{"id":31729,"date":"2013-06-05T05:56:00","date_gmt":"2013-06-05T05:56:00","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=31729"},"modified":"2019-10-31T17:22:26","modified_gmt":"2019-10-31T16:22:26","slug":"un-susurro-remoto-%c2%b7-pedro-cabrita-reis","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/","title":{"rendered":"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]"},"content":{"rendered":"
[:es]<\/p>\n
El artista portugu\u00e9s Pedro Cabrita Reis presentar\u00e1, dentro del programa paralelo de la 55.a Bienal de Venecia, la instalaci\u00f3n a remote whisper<\/em> (un susurro remoto) en el Palazzo Falier. La exposici\u00f3n est\u00e1 comisariada por Sabrina van der Ley, directora de arte contempor\u00e1neo del Museo Nacional de Arte, Arquitectura y Dise\u00f1o de Oslo.<\/p>\n
Las paredes y suelos del piano nobile del Palazzo Falier, con una extensi\u00f3n total de 700 m2, han sido intervenidas por Cabrita Reis con tubos y vigas de aluminio, luces fluorescentes y cables, para redefinir el espacio. En a remote whisper el artista despliega una estructura rotunda, realizada a base de piezas industriales y restos de construcci\u00f3n, junto con materiales provenientes de su estudio. Fragmentos de trabajos anteriores, material documental, fotograf\u00edas, dibujos y pinturas, adem\u00e1s de desechos encontrados en la ciudad de Venecia han servido para componer la instalaci\u00f3n. As\u00ed, en el Palazzo Falier se entremezcla el espacio de trabajo y el de exposici\u00f3n con el lenguaje brutalista caracter\u00edstico de este artista portugu\u00e9s.<\/p>\nVista de la instalaci\u00f3n a remote whisper, 2013 | Pedro Cabrita Reis | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress<\/figcaption><\/figure>\n
Con esta obra Cabrita Reis profundiza en su inter\u00e9s por la relaci\u00f3n entre la obra de arte, el espacio y el observador. Los visitantes de a remote whisper encontrar\u00e1n un laberinto intrincado con diferentes trayectorias por las que recorrer el palacio veneciano y, a trav\u00e9s de las cuales, tener distintas maneras de percibir la obra.<\/p>\n
Desde principios de los a\u00f1os noventa, Cabrita Reis ha explorado temas relacionados con las viviendas, la construcci\u00f3n y el territorio. Algunas de sus obras se componen de elementos cotidianos como mesas, puertas, ventanas o materiales de construcci\u00f3n, mientras que en otras instalaciones aborda el espacio expositivo con estructuras arquitect\u00f3nicas s\u00f3lidas de gran tama\u00f1o.<\/p>\n
Tal y como explica la comisaria de la exposici\u00f3n, \u201cuna cantidad importante de sus obras han sido o est\u00e1n siendo creadas in situ\u201d<\/em>. Sus piezas sugieren \u201cuna concepci\u00f3n aleatoria del riesgo o del rigor intelectual y de la aleatoriedad visual o literaria\u201d<\/em> y de esta manera \u201ccada obra nos propone un \u2018inventario\u2019 en desarrollo del mundo y a la vez un modelo para su percepci\u00f3n\u201d<\/em>.<\/p>\n
Es la primera vez que Cabrita Reis vuelve a Venecia, desde que en 2003 realizara para el pabell\u00f3n de Portugal la obra Longer journeys, cuya resonancia puede apreciarse en a remote whisper<\/em>. Tambi\u00e9n fue el encargado de realizar el pabell\u00f3n portugu\u00e9s en la Bienal de 1995 junto con Rui Chafes y Jos\u00e9 Pedro Croft. En esta ocasi\u00f3n el artista regresa a la bienal veneciana de la mano de las cinco galer\u00edas internacionales que representan su obra: Ivorypress (Espa\u00f1a), Galerie Nelson-Freeman (Francia), Magazzino (Italia), Mai 36 (Suiza) y Peter Freeman Inc. (EE. UU.), con la colaboraci\u00f3n de la Secretar\u00eda de Estado de Cultura de Portugal.<\/p>\nBoceto en el cuaderno de notas de Pedro Cabrita Reis, 2013 | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress<\/span><\/figcaption><\/figure>\n
