{"id":30290,"date":"2019-05-13T00:01:46","date_gmt":"2019-05-12T22:01:46","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=30290"},"modified":"2022-11-17T09:45:16","modified_gmt":"2022-11-17T08:45:16","slug":"platon-gana-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/platon-gana-jose-ramon-hernandez-correa\/","title":{"rendered":"[:es]Plat\u00f3n gana | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Plat\u00f3n ga\u00f1a | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Plato wins | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:]"},"content":{"rendered":"

[:es]<\/p>\n

Todos sabemos un par de cosas sobre Plat\u00f3n<\/strong><\/a>, o tal vez s\u00f3lo una:<\/p>\n

\n

\u201cQue dijo que los objetos que vemos y sentimos son apenas una vaga sombra, un p\u00e1lido reflejo de los objetos ideales, que nos resultan inalcanzables y se encuentran m\u00e1s all\u00e1 de nuestra percepci\u00f3n, como arquetipos.\u201d<\/p>\n<\/blockquote>\n

\"\"<\/a>
Mies van der Rohe | arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

Todos y cada uno de los martillos del mundo son concretos e individuales y, por eso mismo, \u00abdefectuosos\u00bb. Uno tiene un peque\u00f1o ara\u00f1azo en el astil, otro pesa mucho, otro parece que se desequilibra un poco, otro est\u00e1 muy bien, s\u00ed, muy bien; pero, pero, pero no es \u00abel martillo\u00bb<\/em>. Ninguno es \u00abel martillo\u00bb<\/em>. La perfecci\u00f3n no existe porque es un ideal, porque es un concepto del que ni siquiera sabemos qu\u00e9 esperar. El martillo perfecto, el ideal, el arquetipo<\/em>, est\u00e1 en el cielo, custodiado por los dioses, y ning\u00fan ser humano lo ver\u00e1 nunca. (Ni siquiera es as\u00ed: No est\u00e1 f\u00edsicamente en el cielo; es una idea<\/em>, un concepto que preside la realizaci\u00f3n de todos y cada uno de los martillos, pero que \u00e9l mismo nunca se realizar\u00e1<\/em>).<\/p>\n

Mientras tanto, nos conformamos con imitaciones: una circunferencia trazada con cuidado, pero que no es \u00abla circunferencia\u00bb<\/em> y no tiene ni puede tener su perfecci\u00f3n; un buen caballo, pero que est\u00e1 lejos de ser \u00abel caballo\u00bb<\/em>, etc\u00e9tera.<\/p>\n

\n

\u00bfC\u00f3mo es la mujer perfecta? \u00bfC\u00f3mo es el hombre perfecto? \u00bfQu\u00e9 son? \u00bfPodr\u00edamos vivir a su lado? <\/strong><\/p>\n<\/blockquote>\n

Por supuesto que no. De su piel emanar\u00eda una especie de fr\u00edo insoportable: El horror de la perfecci\u00f3n<\/strong>.<\/p>\n

Esto que digo, al menos dicho as\u00ed, es aceptado y compartido por todo el mundo… Bueno, menos por\u00a0Mies van der Rohe<\/b><\/a>.<\/p>\n

Con la misma soberbia con la que\u00a0Lucifer<\/b><\/a>\u00a0desafi\u00f3 a Yahv\u00e9, Mies desafi\u00f3 a Plat\u00f3n:<\/p>\n

\n

Non serviam!<\/i>,<\/p>\n<\/blockquote>\n

dijo el demonio.<\/p>\n

\n

Non abdicam!<\/i><\/p>\n<\/blockquote>\n

dijo el arquitecto.<\/p>\n

Lucifer fue destruido en el acto, pero Mies estuvo a punto de vencer.<\/p>\n

Libr\u00f3 una batalla dur\u00edsima, haciendo edificios de acero en los que no se ve\u00eda ni una sola soldadura, exigiendo que todas las ranuras de todos los tornillos de todos los junquillos de todas las ventanas quedaran paralelas a los vidrios, y, en definitiva, actuando siempre como un mani\u00e1tico, un insoportable loco de la perfecci\u00f3n, un dios que no constru\u00eda objetos reales, sino que materializaba los arquetipos primigenios.<\/p>\n

Mies no quer\u00eda hacer edificios retorcidos, con vol\u00famenes complejos ni maclas espaciales. Le bastaba (y le sobraba) con hacer paralelep\u00edpedos de vidrio y acero. Pero, eso s\u00ed, la aparente facilidad de la concepci\u00f3n se volv\u00eda casi imposible de ejecutar.<\/p>\n

