{"id":30889,"date":"2013-04-26T06:51:59","date_gmt":"2013-04-26T06:51:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=30889"},"modified":"2015-02-09T20:15:09","modified_gmt":"2015-02-09T20:15:09","slug":"al-borde-de-la-critica-%c2%b7-sesion-2-manifiestos-ausentes","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/al-borde-de-la-critica-%c2%b7-sesion-2-manifiestos-ausentes\/","title":{"rendered":"<!--:es-->Al borde de la cr\u00edtica \u00b7 Sesi\u00f3n 2: Manifiestos ausentes<!--:--><!--:gl-->O borde da cr\u00edtica \u00b7 Sesi\u00f3n 2: Manifestos ausentes<!--:--><!--:en-->At the edge of the critique \u00b7 Session 2: Absent manifests<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c&#8230;todos los historiadores del arte de orientaci\u00f3n tradicional, padece una tendencia a valorar exageradamente el efecto de los libros y las teor\u00edas en la creaci\u00f3n real del arte y la arquitectura&#8230;\u201d<\/p>\n<p style=\"text-align: right;\">Sybil Moholy-Nagy sobre Reyner Banham<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-30890\" title=\"AL BORDE DE LA CRITICA (JORNADAS DE TEOR\u00cdA Y CRITICA DE LA ARQUITECTURA)\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\" alt=\"\" width=\"620\" height=\"400\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA-300x193.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">La primera mitad del siglo XX fue un periodo donde los manifiestos proliferaron en un horizonte de cambios hist\u00f3ricos y sociales donde el Movimiento Moderno quiso ser protagonista y motor. Muchas de las vanguardias, desde el futurismo al neoplasticismo de De Stijl utilizaron la prensa o las revistas como veh\u00edculos de difusi\u00f3n de ideas y certidumbres que hoy han desaparecido, instalados en la duda continua postestructuralista y la certeza de que no hay asideros y referencias en las que apoyarse m\u00e1s all\u00e1 de la propia duda.<br \/>\n\u00bfEs posible, en este contexto, fabricar algunas posiciones aceptables que sirvan de referencia para el futuro? Si, como sostiene Panayotis Tournikiotis en La historiograf\u00eda de la arquitectura moderna, las m\u00e1s importantes de las historias de la arquitectura que han llegado hasta nosotros y a\u00fan hoy conocemos, se han realizado sin la suficiente distancia y, a\u00fan m\u00e1s, adaptando quiz\u00e1 en muchos casos los hechos a la tesis que se quer\u00eda defender en ellas, deformando por tanto as\u00ed el corpus y la posibilidad de conocer las verdaderas intenciones de los protagonistas de nuestro pasado m\u00e1s cercano, \u00bfse puede entonces hablar de Historia con may\u00fasculas (History) o ser\u00eda m\u00e1s adecuado renunciar a ello y observar simplemente la mara\u00f1a de historias (stories) que cada autor ha escrito?<\/p>\n<p><strong>Sesi\u00f3n 2<\/strong><br \/>\n-Introducci\u00f3n hist\u00f3rica y presentaci\u00f3n<br \/>\nBeatriz Villanueva (profesora ETSAZ-USJ)<br \/>\n&#8211; Invitados mesa redonda<br \/>\nBeatriz Colomina (Directora do Media and Modernity Program Director. Princeton University)<br \/>\nNacho Mart\u00edn (Profesor Architectural Association School of Architecture London. Profesor Universidad Alcal\u00e1 de Henares)<br \/>\nAndr\u00e9s Perea (Profesor UEM. Profesor Ad Honorem ETSA Madrid)<br \/>\nMilla Hern\u00e1ndez Pezzi (Profesora titular ETSAM. Departamento de Composici\u00f3n)<br \/>\n-Modera<br \/>\nPedro Pablo Arroyo. Director Departamento de Proxectos UEM<\/p>\n<p>Lugar: Espacio Trap\u00e9zio. Mercado San Ant\u00f3n. Calle de Augusto Figueroa 24. 28004 Madrid.<br \/>\nData: Lunes, 29 de abril de 2013<br \/>\nHora: 20:00 horas<br \/>\nComisarios: Francisco J. Casas, Beatriz Villanueva y Ramiro Losada, Departamento de Proyectos da Universidade Europea de Madrid<\/p>\n<p><em>Jornadas de teor\u00eda y cr\u00edtica \u00abAl borde de la cr\u00edtica\u00bb organizadas por la Universidad Europea de Madrid<\/em><!--:--><!