Coincidiendo con la exposici\u00f3n, Ivorypress ha editado un amplio cat\u00e1logo titulado a remote whisper, que recorre la obra elaborada por Pedro Cabrita Reis desde 2010. La publicaci\u00f3n incluye tambi\u00e9n un ap\u00e9ndice dedicado al proyecto realizado para esta edici\u00f3n de la Bienal de Venecia.<\/p>\n
Pedro Cabrita Reis (Lisboa, 1956) vive y trabaja en Portugal. Su obra goza de un amplio reconocimiento internacional y resulta esencial para entender el nuevo paradigma escult\u00f3rico que se inici\u00f3 aproximadamente a mediados de los a\u00f1os ochenta. Su trabajo est\u00e1 marcado por un discurso filos\u00f3fico y po\u00e9tico altamente individual y abarca una gran variedad de soportes: pintura, escultura, fotograf\u00eda e instalaciones espec\u00edficas creadas con objetos encontrados y artesanales. Su obra aborda cuestiones como el espacio, la arquitectura y la memoria a trav\u00e9s de met\u00e1foras de un sugerente poder de asociaci\u00f3n que trascienden lo meramente visual. Referencia central dentro de la escena art\u00edstica portuguesa, su obra ha sido objeto de exposiciones en destacados museos e instituciones como Tate Modern (Londres), Hamburger Kunsthalle (Hamburgo), MACRO Museo d\u2019Arte Contemporanea (Roma), Carr\u00e9 d\u2019Art-Mus\u00e9e d\u2019art contemporain (N\u00eemes), Museu Cole\u00e7\u00e3o Berardo (Lisboa), Kunsthaus Graz (Graz), Museo Tamayo (M\u00e9xico D.F.), M-Museum Leuven (Lovaina) y la Pinacoteca de S\u00e3o Paulo (S\u00e3o Paulo). Adem\u00e1s, sus piezas forman parte de colecciones internacionales como la Tate Modern de Londres o el Centro Georges Pompidou de Par\u00eds.<\/p>\n
Un susurro remoto \u00b7 Pedro Cabrita Reis<\/span> \nLugar: Palazzo Falier, No. 2906 Caller Falier, Venecia<\/span> \nFechas: 30 de mayo \u2013 24 de noviembre de 2013<\/span> \nHorario de apertura al p\u00fablico: De martes a domingo de 10:00 a 18:00 h (entrada gratuita)<\/span><\/p>\n
The Portuguese artist Pedro Cabrita Reis will present, inside the parallel program of the 55.To Biennial of Venecia, the installation a remote whisper<\/em> in the Palazzo Falier. The exhibition is curated by Sabrina go der Law, director of contemporary art of the National Museum of Art, Architecture and Design of Oslo.<\/p>\n
The walls and floors of the piano nobile of the Palazzo Falier, with a total extension of 700 m2, have been taken part by Cabrita Reis with tubes and beams of aluminium, fluorescent lights and wires, to redefine the space. In a remote whisper<\/em> the artist deploys a structure rotunda, realised to base of industrial pieces and rests of construction, together with materials from his study. Fragments of previous works, documentary material, photographies, drawings and paintings, in addition to wastes found in the city of Venecia have served to compose the installation. Like this, in the Palazzo Falier\u00a0 entremezcla the space of work and the one of exhibition with the language brutalista characteristic of this Portuguese artist.<\/p>\nSight of the installation a remote whisper, 2013 | Pedro Cabrita Reis | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins |\u00a0Courtesy of Ivorypress<\/span><\/figcaption><\/figure>\n
With this work Cabrita Reis deepens in his interest by the relation between the work of art, the space and the observer. The visitors of to remote whisper will find an intricate labyrinth with different paths by which visit the Venetian palace and, through which, have distinct ways to perceive the work.<\/p>\n
From principles of the years ninety, Cabrita Reis has explored subjects related with the houses, the construction and the territory. Some of his works compose\u00a0 of daily elements like tables, doors, windows or materials of construction, whereas in other installations tackles the space expositivo with solid architectural structures of big size.<\/p>\n
