{"id":30176,"date":"2013-04-01T06:10:54","date_gmt":"2013-04-01T06:10:54","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=30176"},"modified":"2021-07-03T10:22:59","modified_gmt":"2021-07-03T08:22:59","slug":"paul-klee-maestro-de-la-bauhaus","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/paul-klee-maestro-de-la-bauhaus\/","title":{"rendered":"Paul Klee: maestro de la BauhausPaul Klee: mestro da BauhausPaul Klee: master of the Bauhaus "},"content":{"rendered":"

<\/p>\n

La exposici\u00f3n, resultado de varios a\u00f1os de trabajo en colaboraci\u00f3n con el Zentrum Paul Klee de Berna, se apoya en el que quiz\u00e1 sea uno de los proyectos de investigaci\u00f3n sobre el artista m\u00e1s relevante de las \u00faltimas d\u00e9cadas: la reciente edici\u00f3n cr\u00edtica del as\u00ed llamado \u00ablegado pedag\u00f3gico\u00bb de Klee. La muestra permite articular una selecci\u00f3n de 137 obras entre pinturas, acuarelas y dibujos, realizados entre 1899 y 1940, con casi un centenar de manuscritos seleccionados entre las notas de las clases de Klee en la Bauhaus, que representan cada uno de los 24 cap\u00edtulos que componen los textos de Klee.<\/p>\n

\"\"<\/a>
Paul Klee en su taller en Weimar en 1925<\/span><\/figcaption><\/figure>\n

Cuenta, adem\u00e1s, con objetos y documentos que van desde fotograf\u00edas de \u00e9poca hasta los herbarios del artista, pasando por sus lecturas, las fuentes documentales de sus reflexiones, sus escritos, sus cuadernos de dibujo y sus publicaciones, un variado material que contextualiza adecuadamente su vida y su trabajo en la Bauhaus de Weimar y Dessau y ayuda a poner de manifiesto las influencias mutuas entre su teor\u00eda y su pr\u00e1ctica art\u00edstica a lo largo de toda su vida.<\/p>\n

Con el nombre de \u00ablegado pedag\u00f3gico\u00bb de Klee se conoce hasta hoy un conjunto de textos tan heter\u00f3clito como fascinante: casi 4.000 p\u00e1ginas manuscritas de Klee en las que \u00e9ste recogi\u00f3 sus reflexiones e investigaciones te\u00f3rico-pr\u00e1cticas \u2013plagadas de llamativos diagramas, esquemas, tablas, escalas de color, construcciones y dibujos\u00ac\u2013 en torno a la forma pict\u00f3rica, sus regularidades, sus normas y su g\u00e9nesis; a la geometr\u00eda, el plano y el volumen; al movimiento, las estructuras de la naturaleza y las de los artificios, las configuraciones pl\u00e1sticas, el ritmo o el color. Se trata, en definitiva, de un conjunto de reflexiones sobre la vida de las formas sin el que no pueden entenderse de manera concluyente ni la teor\u00eda del arte ni el propio hacer art\u00edstico de Klee, dos \u00e1mbitos que \u2013como es obvio en el caso del artista\u2013, se hacen eco mutuamente.<\/p>\n

Sin embargo, y pesar de la significaci\u00f3n y de la importancia de esos escritos, hasta ahora apenas dos exposiciones se hab\u00edan apoyado expl\u00edcitamente en ellos para plantear un discurso visual que se ocupara de las relaciones entre la obra y la ense\u00f1anza de Klee; sin duda a causa, al menos en parte, de que todo ese riqu\u00edsimo material, tan rico en sugerencias como dif\u00edcil de interpretar, se encontraba en un estado poco practicable para la interpretaci\u00f3n y el an\u00e1lisis.<\/p>\n

[…]<\/p>\n

Paul Klee: maestro de la Bauhaus
\n22 de marzo 2013 \u2013 30 de junio 2013
\nFundaci\u00f3n Juan March
\nMadrid, Espa\u00f1a
\n+ info<\/span><\/a><\/p>\n