Mies se pas\u00f3 a\u00f1os dando clases. \u00bfDe qu\u00e9? Hay quien dice que de arquitectura, pero tambi\u00e9n hay quien dice que s\u00f3lo ense\u00f1aba a afilar bien el l\u00e1piz. \u00bfS\u00f3lo? Para Mies afilar bien el l\u00e1piz era la esencia de ser arquitecto: S\u00f3lo un arquitecto que supiera meter veinte l\u00edneas paralelas en una d\u00e9cima de pulgada, y todas ellas perfectamente equidistantes, ser\u00eda capaz de concebir detalles constructivos perfectos, y de exigir que se realizaran perfectamente en la obra.<\/p>\n

La elegancia de los dise\u00f1os de Mies es insuperable, y la ejecuci\u00f3n a\u00fan m\u00e1s.<\/p>\n

He pasado largos ratos examinando el cruce de las pletinas de la silla Barcelona. Imposible encontrar la interrupci\u00f3n de alguna de ellas, el empalme, la soldadura.<\/p>\n

Mies ha superado el\u00a0mito de la caverna<\/a><\/em><\/strong>.<\/p>\n

\"Alegor\u00eda
Alegor\u00eda de la caverna, de Plat\u00f3n, grabado de Jan Saenreda (1604) | Fuente\/fot\u00f3grafo: British Museum<\/span><\/figcaption><\/figure>\n

 <\/p>\n

Plat\u00f3n<\/strong> marc\u00f3 la separaci\u00f3n irreparable entre el alma y el cuerpo, entre la idea y la materia, y adem\u00e1s introdujo el triste concepto de que el alma, la idea, la inmaterialidad, eran puras y buenas, mientras que el cuerpo, lo tangible, la materia, eran impuros, sucios y malos. Mies redime la materia. Mies, arquitecto materialista a ultraza, que evidencia las texturas y las cualidades de los materiales, realiza con ellos la operaci\u00f3n antiplat\u00f3nica de elevarlos a los cielos. Lo de Mies es una promesa feliz:<\/p>\n

\n

El cuerpo no es malo, ni est\u00e1 enfrentado al alma, ni se ha de humillar ante ella. Porque lo material (queda demostrado con su obra) asciende hasta la idea, sube triunfante a los cielos.<\/strong><\/p>\n<\/blockquote>\n

Y as\u00ed vemos a nuestro Mies, a nuestro h\u00e9roe, santo patr\u00f3n de la materia redimida y salvada para siempre tanto est\u00e9tica como \u00e9ticamente (pero, sobre todo, ontol\u00f3gicamente).<\/p>\n

\n

\u00a1Gloria a Mies van der Rohe!<\/strong><\/p>\n<\/blockquote>\n

\"Plat\u00f3n
Pilar. Mies van der Rohe<\/span><\/figcaption><\/figure>\n

Ah\u00ed le vemos: Tranquilo, triunfador. Fum\u00e1ndose el merecido habano. \u00a1Bravo, campe\u00f3n! \u00a1Has vencido a Plat\u00f3n, nada menos! Fuma feliz y disfruta de tu victoria.<\/p>\n

\n

Pero… \u00a1Pero…! \u00a1No! \u00a1Cielos, no! \u00a1NOOOOOOOOOOOOOOOOOOOO!<\/strong><\/p>\n

\u00bfQu\u00e9 vemos? \u00a1No puede ser!<\/strong><\/p>\n<\/blockquote>\n

\"Mies
Mies van der Rohe<\/span><\/figcaption><\/figure>\n

Dos hilos, una costura mal rematada \u00a1No!<\/p>\n

La materia es tenaz y pu\u00f1etera.<\/p>\n

Qu\u00e9 decepci\u00f3n. Qu\u00e9 chasco. Me he quedado hundido. A cualquier otro le podr\u00eda pasar esto, y no tendr\u00eda la m\u00e1s m\u00ednima importancia. Pero que le pase a Mies es una negaci\u00f3n ontol\u00f3gica que nos devuelve a los infiernos.<\/p>\n

Si ni siquiera Mies van der Rohe<\/strong> es capaz de que queden bien rematados esos cordones es que no hay nada que hacer. No hay soluci\u00f3n, ni esperanza.<\/p>\n