--:gl--><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c&#8230;todos os historiadores da arte de orientaci\u00f3n tradicional, padece unha tendencia a valorar exageradamente o efecto dos libros e as teor\u00edas na creaci\u00f3n real da arte e a arquitectura&#8230;\u201d<\/p>\n<p style=\"text-align: right;\">Sybil Moholy-Nagy sobre Reyner Banham<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-30890\" title=\"AL BORDE DE LA CRITICA (JORNADAS DE TEOR\u00cdA Y CRITICA DE LA ARQUITECTURA)\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\" alt=\"\" width=\"620\" height=\"400\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA-300x193.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">A primeira metade do s\u00e9culo XX foi un periodo onde os manifestos proliferaron nun horizonte de cambios hist\u00f3ricos e sociais onde o Movemento Moderno quixo ser protagonista e motor. Moitas das vanguardias, desde o futurismo ao neoplasticismo de De Stijl utilizaron a prensa ou as revistas como veh\u00edculos de difusi\u00f3n de ideas e certidumbres que hoxe desapareceron, instalados na d\u00fabida continua postestructuralista e a certeza de que non hai asideros e referencias nas que apoiarse m\u00e1is al\u00f3 da propia d\u00fabida.<\/p>\n<p>\u00bf\u00c9 posible, neste contexto, fabricar algunhas posici\u00f3ns aceptables que sirvan de referencia para o futuro? Si, como sost\u00e9n Panayotis Tournikiotis na historiograf\u00eda da arquitectura moderna, as m\u00e1is importantes das historias da arquitectura que chegaron ata n\u00f3s e a\u00ednda hoxe co\u00f1ecemos, realiz\u00e1ronse sen a suficiente distancia e, a\u00ednda m\u00e1is, adaptando quiz\u00e1 en moitos casos os feitos \u00e1 tese que se quer\u00eda defender nelas, deformando xa que logo as\u00ed o corpus e a posibilidade de co\u00f1ecer as verdadeiras intenci\u00f3ns dos protagonistas do noso pasado m\u00e1is pr\u00f3ximo, \u00bfp\u00f3dese ent\u00f3n falar de Historia con may\u00fasculas (History) ou ser\u00eda m\u00e1is adecuado renunciar a iso e observar simplemente a mara\u00f1a de historias (stories) que cada autor escribiu?<\/p>\n<p><strong>Sesi\u00f3n 2<\/strong><\/p>\n<p>-Introducci\u00f3n hist\u00f3rica y presentaci\u00f3n<\/p>\n<p>Beatriz Villanueva (profesora ETSAZ-USJ)<\/p>\n<p>&#8211; Invitados mesa redonda<\/p>\n<p>Beatriz Colomina (Directora del Media and Modernity Program Director. Princeton University)<\/p>\n<p>Nacho Mart\u00edn (Profesor Architectural Association School of Architecture London. Profesor Universidad Alcal\u00e1 de Henares)<\/p>\n<p>Andr\u00e9s Perea (Profesor UEM. Profesor Ad Honorem ETSA Madrid)<\/p>\n<p>Milla Hern\u00e1ndez Pezzi (Profesora titular ETSAM. Departamento de Composici\u00f3n)<\/p>\n<p>-Modera<\/p>\n<p>Pedro Pablo Arroyo. Director Departamento de Proyectos UEM<\/p>\n<p>Lugar: Espacio Trap\u00e9zio. Mercado San Ant\u00f3n. Calle de Augusto Figueroa 24. 28004 Madrid.<\/p>\n<p>D\u00eda: Luns, 29 de abril de 2013<\/p>\n<p>Hora: 20:00 horas<\/p>\n<p>Comisarios: Francisco J. Casas, Beatriz Villanueva e Ramiro Losada, Departamento de Proxectos de la Universidad Europea de Madrid<\/p>\n<p><em>Xornadas de teor\u00eda e cr\u00edtica \u00abO borde da cr\u00edtica\u00bb organizadas pola Universidad Europea de Madrid<\/em><\/p>\n<p><!--:--><!--:en--><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c&#8230;all the historians of the art of traditional orientation, he suffers a trend to value excessively the effect of the books and the theories for the royal creation of the art and the architecture&#8230;\u201d<\/p>\n<p style=\"text-align: right;\">Sybil Moholy-Nagy about Reyner Banham<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-30890\" title=\"AL BORDE DE LA CRITICA (JORNADAS DE TEOR\u00cdA Y CRITICA DE LA ARQUITECTURA)\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg\" alt=\"\" width=\"620\" height=\"400\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/04\/AL-BORDE-DE-LA-CRITICA-JORNADAS-DE-TEOR\u00cdA-Y-CRITICA-DE-LA-ARQUITECTURA-300x193.