artista portugu\u00e9s Pedro Cabrita Reis presentar\u00e1, dentro del programa paralelo de la 55.a Bienal de Venecia, la instalaci\u00f3n a remote whisper<\/em> (un susurro remoto) en el Palazzo Falier. La exposici\u00f3n est\u00e1 comisariada por Sabrina van der Ley, directora de arte contempor\u00e1neo del Museo Nacional de Arte, Arquitectura y Dise\u00f1o de Oslo.<\/p>\n
Las paredes y suelos del piano nobile del Palazzo Falier, con una extensi\u00f3n total de 700 m2, han sido intervenidas por Cabrita Reis con tubos y vigas de aluminio, luces fluorescentes y cables, para redefinir el espacio. En a remote whisper el artista despliega una estructura rotunda, realizada a base de piezas industriales y restos de construcci\u00f3n, junto con materiales provenientes de su estudio. Fragmentos de trabajos anteriores, material documental, fotograf\u00edas, dibujos y pinturas, adem\u00e1s de desechos encontrados en la ciudad de Venecia han servido para componer la instalaci\u00f3n. As\u00ed, en el Palazzo Falier se entremezcla el espacio de trabajo y el de exposici\u00f3n con el lenguaje brutalista caracter\u00edstico de este artista portugu\u00e9s.<\/p>\nVista de la instalaci\u00f3n a remote whisper, 2013 | Pedro Cabrita Reis | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress<\/figcaption><\/figure>\n
Con esta obra Cabrita Reis profundiza en su inter\u00e9s por la relaci\u00f3n entre la obra de arte, el espacio y el observador. Los visitantes de a remote whisper encontrar\u00e1n un laberinto intrincado con diferentes trayectorias por las que recorrer el palacio veneciano y, a trav\u00e9s de las cuales, tener distintas maneras de percibir la obra.<\/p>\n
Desde principios de los a\u00f1os noventa, Cabrita Reis ha explorado temas relacionados con las viviendas, la construcci\u00f3n y el territorio. Algunas de sus obras se componen de elementos cotidianos como mesas, puertas, ventanas o materiales de construcci\u00f3n, mientras que en otras instalaciones aborda el espacio expositivo con estructuras arquitect\u00f3nicas s\u00f3lidas de gran tama\u00f1o.<\/p>\n
Tal y como explica la comisaria de la exposici\u00f3n, \u201cuna cantidad importante de sus obras han sido o est\u00e1n siendo creadas in situ\u201d<\/em>. Sus piezas sugieren \u201cuna concepci\u00f3n aleatoria del riesgo o del rigor intelectual y de la aleatoriedad visual o literaria\u201d<\/em> y de esta manera \u201ccada obra nos propone un \u2018inventario\u2019 en desarrollo del mundo y a la vez un modelo para su percepci\u00f3n\u201d<\/em>.<\/p>\n
Es la primera vez que Cabrita Reis vuelve a Venecia, desde que en 2003 realizara para el pabell\u00f3n de Portugal la obra Longer journeys, cuya resonancia puede apreciarse en a remote whisper<\/em>. Tambi\u00e9n fue el encargado de realizar el pabell\u00f3n portugu\u00e9s en la Bienal de 1995 junto con Rui Chafes y Jos\u00e9 Pedro Croft. En esta ocasi\u00f3n el artista regresa a la bienal veneciana de la mano de las cinco galer\u00edas internacionales que representan su obra: Ivorypress (Espa\u00f1a), Galerie Nelson-Freeman (Francia), Magazzino (Italia), Mai 36 (Suiza) y Peter Freeman Inc. (EE. UU.), con la colaboraci\u00f3n de la Secretar\u00eda de Estado de Cultura de Portugal.<\/p>\nBoceto en el cuaderno de notas de Pedro Cabrita Reis, 2013 | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress<\/span><\/figcaption><\/figure>\n
Coincidiendo con la exposici\u00f3n, Ivorypress ha editado un amplio cat\u00e1logo titulado a remote whisper, que recorre la obra elaborada por Pedro Cabrita Reis desde 2010. La publicaci\u00f3n incluye tambi\u00e9n un ap\u00e9ndice dedicado al proyecto realizado para esta edici\u00f3n de la Bienal de Venecia.<\/p>\n
Pedro Cabrita Reis (Lisboa, 1956) vive y trabaja en Portugal. Su obra goza de un amplio reconocimiento internacional y resulta esencial para entender el nuevo paradigma escult\u00f3rico que se inici\u00f3 aproximadamente a mediados de los a\u00f1os ochenta. Su trabajo est\u00e1 marcado por un discurso filos\u00f3fico y po\u00e9tico altamente individual y abarca una gran variedad de soportes: pintura, escultura, fotograf\u00eda e instalaciones espec\u00edficas creadas con objetos encontrados y artesanales. Su obra aborda cuestiones como el espacio, la arquitectura y la memoria a trav\u00e9s de met\u00e1foras de un sugerente poder de asociaci\u00f3n que trascienden lo meramente visual. Referencia central dentro de la escena art\u00edstica portuguesa, su obra ha sido objeto de exposiciones en destacados museos e instituciones como Tate Modern (Londres), Hamburger Kunsthalle (Hamburgo), MACRO Museo d\u2019Arte Contemporanea (Roma), Carr\u00e9 d\u2019Art-Mus\u00e9e d\u2019art contemporain (N\u00eemes), Museu Cole\u00e7\u00e3o Berardo (Lisboa), Kunsthaus Graz (Graz), Museo Tamayo (M\u00e9xico D.F.), M-Museum Leuven (Lovaina) y la Pinacoteca de S\u00e3o Paulo (S\u00e3o Paulo). Adem\u00e1s, sus piezas forman parte de colecciones internacionales como la Tate Modern de Londres o el Centro Georges Pompidou de Par\u00eds.<\/p>\n
Un susurro remoto \u00b7 Pedro Cabrita Reis<\/span> \nLugar: Palazzo Falier, No. 2906 Caller Falier, Venecia<\/span> \nFechas: 30 de mayo \u2013 24 de noviembre de 2013<\/span> \nHorario de apertura al p\u00fablico: De martes a domingo de 10:00 a 18:00 h (entrada gratuita)<\/span><\/p>\n
El artista portugu\u00e9s Pedro Cabrita Reis presentar\u00e1, dentro del programa paralelo de la 55.a Bienal de Venecia, la instalaci\u00f3n a remote whisper (un susurro remoto) en el Palazzo Falier. La exposici\u00f3n est\u00e1 comisariada por Sabrina van der Ley, directora de arte contempor\u00e1neo del Museo Nacional de Arte, Arquitectura y Dise\u00f1o de Oslo. Las paredes y […]<\/p>\n","protected":false},"author":2,"featured_media":31730,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[211,365,556,7830,7831,7828,7829,7832,1286,1341,12465],"class_list":{"0":"post-31729","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-eventos","8":"category-exposiciones","9":"tag-bienal-de-venecia","10":"tag-construccion","11":"tag-exposicion","12":"tag-jose-pedro-croft","13":"tag-palazzo-falier","14":"tag-pedro-cabrita-reis","15":"tag-rui-chafes","16":"tag-sabrina-van-der-ley","17":"tag-territorio","18":"tag-venecia","19":"tag-vivienda"},"yoast_head":"\n
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