As it explains the commissioner of the exhibition, \u201can important quantity of his works have been or are being created in situ\u201d<\/em>. His pieces suggest \u201ca random conception of the risk or of the intellectual rigour and of the aleatoriedad visual or literary\u201d<\/em> and of this way \u201ceach work proposes us a \u2018inventory’ developing of the world and at the same time a model for his perception\u201d<\/em>.<\/p>\n
It is the first time that Cabrita Reis goes back to Venecia, since in 2003 realised for the pavilion of Portugal the work Longer journeys, whose resonance can appreciate in to remote whisper. Also it was the attendant to realise the Portuguese pavilion in the Biennial of 1995 together with Rui Chafes and Jos\u00e9 Pedro Croft. In this occasion the artist returns to the biennial Venetian of the hand of the five international galleries that represent his work: Ivorypress (Spain), Galerie Nelson-Freeman (France), Magazzino (Italy), Mai 36 (Switzerland) and Peter Freeman Inc. (EE. UU.), with the collaboration of the Office of State of Culture of Portugal.<\/p>\n<\/a>Outline in the fascicle of notes of Pedro Cabrita Reis, 2013 | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | <\/span>Courtesy of<\/span> Ivorypress<\/span><\/figcaption><\/figure>\n
Coinciding with the exhibition, Ivorypress has edited a wide catalogue titled to remote whisper, that visits the work elaborated by Pedro Cabrita Reis from 2010. The publication includes also an appendix devoted to the project realised for this edition of the Biennial of Venecia.<\/p>\n
Pedro Cabrita Reis (Lisbon, 1956) live and works in Portugal. His work enjoys of a wide international recognition and results essential to understand the new sculptural paradigm that initiated\u00a0 roughly around the middle of the eighties. His work is marked by a philosophical and poetic speech highly individual and covers a big variety of supports: painting, sculpture, photography and specific installations created with objects found and artesanales. His work tackles questions like the space, the architecture and the memory through metaphors of a sugerente can of association that trascend the merely visual. Central reference inside the Portuguese artistic scene, his work has been object of exhibitions in stood out museums and institutions like Tate Modern (London), Hamburger Kunsthalle (Hamburg), MACRO Museum d’Art Contemporanea (Rome), Carr\u00e9 d’Art-Mus\u00e9e d’art contemporain (N\u00eemes), Museu Cole\u00e7\u00e3or Berardo (Lisbon), Kunsthaus Graz (Graz), Museum Tamayo (Mexico D.F.), M-Museum Leuven (Lovaina) and the Pinacoteca of S\u00e3o Paulo (S\u00e3o Paulo). Besides, his pieces form part of international collections like Tate Modern of London or the Centre Georges Pompidou of Paris.<\/p>\n
A remote whisper\u00a0\u00b7 Pedro Cabrita Reis<\/span><\/p>\n
El artista portugu\u00e9s Pedro Cabrita Reis presentar\u00e1, dentro del programa paralelo de la 55.a Bienal de Venecia, la instalaci\u00f3n a remote whisper<\/em> (un susurro remoto) en el Palazzo Falier. La exposici\u00f3n est\u00e1 comisariada por Sabrina van der Ley, directora de arte contempor\u00e1neo del Museo Nacional de Arte, Arquitectura y Dise\u00f1o de Oslo.<\/p>\n
Las paredes y suelos del piano nobile del Palazzo Falier, con una extensi\u00f3n total de 700 m2, han sido intervenidas por Cabrita Reis con tubos y vigas de aluminio, luces fluorescentes y cables, para redefinir el espacio. En a remote whisper el artista despliega una estructura rotunda, realizada a base de piezas industriales y restos de construcci\u00f3n, junto con materiales provenientes de su estudio. Fragmentos de trabajos anteriores, material documental, fotograf\u00edas, dibujos y pinturas, adem\u00e1s de desechos encontrados en la ciudad de Venecia han servido para componer la instalaci\u00f3n. As\u00ed, en el Palazzo Falier se entremezcla el espacio de trabajo y el de exposici\u00f3n con el lenguaje brutalista caracter\u00edstico de este artista portugu\u00e9s.<\/p>\nVista de la instalaci\u00f3n a remote whisper, 2013 | Pedro Cabrita Reis | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress<\/span><\/figcaption><\/figure>\n