Humillemos la cabeza, entonemos el\u00a0mea culpa<\/i>\u00a0y pidamos perd\u00f3n por nuestra soberbia luciferina.<\/p>\n

Plat\u00f3n<\/strong> ten\u00eda raz\u00f3n. El muy cabrito ha ganado.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoctor Arquitecto y autor de\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7 marzo 2013<\/p>\n

[:gl]<\/p>\n

Todos sabemos un par de cousas sobre Plat\u00f3n<\/strong><\/a>, ou talvez s\u00f3 unha:<\/p>\n

\n

\u201cQue dixo que os obxectos que vemos e sentimos son apenas unha vaga sombra, un p\u00e1lido reflexo dos obxectos ideais, que nos resultan inalcanzables e at\u00f3panse m\u00e1is al\u00f3 da nosa percepci\u00f3n, como arquetipos.\u201d<\/p>\n<\/blockquote>\n

\"\"<\/a>
Mies van der Rohe | arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

Todos e cada un dos martillos do mundo son concretos e individuais e, por iso mesmo, \u00abdefectuosos\u00bb. Un ten un pequeno ara\u00f1azo no astil, outro pesa moito, outro parece que se desequilibra un pouco, outro est\u00e1 moi ben, si, moi ben; pero, pero, pero non \u00e9 \u00abo martillo\u00bb<\/em>. Ning\u00fan \u00e9 \u00abo martillo\u00bb<\/em>. A perfecci\u00f3n non existe porque \u00e9 un ideal, porque \u00e9 un concepto do que nin sequera sabemos que esperar. O martillo perfecto, o ideal, o arquetipo, est\u00e1 no ceo, custodiado polos deuses, e ning\u00fan ser humano verao nunca. (Nin sequera \u00e9 as\u00ed: Non est\u00e1 f\u00edsicamente no ceo; \u00e9 unha idea, un concepto que preside a realizaci\u00f3n de todos e cada un dos martillos, pero que el mesmo nunca se realizar\u00e1).<\/p>\n

Mentres tanto, conform\u00e1mosnos\/conform\u00e1monos con imitaci\u00f3ns: unha circunferencia trazada con coidado, pero que non \u00e9 \u00aba circunferencia\u00bb<\/em> e non ten nin pode ter a s\u00faa perfecci\u00f3n; un bo cabalo, pero que est\u00e1 lonxe de ser \u00abo cabalo\u00bb<\/em>, etc\u00e9tera.<\/p>\n

\n

Como \u00e9 a muller perfecta? Como \u00e9 o home perfecto? Que son? Poderiamos vivir ao seu lado? <\/strong><\/p>\n<\/blockquote>\n

Por suposto que non. Da s\u00faa pel emanar\u00eda unha especie de fr\u00edo insoportable: O horror da perfecci\u00f3n.<\/strong><\/p>\n

Isto que digo, polo menos dito as\u00ed, \u00e9 aceptado e compartido por todo o mundo… Bo, menos por\u00a0Mies van der Rohe<\/b><\/a>.<\/p>\n

Coa mesma soberbia coa que Lucifer<\/b><\/a> desafiou a Yahv\u00e9, Mies desafiou a Plat\u00f3n:<\/p>\n

\n

Non serviam!<\/i>,<\/p>\n<\/blockquote>\n

dixo\u00a0o demon.<\/p>\n

\n

Non abdicam!<\/i><\/p>\n<\/blockquote>\n

dixo\u00a0o arquitecto.<\/p>\n

Lucifer foi destru\u00eddo no acto, pero Mies estivo a piques de vencer.<\/p>\n

Librou unha batalla dur\u00edsima, facendo edificios de aceiro nos que non se v\u00eda nin unha soa soldadura, esixindo que todas as ranuras de todos os parafusos de todos os junquillos de todas as xanelas quedasen paralelas aos vidros, e, en definitiva, actuando sempre como un mani\u00e1tico, un insoportable tolo da perfecci\u00f3n, un deus que non constru\u00eda obxectos reais, sen\u00f3n que materializaba os arquetipos primigenios.<\/p>\n

Mies non quer\u00eda facer edificios retortos, con volumes complexos nin maclas espaciais. Bast\u00e1balle (e sobr\u00e1balle) con facer paralelep\u00edpedos de vidro e aceiro. Pero, iso si, a aparente facilidade da concepci\u00f3n volv\u00edase case imposible de executar.<\/p>\n

