{"id":30049,"date":"2013-03-25T06:20:15","date_gmt":"2013-03-25T06:20:15","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=30049"},"modified":"2018-04-23T20:48:00","modified_gmt":"2018-04-23T18:48:00","slug":"deseo-vertical-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/deseo-vertical-inigo-garcia-odiaga\/","title":{"rendered":"Deseo Vertical | \u00cd\u00f1igo Garc\u00eda Odiaga"},"content":{"rendered":"

<\/p>\n

A menudo observamos edificios que muestran un gran deseo por conquistar la verticalidad. Es inmediato pensar en la idea proporci\u00f3n, un concepto que desliga la altura real de un objeto o de un edificio de sus deseos de verticalidad. Una planta reducida, frente a una fuerte componente en el eje Z garantiza la formalizaci\u00f3n de una torre aunque su altura no sea muy elevada.<\/p>\n

\"\"<\/a>
Paisaje de retranqueos en Manhattan | wikipedia.org<\/span><\/figcaption><\/figure>\n

Pero tambi\u00e9n podr\u00eda pensarse en otro mecanismo para conquistar la vertical, el de acumular o si se prefiere el de apilar. Colocar un objeto sobre otro y otro m\u00e1s encima, en un ejercicio constante de crecer hacia arriba. Es una ley que no tiene relaci\u00f3n con lo horizontal, crecer en altura es su \u00fanico objetivo. Es una ley simple pero poderosa, gobernada secretamente por la necesidad de conseguir el equilibrio. Al montar una pieza sobre la anterior hay que equilibrar el conjunto, y para ello hay que mantener el eje de gravedad del conjunto dentro de la base inferior, para no acabar con todas las piezas en el suelo.<\/p>\n

Mantener esta premisa es la garant\u00eda de conquistar el cielo, y las arquitecturas que de ella surgen, amontonan piezas que se apoyan unas en otras para lograr la vertical.<\/p>\n

Arquitecturas de la antig\u00fcedad como las pir\u00e1mides escalonadas de Zoser o los zigurats Mayas, son ejemplos radicales de \u00e9sta estructura formal. Estructura que tambi\u00e9n emple\u00f3 Brueghel para dar forma a su representaci\u00f3n de la torre de Babel que alcanzaba las nubes, ya que como demuestra Brancusi en su columna infinita para alcanzar el cielo \u00fanicamente hay que ir apilando otra pieza sobre la anterior.<\/p>\n

Igualmente los rascacielos de los a\u00f1os treinta que aspiraban a conquistar las alturas en Nueva York o Chicago utilizaron \u00e9sta simple norma formal para generar cientos de edificios como los construidos por Raymond Hood, Ralph Thomas Walker o Ely Jacques Kahn. El edificio del 120 de Wall Street o el del 1400 de Broadway, ambos obras de Kahn, son un buen reflejo de este manejo de la altura que como bien explica Rem Koolhaas en Delirious New York<\/em>, obedece adem\u00e1s a un problema urbano.<\/p>\n

\"\"<\/a>
El 1400 de Broadway | wikipedia.org<\/span><\/figcaption><\/figure>\n

Cuando en 1915 se finaliz\u00f3 la construcci\u00f3n del Equitable Building en Manhattan, se constat\u00f3 que su sombra privaba de luz natural a cuatro manzanas de la cuadricula de la isla, y la ciudad respondi\u00f3 a este problema con la aprobaci\u00f3n de la ordenanza 1916 Zoning Resolution<\/em>. Una normativa que regulaba la altura obligando a constantes retranqueos, que originan ese lenguaje de plantas amontonadas o apiladas y que muchos han calificado como Wedding Cake Style, (estilo de tarta nupcial); y es que al fin y al cabo la l\u00f3gica del mecanismo formal de apilar dicta normas similares para una tarta o para un rascacielos. La aplicaci\u00f3n de una normativa que no obliga a unas dimensiones, sino que implica leyes formales, junto con la obligatoriedad impuesta por los promotores de agotar el aprovechamiento de los solares, generaron un amplio abanico de soluciones, que construyen el paisaje urbano de Manhattan. Un paisaje de edificios diversos, de alturas cambiantes y perfiles aterrazados que pese a la diversidad, presentan una gen\u00e9tica formal similar debido a la ordenanza municipal, lo que otorga al conjunto una cierta unidad.<\/p>\n

Resulta llamativo comprobar como arquitectos contempor\u00e1neos como SANAA han asumido esta ley creativa para desarrollar edificios en Manhattan. La volumetr\u00eda del Nuevo Museo de Arte Contempor\u00e1neo, inaugurado en 2007, obedece a la estructura formal de un apilamiento. El edificio se asemeja a una pila de cajas, de contenedores de arte, que a diferencia de los rascacielos cl\u00e1sicos centrados, investigan los l\u00edmites del equilibrio, sobrevolandose y desalineandose unas respecto a otras, rompiendo as\u00ed la continuidad del eje central, tensionando el conjunto. Podr\u00eda interpretarse que a pesar de no tener que cumplir la ordenanza 1916 Zoning Resolution<\/em>, SANAA pretend\u00eda reinterpretar la clave formal que caracteriza los grandes edificios de la ciudad de los rascacielos. No es un edificio excesivamente alto, y lo es menos a\u00fan en una ciudad como Nueva York, pero por contra las leyes que definen su forma lo convierten en una torre. En una torre de cajas apiladas que vibran por su deseo de conquistar la vertical.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga . arquitecto
\nSan Sebasti\u00e1n. marzo 2013<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

A menudo observamos edificios que muestran un gran deseo por conquistar la verticalidad. Es inmediato pensar en la idea proporci\u00f3n, un concepto que desliga la altura real de un objeto o de un edificio de sus deseos de verticalidad. Una planta reducida, frente a una fuerte componente en el eje Z garantiza la formalizaci\u00f3n de […]<\/p>\n","protected":false},"author":31,"featured_media":30050,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[1798,7267,7269,7272,508,688,4285,930,7273,978,1021,7268,12466,2066,7271,1138,7270,1865,2173,1206,1294],"class_list":{"0":"post-30049","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articulos","8":"category-slider-principal","9":"tag-chicago","10":"tag-constantin-brancusi","11":"tag-dinastia-brueghel","12":"tag-ely-jacques-kahn","13":"tag-escultura","14":"tag-idea","15":"tag-inigo-garcia-odiaga","16":"tag-new-york","17":"tag-ordenanza","18":"tag-paisaje-urbano","19":"tag-pensamiento","20":"tag-pieter-brueghel-el-viejo","21":"tag-pintura","22":"tag-proyectar","23":"tag-ralph-thomas-walker","24":"tag-rascacielos","25":"tag-raymond-hood","26":"tag-reflexion","27":"tag-rem-koolhaas","28":"tag-sanaa","29":"tag-torre"},"yoast_head":"\nDeseo 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