Con esta obra Cabrita Reis profundiza en su inter\u00e9s por la relaci\u00f3n entre la obra de arte, el espacio y el observador. Los visitantes de a remote whisper encontrar\u00e1n un laberinto intrincado con diferentes trayectorias por las que recorrer el palacio veneciano y, a trav\u00e9s de las cuales, tener distintas maneras de percibir la obra.<\/p>\n
Desde principios de los a\u00f1os noventa, Cabrita Reis ha explorado temas relacionados con las viviendas, la construcci\u00f3n y el territorio. Algunas de sus obras se componen de elementos cotidianos como mesas, puertas, ventanas o materiales de construcci\u00f3n, mientras que en otras instalaciones aborda el espacio expositivo con estructuras arquitect\u00f3nicas s\u00f3lidas de gran tama\u00f1o.<\/p>\n
Tal y como explica la comisaria de la exposici\u00f3n, \u201cuna cantidad importante de sus obras han sido o est\u00e1n siendo creadas in situ\u201d<\/em>. Sus piezas sugieren \u201cuna concepci\u00f3n aleatoria del riesgo o del rigor intelectual y de la aleatoriedad visual o literaria\u201d<\/em> y de esta manera \u201ccada obra nos propone un \u2018inventario\u2019 en desarrollo del mundo y a la vez un modelo para su percepci\u00f3n\u201d<\/em>.<\/p>\n
Es la primera vez que Cabrita Reis vuelve a Venecia, desde que en 2003 realizara para el pabell\u00f3n de Portugal la obra Longer journeys, cuya resonancia puede apreciarse en a remote whisper<\/em>. Tambi\u00e9n fue el encargado de realizar el pabell\u00f3n portugu\u00e9s en la Bienal de 1995 junto con Rui Chafes y Jos\u00e9 Pedro Croft. En esta ocasi\u00f3n el artista regresa a la bienal veneciana de la mano de las cinco galer\u00edas internacionales que representan su obra: Ivorypress (Espa\u00f1a), Galerie Nelson-Freeman (Francia), Magazzino (Italia), Mai 36 (Suiza) y Peter Freeman Inc. (EE. UU.), con la colaboraci\u00f3n de la Secretar\u00eda de Estado de Cultura de Portugal.<\/p>\nBoceto en el cuaderno de notas de Pedro Cabrita Reis, 2013 | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress<\/span><\/figcaption><\/figure>\n
Coincidiendo con la exposici\u00f3n, Ivorypress ha editado un amplio cat\u00e1logo titulado a remote whisper, que recorre la obra elaborada por Pedro Cabrita Reis desde 2010. La publicaci\u00f3n incluye tambi\u00e9n un ap\u00e9ndice dedicado al proyecto realizado para esta edici\u00f3n de la Bienal de Venecia.<\/p>\n
Pedro Cabrita Reis (Lisboa, 1956) vive y trabaja en Portugal. Su obra goza de un amplio reconocimiento internacional y resulta esencial para entender el nuevo paradigma escult\u00f3rico que se inici\u00f3 aproximadamente a mediados de los a\u00f1os ochenta. Su trabajo est\u00e1 marcado por un discurso filos\u00f3fico y po\u00e9tico altamente individual y abarca una gran variedad de soportes: pintura, escultura, fotograf\u00eda e instalaciones espec\u00edficas creadas con objetos encontrados y artesanales. Su obra aborda cuestiones como el espacio, la arquitectura y la memoria a trav\u00e9s de met\u00e1foras de un sugerente poder de asociaci\u00f3n que trascienden lo meramente visual. Referencia central dentro de la escena art\u00edstica portuguesa, su obra ha sido objeto de exposiciones en destacados museos e instituciones como Tate Modern (Londres), Hamburger Kunsthalle (Hamburgo), MACRO Museo d\u2019Arte Contemporanea (Roma), Carr\u00e9 d\u2019Art-Mus\u00e9e d\u2019art contemporain (N\u00eemes), Museu Cole\u00e7\u00e3o Berardo (Lisboa), Kunsthaus Graz (Graz), Museo Tamayo (M\u00e9xico D.F.), M-Museum Leuven (Lovaina) y la Pinacoteca de S\u00e3o Paulo (S\u00e3o Paulo). Adem\u00e1s, sus piezas forman parte de colecciones internacionales como la Tate Modern de Londres o el Centro Georges Pompidou de Par\u00eds.<\/p>\n
