{"id":30889,"date":"2013-04-26T06:51:59","date_gmt":"2013-04-26T06:51:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=30889"},"modified":"2015-02-09T20:15:09","modified_gmt":"2015-02-09T20:15:09","slug":"al-borde-de-la-critica-%c2%b7-sesion-2-manifiestos-ausentes","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/al-borde-de-la-critica-%c2%b7-sesion-2-manifiestos-ausentes\/","title":{"rendered":"Al borde de la cr\u00edtica \u00b7 Sesi\u00f3n 2: Manifiestos ausentes"},"content":{"rendered":"<p><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c&#8230;todos los historiadores del arte de orientaci\u00f3n tradicional, padece una tendencia a valorar exageradamente el efecto de los libros y las teor\u00edas en la creaci\u00f3n real del arte y la arquitectura&#8230;\u201d<\/p>\n<p style=\"text-align: right;\">Sybil Moholy-Nagy sobre Reyner Banham<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-30890\" title=\"AL BORDE DE LA CRITICA (JORNADAS DE TEOR\u00cdA Y CRITICA DE LA ARQUITECTURA)\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\" alt=\"\" width=\"620\" height=\"400\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA-300x193.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">La primera mitad del siglo XX fue un periodo donde los manifiestos proliferaron en un horizonte de cambios hist\u00f3ricos y sociales donde el Movimiento Moderno quiso ser protagonista y motor. Muchas de las vanguardias, desde el futurismo al neoplasticismo de De Stijl utilizaron la prensa o las revistas como veh\u00edculos de difusi\u00f3n de ideas y certidumbres que hoy han desaparecido, instalados en la duda continua postestructuralista y la certeza de que no hay asideros y referencias en las que apoyarse m\u00e1s all\u00e1 de la propia duda.<br \/>\n\u00bfEs posible, en este contexto, fabricar algunas posiciones aceptables que sirvan de referencia para el futuro? Si, como sostiene Panayotis Tournikiotis en La historiograf\u00eda de la arquitectura moderna, las m\u00e1s importantes de las historias de la arquitectura que han llegado hasta nosotros y a\u00fan hoy conocemos, se han realizado sin la suficiente distancia y, a\u00fan m\u00e1s, adaptando quiz\u00e1 en muchos casos los hechos a la tesis que se quer\u00eda defender en ellas, deformando por tanto as\u00ed el corpus y la posibilidad de conocer las verdaderas intenciones de los protagonistas de nuestro pasado m\u00e1s cercano, \u00bfse puede entonces hablar de Historia con may\u00fasculas (History) o ser\u00eda m\u00e1s adecuado renunciar a ello y observar simplemente la mara\u00f1a de historias (stories) que cada autor ha escrito?<\/p>\n<p><strong>Sesi\u00f3n 2<\/strong><br \/>\n-Introducci\u00f3n hist\u00f3rica y presentaci\u00f3n<br \/>\nBeatriz Villanueva (profesora ETSAZ-USJ)<br \/>\n&#8211; Invitados mesa redonda<br \/>\nBeatriz Colomina (Directora do Media and Modernity Program Director. Princeton University)<br \/>\nNacho Mart\u00edn (Profesor Architectural Association School of Architecture London. Profesor Universidad Alcal\u00e1 de Henares)<br \/>\nAndr\u00e9s Perea (Profesor UEM. Profesor Ad Honorem ETSA Madrid)<br \/>\nMilla Hern\u00e1ndez Pezzi (Profesora titular ETSAM. Departamento de Composici\u00f3n)<br \/>\n-Modera<br \/>\nPedro Pablo Arroyo. Director Departamento de Proxectos UEM<\/p>\n<p>Lugar: Espacio Trap\u00e9zio. Mercado San Ant\u00f3n. Calle de Augusto Figueroa 24. 28004 Madrid.<br \/>\nData: Lunes, 29 de abril de 2013<br \/>\nHora: 20:00 horas<br \/>\nComisarios: Francisco J. Casas, Beatriz Villanueva y Ramiro Losada, Departamento de Proyectos da Universidade Europea de Madrid<\/p>\n<p><em>Jornadas de teor\u00eda y cr\u00edtica \u00abAl borde de la cr\u00edtica\u00bb organizadas por la Universidad Europea de Madrid<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>\u201c&#8230;todos los historiadores del arte de orientaci\u00f3n tradicional, padece una tendencia a valorar exageradamente el efecto de los libros y las teor\u00edas en la creaci\u00f3n real del arte y la arquitectura&#8230;\u201d Sybil Moholy-Nagy sobre Reyner Banham La primera mitad del siglo XX fue un periodo donde los manifiestos proliferaron en un horizonte de cambios hist\u00f3ricos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":30890,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16],"tags":[7578,147,5096,4360,393,3032,7583,4361,2027,1786,885,814,5219,7579,7581,7582,7580,4801,4445,4444,1278],"class_list":{"0":"post-30889","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-conferencias","8":"category-eventos","9":"tag-andres-perea","10":"tag-arquitectura-moderna","11":"tag-beatriz-colomina","12":"tag-beatriz-villanueva-cajide","13":"tag-critica","14":"tag-de-stijl","15":"tag-espacio-trapezio","16":"tag-francisco-javier-casas-cobo","17":"tag-futurismo","18":"tag-jornada","19":"tag-laszlo-moholy-nagy","20":"tag-madrid","21":"tag-milla-hernandez-pezzi","22":"tag-nacho-martin","23":"tag-neoplasticismo","24":"tag-panayotis-tournikiotis","25":"tag-pedro-pablo-arroyo","26":"tag-ramiro-losada","27":"tag-reyner-banham","28":"tag-s-xx","29":"tag-teoria"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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