\n

<\/p>\n

A exposici\u00f3n, resultado de varios anos de traballo en colaboraci\u00f3n co Zentrum Paul Klee de Berna, ap\u00f3iase no que quiz\u00e1 sexa un dos proxectos de investigaci\u00f3n sobre o artista m\u00e1is relevante das \u00faltimas d\u00e9cadas: a recente edici\u00f3n cr\u00edtica do as\u00ed chamado \u00ablegado pedag\u00f3xico\u00bb de Klee. A mostra permite articular unha selecci\u00f3n de 137 obras entre pinturas, acuarelas e debuxos, realizados entre 1899 e 1940, con case un centenar de manuscritos seleccionados entre as notas das clases de Klee na Bauhaus, que representan cada un dos 24 cap\u00edtulos que compo\u00f1en os textos de Klee.<\/p>\n

\"\"<\/a>
Paul Klee no seu obradoiro na Weimar en 1925<\/span><\/figcaption><\/figure>\n

Conta, ademais, con obxectos e documentos que van desde fotograf\u00edas de \u00e9poca ata os herbarios do artista, pasando polas s\u00faas lecturas, as fontes documentales das s\u00faas reflexi\u00f3ns, os seus escritos, os seus cadernos de debuxo e as s\u00faas publicaci\u00f3ns, un variado material que contextualiza adecuadamente a s\u00faa vida e o seu traballo na Bauhaus de Weimar e Dessau e axuda a po\u00f1er de manifesto as influencias mutuas entre a s\u00faa teor\u00eda e a s\u00faa pr\u00e1ctica art\u00edstica ao longo de toda a s\u00faa vida.<\/p>\n

Co nome de \u00ablegado pedag\u00f3xico\u00bb de Klee co\u00f1\u00e9cese ata hoxe un conxunto de textos tan heter\u00f3clito como fascinante: case 4.000 p\u00e1xinas manuscritas de Klee nas que este recolleu as s\u00faas reflexi\u00f3ns e investigaci\u00f3ns te\u00f3rico-pr\u00e1cticas \u2013plagadas de rechamantes diagramas, esquemas, t\u00e1boas, escalas de cor, construci\u00f3ns e debuxos\u00ac\u2013 en torno \u00e1 forma pict\u00f3rica, as s\u00faas regularidades, as s\u00faas normas e a s\u00faa x\u00e9nese; \u00e1 geometr\u00eda, o plano e o volume; ao movemento, as estruturas da natureza e as dos artificios, as configuraci\u00f3ns pl\u00e1sticas, o ritmo ou a cor. Tr\u00e1tase, en definitiva, dun conxunto de reflexi\u00f3ns sobre a vida das formas sen o que non poden entenderse de xeito conclu\u00ednte nin a teor\u00eda da arte nin o propio facer art\u00edstico de Klee, dous \u00e1mbitos que \u2013como \u00e9 obvio no caso do artista\u2013, fanse eco mutuamente.<\/p>\n

Con todo, e pesar da significaci\u00f3n e da importancia deses escritos, ata agora apenas d\u00faas exposici\u00f3ns apoi\u00e1ronse expl\u00edcitamente neles para suscitar un discurso visual que se ocupase das relaci\u00f3ns entre a obra e o ensino de Klee; sen d\u00fabida a causa, polo menos en parte, de que todo ese riqu\u00edsimo material, tan rico en suxesti\u00f3ns como dif\u00edcil de interpretar, atop\u00e1base nun estado pouco practicable para a interpretaci\u00f3n e a an\u00e1lise.<\/p>\n