Un susurro remoto \u00b7 Pedro Cabrita Reis<\/span><\/p>\n
[:es] El artista portugu\u00e9s Pedro Cabrita Reis presentar\u00e1, dentro del programa paralelo de la 55.a Bienal de Venecia, la instalaci\u00f3n a remote whisper (un susurro remoto) en el Palazzo Falier. La exposici\u00f3n est\u00e1 comisariada por Sabrina van der Ley, directora de arte contempor\u00e1neo del Museo Nacional de Arte, Arquitectura y Dise\u00f1o de Oslo. Las paredes […]<\/p>\n","protected":false},"author":2,"featured_media":31730,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[211,365,556,7830,7831,7828,7829,7832,1286,1341,12465],"class_list":["post-31729","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-bienal-de-venecia","tag-construccion","tag-exposicion","tag-jose-pedro-croft","tag-palazzo-falier","tag-pedro-cabrita-reis","tag-rui-chafes","tag-sabrina-van-der-ley","tag-territorio","tag-venecia","tag-vivienda"],"yoast_head":"\n
[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/un-susurro-remoto-\u00b7-pedro-cabrita-reis\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/un-susurro-remoto-\u00b7-pedro-cabrita-reis\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-06-05T05:56:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-31T16:22:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"413\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"veredes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/veredes\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"veredes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/\"},\"author\":{\"name\":\"veredes\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0bbb669073ef7faba5168a0844e93d2c\"},\"headline\":\"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]\",\"datePublished\":\"2013-06-05T05:56:00+00:00\",\"dateModified\":\"2019-10-31T16:22:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/\"},\"wordCount\":2385,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/05\\\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg\",\"keywords\":[\"bienal de Venecia\",\"construcci\u00f3n\",\"exposici\u00f3n\",\"jos\u00e9 pedro croft\",\"palazzo falier\",\"pedro cabrita reis\",\"rui chafes\",\"sabrina van der ley\",\"territorio\",\"Venecia\",\"vivienda\"],\"articleSection\":[\"eventos\",\"exposiciones\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/\",\"name\":\"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/05\\\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg\",\"datePublished\":\"2013-06-05T05:56:00+00:00\",\"dateModified\":\"2019-10-31T16:22:26+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/05\\\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/05\\\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg\",\"width\":\"620\",\"height\":\"413\",\"caption\":\"Vista de la instalaci\u00f3n a remote whisper, 2013 | Pedro Cabrita Reis | \u00a9 PCRSTUDIO\\\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Un susurro remoto \u00b7 Pedro Cabrita Reis\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0bbb669073ef7faba5168a0844e93d2c\",\"name\":\"veredes\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/face-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/face-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/face-96x96.jpg\",\"caption\":\"veredes\"},\"description\":\"Surge enero de 2009 como b\u00fasqueda de satisfacer el conocimiento de la actividad arquitect\u00f3nica y tangentes que se generan. La idea es crear un espacio para divulgar los diversos proyectos en busca de nueva inspiraci\u00f3n y de intercambio.