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">The first half of the 20th century was a period where the manifests proliferated in a horizon of historical and social changes where the Modern Movement wanted to be protagonist and engine. Many of the forefronts, from the futurism of Of Stijl the press or the magazines used the neoplasticismo as vehicles of diffusion of ideas and certainties that today have eliminated, installed in the constant doubt postestructuralista and the certainty of which there are no handles and references on which to rest beyond the own doubt. Is it possible, in this context, to make some acceptable positions that use as reference to the future?If, as Panayotis Tournikiotis supports in The historiography, most important of the modern architecture of the histories of the architecture that have come up to us and still today we know, they have been realized without the sufficient distance and, furthermore, adapting probably in many cases the facts to the thesis that wanted to defend in them, deforming therefore this way the corpus and the possibility of knowing the real intentions of the protagonists of our most nearby past, it is possible then speak about History with capital letters (History) or it would be more suitable to resign it and the tangle of histories observes simply (stories) that every author has written?<\/p>\n<p><strong>Session 2<\/strong><\/p>\n<p>-historical Introduction and presentation<\/p>\n<p>Beatriz Villanueva (professor ETSAZ-USJ)<\/p>\n<p>&#8211; Invited round table<\/p>\n<p>Beatriz Colomina (Director of the Average and Modernity Program Director. Princeton University)<\/p>\n<p>Nacho Mart\u00edn (Professor Architectural Association School of Architecture London. Professor University Alcal\u00e1 de Henares)<\/p>\n<p>Andr\u00e9s Perea (Professor UEM. Professor Ad Honorem ETSA Madrid)<\/p>\n<p>Mile Hern\u00e1ndez Pezzi (Professor title ETSAM. Department of Composition)<\/p>\n<p>-Moderate<\/p>\n<p>Pedro Pablo Arroyo. Director Department of Projects UEM<\/p>\n<p>Location: Espacio Trap\u00e9zio. Mercado San Ant\u00f3n. Calle de Augusto Figueroa 24. 28004 Madrid.<\/p>\n<p>Date: Monday, on April 29, 2013<\/p>\n<p>Hour: 20:00 h<\/p>\n<p>Commissioners: Francisco J. Houses, Beatriz Villanueva and Ramiro Losada, Project department of the European University of Madrid<\/p>\n<p><em>Days of theory and critique \u00abAt the edge of the critique\u00bb organized by the European University of Madrid<\/em><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201c&#8230;todos los historiadores del arte de orientaci\u00f3n tradicional, padece una tendencia a valorar exageradamente el efecto de los libros y las teor\u00edas en la creaci\u00f3n real del arte y la arquitectura&#8230;\u201d Sybil Moholy-Nagy sobre Reyner Banham La primera mitad del siglo XX fue un periodo donde los manifiestos proliferaron en un horizonte de cambios hist\u00f3ricos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":30890,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16],"tags":[7578,147,5096,4360,393,3032,7583,4361,2027,1786,885,814,5219,7579,7581,7582,7580,4801,4445,4444,1278],"class_list":["post-30889","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conferencias","category-eventos","tag-andres-perea","tag-arquitectura-moderna","tag-beatriz-colomina","tag-beatriz-villanueva-cajide","tag-critica","tag-de-stijl","tag-espacio-trapezio","tag-francisco-javier-casas-cobo","tag-futurismo","tag-jornada","tag-laszlo-moholy-nagy","tag-madrid","tag-milla-hernandez-pezzi","tag-nacho-martin","tag-neoplasticismo","tag-panayotis-tournikiotis","tag-pedro-pablo-arroyo","tag-ramiro-losada","tag-reyner-banham","tag-s-xx","tag-teoria"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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