[…]<\/p>\n

Paul Klee: maestro de la Bauhaus<\/p>\n

22 de marzo 2013 \u2013 30 de junio 2013<\/p>\n

Fundaci\u00f3n Juan March<\/p>\n

Madrid, Espa\u00f1a<\/p>\n

+ info<\/span><\/a><\/p>\n

\n<\/p>\n

The exhibition is the result of several years of work in collaboration with the Zentrum Paul Klee in Bern, and it is based on what may well be \u2014after the publication of the artist’s catalogue raisonn\u00e9<\/em>\u2014 the most significant and relevant research project on Klee of a \u00abstructural\u00bb nature conducted in the last decades: the critical edition of his p\u00e4dagogischer Nachlass. Paul Klee: Master of the Bauhaus<\/em> presents a selection of 137 works comprising paintings, watercolors and drawings executed between 1899 and 1940, alongside nearly a hundred manuscripts chosen from among his lecture notes, which represent each one of the twenty-four chapters into which Klee’s texts are divided.<\/p>\n

\"\"<\/a>
Paul Klee in his workshop in Weimar in\u00a01925<\/span><\/figcaption><\/figure>\n

Furthermore it presents objects and documents that range from contemporary photographs to the artist’s herbariums, encompassing some of his reading materials, documentary sources for his thinking, his writing, his drawing notebooks, and his publications. It is a multifaceted collection of material that enables one to adequately contextualize his life and work at the Bauhaus in Weimar and Dessau and helps clarify the mutual influences between his theory and his artistic practice throughout his life.<\/p>\n

Under the so-called \u00abpedagogical legacy\u00bb of Paul Klee exists a collection of texts which is as fascinating as it is heterogeneous: nearly four thousand manuscript pages in which Klee recorded his reflections and theoretical and practical investigations. They are full of striking diagrams, schematic illustrations, tables, color spectrums, constructions and drawings. These notes and illustrations center on the notion of pictorial form, its regular features, governing principles and genesis; on geometry, planes and volumes; on movement; on natural and artificial structures; on configuration in the plastic arts; on rhythm and on color. This Nachlass<\/em> is, in short, a series of meditations on the life of forms, without which one cannot definitively understand Klee’s own theory or his artwork\u2014two areas that (as is obvious in the case of an artist) echo each other mutually.<\/p>\n

Nevertheless, and despite the evident significance of these writings, scarcely two exhibitions have ever turned to them explicitly in order establish a visual dialogue that would focus on the relationships between Klee’s work and his teaching. This is surely due, at least in part, to the fact that this extraordinarily abundant source of material, as richly evocative as it is challenging to understand, was in a state that proved impractical for its systematic interpretation and analysis.<\/p>\n

[…]<\/p>\n

Paul Klee: master of the Bauhaus<\/p>\n

March 22, 2013 \u2013 June 30, 2013<\/p>\n

uan March Fundation<\/p>\n

Madrid, Spain<\/p>\n

+ info<\/span><\/a><\/p>\n

\n<\/p>\n","protected":false},"excerpt":{"rendered":"

La exposici\u00f3n, resultado de varios a\u00f1os de trabajo en colaboraci\u00f3n con el Zentrum Paul Klee de Berna, se apoya en el que quiz\u00e1 sea uno de los proyectos de investigaci\u00f3n sobre el artista m\u00e1s relevante de las \u00faltimas d\u00e9cadas: la reciente edici\u00f3n cr\u00edtica del as\u00ed llamado \u00ablegado pedag\u00f3gico\u00bb de Klee. La muestra permite articular una […]<\/p>\n","protected":false},"author":2,"featured_media":30177,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[12449,199,7337,556,7338,787,7335,2844,1865,1264,1278,1335,3615,8175,7336],"class_list":["post-30176","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-arte","tag-bauhaus","tag-dessau","tag-exposicion","tag-fundacion-juan-march","tag-legado","tag-paul-klee","tag-pedagogia","tag-reflexion","tag-taller","tag-teoria","tag-vanguardia","tag-walter-gropius","tag-wassily-kandinsky","tag-weimar"],"yoast_head":"\nPaul Klee: maestro de la BauhausPaul Klee: mestro da BauhausPaul Klee: master of the Bauhaus - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Paul Klee: maestro de la BauhausPaul Klee: mestro da BauhausPaul Klee: master of the Bauhaus\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/paul-klee-maestro-de-la-bauhaus\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paul Klee: maestro de la BauhausPaul Klee: mestro da BauhausPaul Klee: master of the Bauhaus - 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