\",\"sameAs\":[\"https:\\\/\\\/veredes.es\\\/\",\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/www.instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/www.pinterest.es\\\/veredes\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/veredes\",\"https:\\\/\\\/veredes.tumblr.com\\\/\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/alberto\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/un-susurro-remoto-\u00b7-pedro-cabrita-reis\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]","og_url":"https:\/\/veredes.es\/blog\/un-susurro-remoto-\u00b7-pedro-cabrita-reis\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_published_time":"2013-06-05T05:56:00+00:00","article_modified_time":"2019-10-31T16:22:26+00:00","og_image":[{"width":620,"height":413,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg","type":"image\/jpeg"}],"author":"veredes","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/veredes","twitter_site":"@veredes","twitter_misc":{"Escrito por":"veredes","Tiempo de lectura":"12 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/"},"author":{"name":"veredes","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/0bbb669073ef7faba5168a0844e93d2c"},"headline":"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]","datePublished":"2013-06-05T05:56:00+00:00","dateModified":"2019-10-31T16:22:26+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/"},"wordCount":2385,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg","keywords":["bienal de Venecia","construcci\u00f3n","exposici\u00f3n","jos\u00e9 pedro croft","palazzo falier","pedro cabrita reis","rui chafes","sabrina van der ley","territorio","Venecia","vivienda"],"articleSection":["eventos","exposiciones"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/","url":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/","name":"[:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg","datePublished":"2013-06-05T05:56:00+00:00","dateModified":"2019-10-31T16:22:26+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Un susurro remoto \u00b7 Pedro Cabrita Reis[:gl]Un rumoreo remoto \u00b7 Pedro Cabrita Reis[:en]A remote whisper \u00b7 Pedro Cabrita Reis[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg","width":"620","height":"413","caption":"Vista de la instalaci\u00f3n a remote whisper, 2013 | Pedro Cabrita Reis | \u00a9 PCRSTUDIO\/Jo\u00e3o Ferro Martins | Cortes\u00eda de Ivorypress"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/un-susurro-remoto-%c2%b7-pedro-cabrita-reis\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Un susurro remoto \u00b7 Pedro Cabrita Reis"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/0bbb669073ef7faba5168a0844e93d2c","name":"veredes","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/face-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/face-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/face-96x96.jpg","caption":"veredes"},"description":"Surge enero de 2009 como b\u00fasqueda de satisfacer el conocimiento de la actividad arquitect\u00f3nica y tangentes que se generan. La idea es crear un espacio para divulgar los diversos proyectos en busca de nueva inspiraci\u00f3n y de intercambio.","sameAs":["https:\/\/veredes.es\/","https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/www.instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/www.pinterest.es\/veredes\/","https:\/\/x.com\/https:\/\/twitter.com\/veredes","https:\/\/veredes.tumblr.com\/"],"url":"https:\/\/veredes.es\/blog\/author\/alberto\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/31729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=31729"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/31729\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/31730"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=31729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=31729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=31729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Vista](\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-1.jpg\")
![\"Boceto](\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/05\/Vista-de-la-instalaci\u00f3n-a-remote-whisper-2013-Pedro-Cabrita-Reis-\u00a9-PCRSTUDIOJo\u00e3o-Ferro-Martins-Cortes\u00eda-de-Ivorypress-2.jpg\")