Mies pasouse anos dando clases. De que? Hai quen di que de arquitectura, pero tam\u00e9n hai quen di que s\u00f3 ensinaba a afiar ben o lapis. S\u00f3? Para Mies afiar ben o lapis era a esencia de ser arquitecto: S\u00f3 un arquitecto que soubese meter vinte li\u00f1as paralelas nunha d\u00e9cima de polgada, e todas elas perfectamente equidistantes, ser\u00eda capaz de concibir detalles construtivos perfectos, e de esixir que se realizasen perfectamente na obra.<\/p>\n

A elegancia dos dese\u00f1os de Mies \u00e9 insuperable, e a execuci\u00f3n a\u00ednda m\u00e1is.<\/p>\n

Pasei longos intres examinando o cruzamento das pletinas da cadeira Barcelona. Imposible atopar a interrupci\u00f3n dalgunha delas, o empalme, a soldadura.<\/p>\n

Mies superou o\u00a0mito da caverna<\/a><\/em><\/strong>.<\/p>\n

\"Alegor\u00eda
Alegor\u00eda de la caverna, de Plat\u00f3n, grabado de Jan Saenreda (1604) | Fuente\/fot\u00f3grafo: British Museum<\/span><\/figcaption><\/figure>\n

Plat\u00f3n<\/strong> marcou a separaci\u00f3n irreparable entre a alma e o corpo, entre a idea e a materia, e ademais introduciu o triste concepto de que a alma, a idea, a inmaterialidad, eran puras e boas, mentres que o corpo, o tanxible, a materia, eran impuros, sucios e malos. Mies redime a materia. Mies, arquitecto materialista a ultraza, que evidencia as texturas e as calidades dos materiais, realiza con eles a operaci\u00f3n antiplat\u00f3nica de elevalos aos ceos. O de Mies \u00e9 unha promesa feliz:<\/p>\n

\n

O corpo non \u00e9 malo, nin est\u00e1 enfrontado \u00e1 alma, nin se ha de humillar ante ela. Porque o material (queda demostrado coa s\u00faa obra) ascende ata a idea, sobe triunfante aos ceos.<\/strong><\/p>\n<\/blockquote>\n

E as\u00ed vemos ao noso Mies, ao noso heroe, santo patr\u00f3n da materia redimida e salvada para sempre tanto est\u00e9tica como eticamente (pero, sobre todo, ontol\u00f3gicamente).<\/p>\n

\n

Gloria a Mies van der Rohe!<\/strong><\/p>\n<\/blockquote>\n

\"Plat\u00f3n
Pilar. Mies van der Rohe<\/span><\/figcaption><\/figure>\n

A\u00ed v\u00e9moslle: Tranquilo, triunfador. Fum\u00e1ndose o merecido habano. Bravo, campi\u00f3n! Venciches a Plat\u00f3n, nada menos! Fuma feliz e goza da t\u00faa vitoria.<\/p>\n

\n

Pero… Pero…! Non! Ceos, non! NOOOOOOOOOOOOOOOOOOOO!<\/strong><\/p>\n

Que vemos? Non pode ser!<\/strong><\/p>\n<\/blockquote>\n

\"Mies
Mies van der Rohe<\/span><\/figcaption><\/figure>\n

Dous f\u00edos, unha costura mal rematada Non!<\/p>\n

A materia \u00e9 tenaz e maldita.<\/p>\n

Que decepci\u00f3n. Que chasco. Quedeime afundido. A calquera outro poder\u00edalle pasar isto, e non ter\u00eda a m\u00e1is m\u00ednima importancia. Pero que lle pase a Mies \u00e9 unha negaci\u00f3n ontol\u00f3gica que nos devolve aos infernos.<\/p>\n

Se nin sequera Mies van der Rohe<\/strong> \u00e9 capaz de que queden ben rematados eses cord\u00f3ns \u00e9 que non hai nada que facer. Non hai soluci\u00f3n, nin esperanza.<\/p>\n

Humillemos a cabeza, entoemos o mea culpa<\/em> e pidamos perd\u00f3n pola nosa soberbia luciferina.<\/p>\n

Plat\u00f3n<\/strong> ti\u00f1a raz\u00f3n. O moi cabrito ga\u00f1ou.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoutor Arquitecto\u00a0e autor de\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7 marzo 2013<\/p>\n

[:en]<\/p>\n

We all know a couple of things on Plat\u00f3n<\/a><\/strong>, or maybe only one:<\/p>\n

\n

\u201cThat said that the objects that we see and feel are scarcely a vague shade, a pale reflection of the ideal objects, which us turn out to be unattainable and are beyond our perception, as archetypes.\u201d<\/p>\n<\/blockquote>\n

\"\"<\/a>
Mies van der Rohe | arquitectamoslocos.blogspot.com.es<\/span><\/figcaption><\/figure>\n

Each and every of the hammers of the world are concrete and individual and, because of it the same, \u00abdefective\u00bb. One has a small scratch in the handle, other one weighs greatly, other one seems that it is unbalanced a bit, is other one very nice, yes, very well; but, but, but it is not\u00a0\u00abthe hammer\u00bb<\/em>. None is\u00a0\u00abthe hammer\u00bb<\/em>. The perfection does not exist because it is the ideal one, because it is a concept of which we do not even know for what to wait. The perfect hammer, the ideal one, the archetype, is in the sky guarded by the gods, and no human being will see it ever. (It is not even like that: it is not physically in the sky; it is an idea, a concept that presides at the accomplishment of each and every of the hammers, but that he itself will never carry out).<\/p>\n

Meanwhile, we conform to imitations: a circumference planned carefully, but that is not\u00a0\u00abthe circumference\u00bb<\/em>\u00a0and neither has cannot even have his perfection; a good horse, but that is far from being\u00a0\u00abthe horse\u00bb<\/em>, etc.<\/p>\n

\n

How is she the perfect woman? How is he the perfect man? What sound? Might we live to his side? <\/strong><\/p>\n<\/blockquote>\n

Certainly that not. From his skin there would come a species of unbearable cold: The horror of the perfection.<\/strong><\/p>\n

Todos y cada uno de los martillos del mundo son concretos e individuales y, por eso mismo, \u00abdefectuosos\u00bb. Uno tiene un peque\u00f1o ara\u00f1azo en el astil, otro pesa mucho, otro parece que se desequilibra un poco, otro est\u00e1 muy bien, s\u00ed, muy bien; pero, pero, pero no es \u00abel martillo\u00bb<\/em>. Ninguno es \u00abel martillo\u00bb<\/em>. La perfecci\u00f3n no existe porque es un ideal, porque es un concepto del que ni siquiera sabemos qu\u00e9 esperar. El martillo perfecto, el ideal, el arquetipo<\/em>, est\u00e1 en el cielo, custodiado por los dioses, y ning\u00fan ser humano lo ver\u00e1 nunca. (Ni siquiera es as\u00ed: No est\u00e1 f\u00edsicamente en el cielo; es una idea<\/em>, un concepto que preside la realizaci\u00f3n de todos y cada uno de los martillos, pero que \u00e9l mismo nunca se realizar\u00e1<\/em>).<\/p>\n

Mientras tanto, nos conformamos con imitaciones: una circunferencia trazada con cuidado, pero que no es \u00abla circunferencia\u00bb<\/em> y no tiene ni puede tener su perfecci\u00f3n; un buen caballo, pero que est\u00e1 lejos de ser \u00abel caballo\u00bb<\/em>, etc\u00e9tera.<\/p>\n

\n

\u00bfC\u00f3mo es la mujer perfecta? \u00bfC\u00f3mo es el hombre perfecto? \u00bfQu\u00e9 son? \u00bfPodr\u00edamos vivir a su lado? <\/strong><\/p>\n<\/blockquote>\n

Por supuesto que no. De su piel emanar\u00eda una especie de fr\u00edo insoportable: El horror de la perfecci\u00f3n<\/strong>.<\/p>\n

What I say, at least that said, is accepted and shared by everyone … Well, less by\u00a0Mies van der Rohe<\/b><\/a>.<\/p>\n

With the same arrogance with which Lucifer<\/b><\/a> challenged Yahweh, Mies challenged Plat\u00f3n:<\/p>\n

\n

Non serviam!<\/i>,<\/p>\n<\/blockquote>\n

the devil said.<\/p>\n

\n

Non abdicam!<\/i>,<\/p>\n<\/blockquote>\n

the architect\u00a0said.<\/p>\n

Lucifer was destroyed in the act, but Mies was on the verge of winning.<\/p>\n

He waged a very hard battle, making steel buildings in which not a single weld could be seen, demanding that all the slots of all the screws of all the reeds of all the windows be parallel to the glass, and, in short, always acting like a maniac, an unbearable madman of perfection, a god who did not build real objects, but materialized the primitive archetypes.<\/p>\n

Mies did not want to make twisted buildings, with complex volumes or spatial twinning. It was enough (and it was enough) to make parallelepipeds of glass and steel. But, yes, the apparent ease of conception became almost impossible to execute.<\/p>\n

\n
\n
\n
\n
Mies spent years teaching.<\/span> Of what?<\/span> Some say that architecture, but there are also some who say that only taught sharpen the pencil.<\/span> Single?<\/span> For Mies sharpening the pencil was the essence of being an architect: Only an architect who knew how to put twenty parallel lines in a tenth of an inch, and all of them perfectly equidistant, would be able to conceive perfect constructive details, and to demand that they be perfectly executed.<\/span> the play.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

The elegance of Mies’s designs is second to none, and the execution even more.<\/p>\n

I have spent long periods examining the crossing of the bars of the Barcelona chair. Impossible to find the interruption of any of them, the joint, the welding.<\/p>\n

Mies has overcome the myth of the cave<\/em><\/a><\/strong>.<\/p>\n

\"Alegor\u00eda
Allegory of the cave, by Plato, engraved by Jan Saenreda (1604) | Source \/ photographer: British Museum<\/span><\/figcaption><\/figure>\n

Plat\u00f3n <\/strong>marked the irreparable separation between the soul and the body, between the idea and the matter, and also introduced the sad concept that the soul, the idea, immateriality, were pure and good, while the body, the tangible, the matter, they were impure, dirty and bad. Mies redeems the matter. Mies, an ultraza materialist architect, who evidences the textures and the qualities of the materials, carries out with them the anti-Platonic operation of raising them to the skies. The thing about Mies is a happy promise:<\/p>\n

\n

The body is not bad, nor is it facing the soul, nor has it been humiliated before it. Because the material (demonstrated by his work) ascends to the idea, triumphantly rises to the heavens.<\/strong><\/p>\n<\/blockquote>\n

And so we see our Mies, our hero, patron saint of redeemed matter and saved forever both aesthetically and ethically (but, above all, ontologically)..<\/p>\n

\n

Glory to Mies van der Rohe!<\/strong><\/p>\n<\/blockquote>\n

\"Plat\u00f3n
Support. Mies van der Rohe<\/span><\/figcaption><\/figure>\n

There we see him: Calm, triumphant. Smoking the well-deserved Havana. Bravo, champion! You have defeated Plato, no less! Smoke happy and enjoy your victory.<\/p>\n

\n

But but…! Do not! Heavens, no! NOOOOOOOOOOOOOOOOOOOO!!<\/strong><\/p>\n

What we see? Can not be!<\/strong><\/p>\n<\/blockquote>\n

\"Mies
Mies van der Rohe<\/span><\/figcaption><\/figure>\n

Two threads, a bad seam finished No!<\/p>\n

Matter is tenacious and damn.<\/p>\n

What a disappointment. What a disappointment I have been sunk. Anyone else could have this, and it would not have the slightest importance. But what happens to Mies is an ontological denial that takes us back to the underworld.<\/p>\n

If even Mies van der Rohe<\/strong> is not able to finish these laces, there is nothing to do. There is no solution, no hope.<\/p>\n

Let’s humiliate the head, sing the mea culpa<\/em> and ask forgiveness for our superb luciferina.<\/p>\n

Plat\u00f3n<\/strong> was right. The very kid has won.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nPhD\u00a0Architect and author of\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7 march 2013<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Todos sabemos un par de cosas sobre Plat\u00f3n, o tal vez s\u00f3lo una: \u201cQue dijo que los objetos que vemos y sentimos son apenas una vaga sombra, un p\u00e1lido reflejo de los objetos ideales, que nos resultan inalcanzables y se encuentran m\u00e1s all\u00e1 de nuestra percepci\u00f3n, como arquetipos.\u201d Todos y cada uno de los […]<\/p>\n","protected":false},"author":33,"featured_media":30291,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[580,668,3653,865,1021,3452,4239,1865,1890,1278,2048],"class_list":["post-30290","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-filosofia","tag-historia","tag-jose-ramon-hernandez-correa","tag-mies-van-der-rohe","tag-pensamiento","tag-personaje","tag-platon","tag-reflexion","tag-reflexion-multidisciplinar","tag-teoria","tag-teoria-e-historia"],"yoast_head":"\n[:es]Plat\u00f3n gana | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Plat\u00f3n ga\u00f1a | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]Plato wins | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:] - 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